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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Four by Three
Non classifié
557
Piano & claviers
Piano seul
185
1 Piano, 4 mains
39
Piano Facile
35
Orgue
35
Piano, Voix
21
Piano, Voix et Guitare
16
Instruments en Do
13
2 Pianos, 4 mains
6
Piano Trio: piano, violon, violoncelle
2
Orgue, Piano (duo)
2
Accordéon
1
Clavecin
1
+ 7 instrumentations
Retracter
Guitares
Guitare
28
Dulcimer
23
Guitare notes et tablatures
13
Ukulele
12
Mandoline
8
4 Guitares (Quatuor)
7
Ligne De Mélodie, (Paroles) et Accords
5
2 Dulcimers (duo)
1
Ensemble de guitares
1
Basse electrique
1
Piano, Guitare (duo)
1
+ 6 instrumentations
Retracter
Voix
Chorale SATB
150
Chorale 3 parties
45
Chorale Unison
19
Chorale TTBB
16
Chorale 2 parties
10
Chorale SSAA
9
Voix duo
5
Voix Soprano, Piano
5
Voix Tenor, Piano
3
Voix Baryton, Piano
1
Voix haute
1
Voix Tenor
1
Chorale SSAB, Piano
1
+ 8 instrumentations
Retracter
Vents
Quatuor de Clarinettes: 4 clarinettes
80
2 Saxophones (duo)
55
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
41
Flûte, Hautbois, Clarinette, Basson
40
Quatuor de Saxophones: 4 saxophones
32
Saxophone, Clarinette (duo)
29
2 Clarinettes (duo)
29
2 Flûtes traversières (duo)
28
Quatuor de Flûtes : 4 flûtes
24
Clarinette, Violon (duo)
20
Trio de Flûtes: 3 flûtes
18
Flûte traversière et Piano
18
Quintette de Saxophone: 5 saxophones
16
Clarinette, Trompette (duo)
14
Hautbois, Piano (duo)
12
Hautbois, Clarinette (duo)
12
Flûte traversière
11
Flûte, Violon
11
Flûte, Clarinette (duo)
11
2 Hautbois (duo)
10
Hautbois, Flûte
10
Hautbois, Basson (duo)
10
Flûte, Alto (duo)
9
Saxophone Soprano et Piano
9
Flûte, Saxophone (duo)
9
Clarinette et Alto
9
Ensemble de Flûtes
8
Flûte, Trompette (duo)
8
Clarinette et Piano
8
Saxophone Alto et Piano
7
Saxophone Tenor et Piano
6
Flûte, Hautbois, Clarinette (trio)
6
Saxophone Alto
6
Ensemble de Clarinettes
5
3 Clarinettes (trio)
5
Clarinette
4
Quintette de Flûte : 5 flûtes
4
Hautbois (partie séparée)
4
Saxophone Tenor
4
Hautbois, Clarinette, Basson (trio d'anches)
3
Quintette de Clarinettes: 5 clarinettes
3
Saxophone (partie séparée)
3
Flûte et Guitare
3
Flûte, Clarinette et Basson
3
Saxophone Baryton, Piano
3
Quatuor de Flûtes à bec
2
3 Flûtes à bec (trio)
2
Clarinette, Violoncelle (duo)
2
Hautbois, Basson et Piano
1
Flûte, alto et harpe
1
Flûte à Bec
1
Flûte, Hautbois, Basson
1
2 Flûte à bec (duo)
1
Clarinette, Basson (duo)
1
Harmonica
1
Ensemble de saxophones
1
Flûte, Violon, Piano
1
Clarinette (partie séparée)
1
Flûte, Hautbois (duo)
1
Flûte, Clarinette, Piano (trio)
1
Cor anglais, Piano
1
Ensemble De Flûte à bec
1
Clarinette Basse, Piano
1
+ 58 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
37
Trompette, Saxophone (duo)
21
Trompette, Trombone (duo)
17
2 Trompettes (duo)
16
Quatuor de Cuivres : 2 trompettes, trombone, tuba
12
2 Trombones (duo)
12
Trompette
10
Trombone et Piano
9
Quatuor de cuivres: 4 trombones
7
Ensemble de Trombones
6
Trompette, Piano
6
Ensemble de Trompettes
6
Trombone
6
Euphonium, Piano (duo)
6
Quatuor de cuivres: 4 cors
5
Tuba et Piano
5
Quatuor de Cuivres
5
Cor et Piano
4
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
3 Trombones (trio)
3
2 Cors (duo)
3
Trompette (partie séparée)
3
Trombone basse
3
Trio de Cuivres
2
Euphonium
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Tuba
2
Quatuor de cuivres: 4 trompettes
1
Ensemble de Cors
1
Cor et Harpe
1
Cor
1
Cor anglais, Piano
1
3 Euphoniums
1
+ 28 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
226
Violon, Violoncelle (duo)
148
Violon
125
Trio à Cordes: violon, alto, violoncelle
124
Harpe
38
Violon et Piano
29
Violon, Alto (duo)
21
Quintette à cordes: 2 violons, alto, violoncelle, basse
20
Violoncelle
18
Alto, Piano
16
2 Violoncelles (duo)
14
Violoncelle, Piano
13
2 Altos (duo)
12
2 Violons (duo)
11
4 Violoncelles
9
Alto seul
8
2 Harpes (duo)
6
Alto (partie séparée)
6
Trio à cordes: 3 violins
4
Trio à Cordes: 3 violoncelles
4
Contrebasse, Piano (duo)
4
Ensemble d'Altos
3
Trio à Cordes: 2 violons, violoncelle
3
Alto, Violoncelle (duo)
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Ensemble de Violons
2
Harpe, Flûte (duo)
2
Quatuor à cordes: 4 violons
2
Contre Basse
2
Harpe, Voix
1
Harpe, Violoncelle (duo)
1
Violon, Tuba (duo)
1
4 Contrebasses
1
Violoncelle, Basse continue
1
Trio à Cordes: 2 violons, alto
1
Violoncelle , Guitare (duo)
1
+ 31 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
271
Orchestre à Cordes
111
Orchestre
47
Cloches
34
Orchestre de chambre
33
Ensemble de cuivres
19
Ensemble de Percussions
16
Ensemble Jazz
16
Jazz combo
15
Marimba
2
Fanfare
1
Batterie
1
Orchestre, Violon
1
Instrumentation Flexible
1
Vibraphone
1
Piano et Orchestre
1
+ 11 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
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Note4Piano
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Vous avez sélectionné:
Four by Three
Ensemble de Percussions
Partitions à imprimer
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1
Four Forces (First movement) I. Strong Forces
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Ensemble de Percussions
#
AVANCÉ
#
Salvador Rojo Gamón
#
Four Forces
#
Salvador Rojo-Gamon
#
SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.962406 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 173 pa...
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Percussion Ensemble - Level 5 - SKU: A0.962406 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 173 pages. Salvador Rojo-Gamon #5801913. Published by Salvador Rojo-Gamon (A0.962406). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$300.00
Four Forces (Second movement) II. Weak Forces
#
Ensemble de Percussions
#
AVANCÉ
#
Salvador Rojo Gamón
#
Four Forces
#
Salvador Rojo-Gamon
#
SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.962405 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 255 pa...
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Percussion Ensemble - Level 5 - SKU: A0.962405 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 255 pages. Salvador Rojo-Gamon #5801921. Published by Salvador Rojo-Gamon (A0.962405). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$150.00
Four by Three
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Ensemble de Percussions
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Steven Morton
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Four by Three
#
Steven Morton
#
SheetMusicPlus
Composed by Steven Morton. Score, Set of Parts. 7 pages. Published by Steven Morton (S0.129165). - Score,Set of Parts - - Steven Morton...
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Composed by Steven Morton. Score, Set of Parts. 7 pages. Published by Steven Morton (S0.129165). - Score,Set of Parts - - Steven Morton
$12.50
Two Dreams for solo Trombone and 8-part Percussion Ensemble
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Ensemble de Percussions
#
AVANCÉ
#
Antonio J
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Two Dreams for solo Trombone a
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Gordon Cherry
#
SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.811252 Composed by Antonio J. Garcia. Contemporary,Jazz,Latin,World. Score and parts. 119 pages. Gordon Cherry #...
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Percussion Ensemble - Level 5 - SKU: A0.811252 Composed by Antonio J. Garcia. Contemporary,Jazz,Latin,World. Score and parts. 119 pages. Gordon Cherry #6549777. Published by Gordon Cherry (A0.811252). Two Dreams for Trombone and Percussion EnsembleDr. Justin Alexander (Director, VCU Percussion Ensemble) invited me to create a piece for trombone and percussion ensemble that had roles for more- and less-experienced players so that they could mix within the performance. I so enjoyed composing and performing this work. He estimates the overall difficulty grade of Movement I to be a three on a five-point scale and Movement II to be a four, with a grade four for the overall piece; but some players’ parts (within the eight total in the percussion ensemble) are indeed easier.The two Movements are approximately five minutes each.The first Movement Bilita Mpash (An Amazing Dream) calls for (1) shekeré/guiro; (2) 5-octave marimba (shared with...); (3) 5-octave marimba (shared with previous); (4) claves/drum set with mounted cowbell; (5) bell/mounted cowbell/congas; (6) hi-hat/suspended cymbal; (7) bass drum; and (8) four toms/maracas.The Second Movement (Running with the Tigers) calls for (1) xylophone; (2) vibraphone/glockenspiel; (3) 5-octave marimba; (4) drum set; (5) shaker/samba whistle/congas (opt. voice); (6) triangle/bell tree/hanging bells/agogo bells (opt. voice); (7) bass drum (opt. voice); and (8) Timpani (opt. voice). Pending difficulty levels, the conga and drum set parts can optionally be split among additional percussionists. The score notes offer a stage plot and many rehearsal tips.Bilita Mpash (An Amazing Dream)The 3-2 Rumba Clave anchors this movement, launched by the shekeré. Rhythmic vamps of multiple bars form the landscape over which the trombone’s melody emerges, followed by a move to double-time 2-3 Rumba Clave (with montuno) and back. The trombone soloist improvises without chordal accompaniment for a while so could reflect on the preceding harmonies or instead freely improvise with no concern as to chord changes, while a later section requires improv over chord changes. After the recap, a surprise tag of the ending phrase in Cha Cha sets up the rubato finish. Bilita Mpash (BILL-it-uh m-POSH) is a Bantu term for an amazing dream, a dream so good that it is the polar opposite of a nightmare-a dream in a blissful state where all is forgiven and forgotten2. Running with the TigersThe opening, written-out marimba solo is somewhat of a nod to vibist Gary Burton’s influence in bringing mallets towards the expression of modern jazz. A 9/8 samba-groove (5+4) transforms to 4/4. None of the percussionists have to have a jazz background, though the drum set player would be more challenged if not already exposed to Latin drumming. The improvised solo section could be all solo trombone or could be divided among various performers, including trading. The recap of the tune begins over 5/8 samba (3+2, later 2+3). The closing arrhythmic drum-set solo crescendos as the optional surprise of percussionists’ (or additional) voices sing at the end. The title of this movement refers to a recurring dream my dad would have, as well as to the active movements of my grandson when sleeping in his earliest years.-Antonio J. GarcÃaInstrumentation is for:Solo Trombone and 8-part Percussion Ensemble:shekeré/guiro, 2 5-octave marimbas, claves/drumset with cowbell, bell, congas, hi-hat, suspended cymbal, bass drum, toms, maracas, xylophone, vibraphone, glockenspiel, shaker, samba whistle, congas, triangle, bell tree, hanging bells, agogo bells, bass drum and timpani.This rhythmic and dramatic work includes improvisation by the Trombonist. Listen to the brilliant live performance featuring Mr. Garcia and the Virginia Commonwealth University Percussion Ensemble directed by Dr. Justin Alexander.
$50.00
Christmas Calypso for Percussion Sextet
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Ensemble de Percussions
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FACILE
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Noël
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Dan Heslink
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Christmas Calypso for Percussi
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Pharaoh Publications
#
SheetMusicPlus
Percussion Ensemble - Level 2 - SKU: A0.935389 Arranged by Dan Heslink. Christian,Christmas. Score and parts. 18 pages. Pharaoh Publications #6117159. P...
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Percussion Ensemble - Level 2 - SKU: A0.935389 Arranged by Dan Heslink. Christian,Christmas. Score and parts. 18 pages. Pharaoh Publications #6117159. Published by Pharaoh Publications (A0.935389). Christmas Calypso for Percussion Sextet . . . . . . . . . . . . . . arr. Dan Heslink The calypso style referenced in the title is not the calypso of Afro-Caribbean music from Trinidad and Tobago. Rather, it is the especially toned-down but still rhythmic commercial variant popularized by folk singers. Couched in this style, the arrangement offers Christmas favorites Deck the Halls, Angels We Have Heard On High, God Rest Ye Merry Gentlemen and Good Christian Men, Rejoice. This if one of two versions of the calypso arrangement by Dan Heslink, both of which are available through Sheet Music Plus. The other arrangement, percussion sextet, follows similar musical contours and is available separately. Both versions are intended to elicit one primary response from both performers and audience – fun. It does not tax the players technically, but delivers a satisfying sound with carols that the performers likely know and love. General audiences will be enchanted by the familiar melodies delivered in percussion, especially at Christmas time. The introduction opens with a brisk and rhythmic introduction based on Deck the Halls, and establishes the fun calypso rhythm immediately. Deck the Halls is the much-loved welsh air that was arranged by Haydn, Nos galan (Hob. XXXIb:29, 1803). Then, Angels We Have Heard on High breaks out in double-stops with a continuation of the rhythmic impetus. The birth of Jesus Christ as narrated in the Gospel of Luke is the subject of Angels We Have Heard on High, a traditional French song of unknown origin. The gloria section provides some flowing contrast, portraying the shepherds’ impressions as they encounter a multitude of angels singing and praising. The performers are encouraged to use a relaxed stroke to glide through these passages. Following is God Rest Ye Merry Gentlemen, a 16th century English traditional Christmas carol also known under the title, The old Christmas Carol. It provides a contrast in tonality (minor mode) and texture. The xylophone part likely will lay most comfortably when executed with four mallets, although there are no three or four mallet chords in these passages. Good Christian Men, Rejoice is the closing selection in this Christmas medley. It’s title is an English translation of In dulci jubilo (Latin for In sweet rejoicing). The work ends happily with a summation of the calypso rhythm. This medley will be especially effective programmed on a winter holiday concert. Duration is 2:30. The arranger, Dan Heslink, assigned a difficulty level of medium easy, and can be contacted at dan@dheslink.com.
$4.99
Christmas Calypso for Marimba Quartet
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Ensemble de Percussions
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Noël
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Dan Heslink
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Christmas Calypso for Marimba
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Pharaoh Publications
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SheetMusicPlus
Percussion Ensemble - SKU: A0.935390 Arranged by Dan Heslink. Christian,Christmas. Score and parts. 16 pages. Pharaoh Publications #6117165. Published b...
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Percussion Ensemble - SKU: A0.935390 Arranged by Dan Heslink. Christian,Christmas. Score and parts. 16 pages. Pharaoh Publications #6117165. Published by Pharaoh Publications (A0.935390). Christmas Calypso for Marimba Quartet . . . . . . . . . . . . . . arr. Dan HeslinkThe calypso style referenced in the title is not the calypso of Afro-Caribbean music from Trinidad and Tobago. Rather, it is the especially toned-down but still rhythmic commercial variant popularized by folk singers. Couched in this style, the arrangement offers Christmas favorites Deck the Halls, Angels We Have Heard On High, God Rest Ye Merry Gentlemen and Good Christian Men, Rejoice. This if one of two versions of the calypso arrangement by Dan Heslink, both of which are available through Sheet Music Plus. The other arrangement, for percussion sextet, follows similar musical contours and is available separately. Both versions are intended to elicit one primary response from both performers and audience – fun. It does not tax the players technically, but delivers a satisfying sound with carols that the performers likely know and love. General audiences will be enchanted by the familiar melodies delivered in percussion, especially at Christmas time. The introduction opens with a brisk and rhythmic introduction based on Deck the Halls, and establishes the fun calypso rhythm immediately. Deck the Halls is the much-loved welsh air that was arranged by Haydn, Nos galan (Hob. XXXIb:29, 1803). Then, Angels We Have Heard on High breaks out in double-stops with a continuation of the rhythmic impetus. The birth of Jesus Christ as narrated in the Gospel of Luke is the subject of Angels We Have Heard on High, a traditional French song of unknown origin. The gloria section provides some flowing contrast, portraying the shepherds’ impressions as they encounter a multitude of angels singing and praising. The performers are encouraged to use a relaxed stroke to glide through these passages. Following is God Rest Ye Merry Gentlemen, a 16th century English traditional Christmas carol also known under the title, The old Christmas Carol. It provides a contrast in tonality (minor mode) and texture. The xylophone part likely will lay most comfortably when executed with four mallets, although there are no three or four mallet chords in these passages. Good Christian Men, Rejoice is the closing selection in this Christmas medley. It’s title is an English translation of In dulci jubilo (Latin for In sweet rejoicing). The work ends happily with a summation of the calypso rhythm. This medley will be especially effective programmed on a winter holiday concert. Duration is 2:30. The arranger, Dan Heslink, assigned a difficulty level of medium easy, and can be contacted at dan@dheslink.com.
$4.99
The Holly And The Ivy (Bells, Xylophone, Marimba, Vibraphone)
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Ensemble de Percussions
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INTERMÉDIAIRE
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Noël
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Traditional
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Clark Cothern
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The Holly And The Ivy
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Clark Cothern
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SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.823104 Composed by Traditional. Arranged by Clark Cothern. Christmas. Score and parts. 11 pages. Clark Cothern #...
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Percussion Ensemble - Level 3 - SKU: A0.823104 Composed by Traditional. Arranged by Clark Cothern. Christmas. Score and parts. 11 pages. Clark Cothern #3038949. Published by Clark Cothern (A0.823104). As heard on the album, A Small Ensemble Christmas, by DDT Brahms. This music box-like arrangement of The Holly And The Ivy for Bells, Xylophone, Marimba and Vibraphone is accessible to intermediate players on up. There are several of these music box arrangements for percussion ensemble. You might consider putting three or four of them together as a suite. (Other titles from DDT Brahms' album with the music box style include: Frosty the Snowman, Jingle Bells, Ding Dong Merrily On High, and I Saw Three Ships.)
$12.00
Percussion Suite: Dracula's Curse (Full Score)
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Ensemble de Percussions
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INTERMÉDIAIRE/AVANCÉ
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Halloween
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JC Croyle
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Percussion Suite: Dracula's Cu
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JC Croyle
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SheetMusicPlus
Percussion Ensemble African Percussion,Bass Marimba,Bongos,Boomwhackers,Conga Drum,Drum Set,Snare Drum,Vibraphone - Level 4 - SKU: A0.1416844 By JC Croy...
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Percussion Ensemble African Percussion,Bass Marimba,Bongos,Boomwhackers,Conga Drum,Drum Set,Snare Drum,Vibraphone - Level 4 - SKU: A0.1416844 By JC Croyle. By JC Croyle. Classical,Halloween,Multicultural,World. 75 pages. JC Croyle #998440. Published by JC Croyle (A0.1416844). This is One of Four Percussion suites (Part II) that can either be played with the other three portions or by itself or even each part inside this portion of the suite for performance. Â Included with the score and each instrument part are the entire instrumentation, storyboards, and a character Bio Page. Â Why is there a character Bio page and storyboard you ask? Â This suite combined with the others can also be performed as a contemporary dance piece following the story of the short story (which is in the public domain) written by Bram Stroker as a prelude to Dracula entitled Dracula's Curse. Â Instrumentation for each portion can range from Orchestral Bass Drum, Snare Drum, and Marimba Parts to drum-set to Boom Whackers. Â Note: Most of the Marimba parts and some of the Vibeâ??s parts are written for Grand Marimba, these could also be played on a piano if need be. Â Same with the Vibes. Â Each mallet part could also be split so that 2-3 people play it instead of a more advanced player playing with 4 mallets. Â This would be the same for the Boom Whacker sections as well.
$50.00
The Horla (Excerpt), an Accompanied Reading
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Ensemble de Percussions
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INTERMÉDIAIRE
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Contemporain
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Paul Burnell
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The Horla
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Paul Burnell
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SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.835781 Composed by Paul Burnell. Contemporary. Score and parts. 6 pages. Paul Burnell #3222647. Published by Pau...
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Percussion Ensemble - Level 3 - SKU: A0.835781 Composed by Paul Burnell. Contemporary. Score and parts. 6 pages. Paul Burnell #3222647. Published by Paul Burnell (A0.835781). Composed 2015. One of a series of fourteen accompaniments to texts published between 1886-1899 Duration 4:45 approx. For percussion (three players) and narrator Narrator text - from 'Le Horla' by Guy de Maupassant (1850 - 1893), published 1887. English translation by Jonathan Sturges (1864–1911) published 1890. Guy de Maupassant was a French writer, remembered as a master of the short story. It has been suggested that the word horla is a blending of the French words hors (outside) and là (there) and the title can be interpreted as the what’s out there. Percussion: Wind wand or bullroarer and two guiros (or similar). Players read from the score. Narrator cues are shown in the score in boxed text and below in square brackets. Between rehearsal letters [D] and [H] the percussionists maintain tempo; the narrator cues are for guidance only.
$1.99
[Shultis] Experimental Music and Writings (1988 - 1994)
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Ensemble de Percussions
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Christopher Shultis
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[Shultis] Experimental Music a
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American Composers Alliance Inc.
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SheetMusicPlus
Percussion Ensemble - SKU: A0.952664 Composed by Christopher Shultis. 20th Century,Instructional,Standards. Score and parts. 74 pages. American Composer...
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Percussion Ensemble - SKU: A0.952664 Composed by Christopher Shultis. 20th Century,Instructional,Standards. Score and parts. 74 pages. American Composers Alliance Inc. #4613527. Published by American Composers Alliance Inc. (A0.952664). A collection of early works and writings for various ensembles (mostly centered around percussion) as collected by the composer.Musical Works:1. motion/less for percussion solo2. Oneiro for percussion trio3. 64 Statements re and not re Child of Tree for solo percussion and audio tapes4. Pastorale for solo percussioin and Dancer5. Friends, for piano, crotales, and narrator6. Three Short Pieces i. Five, brass quintet ii. Four interludes from Downward Facing Dog, for piano solo iii. For Frank Bowen, solo flute7. Decline of the West, for female narrator and all-male heavy-metal band8. Metaphysics, for spoken voice and boom boxes, requiring 7 assistants9. Faith, for voice or any instrument10. Hope, for hand percussion, guitars, and voices (Version 2 of Decline of the West, when performed as part of the opera, Faith, Hope, and Love11. Love, for Seven Performers12. Do something/Do something else, for any number of performers13. Gesturing hands, for solo theremin14. Blindness, for solo marimba15. Written on the body, for musicians and dancersTexts:1. Synesthesia and the Re-integration of the Senses2. Experiment and Revolution, a primary role of percussion in American music3. The Politics of Improvisation
$19.95
Rhythm Of Life
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Ensemble de Percussions
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INTERMÉDIAIRE
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Minni K
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Rhythm Of Life
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Dr Minni Ang
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SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.793348 Composed by Minni K. Ang. Concert,Contemporary. Score and parts. 37 pages. Dr Minni Ang #4638453. Publish...
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Percussion Ensemble - Level 3 - SKU: A0.793348 Composed by Minni K. Ang. Concert,Contemporary. Score and parts. 37 pages. Dr Minni Ang #4638453. Published by Dr Minni Ang (A0.793348). Rhythm of Life is built over a five beat pulse, representing the heartbeat of life on planet earth. The two basic pulses are played by different groups of instruments and passed from one group to another, but never ceasing, even as our heartbeats never cease as long as there is life in us. Over these fundamental patterns are built little phrases or solos for the various instruments, including conversations between pairs of instruments - first the timpani and tubular bells, later the marimba and xylophone, and finally the conga drums and the snare drum – these conversations represent various interactions among different groups of life on planet earth. The piece is constructed in theme and variations form.The OrchestrationPlayer One: MarimbaPlayer Two: XylophonePlayer Three: TimpaniPlayer Four: Tubular BellsPlayer Five: Snare Drum & CymbalsPlayer Six: Congas, Bass Drum & Tam-Tam
$8.99
Winter Samba
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Ensemble de Percussions
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INTERMÉDIAIRE
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Robert E
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Winter Samba
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R. E. Proctor
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SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.809675 Composed by Robert E. Proctor. Contemporary,Jazz,Latin,Pop. Score and parts. 43 pages. R. E. Proctor #100...
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Percussion Ensemble - Level 3 - SKU: A0.809675 Composed by Robert E. Proctor. Contemporary,Jazz,Latin,Pop. Score and parts. 43 pages. R. E. Proctor #10033. Published by R. E. Proctor (A0.809675). One of four seasonal works, Winter Samba is winter as the title implies, fall, summer, and srping are also represented in the three other works: Mid Summer's Song, Fall’s Fling, and Spring Breeze Boogie. The pieces are light hearted, whimsical, works that are ideal for high school or community orchestras.
$3.95
The Coffee Suite
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Ensemble de Percussions
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INTERMÉDIAIRE
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Contemporain
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J
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The Coffee Suite
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J.S. Gebbie
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SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.1031575 Composed by J.S. Gebbie. Contemporary. Score and parts. 11 pages. J.S. Gebbie #3471415. Published by J.S...
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Percussion Ensemble - Level 3 - SKU: A0.1031575 Composed by J.S. Gebbie. Contemporary. Score and parts. 11 pages. J.S. Gebbie #3471415. Published by J.S. Gebbie (A0.1031575). 2018 Chamber Music Contest Entry. The Coffee Suite is three movement work based on the different levels of caffeine in different types of coffee. The first movement, caffeinated, is bright and upbeat; the second movement, half-calf; is disjointed; while the final movement, decaf, is quite mellow. Though the first marimba part requires four mallets, the patterns are simple, making this piece perfect for early intermediate percussion groups. Duration: approx. 5 min.
$10.99
Nuevo Nueve ( New Nine )
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Ensemble de Percussions
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FACILE
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Frank Pugh
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Nuevo Nueve
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Frank Pugh
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SheetMusicPlus
Percussion Ensemble - Level 2 - SKU: A0.942726 Composed by Frank Pugh. Standards. Score and parts. 24 pages. Frank Pugh #6018905. Published by Frank Pug...
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Percussion Ensemble - Level 2 - SKU: A0.942726 Composed by Frank Pugh. Standards. Score and parts. 24 pages. Frank Pugh #6018905. Published by Frank Pugh (A0.942726). I wrote Nuevo-Nueve for an ensemble of nine new first-time percussion students. Nuevo meaning new or different, and Nueve meaning nine, seemed to be a good title for the piece. Going along with the concept of nine, the song is written in nine bar phrases and has a total of 99 measures as well. It uses simple and repetitive patterns to introduce students to the instruments that are utilized in the piece. Out of the nine students that I originally wrote it for, six were wind players and the other three had never read music. They had great success with it (and a lot of fun, too!). The first four parts are all listed as generic mallet parts, and all work pretty well with whatever mallet instruments that you have available. Part 3 and 4 double each other, but part 4 is in bass clef. They are written on the same sheet. If you have the equipment for it, I recommend the following instrumentation: Part 1: bells or marimba Part 2: vibraphone Part 3: marimba Part 4: (optional, bass clef, doubles part 3): bass guitar, keyboard, or mallet controller Part 5: hi-hat cymbal, suspended cymbal, mounted tambourine Part 6: guiro, castanets, maracas, two pitched toms Part 7: drum set Part 8: suspended cymbal, china cymbal, splash cymbal, triangle Part 9: concert bass drum, cabasaBe sure to check out my other small ensemble arrangements here on Sheet Music Plus, and thanks for taking a look!
$11.99
Silent Night Prelude for percussion octet
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Ensemble de Percussions
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FACILE
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Noël
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Franz Xaver Gruber
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Dan Heslink
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Silent Night Prelude for percu
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Pharaoh Publications
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SheetMusicPlus
Percussion Ensemble - Level 2 - SKU: A0.935383 Composed by Franz Xaver Gruber. Arranged by Dan Heslink. Christian,Christmas. Score and parts. 20 pages. ...
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Percussion Ensemble - Level 2 - SKU: A0.935383 Composed by Franz Xaver Gruber. Arranged by Dan Heslink. Christian,Christmas. Score and parts. 20 pages. Pharaoh Publications #5363007. Published by Pharaoh Publications (A0.935383). Silent Night Prelude for Percussion Octet arr. by Dan Heslink This work is based on the well-loved Christmas carol, composed in 1818 by Franz Xaver Gruber. This theme is so popular that it was declared an intangible cultural heritage by UNESCO in 2011. And the version sung by Bing Crosby in 1935 is the fourth best-selling single recording of all-time. It’s sure to motivate your audience close to Christmas. The Prelude begins with a brisk tempo. Although notated in 3, as is customary in more modern renditions (the original theme was notated in 6), the tempo must be fast enough that two measures of 3 create a binary pairing (like 6/4 in two). It may be necessary to slightly slow down the roll speed to avoid a frenetic sound. The difficulty level is easy. There are no changes of key, and the timpani part requires only two drums (Bb, F) with no tuning changes. The vibe part could be played with two mallets, but might execute more comfortably with three. The other keyboard parts use only two mallets each. The expression of this beautiful tune will be greatly enhanced by exaggerating the contrasts of dynamics. Accompaniment and ornamental figures must at all times be sublimated to the familiar theme. At the last strain, players should sing the well-known words in order to lead the audience or congregation in group singing. It would be helpful for the conductor to turn and face the audience at this point. This closing passage may be repeated for any number of sung verses. Use a smooth, relaxed stroke to elicit as much legato as possible. At points a continuous arpeggio accompaniment is divided among the instruments. Care must be taken to keep the sixteenth note speed consistent. The opening runs should be performed half-pedal on the vibes for clarity. Prelude on Silent Night would serve equally well in recital or in a church service. Duration is 3:10. The arranger, Dan Heslink, can be contacted at dan@dheslink.com
$4.99
Minuet in G (in the Key of Cool!) - Boomwhackers
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Ensemble de Percussions
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DÉBUTANT
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Christian Petzold
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Shelly Davis
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Minuet in G
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Shelly Davis
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SheetMusicPlus
Percussion Ensemble - Level 1 - SKU: A0.891145 Composed by Christian Petzold. Arranged by Shelly Davis. Baroque,Instructional,Jazz. Score and parts. 7 p...
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Percussion Ensemble - Level 1 - SKU: A0.891145 Composed by Christian Petzold. Arranged by Shelly Davis. Baroque,Instructional,Jazz. Score and parts. 7 pages. Shelly Davis #3507305. Published by Shelly Davis (A0.891145). This arrangement takes this familiar Baroque tune and arranges it to be played with three sets of Boomwhackers (plus a fourth B if you have one). After the familiar tune is established, the arrangement changes time signatures and offers a fun swinging version of the melody. The original melody is transposed from G Major to C Major (the Key of Cool) so that the arrangement can be played on a regular classroom set of diatonic Boomwhackers, without the need for the chromatic set. Minuet in G (in the Key of Cool!) can be performed with as few as nine players.In this arrangement, you will receive the conductor’s score and one copy of each of the individual parts: melody, harmony, and bass. The purchase of this set permits the owner to create enough copies for each performer in their group to have their own music to mark and study.I would love to see videos of your group performing this piece! You can find me on Facebook at Shelly Davis Piano Studio and on Instagram @pianoparentpodcast or email me at shelly@pianoparentpodcast.com
$8.88
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