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291
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155
Orgue
123
Piano Trio: piano, violon, violoncelle
51
1 Piano, 4 mains
45
Accordéon
31
2 Pianos, 4 mains
23
Piano Quatuor: piano, violon, alto, violoncelle
15
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10
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7
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5
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3
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2
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GUITARES
Guitare
177
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161
Basse electrique
40
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31
Ukulele
31
Ligne De Mélodie, (Paroles) et Accords
19
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17
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16
Mandoline
16
Dulcimer
13
Piano, Guitare (duo)
10
Banjo
9
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8
3 Guitares (trio)
4
Ensemble de guitares
3
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2
Mandoline, Guitare (duo)
2
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2 Mandolines (duo)
1
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VOIX
Chorale SATB
1036
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373
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359
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244
Chorale TTBB
109
Voix duo
92
Chorale SSAA
76
Voix Tenor, Piano
56
Voix seule
52
Voix Soprano, Piano
50
Voix Alto, Piano
37
Voix Baryton, Piano
35
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12
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7
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VENTS
Quatuor de Saxophones: 4 saxophones
326
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
322
Flûte, Hautbois, Clarinette, Basson
275
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Flûte traversière et Piano
261
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247
Clarinette et Piano
219
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200
Clarinette
195
Saxophone Alto et Piano
166
Flûte traversière
165
2 Flûtes traversières (duo)
160
Saxophone
151
Saxophone Tenor et Piano
139
Saxophone Soprano et Piano
118
2 Clarinettes (duo)
117
Saxophone Alto
111
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104
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96
Flûte, Clarinette (duo)
80
Hautbois (partie séparée)
79
3 Saxophones (trio)
74
Saxophone Tenor
74
Saxophone Baryton, Piano
72
2 Hautbois (duo)
64
Clarinette, Violon (duo)
54
Quatuor de Flûtes : 4 flûtes
54
Hautbois
51
Saxophone, Clarinette (duo)
51
Ensemble de Clarinettes
50
Hautbois, Basson (duo)
50
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47
3 Clarinettes (trio)
46
2 Flûte à bec (duo)
44
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39
Cor anglais, Piano
39
Hautbois, Violoncelle
36
Flûte, Clarinette et Basson
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Ensemble de saxophones
34
Clarinette, Basson (duo)
33
Ensemble de Flûtes
33
Clarinette, Trompette (duo)
32
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31
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30
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29
Flûte à bec Soprano
29
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26
Clarinette, Violoncelle (duo)
25
Quintette de Flûte : 5 flûtes
25
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24
Clarinette et Alto
24
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20
Flûte à bec Alto
20
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20
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19
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19
Flûte, Hautbois, Piano (trio)
16
Saxophone Soprano
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Flûte à Bec
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Flûte, Violoncelle, Piano (trio)
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Flûte, Hautbois, Clarinette (trio)
15
Cor Anglais
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14
Saxophone Baryton
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12
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12
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11
Flute (partie séparée)
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Harmonica
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2 Clarinettes, Piano
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Flûte, Alto et Piano
8
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Ocarina
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Hautbois et alto (duo)
7
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7
Flûte à bec Alto, Piano
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Flûte à bec Tenor
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Clarinette, Basson, Piano (trio)
5
Hautbois, Clarinette et Piano (Trio)
5
Flûte, Violon et Violoncelle
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Clarinette Basse
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Flûte, trombone et piano
5
Hautbois, Violoncelle et Piano
4
Clarinette, Trombone (duo)
4
Flûte, Violon, Violoncelle et Piano
3
Flûte, Trombone (duo)
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Clarinette, Harpe (duo)
3
Flûte irlandaise
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Flûte à bec Soprano, Piano
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Clarinette, Tuba
3
Clarinette, Alto et Piano (trio)
3
Hautbois, Violon, Piano
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2
Flûte, Tuba (duo)
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4 Hautbois
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Ensemble à vent
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Hautbois, Guitare (duo)
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2 Cors Anglais Et Pianoforte
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Ensemble de Hautbois
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3 Hautbois
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Hautbois, Basson et Piano
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Piccolo, Piano
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Flûte, Violoncelle, Guitare
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Flûte et Trio à cordes
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Cor anglais, Guitare (duo)
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Flute, harpe et violon
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1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
394
Trompette
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154
Trombone
151
Cor et Piano
136
Quatuor de Cuivres
96
Cor
94
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81
Quatuor de Cuivres: 2 trompettes, Cor, trombone
81
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76
Tuba
75
2 Trombones (duo)
70
Trompette, Trombone (duo)
54
Ensemble de Trompettes
51
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49
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47
2 Cors (duo)
43
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41
Cor anglais, Piano
39
Trompette (partie séparée)
36
2 Tubas (duo)
24
Trompette, Cor (duo)
24
Ensemble de Trombones
22
Quatuor de cuivres: 4 trombones
19
Quatuor de cuivres: 4 trompettes
18
Quatuor de cuivres: 4 cors
17
Trio de Cuivres
16
Cor Anglais
14
Cor, Violoncelle (duo)
13
3 Trompettes (trio)
12
Cor (partie séparée)
11
Tuba (partie séparée)
11
Trompette, Violoncelle (duo)
10
3 Trombones (trio)
10
Ensemble de Cors
9
Euphonium
8
4 Tubas
7
Trompette, Violoncelle et Piano
6
Trombone, Cor (duo)
6
Trombone basse et Piano
5
Trompette, Basson (duo)
5
Trompette, Tuba (duo)
5
Quatuor de cuivres: 2 trompettes, 2 trombones
5
Cor et Basson (duo)
5
2 Euphoniums et 2 Tubas
4
Tuba et Orgue
4
Trompette, Trombone, Piano
4
Trombone, Tuba (duo)
3
3 Cors (trio)
3
Cor, Tuba (duo)
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Trombone basse
2
2 Cors Anglais Et Pianoforte
2
3 Tubas (trio)
2
2 Trompettes, Clavier (piano ou orgue)
1
2 Cors, Piano
1
2 Euphoniums (duo)
1
Cor anglais, Guitare (duo)
1
Trompette, violon (duo)
1
Trombone, Violon (duo)
1
Cor et Harpe
1
Trompette, Harpe
1
Ensemble de Tubas
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
659
Violon et Piano
317
Alto, Piano
217
Violoncelle, Piano
207
Violon
191
Violon, Violoncelle (duo)
173
Violoncelle
172
Quintette à cordes: 2 violons, alto, violoncelle, basse
164
Alto seul
117
Trio à Cordes: violon, alto, violoncelle
114
2 Violons (duo)
114
2 Violoncelles (duo)
97
Violon, Alto (duo)
83
Harpe
79
Trio à Cordes: 2 violons, violoncelle
72
2 Altos (duo)
71
Contrebasse, Piano (duo)
66
Contre Basse
64
Alto, Violoncelle (duo)
36
Violon (partie séparée)
30
Alto (partie séparée)
28
4 Violoncelles
23
Piano Trio: Violon, Alto, Piano
22
Trio à cordes: 3 violins
21
Contrebasse (partie séparée)
19
Trio à Cordes: 3 violoncelles
19
Violon, Basson (duo)
19
Quatuor à cordes : 4 altos
17
2 Contrebasses (duo)
16
Quatuor à cordes: 4 violons
13
Trio à cordes: 3 altos
11
Alto et Basson
11
Quintette à cordes : 2 violons, alto et 2 violoncelles
11
Trio à Cordes: 2 violons, alto
10
Ensemble de Violons
9
Ensemble d'Altos
9
Violon, Clarinette, Piano (trio)
9
Violon, Guitare (duo)
8
2 Harpes (duo)
6
Violoncelle (partie séparée)
6
Violoncelle, Contrebasse (duo)
5
Harpe, Flûte (duo)
4
Alto, Guitare (duo)
3
Harpe, Voix
3
2 Altos, Piano
2
4 Harpes
2
Harpe, Trombone (duo)
2
Flûte, Contrebasse (duo)
2
Harpe, Violon (duo)
2
Violon, Tuba (duo)
2
Alto et Harpe
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Harpe et mandoline
1
Violon, Violoncelle, Clarinette
1
3 Harpes
1
Harpe, Violoncelle (duo)
1
2 Violons, Piano
1
Violoncelle, Orchestre
1
2 Violoncelles, Piano
1
Ensemble de Violoncelles
1
4 Contrebasses
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
615
Orchestre à Cordes
242
Orchestre
219
Ensemble Jazz
147
Ensemble de cuivres
140
Fanfare
81
Cloches
80
Orchestre de chambre
78
Jazz combo
47
Batterie
37
Ensemble de Percussions
28
Marimba
22
Xylophone
18
Percussion (partie séparée)
13
Xylophone, Piano
11
Batterie (partie séparée)
8
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
6
Vibraphone
4
Ensemble d'École
2
2 Xylophones
2
Quintette de Cuivres: autres combinaisons
2
Percussion
1
Piano et Orchestre
1
Orchestre, Violon
1
2 Marimbas
1
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AUTRES
Vous avez sélectionné:
End Of Time
Ensemble de Percussions
Partitions à imprimer
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The End of Time - Drumline Cadence
Ensemble de Percussions
Percussion Ensemble - Level 3 - Digital Download SKU: A0.1240434 Composed by Alphon…
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.1240434 Composed by Alphonso Gonzalez III. Contemporary,Instructional,March. 7 pages. Alphonso Gonzalez III #835815. Published by Alphonso Gonzalez III (A0.1240434).
$5.00
4.58 €
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Ensemble de Percussions
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Alphonso Gonzalez III
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The End of Time - Drumline Cadence
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Alphonso Gonzalez III
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SheetMusicPlus
Zombies of Annihilation
Ensemble de Percussions
Percussion Ensemble - Level 3 - Digital Download SKU: A0.987429 Composed by Jairo M…
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.987429 Composed by Jairo Mora. Rock. Score and parts. 11 pages. Jairo Mora #2022877. Published by Jairo Mora (A0.987429). This is a fun piece to play with a group of friends and especially, gamers. Based on the Call of Duty series, this zombies piece can either be played with a backing track or without one. This piece is sure to showcase both the front ensemble at times and the battery at others. Have fun with this one!
$20.00
18.32 €
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Ensemble de Percussions
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Jairo Mora
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Zombies of Annihilation
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Jairo Mora
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SheetMusicPlus
Two Dreams for solo Trombone and 8-part Percussion Ensemble
Ensemble de Percussions
Percussion Ensemble - Level 5 - Digital Download SKU: A0.811252 Composed by Antonio…
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.811252 Composed by Antonio J. Garcia. Contemporary,Jazz,Latin,World. Score and parts. 119 pages. Gordon Cherry #6549777. Published by Gordon Cherry (A0.811252). Two Dreams for Trombone and Percussion EnsembleDr. Justin Alexander (Director, VCU Percussion Ensemble) invited me to create a piece for trombone and percussion ensemble that had roles for more- and less-experienced players so that they could mix within the performance. I so enjoyed composing and performing this work. He estimates the overall difficulty grade of Movement I to be a three on a five-point scale and Movement II to be a four, with a grade four for the overall piece; but some players’ parts (within the eight total in the percussion ensemble) are indeed easier.The two Movements are approximately five minutes each.The first Movement Bilita Mpash (An Amazing Dream) calls for (1) shekeré/guiro; (2) 5-octave marimba (shared with...); (3) 5-octave marimba (shared with previous); (4) claves/drum set with mounted cowbell; (5) bell/mounted cowbell/congas; (6) hi-hat/suspended cymbal; (7) bass drum; and (8) four toms/maracas.The Second Movement (Running with the Tigers) calls for (1) xylophone; (2) vibraphone/glockenspiel; (3) 5-octave marimba; (4) drum set; (5) shaker/samba whistle/congas (opt. voice); (6) triangle/bell tree/hanging bells/agogo bells (opt. voice); (7) bass drum (opt. voice); and (8) Timpani (opt. voice). Pending difficulty levels, the conga and drum set parts can optionally be split among additional percussionists. The score notes offer a stage plot and many rehearsal tips.Bilita Mpash (An Amazing Dream)The 3-2 Rumba Clave anchors this movement, launched by the shekeré. Rhythmic vamps of multiple bars form the landscape over which the trombone’s melody emerges, followed by a move to double-time 2-3 Rumba Clave (with montuno) and back. The trombone soloist improvises without chordal accompaniment for a while so could reflect on the preceding harmonies or instead freely improvise with no concern as to chord changes, while a later section requires improv over chord changes. After the recap, a surprise tag of the ending phrase in Cha Cha sets up the rubato finish. Bilita Mpash (BILL-it-uh m-POSH) is a Bantu term for an amazing dream, a dream so good that it is the polar opposite of a nightmare-a dream in a blissful state where all is forgiven and forgotten2. Running with the TigersThe opening, written-out marimba solo is somewhat of a nod to vibist Gary Burton’s influence in bringing mallets towards the expression of modern jazz. A 9/8 samba-groove (5+4) transforms to 4/4. None of the percussionists have to have a jazz background, though the drum set player would be more challenged if not already exposed to Latin drumming. The improvised solo section could be all solo trombone or could be divided among various performers, including trading. The recap of the tune begins over 5/8 samba (3+2, later 2+3). The closing arrhythmic drum-set solo crescendos as the optional surprise of percussionists’ (or additional) voices sing at the end. The title of this movement refers to a recurring dream my dad would have, as well as to the active movements of my grandson when sleeping in his earliest years.-Antonio J. GarcÃaInstrumentation is for:Solo Trombone and 8-part Percussion Ensemble:shekeré/guiro, 2 5-octave marimbas, claves/drumset with cowbell, bell, congas, hi-hat, suspended cymbal, bass drum, toms, maracas, xylophone, vibraphone, glockenspiel, shaker, samba whistle, congas, triangle, bell tree, hanging bells, agogo bells, bass drum and timpani.This rhythmic and dramatic work includes improvisation by the Trombonist. Listen to the brilliant live performance featuring Mr. Garcia and the Virginia Commonwealth University Percussion Ensemble directed by Dr. Justin Alexander.
$50.00
45.81 €
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Ensemble de Percussions
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Antonio J
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Two Dreams for solo Trombone and 8-part Percussion Ensemble
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Gordon Cherry
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SheetMusicPlus
The Escape (medium/big percussion ensemble)
Ensemble de Percussions
Percussion Ensemble Bass Marimba,Chimes,Cymbals,Drum Set,Low Drum,Quad Toms,Shaker,Suspend…
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Percussion Ensemble Bass Marimba,Chimes,Cymbals,Drum Set,Low Drum,Quad Toms,Shaker,Suspended Cymbal,Tam Tam,Tambourine,Timpani,Tom Tom,Tubular Bells,Vibraphone,Xylophone - Level 4 - Digital Download SKU: A0.1274188 Composed by Frits Renting. Film/TV. 51 pages. Frits_Renting #866319. Published by Frits_Renting (A0.1274188). Side note: This version is for medium/big percussion ensemblesEN:This composition was written for one of the parts of the D exam by Frits Renting. The starting point of the composition was: film music. Inspired by well-known works by Hans Zimmer, Brian Tyler, John Williams and works by De Efteling. The composition starts in a fairly small composition in which, with the help of crescendos and several instruments, it works towards a strong, but above all open and cheerful part. This is followed by a short untuned percussion solo. After this, theme A is closed in a calm, non-violent manner. Immediately theme B comes in which is built up through crescendos and multiple instruments over time. Theme B also comes to a quiet end afterwards. After this theme A and B return at the same time, which builds up and closes in a grandiose way.NL:Deze compositie is geschreven voor één van de onderdelen van het D examen van Frits Renting. Het uitgangsdoel van de compositie was: filmmuziek. Geïnspireerd door bekende werken van Hans Zimmer, Brian Tyler, John Williams en werken van De Efteling. De compositie begint in een vrij kleine samenstelling waarbij, met behulp van crescendo's en meerdere instrumenten, het zich toewerkt naar een sterk, maar vooral open en vrolijk gedeelte. Dit wordt opgevolgd door een korte ongestemde slagwerk solo. Hierna wordt thema A op een rustige, geweldloze manier afgesloten. Direct komt thema B binnenvallen wat word opgebouwd door middel van crescendo's en meerdere instrumenten in loop van de tijd. Ook komt thema B daarna tot rustig einde. Hierna komen thema A en B tegelijkertijd terug wat zich opbouwt en op een grandioze manier, zich afsluit.
$80.00
73.29 €
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Ensemble de Percussions
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Frits Renting
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The Escape
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Frits_Renting
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SheetMusicPlus
Holiday Bolero for Keyboard Percussion
Ensemble de Percussions
Percussion Ensemble - Level 2 - Digital Download SKU: A0.935380 Arranged by Pharaoh…
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Percussion Ensemble - Level 2 - Digital Download SKU: A0.935380 Arranged by Pharaoh Publications. Christian,Christmas,Contemporary,Spiritual. Score and parts. 14 pages. Pharaoh Publications #5212781. Published by Pharaoh Publications (A0.935380). Holiday Bolero for keyboard percussion arr. by Dan Heslink This arrangement is available in two versions, a quintet for xylophone and four marimbas, and a percussion ensemble octet for orchestra bells, vibes, 3 marimbas, snare drum, timpani and multiple percussion. These comments refer to the mallet quintet arrangement. While the term Bolero can be applied to a variety of slow-tempo Latin dances, for most orchestral performers the title will evoke the stirring rhythms of Ravel’s famous Bolero. Similarities include the driving 3/4 bolero rhythm, the building of tension over one long-range crescendo, and the climactic conclusion. The pitch content is based on O Holy Night, the well-known Christmas carol composed by Adolphe Adam in 1847. The difficulty level in terms of executing notes and rhythms is medium-easy. At the same time, the dynamic planning and control of the crescendo requires considerable musical judgment. All of the keyboard parts require only two mallets; some passages unfold as double stops. Mallets for the marimbas should be chosen to maximize the blend of individual parts into a unified chord. There are no key changes, or mallet and hand independence. Holiday Bolero is sure to be an audience pleaser during a winter concert, especially close to Christmas. It would serve equally well in a percussion recital or a church service. In church this work would be appropriate as special music or as an offertory. Duration is 2:52. The arranger, Dan Heslink, can be contacted at dan@dheslink.com.
$4.99
4.57 €
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Ensemble de Percussions
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Pharaoh Publications
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Holiday Bolero for Keyboard Percussion
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Pharaoh Publications
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SheetMusicPlus
Gravity for Septet
Ensemble de Percussions
Percussion Ensemble - Level 5 - Digital Download SKU: A0.1027778 Composed by Mohamm…
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.1027778 Composed by MohammadHadi Ayanbod. 20th Century,Contemporary. Score and parts. 25 pages. Rimorarte Edition #5996957. Published by Rimorarte Edition (A0.1027778). In GRAVITY I explored different gravities as forces we not only feel them in every moments of our lives, but also thinking of living without or escaping from them seems impossible. Likewise, those gravities exist in the music, make us feel the music continuous, desirable, logical and an integrated language of art. The exploration of the path from chaos to unity, and from unity to multiplicity, is where the title came from. GRAVITY consists of two main sections. The first section, which shows the fully-grown and flourished musical ecosystem, and the second part; a flashback to just after big-bang, which tries to musicalize the creation of the gravity! In the first section, I’ve used the concept of horizontal and vertical minimalism. At the very beginning of the piece we have a structure that bring the idea of the vertical minimalism out. In every moment, each instrument plays the same note as others. However, the narrative line is divided into different octaves, so, the melody is not the same in spite of the fact that each instrument plays the same tone. This structure also reminds the paradoxical ladder or optical staircase illusion. The narration is built up until it reaches temporal climax. At the same time, this melody starts again from the beginning with some microscopic differences visible vividly to musicians. This semi reciprocating musical narration, could be observed as a musical example of the staircase illusion. After this part, but still in the first section of the music, I’ve used the horizontal (traditional) minimalism idioms to explore the bounding forces present in the music. Although, what interesting here is the creation of synthetic voices which is the result of different amounts of the nuances and different combinations of the sound. For keen ears, it seems like shades of neon lights, penetrate into one another in the scale of time and create a big picture of micro fluctuating objects. In the second section or just after big-bang, I’ve observed and recreate musically, the very moment of creation of the gravity just after the big-bang. Here, we don’t have melody, rhythm, structure, narration and other aspects of the music in the traditional way, although all of them are present in the music. very single sound or noise is meaningful and showing the assemblage process of the forces in the music to create a melody line. I’ve occupied idioms of contemporary Sonorism genre to create the atmosphere. This highly complex texture shows the virtuosity of interpreters and the capability of the instruments in avant-garde literature and extended techniques. The music is concluded by a fast-tempo finale, with the instruction of fortissimo possiblile (as loud as possible). The piece, in fact, will not be finished as a morendo, but, it opens a space for hypothetically living structure; constantly grows, flourishes, shines and decays.
$16.99
15.57 €
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Ensemble de Percussions
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MohammadHadi Ayanbod
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Gravity for Septet
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Rimorarte Edition
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SheetMusicPlus
Donut Etudes vol. 3: Don’t Step in the Holes! – Keyboard Percussion (Mallet) Quartet
Ensemble de Percussions
Percussion Ensemble - Level 3 - Digital Download SKU: A0.784338 Composed by Joshua …
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.784338 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288673. Published by Slide Ride (A0.784338). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
4.58 €
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Ensemble de Percussions
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Joshua Hauser
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Donut Etudes vol. 3: Don’t Step in the Holes! – Keyboard Percussion
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Slide Ride
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SheetMusicPlus
Don't Worry, Be Happy
Ensemble de Percussions
Percussion Ensemble - Level 3 - Digital Download SKU: A0.899162 By Bobby McFerrin. …
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.899162 By Bobby McFerrin. By Bobby McFerrin. Arranged by Ricardo Matosinhos. Jazz. Score and parts. 32 pages. Ricardo Matosinhos #5723941. Published by Ricardo Matosinhos (A0.899162). This is a well known piece by Bobby McFerrin. Here presented on a music arrangement for unconventional music instruments. The arrangement allows flexibility, so this piece can be performed using tuned bottles (25cl, 33cl and 75cl), lip whistle, finger snaps, complemented with xylophones and optionally with voices to sing the lyrics too. This arrangement was made during the 2020 quarantine, when the world was shutdown due to a world virus pandemic. Some of the music students didn’t have their music instruments at home, so this arrangement came up to fill that gap and it is perfect to keep doing music with the available option of instruments.On each rehearsal letter, you can play optional improvisations, while keeping the voices 5-8. These improvisations can be easily done using the C major pentatonic scale or the note ranges presented on the right, that even include Eâ™ and Bâ™. If played using lip whistle, bendings will be possible too. This arrangement presents 8 voices and an alternative solution for voice 8, that makes it easier to be performed as it is the place where bottles are divided between the players. There is also an optional bass line to complement voice eight one octave bellow. In order to keep it simple, neither dynamics or articulations were included and the notes were represented always in the middle octave in G clef. The correct pitch ranges are presented in the performance notes.The amount of water will change the pitch differently depending if you are blowing or doing percussion on a bottle. When blowing, the more water you use, the higher the pitch will be, but while doing percussions more water means lower pitch. A good option, in order to save time during rehearsals, is to fill the bottles with water, marking the level with a pen, and then filling the bottle with the desired amount of hot wax instead of water. This way, when the wax cools down you can have a tuned bottle without requiring to tune it again every single rehearsal. Please note that the bottles should be made of glass and that different aspects change the performance. For percussion, straight bottles are better to tune as the curves in the bottles tend to produce unstable pitches. The extreme notes of the range might not be available in every single bottle, so you might need to try some alternatives. For example the high A is available in some beer bottles, while the low G is available in larger 75cl bottles of champaign. Last but not least, this piece should always be played according to Bobby’s motto: dont worry, be happy!I had lots of fun while doing this arrangement, now it’s your time to have fun while performing it!Ricardo Matosinhoshttp://www.ricardomatosinhos.com
$14.99
13.73 €
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Ensemble de Percussions
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Bobby McFerrin
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Ricardo Matosinhos
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Don't Worry, Be Happy
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Ricardo Matosinhos
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SheetMusicPlus
Op. 30 - Poem For Drums for HS Drumline
Ensemble de Percussions
Percussion Ensemble - Level 3 - Digital Download SKU: A0.987180 Composed by K. Mars…
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.987180 Composed by K. Marschke. Contemporary. Score and parts. 3 pages. K Marschke #2024387. Published by K Marschke (A0.987180). A drum cadence staring snare, tenor (5 drums), bass. Length is 1 min played at 120 bpm. This is challenging and easy to learn so the players could spend little time practicing on it while still giving them a challenge to improve off of.
$21.00
19.24 €
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Ensemble de Percussions
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K
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Op. 30 - Poem For Drums for HS Drumline
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K Marschke
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SheetMusicPlus
Nuevo Nueve ( New Nine )
Ensemble de Percussions
Percussion Ensemble - Level 2 - Digital Download SKU: A0.942726 Composed by Frank P…
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Percussion Ensemble - Level 2 - Digital Download SKU: A0.942726 Composed by Frank Pugh. Standards. Score and parts. 24 pages. Frank Pugh #6018905. Published by Frank Pugh (A0.942726). I wrote Nuevo-Nueve for an ensemble of nine new first-time percussion students. Nuevo meaning new or different, and Nueve meaning nine, seemed to be a good title for the piece. Going along with the concept of nine, the song is written in nine bar phrases and has a total of 99 measures as well. It uses simple and repetitive patterns to introduce students to the instruments that are utilized in the piece. Out of the nine students that I originally wrote it for, six were wind players and the other three had never read music. They had great success with it (and a lot of fun, too!). The first four parts are all listed as generic mallet parts, and all work pretty well with whatever mallet instruments that you have available. Part 3 and 4 double each other, but part 4 is in bass clef. They are written on the same sheet. If you have the equipment for it, I recommend the following instrumentation: Part 1: bells or marimba Part 2: vibraphone Part 3: marimba Part 4: (optional, bass clef, doubles part 3): bass guitar, keyboard, or mallet controller Part 5: hi-hat cymbal, suspended cymbal, mounted tambourine Part 6: guiro, castanets, maracas, two pitched toms Part 7: drum set Part 8: suspended cymbal, china cymbal, splash cymbal, triangle Part 9: concert bass drum, cabasaBe sure to check out my other small ensemble arrangements here on Sheet Music Plus, and thanks for taking a look!
$11.99
10.98 €
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Ensemble de Percussions
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Frank Pugh
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Nuevo Nueve
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Frank Pugh
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SheetMusicPlus
Christmas Calypso for Percussion Sextet
Ensemble de Percussions
Percussion Ensemble - Level 2 - Digital Download SKU: A0.935389 Arranged by Dan Hes…
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Percussion Ensemble - Level 2 - Digital Download SKU: A0.935389 Arranged by Dan Heslink. Christian,Christmas. Score and parts. 18 pages. Pharaoh Publications #6117159. Published by Pharaoh Publications (A0.935389). Christmas Calypso for Percussion Sextet . . . . . . . . . . . . . . arr. Dan Heslink The calypso style referenced in the title is not the calypso of Afro-Caribbean music from Trinidad and Tobago. Rather, it is the especially toned-down but still rhythmic commercial variant popularized by folk singers. Couched in this style, the arrangement offers Christmas favorites Deck the Halls, Angels We Have Heard On High, God Rest Ye Merry Gentlemen and Good Christian Men, Rejoice. This if one of two versions of the calypso arrangement by Dan Heslink, both of which are available through Sheet Music Plus. The other arrangement, percussion sextet, follows similar musical contours and is available separately. Both versions are intended to elicit one primary response from both performers and audience – fun. It does not tax the players technically, but delivers a satisfying sound with carols that the performers likely know and love. General audiences will be enchanted by the familiar melodies delivered in percussion, especially at Christmas time. The introduction opens with a brisk and rhythmic introduction based on Deck the Halls, and establishes the fun calypso rhythm immediately. Deck the Halls is the much-loved welsh air that was arranged by Haydn, Nos galan (Hob. XXXIb:29, 1803). Then, Angels We Have Heard on High breaks out in double-stops with a continuation of the rhythmic impetus. The birth of Jesus Christ as narrated in the Gospel of Luke is the subject of Angels We Have Heard on High, a traditional French song of unknown origin. The gloria section provides some flowing contrast, portraying the shepherds’ impressions as they encounter a multitude of angels singing and praising. The performers are encouraged to use a relaxed stroke to glide through these passages. Following is God Rest Ye Merry Gentlemen, a 16th century English traditional Christmas carol also known under the title, The old Christmas Carol. It provides a contrast in tonality (minor mode) and texture. The xylophone part likely will lay most comfortably when executed with four mallets, although there are no three or four mallet chords in these passages. Good Christian Men, Rejoice is the closing selection in this Christmas medley. It’s title is an English translation of In dulci jubilo (Latin for In sweet rejoicing). The work ends happily with a summation of the calypso rhythm. This medley will be especially effective programmed on a winter holiday concert. Duration is 2:30. The arranger, Dan Heslink, assigned a difficulty level of medium easy, and can be contacted at dan@dheslink.com.
$4.99
4.57 €
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Ensemble de Percussions
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Dan Heslink
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Christmas Calypso for Percussion Sextet
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Pharaoh Publications
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SheetMusicPlus
Christmas Calypso for Marimba Quartet
Ensemble de Percussions
Percussion Ensemble - Digital Download SKU: A0.935390 Arranged by Dan Heslink. Chri…
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Percussion Ensemble - Digital Download SKU: A0.935390 Arranged by Dan Heslink. Christian,Christmas. Score and parts. 16 pages. Pharaoh Publications #6117165. Published by Pharaoh Publications (A0.935390). Christmas Calypso for Marimba Quartet . . . . . . . . . . . . . . arr. Dan HeslinkThe calypso style referenced in the title is not the calypso of Afro-Caribbean music from Trinidad and Tobago. Rather, it is the especially toned-down but still rhythmic commercial variant popularized by folk singers. Couched in this style, the arrangement offers Christmas favorites Deck the Halls, Angels We Have Heard On High, God Rest Ye Merry Gentlemen and Good Christian Men, Rejoice. This if one of two versions of the calypso arrangement by Dan Heslink, both of which are available through Sheet Music Plus. The other arrangement, for percussion sextet, follows similar musical contours and is available separately. Both versions are intended to elicit one primary response from both performers and audience – fun. It does not tax the players technically, but delivers a satisfying sound with carols that the performers likely know and love. General audiences will be enchanted by the familiar melodies delivered in percussion, especially at Christmas time. The introduction opens with a brisk and rhythmic introduction based on Deck the Halls, and establishes the fun calypso rhythm immediately. Deck the Halls is the much-loved welsh air that was arranged by Haydn, Nos galan (Hob. XXXIb:29, 1803). Then, Angels We Have Heard on High breaks out in double-stops with a continuation of the rhythmic impetus. The birth of Jesus Christ as narrated in the Gospel of Luke is the subject of Angels We Have Heard on High, a traditional French song of unknown origin. The gloria section provides some flowing contrast, portraying the shepherds’ impressions as they encounter a multitude of angels singing and praising. The performers are encouraged to use a relaxed stroke to glide through these passages. Following is God Rest Ye Merry Gentlemen, a 16th century English traditional Christmas carol also known under the title, The old Christmas Carol. It provides a contrast in tonality (minor mode) and texture. The xylophone part likely will lay most comfortably when executed with four mallets, although there are no three or four mallet chords in these passages. Good Christian Men, Rejoice is the closing selection in this Christmas medley. It’s title is an English translation of In dulci jubilo (Latin for In sweet rejoicing). The work ends happily with a summation of the calypso rhythm. This medley will be especially effective programmed on a winter holiday concert. Duration is 2:30. The arranger, Dan Heslink, assigned a difficulty level of medium easy, and can be contacted at dan@dheslink.com.
$4.99
4.57 €
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Ensemble de Percussions
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Dan Heslink
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Christmas Calypso for Marimba Quartet
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Pharaoh Publications
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SheetMusicPlus
When The River Meets The Sea
Ensemble de Percussions
Percussion Ensemble - Level 4 - Digital Download SKU: A0.984036 Composed by Andrew …
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Percussion Ensemble - Level 4 - Digital Download SKU: A0.984036 Composed by Andrew Charles Naylor and Roma Connie Waterman. Arranged by Jilly Cooke. Contemporary. Score and parts. 72 pages. Jilly Paige Cooke #5797561. Published by Jilly Paige Cooke (A0.984036). Paul Williams's beloved tune from the Jim Henson Company's timeless Christmas special Emmet Otter's Jug-Band Christmas is now available as an arrangement for percussion ensemble!Originally performed in December 2019 by the University of Iowa School of Music's percussion studio, under the direction of Dr. Dan Moore, this lively, jazzy arrangement was lovingly crafted by Iowa Percussion's own Jilly Cooke, a music education major who was a junior at the time of this arrangement's premiere. As a lifelong fan of the Muppets (and a promising aspiring puppeteer herself), Cooke cleverly weaves in numerous references to various tunes and styles that have influenced her musical preferences and career (with notes in the score to bring out these musical quotes). Beginning with a faithful adaptation of the original gospel-waltz ballad feel from the TV special, the arrangement swiftly transitions into a toe-tapping, New Orleans-style second-line groove with a solo section and a witty trade-off section in the middle.Instrumentation of 8 players includes: Vibraphone 1 (preferably includes E3), Vibraphone 2, Marimba 1/Accordion (optional use of amplified Melodica), Marimba 2 (preferably includes F2), Bass Marimba (premiere performance used Bass MalletKAT, optional use of Bass Guitar and/or Keyboard Patch), Piano, Drum Set, and Auxiliary Percussion (includes Mark Tree, Suspended Cymbal, Triangle, and important gospel-style Tambourine).
$24.99
22.9 €
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Ensemble de Percussions
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Andrew Charles Naylor and Roma Connie Waterman
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Jilly Cooke
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When The River Meets The Sea
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Jilly Paige Cooke
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SheetMusicPlus
Waltz No.3 "A Campus Burlesque"
Ensemble de Percussions
Percussion Ensemble - Level 3 - Digital Download SKU: A0.1024088 Composed by Zachar…
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.1024088 Composed by Zachary M. Robinson. 20th Century. Score and parts. 30 pages. Zach Robinson #1919711. Published by Zach Robinson (A0.1024088). Burlesque is a literary, dramatic, or musical work intended to cause laughter by caricaturing the manner or spirit of seriousness, or by ludicrous treatment of a subject. This is a waltz based around how I view my undergraduate studies and of the money and time I have spent, despite my high academic standing. It ends solemnly, yet also longingly to suggests that I hope college will eventually get harder and I will actually learn what I have set out to... We can all dream can't we.
$30.99
28.39 €
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Ensemble de Percussions
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Zachary M
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Waltz No.3 "A Campus Burlesque"
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Zach Robinson
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SheetMusicPlus
Celebrations for Percussion Ensemble Octet
Ensemble de Percussions
Percussion Ensemble - Level 3 - Digital Download SKU: A0.1075547 Composed by Brian …
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.1075547 Composed by Brian Monroe. 20th Century,Instructional. Score and parts. 48 pages. BLM Music Publications (https://brianmonroemusic.com) #679741. Published by BLM Music Publications (https://brianmonroemusic.com) (A0.1075547). Celebrations is a mixed percussion ensemble octet utilizing both keyboard and non keyboard percussion instruments. It was written in memory of Ohio Band Director, Dan Meeks. In life we celebrate many occasions: birthdays, holidays, vacations, winning seasons, winning the lottery, anniversaries, marriages and births, just to name a few. But at times of loss we can also celebrate those who have left an indelible mark on us. Parents, mentors and teachers fit into this category. This piece is written to celebrate learning and though who guided us on our path. Specifically this piece is dedicated in memory of Dan Meeks, a teacher, band director, percussionist, husband and dad who touched so many lives teaching and guiding his family, friends and students through part of their lives. We are forever in debt to people like Dan and celebrate them. Dan would often say, Just Have Fun! This piece is written with that joy and love of life in mind. Thanks Dan, you always made it fun. Parts: Part 1: Bells (w/hard plastic mallets) Part 2: Xylophone & Crotales (or Bells) (w/medium plastic mallets) Part 3: Vibraphone (w/medium cord mallets) Part 4: Marimba 1: (w/medium yard mallets) Part 5: Marimba 2: if possible 4.5 or 5 octave play lower notes. (w/medium yard mallets) Part 6: Percussion 1: Snare Drum & Sleighbells Part 7: Bass Drum, Gong, Suspended Cymbal & Triangle Part 8: Timpani.
$15.00
13.74 €
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Ensemble de Percussions
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Brian Monroe
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Celebrations for Percussion Ensemble Octet
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BLM Music Publications
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SheetMusicPlus
Holiday Bolero for Percussion Ensemble
Ensemble de Percussions
Percussion Ensemble - Digital Download SKU: A0.935382 Arranged by Dan Heslink. Chri…
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Percussion Ensemble - Digital Download SKU: A0.935382 Arranged by Dan Heslink. Christian,Christmas,Contemporary. Score and parts. 27 pages. Pharaoh Publications #5212785. Published by Pharaoh Publications (A0.935382). Holiday Bolero for percussion ensemble arr. by Dan Heslink This arrangement is available in two versions, a quintet for xylophone and four marimbas and a percussion ensemble octet for orchestra bells, vibes, 3 marimbas, snare drum, timpani and multiple percussion. These comments refer to the percussion ensemble arrangement. While the term Bolero can be applied to a variety of slow-tempo Latin dances, for most orchestral performers the title will evoke the stirring rhythms of Ravel’s famous Bolero. Similarities include the driving 3/4 bolero rhythm, the building of tension over one long-range crescendo, and the climactic conclusion. The pitch content is based on O Holy Night, the well-known Christmas carol composed by Adolphe Adam in 1847. The difficulty level in terms of executing notes and rhythms is medium-easy. At the same time, the dynamic planning and control of the crescendo requires considerable musical judgment, particularly in the snare drum part. All of the keyboard parts require only two mallets per player, with the exception of the vibe part’s necessity of 3 or 4 mallets. There are no key changes, or mallet and hand independence. Pedaling on the vibes for the most part is suggested by the harmonic rhythm and is not notated. Setup of the general percussion part in the manner of a multiple percussion solo, where all playing surfaces are comfortably accessible. Holiday Bolero is sure to be an audience pleaser during a winter concert, especially close to Christmas. It would serve equally well in a percussion recital or a church service. In church this work would be appropriate as special music or as an offertory. Duration is 2:52. The arranger, Dan Heslink, can be contacted at dan@dheslink.com.
$9.99
9.15 €
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Ensemble de Percussions
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Dan Heslink
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Holiday Bolero for Percussion Ensemble
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Pharaoh Publications
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SheetMusicPlus
BIZET CARMEN SUITE FOR SMALL ORCHESTRA by Peyber Medina
Ensemble de Percussions
Percussion Ensemble - Level 5 - Digital Download SKU: A0.866916 Composed by Georges…
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.866916 Composed by Georges Bizet. Arranged by Peyber A. Medina H. Opera,Romantic Period. Score and parts. 121 pages. Peyber Medina #6057883. Published by Peyber Medina (A0.866916). This brilliant arrangement, adaptation and reorchestration by Peyber A. Medina H. of 4 pieces of the famous from the opera CARMEN by Georges BIZET, specially made for a reduced orchestra so the players can be recorded from home on this dark times of quarantine. Get here completely free the audio sample with the click in case you purchase the partitions and wanna recorded with your orchestra or chamber group, just you must to put this product link on your video or final work description at the end: http://bit.ly/CARMENCLICKThe pieces included here are:1. Prelude from the Act 4 (Entr'acte)2. Habanera (No. 5)3. Toreadores (Prélude)4. Gypsy Song (Chason Bohème)
$34.99
32.06 €
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Ensemble de Percussions
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Georges Bizet
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Peyber A
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BIZET CARMEN SUITE FOR SMALL ORCHESTRA by Peyber Medina
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Peyber Medina
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SheetMusicPlus
Quartet #1
Ensemble de Percussions
Percussion Ensemble - Level 3 - Digital Download SKU: A0.584689 Composed by Jeff Ti…
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.584689 Composed by Jeff Tincher. Contemporary. Score and parts. 21 pages. Jeff Tincher #6019457. Published by Jeff Tincher (A0.584689). This begins with a 7/4 time signature in A minor. The initial passage was created to sound like an industrial region in a run-down town. The machines continue to progress until the complete building is running like a well-oiled machine, to quote a anecdote. As it continues the business runs smooth like a waltz in 3/4 time. For a moment the initial passage returns before a climax in A major. The finale concludes as the day ends with the original passage returning in 7/4 time as the business closes for the day. Hear the full version of composition on Jeff Tincher's For Percussion Quartet CD. Duration = 4:00. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing.
$12.99
11.9 €
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Ensemble de Percussions
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Jeff Tincher
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Quartet #1
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Jeff Tincher
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SheetMusicPlus
What Universe Lies Within
Ensemble de Percussions
Percussion Ensemble - Level 4 - Digital Download SKU: A0.912929 Composed by Brandon…
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Percussion Ensemble - Level 4 - Digital Download SKU: A0.912929 Composed by Brandon Nelson. Concert,Contemporary. Score and parts. 8 pages. Brandon Nelson #2907437. Published by Brandon Nelson (A0.912929). For percussion duo. Required instruments: bells, vibraphone, xylophone, temple blocks, suspended cymbals (3 sizes). General programming. Advanced Intermediate level.Commissioned by Chris Nadeau for CAn-Duo. Premiered at Colorado State University, October 16, 2016.It is common knowledge that the universe we see is composed of tiny particles known as atoms. For much of scientific history, it was thought that atoms were made up of three indivisible particles: protons, neutrons, and electrons.Thanks to contemporary advances in physics, we now know that these particles are, in fact, made up of much smaller particles and that these constituents sometimes behave in ways that confound what we thought we knew of the physical universe.In this piece, I have portrayed one type of these subatomic particles, the quark. There are six types (or flavors) of quark: up, down, charm, strange, top, and bottom. These are differentiated by the type of charge they carry and their masses.The first movement is Strange Quark. This flavor has a negative charge and is relatively light. Much like the particle, this movement often behaves in unusual ways.Top Quark, the second movement, portrays the quark flavor that is by far the heaviest. Slow and massive, this particle allowed for the study of the famous Higgs boson.The final movement, Up Quark, is light and decays quickly, much like this particle that contributes to both protons and neutrons.The universe is indeed a wonder to behold and its scale is hardly comprehensible to the human mind. And yet, it is becoming increasingly apparent that there exists an entire universe yet to uncover in the most infinitesimal pieces of matter. It is my hope that the wonder and mystery this inspires be conveyed through this piece of music.
$9.99
9.15 €
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Ensemble de Percussions
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Brandon Nelson
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What Universe Lies Within
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Brandon Nelson
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SheetMusicPlus
Home Stretch
Ensemble de Percussions
Percussion Ensemble - Level 2 - Digital Download SKU: A0.1032080 Composed by Dan c …
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Percussion Ensemble - Level 2 - Digital Download SKU: A0.1032080 Composed by Dan c Gilbert. Instructional. Score and parts. 17 pages. Dan c Gilbert #4338781. Published by Dan c Gilbert (A0.1032080). Picture this: you are a Middle-School Band teacher, with 55 kids signed up for band. Of those 55, 17 are drummers. You spend time thinking about how each student will get to play on 1, maybe 2, pieces for the concert, and then begin panicking when you realize that drummers sitting around idly in Middle School are prone to boredom, becoming chatty and distracting.
$4.99
4.57 €
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Ensemble de Percussions
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Dan c Gilbert
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Home Stretch
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Dan c Gilbert
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SheetMusicPlus
Alexandriana for Percussion Ensemble
Ensemble de Percussions
Percussion Ensemble - Level 5 - Digital Download SKU: A0.937755 Composed by Dan Hes…
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.937755 Composed by Dan Heslink. Contemporary,World. Score and parts. 128 pages. Pharaoh Publications #5983475. Published by Pharaoh Publications (A0.937755). Alexandriana for percussion ensemble (12 performers) by Dan Heslink The term Alexandriana is popularly used to reference the Great Library of antiquity in Alexandria, Egypt. Rooted in Alexander the Great’s global military and exploratory exploits (334 - 323 BCE), the library symbolizes the ancient Greek ever expanding worldview, especially under the influence of Alexander and his tutor, Aristotle. Alexander died long before construction of the Ancient Museum and Library of Alexandria, but the concept of a universal library was uniquely his. The mixing of Hellenistic columns with Egyptian architecture and the housing of thousands of scrolls in Greek, Turkish, Babylonian, Egyptian and Hebrew, intensify the division of the library broadly into two large sections, one for eastern knowledge and one for western knowledge. In this musical score, typically western is the thematic concept (expressed most clearly in the chimes), the tonal, triadic-based harmony and sectional concept of form. The music’s sectional nature parallels the library’s different rooms, each containing their own genre of knowledge (history, mathematics, poetry, etc.) Evocative of eastern musical practices are the simultaneous layers of different rhythmic subdivisions, oriental modes, and florid lines in the xylophone and vibe parts. In this score, eastern musical procedures are expressed with instruments commonly found in the Western orchestra or wind band. The performers are encouraged to always emphasize the score’s contrasts. Passages for indefinitely pitched percussion featuring the song within the drums contrast with other passages of purely quantitative rhythm. Complexity in the interaction of parts contrast with simple rhythmic unison. Passages of thick harmony contrast with modal monophonic melodies accompanied only by indefinitely pitched sounds. Overall, there is a wide dynamic range. During long passages of gradually accruing energy, take care to not build dynamics too quickly, and during fortissimo passages, drums should be stroked in a manner that avoids excessive aggression. The rhythmic background of 16th notes must be consistent among all players so that interlocking rhythmic motifs are consistent. Often the tom-toms have melodic passages that imitate the shape of mallet or timpani melodies. Tune the drums for a warm, round sound and select mallets accordingly. Bar percussion players should apply a flowing legato to their passage work. Soft sections are intended to sound mysterious: be sure to use mallets that match that character. The composer assigns a performance level of difficult to this work. Performance time is 9:15. The composer, Dan Heslink, can be reached at dan@dheslink.com.
$9.99
9.15 €
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Ensemble de Percussions
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Dan Heslink
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Alexandriana for Percussion Ensemble
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Pharaoh Publications
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SheetMusicPlus
Germain, An Opera in 4 Acts, INSTRUMENT PARTS 2 (STRINGS, HARP, TIMPANI and PERCUSSION)
Ensemble de Percussions
Percussion Ensemble - Level 5 - Digital Download SKU: A0.730497 Composed by James N…
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.730497 Composed by James Nathaniel Holland. Contemporary,Musical/Show,Opera. Score and parts. 368 pages. James Nathaniel Holland #5021025. Published by James Nathaniel Holland (A0.730497). INDIVIDUAL INSTRUMENT PARTS 2 (2 of 2) STRINGS, HARP, TIMPANI, PERCUSSIONFull Orchestral Score (Concert Pitch), Vocal Score, Instrument Parts 1 (Woodwinds and Brass) all sold separatelyINDIVIDUAL INSTRUMENT PARTS 2 (2 of 2) STRINGS, HARP, TIMPANI, AND PERCUSSION Full Orchestral Score (Concert Pitch), Vocal Score, Instrument Parts 2 (Strings, Harp, and Percussion)OPERA SYNOPSIS:A mythical country, somewhere lost in time and space; two factions, the minority have and the majority have-not’s, are in constant violent conflict to rule the country. Germain, a young man with mysterious origins, and for neither side,by fate meets the the prime minister and hopes for personal love. But this is not to be a happy ending. The leader of the have-not’s takes this perfect opportunity to assassinate the PM.When the attempt fails, the blame falls on Germain and leads him to his imprisonment and eventual death.GERMAIN, A Dreamer (Lyric Baritone)CHERYL, A tavern owner and girlfriend to Talleyrand (Soprano, Coloratura)TALLEYRAND, Minister of District Thirteen, Secret leader of the Dissidents (Bass)ALEXANDER, The newly elected Prime Minister of Timbaksha (Tenor)TAMINA, Alexander’s wife (Soprano)NADINE, Minister of District Five (Alto)URCHIN, A Young Teen (Male or Female Voice)WALLACE, Minister of District Nine (Baritone)OFFICER (Baritone)CHORUS: DISSIDENT, GUESTS, SERVANTS, CROWD, OFFICERSComplete Instrumentation: picc, fl12, ob, eh, cl12, tensax, bsn, hrn12, tpt12, trm12, tba, timpani, perc, hrp, strgs
$75.95
69.58 €
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Ensemble de Percussions
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James Nathaniel Holland
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Germain, An Opera in 4 Acts, INSTRUMENT PARTS 2
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James Nathaniel Holland
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SheetMusicPlus
Another Place
Ensemble de Percussions
Percussion Ensemble - Level 5 - Digital Download SKU: A0.939392 Composed by Adam Gr…
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.939392 Composed by Adam Grim. 20th Century,Contemporary. Score and parts. 65 pages. Adam B. Grim #6862379. Published by Adam B. Grim (A0.939392). Another Place is a marimba quartet on two instruments with some accessory items like a mounted bass drum, cymbal, and wind chimes. The work is about 10.5 minutes long, and holds three distinct movements that begin with solemn rolls that slowly become more regimented and rhythmic. The second movement raises the bar and becomes very rhythmic and syncopated with a Reich-like approach of melody vs interlocking harmony. This climax brings a high dynamic level to the forefront of the instruments with interlocking impact points being contrasted to unison hits. The third movement takes this original melody and harmony to the next level by using changing time signatures and motivic ideas to maximize the powerful ending. Throughout there is a deep sense of color and texture that can be maximized by the ensemble in new and exciting ways with each performance. This has plenty of ink, but also leaves a lot to interpret and bring the ensemble’s voice forward. I hope you enjoy! This work won the Audience Award in the Rocky Mountain Music Composition Contest in 2022 as well as Second Prize overall. These international awards were judged by a panel of seven judges from around the world, but with the competition based out of Toronto, Canada.
$35.00
32.07 €
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Ensemble de Percussions
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Adam Grim
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Another Place
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Adam B. Grim
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SheetMusicPlus
Quartet #6
Ensemble de Percussions
Percussion Ensemble - Level 3 - Digital Download SKU: A0.584694 Composed by Jeff Ti…
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.584694 Composed by Jeff Tincher. Contemporary,Jazz. Score and parts. 16 pages. Jeff Tincher #6019471. Published by Jeff Tincher (A0.584694). You like old-time jazz, this is it. This composition begins with the Marimba playing a walking 4. The other three instruments join in with a triad chord melody. Once the melody passage ends each instrument takes a solo with the Marimba line continuing until the Marimba takes it's turn alone. The quartet then takes on a unison passage before returning to the original groove. Hear the full version of composition on Jeff Tincher's For Percussion Quartet CD. Duration = 4:35. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing
$12.99
11.9 €
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Ensemble de Percussions
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Jeff Tincher
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Quartet #6
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Jeff Tincher
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SheetMusicPlus
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