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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Elements Solo
Non classifié
184
Piano & claviers
Piano seul
643
Piano, Voix
64
Piano Facile
23
Orgue
10
Piano, Voix et Guitare
7
Instruments en Do
7
Clavier
3
Accompagnement Piano
2
Piano (partie séparée)
2
Piano Trio: piano, violon, violoncelle
2
Clavecin
1
2 Pianos, 4 mains
1
+ 7 instrumentations
Retracter
Guitares
Guitare
46
Guitare notes et tablatures
34
Guitare (partie séparée)
2
Ukulele
2
Basse electrique
1
Paroles et Accords
1
+ 1 instrumentations
Retracter
Voix
Chorale SATB
34
Voix Tenor, Piano
17
Voix Soprano, Piano
16
Voix Alto, Piano
15
Voix Baryton, Piano
15
Chorale 3 parties
10
Chorale TTBB
9
Chorale SSAA
4
Voix duo, Piano
2
Chorale SSAATTBB
2
Voix duo
1
+ 6 instrumentations
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Vents
Flûte traversière
38
Clarinette
37
Flûte traversière et Piano
29
Clarinette et Piano
20
Saxophone Alto
19
Hautbois, Piano (duo)
16
Hautbois
15
Saxophone (partie séparée)
15
Saxophone Tenor
15
Saxophone Tenor et Piano
14
Saxophone Soprano et Piano
14
Saxophone Alto et Piano
13
Saxophone Baryton, Piano
12
Cor anglais, Piano
12
Quatuor de Saxophones: 4 saxophones
11
Clarinette Basse, Piano
10
Hautbois (partie séparée)
10
Flûte à bec Soprano
9
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
8
Quatuor de Clarinettes: 4 clarinettes
6
Quintette de Saxophone: 5 saxophones
5
Saxophone Soprano
5
Flûte et Guitare
5
Quintette de Clarinettes: 5 clarinettes
5
Saxophone Baryton
4
2 Saxophones (duo)
4
2 Flûtes traversières (duo)
4
Cor Anglais
4
Flûte, Hautbois, Clarinette, Basson
4
Clarinette (partie séparée)
3
Saxophone
3
Flûte traversière, Basse continue
2
Ensemble de Clarinettes
2
2 Hautbois (duo)
2
Quatuor de Flûtes : 4 flûtes
2
Flute (partie séparée)
2
5 Flûtes à bec
1
Ensemble de saxophones
1
Hautbois, Basson et Piano
1
Piccolo, Piano
1
Ensemble de Flûtes
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Cornemuse
1
Flûte, Clarinette (duo)
1
Quintette de Flûte : 5 flûtes
1
Piccolo
1
Clarinette Basse
1
Flûte, Basson et Piano
1
3 Clarinettes (trio)
1
Ocarina
1
+ 45 instrumentations
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Cuivres
Trompette
41
Tuba
22
Trombone
21
Trombone et Piano
19
Cor
18
Euphonium, Piano (duo)
17
Cor et Piano
13
Cor anglais, Piano
12
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
10
Trombone (partie séparée)
8
Trompette (partie séparée)
8
Trompette, Piano
7
Trio de Cuivres
5
Cor Anglais
4
Cor (partie séparée)
3
Euphonium
2
Ensemble de Cors
2
Tuba et Piano
2
Quatuor de Cuivres : 2 trompettes, trombone, tuba
2
Tuba (partie séparée)
2
Quatuor de Cuivres
2
Quatuor de cuivres: 4 cors
1
Quatuor de cuivres: 4 trombones
1
2 Cors (duo)
1
Ensemble de Trompettes
1
2 Euphoniums (duo)
1
+ 21 instrumentations
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Cordes
Violon
41
Violoncelle
36
Violon et Piano
35
Violoncelle, Piano
21
Contre Basse
21
Alto seul
19
Alto, Piano
18
Quatuor à cordes: 2 violons, alto, violoncelle
12
Trio à Cordes: violon, alto, violoncelle
9
Alto (partie séparée)
8
Quintette à cordes: 2 violons, alto, violoncelle, basse
4
Harpe
3
Contrebasse (partie séparée)
2
Contrebasse, Piano (duo)
2
Violon (partie séparée)
2
2 Violons (duo)
2
Violon, Violoncelle (duo)
1
Alto, Guitare (duo)
1
2 Violoncelles (duo)
1
Harpe, Violon (duo)
1
+ 15 instrumentations
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Orchestre & Percussions
Orchestre à Cordes
24
Orchestre
23
Orchestre de chambre
15
Orchestre d'harmonie
12
Ensemble Jazz
12
Jazz combo
4
Ensemble de cuivres
3
Ensemble de Percussions
2
Marimba
2
Fanfare
2
Percussion (partie séparée)
2
Vibraphone
2
Xylophone, Piano
1
Piano et Orchestre
1
Batterie (partie séparée)
1
Batterie
1
+ 11 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
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Crtitères actifs :
Elements Solo
Ensemble de Percussions
Partitions à imprimer
2 partitions trouvées
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1
Four Forces (First movement) I. Strong Forces
#
Ensemble de Percussions
#
AVANCÉ
#
Salvador Rojo Gamón
#
Four Forces
#
Salvador Rojo-Gamon
#
SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.962406 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 173 pa...
(+)
Percussion Ensemble - Level 5 - SKU: A0.962406 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 173 pages. Salvador Rojo-Gamon #5801913. Published by Salvador Rojo-Gamon (A0.962406). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$300.00
Four Forces (Second movement) II. Weak Forces
#
Ensemble de Percussions
#
AVANCÉ
#
Salvador Rojo Gamón
#
Four Forces
#
Salvador Rojo-Gamon
#
SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.962405 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 255 pa...
(+)
Percussion Ensemble - Level 5 - SKU: A0.962405 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 255 pages. Salvador Rojo-Gamon #5801921. Published by Salvador Rojo-Gamon (A0.962405). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$150.00
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Elements Solo
