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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Duration 5 minutes.
Non classifié
717
Piano & claviers
Piano seul
284
Piano, Voix
73
Orgue
54
2 Pianos, 4 mains
17
Piano Facile
9
1 Piano, 4 mains
8
Piano Trio: piano, violon, violoncelle
7
Piano Quatuor: piano, violon, alto, violoncelle
5
Orgue, Piano (duo)
3
Clavecin
3
Piano, Voix et Guitare
2
Accompagnement Piano
2
Piano Quatuor: piano, 2 violons, violoncelle
2
Piano Quintette: piano, 2 violons, alto, violoncelle
2
1 Piano, 6 mains
1
2 Pianos, 8 mains
1
Accordéon
1
+ 12 instrumentations
Retracter
Guitares
Guitare
14
Guitare notes et tablatures
4
2 Guitares (duo)
3
3 Guitares (trio)
1
Ensemble de guitares
1
Voix
Chorale SATB
196
Chorale TTBB
44
Voix Soprano, Piano
13
Chorale 3 parties
12
Chorale SSAATTBB
8
Chorale SSAA
6
Voix moyenne, Piano
5
Voix basse, Piano
5
Chorale Unison
5
Chorale 2 parties
4
Chorale SSATTB
4
Voix Baryton, Piano
3
Voix Tenor, Piano
2
Voix Alto, Piano
2
Voix duo, Piano
2
Voix duo
1
Voix haute
1
Chorale SATBB
1
Chorale
1
Voix basse
1
Chorale SSATB
1
Voix, Guitare
1
+ 17 instrumentations
Retracter
Vents
Flûte traversière et Piano
37
Quintette de Saxophone: 5 saxophones
35
Ensemble de Flûtes
34
Clarinette et Piano
32
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
31
Saxophone Alto et Piano
31
Quintette de Clarinettes: 5 clarinettes
27
Hautbois, Piano (duo)
27
Clarinette
21
Ensemble de Clarinettes
18
Quatuor de Clarinettes: 4 clarinettes
17
Quatuor de Saxophones: 4 saxophones
17
Saxophone Soprano et Piano
13
Quintette de Flûte : 5 flûtes
11
Flûte traversière
10
Saxophone Tenor et Piano
8
Quatuor de Flûtes : 4 flûtes
8
Ensemble de saxophones
8
2 Flûtes traversières (duo)
7
Flûte, Violon, Piano
5
2 Clarinettes (duo)
5
Flûte, Hautbois, Clarinette, Basson
5
Clarinette Basse, Piano
5
Saxophone Baryton, Piano
4
3 Flûtes à bec (trio)
4
Flûte et Guitare
3
Clarinette, Basson, Piano (trio)
3
2 Hautbois (duo)
3
Hautbois (partie séparée)
3
2 Saxophones (duo)
3
Flûte à bec Alto, Piano
2
Hautbois, Flûte
2
Flûte, Violon
2
5 Flûtes à bec
2
Cor anglais, Piano
2
Flûte, Violoncelle, Piano (trio)
2
Clarinette et Alto
1
Clarinette, Basson (duo)
1
Hautbois
1
Flute, Cor (duo)
1
Flûte, Basson et Piano
1
Clarinette, Violoncelle, Piano (trio)
1
Flûte, Violoncelle
1
Flûte, Clarinette, Piano (trio)
1
Flûte à bec, Harpe
1
Ensemble à vent
1
2 Flûte à bec (duo)
1
Flûte, Clarinette et Basson
1
Saxophone Soprano
1
Saxophone
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
Flûte, Clarinette (duo)
1
Clarinette (partie séparée)
1
Flûte traversière, Orgue (duo)
1
Clarinette, Orchestre
1
Clarinette, Violoncelle (duo)
1
Piccolo
1
Saxophone, Clarinette (duo)
1
Trio de Flûtes: 3 flûtes
1
3 Clarinettes (trio)
1
Quatuor de Flûtes à bec
1
2 Clarinettes, Piano
1
Ensemble De Flûte à bec
1
+ 58 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
38
Trombone et Piano
14
Trompette, Piano
13
Trompette
11
Cornet et Piano
8
Quatuor de Cuivres : 2 trompettes, trombone, tuba
7
Euphonium, Piano (duo)
6
Cor et Piano
6
Tuba et Piano
5
Ensemble de Cors
4
Tuba
4
Ensemble de Trombones
4
Trombone
3
Quatuor de cuivres: 4 cors
3
Cor
3
Cor anglais, Piano
2
Quatuor de cuivres: 4 trombones
2
2 Trompettes (duo)
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Quatuor de Cuivres
1
Cor (partie séparée)
1
Trompette (partie séparée)
1
Trombone (partie séparée)
1
Trompette, Trombone (duo)
1
3 Trombones (trio)
1
2 Cors (duo)
1
2 Trombones (duo)
1
Ensemble de Trompettes
1
Trompette, Cor (duo)
1
+ 24 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
88
Violon et Piano
56
Violoncelle, Piano
30
Violon
29
Violoncelle
21
Violon (partie séparée)
15
Trio à Cordes: violon, alto, violoncelle
13
2 Violons (duo)
11
Alto (partie séparée)
9
Alto seul
9
Alto, Piano
9
Harpe
7
Contre Basse
6
Violon, Violoncelle (duo)
6
2 Violoncelles (duo)
3
Trio à cordes
3
Trio à Cordes: 2 violons, violoncelle
3
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Trio à Cordes: 3 violoncelles
2
Harpe, Flûte (duo)
2
Violon, Orgue
2
Violoncelle (partie séparée)
1
Alto, Violoncelle (duo)
1
Quatuor à cordes : 4 altos
1
2 Altos (duo)
1
Violoncelle, Orchestre
1
Violon, Alto (duo)
1
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
Violoncelle, Contrebasse (duo)
1
Ensemble de Violoncelles
1
+ 25 instrumentations
Retracter
Orchestre & Percussions
Orchestre
115
Orchestre d'harmonie
86
Orchestre de chambre
37
Orchestre à Cordes
37
Ensemble de cuivres
24
Ensemble Jazz
9
Cloches
6
Batterie
5
Marimba
3
Ensemble de Percussions
3
Orchestre, Violon
2
Quintette à Vent
2
Piano et Orchestre
2
3 Percussions
1
Orchestre Symphonique
1
+ 10 instrumentations
Retracter
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TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
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TROMPETTE
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Vous avez sélectionné:
Duration 5 minutes.
Ensemble de Percussions
Partitions à imprimer
3 partitions trouvées
<
1
Coruscations, op. 83
#
Ensemble de Percussions
#
INTERMÉDIAIRE/AVANCÉ
#
Michael A Yenny
#
Coruscations, op. 83
#
Michael A Yenny
#
SheetMusicPlus
Percussion Ensemble - Level 4 - SKU: A0.938772 Composed by Michael A Yenny. 20th Century,Concert,Contemporary,Standards. Score and parts. 90 pages. Mich...
(+)
Percussion Ensemble - Level 4 - SKU: A0.938772 Composed by Michael A Yenny. 20th Century,Concert,Contemporary,Standards. Score and parts. 90 pages. Michael A Yenny #50387. Published by Michael A Yenny (A0.938772). A highly attractive work for percussion ensemble! Coruscations are sudden, brief points of light. Score outline played here. Db major. Features mixed meters, tuneful melodies, and flowing accompaniment in the B section. Tuneful melodies also accompany a syncopated and driving rhythmic motor in the A sections. Easier to play than it appears; easily accessible for any college ensemble. Instrumentation: Marimba 1, 2, 3, xylophone, bells, chimes, crotales, timpani (5), SD/BD, sus/cr cymbal, triangle, wind chimes. Duration: 3 minutes 30 seconds. C) 2002. Level: Late intermediate+ Score and parts complete available.
$9.95
Four Forces (First movement) I. Strong Forces
#
Ensemble de Percussions
#
AVANCÉ
#
Salvador Rojo Gamón
#
Four Forces
#
Salvador Rojo-Gamon
#
SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.962406 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 173 pa...
(+)
Percussion Ensemble - Level 5 - SKU: A0.962406 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 173 pages. Salvador Rojo-Gamon #5801913. Published by Salvador Rojo-Gamon (A0.962406). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$300.00
Four Forces (Second movement) II. Weak Forces
#
Ensemble de Percussions
#
AVANCÉ
#
Salvador Rojo Gamón
#
Four Forces
#
Salvador Rojo-Gamon
#
SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.962405 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 255 pa...
(+)
Percussion Ensemble - Level 5 - SKU: A0.962405 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 255 pages. Salvador Rojo-Gamon #5801921. Published by Salvador Rojo-Gamon (A0.962405). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$150.00
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