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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
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CORNET
DEEJAY
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FORMATION MUSI…
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629
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Piano seul
22 150
Accordéon
2 248
Piano, Voix
218
Piano Facile
174
Piano, Voix et Guitare
62
Instruments en Do
57
1 Piano, 4 mains
51
Orgue
17
Orgue, Piano (duo)
3
Piano Quatuor: piano, violon, alto, violoncelle
3
Piano Trio: piano, violon, violoncelle
2
2 Pianos, 4 mains
2
2 Pianos, 8 mains
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Accompagnement Piano
1
+ 10 instrumentations
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Guitare
4 260
Basse electrique
3 356
Guitare notes et tablatures
1 009
Ukulele
166
2 Guitares (duo)
6
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4
Mandoline
4
Paroles et Accords
3
3 Guitares (trio)
2
Banjo
1
Piano, Guitare (duo)
1
Dulcimer
1
+ 7 instrumentations
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Voix seule
5 728
Chorale SATB
153
Chorale 3 parties
36
Chorale 2 parties
19
Chorale TTBB
19
Chorale SSAA
11
Voix Alto, Piano
10
Voix Soprano, Piano
8
Chorale Unison
8
Voix duo
3
Voix duo, Piano
2
Voix Tenor, Piano
1
Voix Baryton, Piano
1
Voix Soprano
1
Voix haute
1
+ 10 instrumentations
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Saxophone
16 630
Flûte traversière
7 575
Clarinette
7 013
Saxophone Alto
1 309
Saxophone Tenor
1 276
Flûte à Bec
1 184
Hautbois
700
Saxophone Soprano
559
2 Saxophones (duo)
61
Flûte traversière et Piano
46
Clarinette et Piano
38
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
33
Saxophone Alto et Piano
32
Quintette de Saxophone: 5 saxophones
31
Saxophone Tenor et Piano
28
Hautbois (partie séparée)
28
Hautbois, Piano (duo)
24
Quatuor de Saxophones: 4 saxophones
23
Flûte, Hautbois, Clarinette, Basson
21
Ensemble de saxophones
20
2 Flûtes traversières (duo)
20
Saxophone Baryton, Piano
18
2 Clarinettes (duo)
18
Saxophone (partie séparée)
18
Saxophone Soprano et Piano
15
Saxophone, Clarinette (duo)
15
3 Saxophones (trio)
14
Cor anglais, Piano
13
Clarinette, Trompette (duo)
11
Clarinette, Violon (duo)
11
Ensemble de Clarinettes
11
2 Hautbois (duo)
10
Quatuor de Clarinettes: 4 clarinettes
9
Ensemble de Flûtes
9
Clarinette Basse, Piano
8
Trio de Flûtes: 3 flûtes
7
Quintette de Flûte : 5 flûtes
7
Flûte, Clarinette (duo)
7
Hautbois, Clarinette (duo)
6
Clarinette et Alto
6
3 Clarinettes (trio)
6
Hautbois, Basson (duo)
6
Flûte, Saxophone (duo)
5
Flûte, Trompette (duo)
5
Flûte, Alto (duo)
5
Flûte, Hautbois, Clarinette (trio)
4
2 Flûte à bec (duo)
4
Hautbois, Flûte
4
Flûte, Violon
4
Flûte et Guitare
3
Quatuor de Flûtes : 4 flûtes
3
Flûte à bec Alto
3
Quintette de Clarinettes: 5 clarinettes
3
Clarinette, Guitare (duo)
2
Clarinette, Basson (duo)
2
Ensemble de Hautbois
2
Flûte à bec Soprano
2
Quatuor de Flûtes à bec
2
Ocarina
2
3 Flûtes à bec (trio)
2
Flûte, Violon, Piano
1
Flûte à bec Tenor
1
Clarinette Basse
1
Flûte à bec Alto, Piano
1
Flûte à bec Soprano, Piano
1
4 Hautbois
1
Harmonica
1
Saxophone et Guitare
1
Flûte irlandaise
1
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Trompette
6 153
Trombone
5 769
Cor
487
Euphonium
381
Tuba
300
Ensemble de Trompettes
36
Trombone et Piano
32
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
31
Quatuor de Cuivres : 2 trompettes, trombone, tuba
23
Trompette, Piano
19
Cor et Piano
17
2 Trompettes (duo)
14
Cor anglais, Piano
13
2 Trombones (duo)
13
Trompette, Saxophone (duo)
12
Quatuor de Cuivres: 2 trompettes, Cor, trombone
11
Euphonium, Piano (duo)
8
Ensemble de Trombones
8
Trompette, Trombone (duo)
7
Ensemble de Cors
5
Tuba et Piano
5
3 Trombones (trio)
4
2 Cors (duo)
4
4 Tubas
4
Quatuor de cuivres: 4 cors
4
Quatuor de cuivres: 4 trompettes
4
2 Tubas (duo)
3
Quatuor de Cuivres
3
Quatuor de cuivres: 4 trombones
3
Trio de Cuivres
2
Trompette, Cor (duo)
2
Trombone, Cor (duo)
2
Tuba et Orgue
2
3 Tubas (trio)
2
3 Cors (trio)
2
2 Euphoniums et 2 Tubas
1
Trompette (partie séparée)
1
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Violon
4 319
Violoncelle
2 796
Alto seul
2 285
Quatuor à cordes: 2 violons, alto, violoncelle
278
Contre Basse
210
Harpe
83
Violon et Piano
45
Violoncelle, Piano
32
Alto, Piano
31
Violon, Violoncelle (duo)
19
2 Violoncelles (duo)
16
2 Violons, Piano
15
2 Violons (duo)
15
Trio à Cordes: violon, alto, violoncelle
14
2 Altos (duo)
13
Trio à Cordes: 3 violoncelles
10
Violon, Alto (duo)
8
Quintette à cordes: 2 violons, alto, violoncelle, basse
8
Alto (partie séparée)
7
Contrebasse, Piano (duo)
7
Ensemble d'Altos
4
Ensemble de Violons
4
4 Violoncelles
3
Trio à cordes: 3 altos
3
Quatuor à cordes: 4 violons
3
Quatuor à cordes : 4 altos
3
Violon, Guitare (duo)
2
2 Contrebasses (duo)
2
Alto, Violoncelle (duo)
2
Violoncelle , Guitare (duo)
2
Violon, Clarinette, Piano (trio)
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
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Alto et Basson
1
Trio à Cordes: 2 violons, violoncelle
1
Trio à cordes: 3 violins
1
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1 170
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141
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53
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50
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30
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24
Fanfare
12
Cloches
11
Jazz combo
6
Ensemble de Percussions
5
Xylophone
1
Marimba
1
Piano et Orchestre
1
Vibraphone
1
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--INSTRUMENTS--
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Ensemble de Percussions
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1
Two Dreams for solo Trombone and 8-part Percussion Ensemble
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Ensemble de Percussions
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AVANCÉ
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Antonio J
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Two Dreams for solo Trombone a
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Gordon Cherry
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.811252 Composed by Antonio J. Garcia. Contemporary,Jazz,Latin,World. Score and parts. 119 pages. Gordon Cherry #...
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Percussion Ensemble - Level 5 - SKU: A0.811252 Composed by Antonio J. Garcia. Contemporary,Jazz,Latin,World. Score and parts. 119 pages. Gordon Cherry #6549777. Published by Gordon Cherry (A0.811252). Two Dreams for Trombone and Percussion EnsembleDr. Justin Alexander (Director, VCU Percussion Ensemble) invited me to create a piece for trombone and percussion ensemble that had roles for more- and less-experienced players so that they could mix within the performance. I so enjoyed composing and performing this work. He estimates the overall difficulty grade of Movement I to be a three on a five-point scale and Movement II to be a four, with a grade four for the overall piece; but some players’ parts (within the eight total in the percussion ensemble) are indeed easier.The two Movements are approximately five minutes each.The first Movement Bilita Mpash (An Amazing Dream) calls for (1) shekeré/guiro; (2) 5-octave marimba (shared with...); (3) 5-octave marimba (shared with previous); (4) claves/drum set with mounted cowbell; (5) bell/mounted cowbell/congas; (6) hi-hat/suspended cymbal; (7) bass drum; and (8) four toms/maracas.The Second Movement (Running with the Tigers) calls for (1) xylophone; (2) vibraphone/glockenspiel; (3) 5-octave marimba; (4) drum set; (5) shaker/samba whistle/congas (opt. voice); (6) triangle/bell tree/hanging bells/agogo bells (opt. voice); (7) bass drum (opt. voice); and (8) Timpani (opt. voice). Pending difficulty levels, the conga and drum set parts can optionally be split among additional percussionists. The score notes offer a stage plot and many rehearsal tips.Bilita Mpash (An Amazing Dream)The 3-2 Rumba Clave anchors this movement, launched by the shekeré. Rhythmic vamps of multiple bars form the landscape over which the trombone’s melody emerges, followed by a move to double-time 2-3 Rumba Clave (with montuno) and back. The trombone soloist improvises without chordal accompaniment for a while so could reflect on the preceding harmonies or instead freely improvise with no concern as to chord changes, while a later section requires improv over chord changes. After the recap, a surprise tag of the ending phrase in Cha Cha sets up the rubato finish. Bilita Mpash (BILL-it-uh m-POSH) is a Bantu term for an amazing dream, a dream so good that it is the polar opposite of a nightmare-a dream in a blissful state where all is forgiven and forgotten2. Running with the TigersThe opening, written-out marimba solo is somewhat of a nod to vibist Gary Burton’s influence in bringing mallets towards the expression of modern jazz. A 9/8 samba-groove (5+4) transforms to 4/4. None of the percussionists have to have a jazz background, though the drum set player would be more challenged if not already exposed to Latin drumming. The improvised solo section could be all solo trombone or could be divided among various performers, including trading. The recap of the tune begins over 5/8 samba (3+2, later 2+3). The closing arrhythmic drum-set solo crescendos as the optional surprise of percussionists’ (or additional) voices sing at the end. The title of this movement refers to a recurring dream my dad would have, as well as to the active movements of my grandson when sleeping in his earliest years.-Antonio J. GarcÃaInstrumentation is for:Solo Trombone and 8-part Percussion Ensemble:shekeré/guiro, 2 5-octave marimbas, claves/drumset with cowbell, bell, congas, hi-hat, suspended cymbal, bass drum, toms, maracas, xylophone, vibraphone, glockenspiel, shaker, samba whistle, congas, triangle, bell tree, hanging bells, agogo bells, bass drum and timpani.This rhythmic and dramatic work includes improvisation by the Trombonist. Listen to the brilliant live performance featuring Mr. Garcia and the Virginia Commonwealth University Percussion Ensemble directed by Dr. Justin Alexander.
$50.00
Vivaldi Medley for Marimba Band - Score Only
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Ensemble de Percussions
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Joan Lithgow
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Joan Lithgow
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Vivaldi Medley for Marimba Ban
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Joan Lithgow Music
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SheetMusicPlus
Percussion Ensemble - Level 4 - SKU: A0.1295814 By Joan Lithgow. By Antonio Vivaldi. Arranged by Joan Lithgow. Baroque,Children,Contemporary,Multicultur...
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Percussion Ensemble - Level 4 - SKU: A0.1295814 By Joan Lithgow. By Antonio Vivaldi. Arranged by Joan Lithgow. Baroque,Children,Contemporary,Multicultural,World. 12 pages. Joan Lithgow Music #886140. Published by Joan Lithgow Music (A0.1295814). This piece is ideally suited for the Marimba Workshop (Pty) Ltd marimbas.www.marimbaworkshop.co.za  It was arranged for the Goede Hoop Marimba Band to be performed at the 2016 Education Africa International Marimba & Steelpan Festival in the Strictly Classical Category where the composer for this category for that year was Antonio Vivaldi. This performance has gone viral on YouTube. These young girls were aged between 11 and 13 at the time. It is written for African diatonic marimbas in C with an African feel but can be played on a variety of different instruments. Feel free to roll (measured or unmeasured) on the long notes.Whenever I teach this arrangement my students fall in love with Vivaldi and his music. The medley consists of music from Vivaldi's Four Seasons: Spring and Winter and his famous Gloria. There is a joy and wonder as the harmonies and patterns are revealed to them through my unique methodology I use to teach them.I hope you have fun learning this arrangement.I would love to hear your version of this piece. Please email:  joan@marimbaworkshop.co.za.
$19.99
Tap-Accent-Tap // [DRUMLINE EXERCISE]
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Ensemble de Percussions
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DÉBUTANT
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Methodes
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Justin Bowe
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Tap-Accent-Tap // [DRUMLINE EX
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Bowe Percussion
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SheetMusicPlus
Percussion Ensemble - Level 1 - SKU: A0.1013128 Composed by Justin Bowe. Instructional. Score and parts. 3 pages. Bowe Percussion #5997605. Published by...
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Percussion Ensemble - Level 1 - SKU: A0.1013128 Composed by Justin Bowe. Instructional. Score and parts. 3 pages. Bowe Percussion #5997605. Published by Bowe Percussion (A0.1013128). What better way to get your drumline students on the same page than with a jammin' two-heights exercise? This warm-up will work your drumline's accent-tap skills while also helping them tap into the groove that will tune them in for rehearsal, and more importantly, to their inner musicianship.INCLUDED:pdf score (portrait)FREE AUDIO RESOURCES:master audio files of the exercise at 100, 115, and 130 bpm, looped 3 times for personal practice.e-mail bowe.justin@gmail.com for audio files.Listen to the entire piece here:soundcloud.com/justin-bowe/tap-accent-tapWant this piece for FREE? Visit the following site:https://www.teacherspayteachers.com/Product/Tap-Accent-Tap-DRUMLINE-WARM-UP-Easy-5687304
$1.99
BIZET CARMEN SUITE FOR SMALL ORCHESTRA by Peyber Medina
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Ensemble de Percussions
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AVANCÉ
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Opera
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Classique
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Georges Bizet
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Peyber A
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BIZET CARMEN SUITE FOR SMALL O
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Peyber Medina
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.866916 Composed by Georges Bizet. Arranged by Peyber A. Medina H. Opera,Romantic Period. Score and parts. 121 pa...
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Percussion Ensemble - Level 5 - SKU: A0.866916 Composed by Georges Bizet. Arranged by Peyber A. Medina H. Opera,Romantic Period. Score and parts. 121 pages. Peyber Medina #6057883. Published by Peyber Medina (A0.866916). This brilliant arrangement, adaptation and reorchestration by Peyber A. Medina H. of 4 pieces of the famous from the opera CARMEN by Georges BIZET, specially made for a reduced orchestra so the players can be recorded from home on this dark times of quarantine. Get here completely free the audio sample with the click in case you purchase the partitions and wanna recorded with your orchestra or chamber group, just you must to put this product link on your video or final work description at the end: http://bit.ly/CARMENCLICKThe pieces included here are:1. Prelude from the Act 4 (Entr'acte)2. Habanera (No. 5)3. Toreadores (Prélude)4. Gypsy Song (Chason Bohème)
$34.99
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