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Non classifié
1 311
Piano & claviers
Piano seul
2 415
Piano, Voix et Guitare
1 327
Piano, Voix
700
Instruments en Do
696
Piano Facile
384
Piano grosses notes
126
Orgue
59
1 Piano, 4 mains
38
Piano (partie séparée)
37
2 Pianos, 4 mains
23
Accordéon
20
Accompagnement Piano
10
Orgue, Piano (duo)
5
Piano Trio: piano, violon, violoncelle
3
Clavecin
2
Ligne De Mélodie, Piano
1
Piano Quatuor: piano, violon, alto, violoncelle
1
Orgue, Trompette (duo)
1
1 Piano, 6 mains
1
Accordéon, Voix
1
2 Pianos, 8 mains
1
Ensemble d'Accordéons
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Clavier
1
+ 19 instrumentations
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Guitares
Ligne De Mélodie, (Paroles) et Accords
1 587
Guitare notes et tablatures
320
Guitare
286
Piano, Guitare (duo)
128
Ukulele
89
Guitare (partie séparée)
88
Basse electrique
79
Paroles et Accords
52
Banjo
8
Ensemble de guitares
4
Mandoline
4
4 Guitares (Quatuor)
3
Dobro
2
Ukulele Baryton
2
2 Guitares (duo)
2
Mandoline, Guitare (duo)
1
Basse électrique (partie séparée)
1
+ 12 instrumentations
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Voix
Chorale SATB
301
Chorale 3 parties
123
Voix seule
98
Voix haute
89
Chorale TTBB
87
Chorale SSAA
77
Pack Instrumental pour Chorale
69
Chorale 2 parties
44
Chorale Unison
23
Voix duo, Piano
19
Chorale
13
Voix Alto, Piano
11
Voix duo
7
Voix Soprano, Piano
4
Voix moyenne, Piano
3
Voix Baryton, Piano
2
Voix basse, Piano
2
Voix Tenor, Piano
1
Voix Moyenne
1
+ 14 instrumentations
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Vents
Saxophone (partie séparée)
460
Clarinette et Piano
237
Flûte traversière et Piano
228
Hautbois, Piano (duo)
224
Flûte traversière
189
Clarinette
182
Saxophone Tenor
175
Saxophone Alto et Piano
172
Saxophone Tenor et Piano
167
Saxophone Alto
163
Saxophone
153
Quatuor de Saxophones: 4 saxophones
117
2 Saxophones (duo)
87
Flûte, Hautbois, Clarinette, Basson
71
Quintette de Saxophone: 5 saxophones
52
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
51
Clarinette (partie séparée)
46
Quatuor de Clarinettes: 4 clarinettes
43
Instruments en Mib
39
Flute (partie séparée)
37
Hautbois (partie séparée)
32
2 Flûtes traversières (duo)
23
Quatuor de Flûtes : 4 flûtes
23
3 Saxophones (trio)
19
2 Clarinettes (duo)
18
Saxophone Soprano et Piano
17
Ensemble de Clarinettes
15
Ensemble de saxophones
15
3 Clarinettes (trio)
13
Quintette de Clarinettes: 5 clarinettes
12
Trio de Flûtes: 3 flûtes
9
Flûte et Guitare
8
Saxophone Baryton, Piano
7
Flûte, Clarinette (duo)
6
Ensemble de Flûtes
6
Saxophone Soprano
5
Harmonica
4
2 Flûte à bec (duo)
4
Flûte, Clarinette et Basson
4
Quatuor de Flûtes à bec
4
Clarinette Basse, Piano
3
Hautbois, Basson (duo)
3
2 Hautbois (duo)
3
Flûte, Hautbois, Clarinette (trio)
3
Clarinette, Trombone (duo)
2
Clarinette, Basson (duo)
2
Flûte, Trombone (duo)
2
Clarinette, Tuba
2
Quintette de Flûte : 5 flûtes
2
Flûte, Violon et Violoncelle
2
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Clarinette, Trompette (duo)
1
Clarinette, Contrebasse (duo)
1
5 Flûtes à bec
1
Flûte à bec Soprano
1
Hautbois, Flûte
1
Clarinette, Violon (duo)
1
Flûte, Violon
1
Flûte, Violoncelle
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
Clarinette, Violoncelle (duo)
1
Saxophone et Orgue
1
Flûte, Violoncelle, Piano (trio)
1
Saxophone, Clarinette (duo)
1
Flûte, Hautbois, Basson
1
Flûte à bec Tenor
1
Hautbois, Basson et Piano
1
Saxophone et Guitare
1
Clarinette, Guitare (duo)
1
Cor Anglais
1
Flûte et Quatuor à Cordes
1
Piccolo
1
+ 67 instrumentations
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Cuivres
Trombone (partie séparée)
371
Trompette (partie séparée)
351
Trompette
282
Trombone et Piano
173
Trombone
172
Trompette, Piano
95
Bass Clef Instruments
86
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
76
Quatuor de Cuivres : 2 trompettes, trombone, tuba
39
Instruments en Sib
36
Cor (partie séparée)
34
Cor
32
Tuba (partie séparée)
28
Quatuor de cuivres: 4 trombones
18
Quatuor de Cuivres
13
Cor et Piano
11
Quatuor de Cuivres: 2 trompettes, Cor, trombone
10
2 Trompettes (duo)
9
2 Trombones (duo)
9
Trompette, Saxophone (duo)
8
Tuba
7
Trio de Cuivres
7
Euphonium, Piano (duo)
6
3 Trombones (trio)
6
Euphonium
5
Ensemble de Trombones
4
Tuba et Piano
4
Trompette, Trombone (duo)
3
2 Tubas (duo)
3
Quatuor de cuivres: 4 cors
3
2 Euphoniums et 2 Tubas
2
Quatuor de cuivres: 4 trompettes
2
2 Cors (duo)
2
Ensemble de Trompettes
1
3 Trompettes (trio)
1
Trompette, Cor (duo)
1
Clarinette, Cor (duo)
1
Tuba et Orgue
1
Ensemble de Tubas
1
Trompette, Euphonium (duo)
1
Cor Anglais
1
2 Cors, Piano
1
Trompette, Tuba (duo)
1
+ 38 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
209
Alto, Piano
189
Violon et Piano
188
Violoncelle, Piano
162
Violon
86
Contrebasse (partie séparée)
72
Violoncelle
63
Alto seul
38
Trio à Cordes: violon, alto, violoncelle
26
Violon, Violoncelle (duo)
23
Harpe
16
Alto (partie séparée)
14
2 Violons (duo)
14
Contre Basse
12
Violon, Alto (duo)
12
Violon (partie séparée)
8
2 Violoncelles (duo)
6
Quintette à cordes: 2 violons, alto, violoncelle, basse
6
2 Altos (duo)
6
Violon, Guitare (duo)
6
Trio à Cordes: 2 violons, violoncelle
5
Violoncelle, Contrebasse (duo)
4
4 Violoncelles
3
Quatuor à cordes : 4 altos
3
Trio à cordes: 3 violins
3
Contrebasse, Piano (duo)
2
Trio à Cordes: 2 violons, alto
2
Piano Trio: Violon, Alto, Piano
2
3 Contrebasses
1
Trio à cordes: 3 altos
1
Quatuor à cordes: 4 violons
1
Trio à Cordes: 3 violoncelles
1
Flûte, Contrebasse (duo)
1
Alto, Guitare (duo)
1
Alto, Violoncelle (duo)
1
Harpe, Flûte (duo)
1
+ 31 instrumentations
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Orchestre & Percussions
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Jazz combo
565
Orchestre d'harmonie
137
Orchestre
89
Batterie
87
Batterie (partie séparée)
60
Fanfare
51
Ensemble de cuivres
50
Orchestre à Cordes
45
Orchestre de chambre
21
Percussion (partie séparée)
17
Cloches
15
Ensemble de Percussions
13
Marimba
11
Vibraphone
8
Percussion
8
3 Marimbas
2
Timbales (partie séparée)
2
Xylophone, Piano
1
2 Xylophones
1
Vibraphone (partie séparée)
1
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New Age
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Patriotique
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I Jazz
Ensemble de Percussions
Partitions à imprimer
13 partitions trouvées
<
1
Two Dreams for solo Trombone and 8-part Percussion Ensemble
#
Ensemble de Percussions
#
AVANCÉ
#
Antonio J
#
Two Dreams for solo Trombone a
#
Gordon Cherry
#
SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.811252 Composed by Antonio J. Garcia. Contemporary,Jazz,Latin,World. Score and parts. 119 pages. Gordon Cherry #...
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Percussion Ensemble - Level 5 - SKU: A0.811252 Composed by Antonio J. Garcia. Contemporary,Jazz,Latin,World. Score and parts. 119 pages. Gordon Cherry #6549777. Published by Gordon Cherry (A0.811252). Two Dreams for Trombone and Percussion EnsembleDr. Justin Alexander (Director, VCU Percussion Ensemble) invited me to create a piece for trombone and percussion ensemble that had roles for more- and less-experienced players so that they could mix within the performance. I so enjoyed composing and performing this work. He estimates the overall difficulty grade of Movement I to be a three on a five-point scale and Movement II to be a four, with a grade four for the overall piece; but some players’ parts (within the eight total in the percussion ensemble) are indeed easier.The two Movements are approximately five minutes each.The first Movement Bilita Mpash (An Amazing Dream) calls for (1) shekeré/guiro; (2) 5-octave marimba (shared with...); (3) 5-octave marimba (shared with previous); (4) claves/drum set with mounted cowbell; (5) bell/mounted cowbell/congas; (6) hi-hat/suspended cymbal; (7) bass drum; and (8) four toms/maracas.The Second Movement (Running with the Tigers) calls for (1) xylophone; (2) vibraphone/glockenspiel; (3) 5-octave marimba; (4) drum set; (5) shaker/samba whistle/congas (opt. voice); (6) triangle/bell tree/hanging bells/agogo bells (opt. voice); (7) bass drum (opt. voice); and (8) Timpani (opt. voice). Pending difficulty levels, the conga and drum set parts can optionally be split among additional percussionists. The score notes offer a stage plot and many rehearsal tips.Bilita Mpash (An Amazing Dream)The 3-2 Rumba Clave anchors this movement, launched by the shekeré. Rhythmic vamps of multiple bars form the landscape over which the trombone’s melody emerges, followed by a move to double-time 2-3 Rumba Clave (with montuno) and back. The trombone soloist improvises without chordal accompaniment for a while so could reflect on the preceding harmonies or instead freely improvise with no concern as to chord changes, while a later section requires improv over chord changes. After the recap, a surprise tag of the ending phrase in Cha Cha sets up the rubato finish. Bilita Mpash (BILL-it-uh m-POSH) is a Bantu term for an amazing dream, a dream so good that it is the polar opposite of a nightmare-a dream in a blissful state where all is forgiven and forgotten2. Running with the TigersThe opening, written-out marimba solo is somewhat of a nod to vibist Gary Burton’s influence in bringing mallets towards the expression of modern jazz. A 9/8 samba-groove (5+4) transforms to 4/4. None of the percussionists have to have a jazz background, though the drum set player would be more challenged if not already exposed to Latin drumming. The improvised solo section could be all solo trombone or could be divided among various performers, including trading. The recap of the tune begins over 5/8 samba (3+2, later 2+3). The closing arrhythmic drum-set solo crescendos as the optional surprise of percussionists’ (or additional) voices sing at the end. The title of this movement refers to a recurring dream my dad would have, as well as to the active movements of my grandson when sleeping in his earliest years.-Antonio J. GarcÃaInstrumentation is for:Solo Trombone and 8-part Percussion Ensemble:shekeré/guiro, 2 5-octave marimbas, claves/drumset with cowbell, bell, congas, hi-hat, suspended cymbal, bass drum, toms, maracas, xylophone, vibraphone, glockenspiel, shaker, samba whistle, congas, triangle, bell tree, hanging bells, agogo bells, bass drum and timpani.This rhythmic and dramatic work includes improvisation by the Trombonist. Listen to the brilliant live performance featuring Mr. Garcia and the Virginia Commonwealth University Percussion Ensemble directed by Dr. Justin Alexander.
$50.00
A Swingin' Safari
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Ensemble de Percussions
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Contemporain
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Billy Vaughn
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JohnBeale
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A Swingin' Safari
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John Beale
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SheetMusicPlus
Percussion Ensemble - SKU: A0.984904 By Billy Vaughn. By Bert Kaempfert. Arranged by JohnBeale. Contemporary. Score and parts. 68 pages. John Beale #644...
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Percussion Ensemble - SKU: A0.984904 By Billy Vaughn. By Bert Kaempfert. Arranged by JohnBeale. Contemporary. Score and parts. 68 pages. John Beale #6442233. Published by John Beale (A0.984904). For over 40 years I have arranged music for my school's musicians to come together and perform in school concerts. They were mostly grades 1-3. I tried to arrange the parts to be meaningful but at the same time maintaining an effective, complete and pleasing sound. I often arranged parts with individuals in mind. The piano part is there for support and filling in. Not a difficult piece and very repetitive and catchy. I have arranged this piece for a school orchestra made up of pupils of grades 1-3. I suggest a solo for the first 4 bars (I did with a recorder). At F there is a ‘jazz’ style solo. Choose your instrument. Once I did with a recorder. A second time with a trumpet. Beware you won’t get the tune out of your head!!
$49.99
Sisyphus Phoenix
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Ensemble de Percussions
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AVANCÉ
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Jazz
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Contemporain
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Dalton McLaughlin
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Sisyphus Phoenix
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Dalton McLaughlin
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.1011784 Composed by Dalton McLaughlin. 20th Century,Jazz. Score and parts. 95 pages. Dalton McLaughlin #3452087....
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Percussion Ensemble - Level 5 - SKU: A0.1011784 Composed by Dalton McLaughlin. 20th Century,Jazz. Score and parts. 95 pages. Dalton McLaughlin #3452087. Published by Dalton McLaughlin (A0.1011784). This percussion ensemble, which was written for the Wisconsin Youth Symphony Orchestras Percussion ensemble, is a jazz inspired blend of the music that fascinated me when I wrote this. It is inspired by the work of Claude Debussy and Jacob Collier, because I felt like there ins't really much in the way of a percussion ensemble in that vein. It is also inspired by the idea of Sisyphus, the Greek Myth, and the idea of a phoenix burning up to become renewed.This piece works great for college percussion ensembles.
$1.99
Donut Etudes vol. 3: Don’t Step in the Holes! – Keyboard Percussion (Mallet) Quartet
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Ensemble de Percussions
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INTERMÉDIAIRE
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Methodes
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Joshua Hauser
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Donut Etudes vol. 3: Don&rsquo
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Slide Ride
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SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.784338 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288673. Published by Sl...
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Percussion Ensemble - Level 3 - SKU: A0.784338 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288673. Published by Slide Ride (A0.784338). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
Professor Burble's fourth invention
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Ensemble de Percussions
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INTERMÉDIAIRE/AVANCÉ
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David Warin Solomons
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Professor Burble's fourth inve
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David Warin Solomons
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SheetMusicPlus
Percussion Ensemble - Level 4 - SKU: A0.576482 Composed by David Warin Solomons. 20th Century,Contemporary,Jazz. Score and parts. 27 pages. David Warin ...
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Percussion Ensemble - Level 4 - SKU: A0.576482 Composed by David Warin Solomons. 20th Century,Contemporary,Jazz. Score and parts. 27 pages. David Warin Solomons #26925. Published by David Warin Solomons (A0.576482). A mad professor I invented during my childhood has been given fictional responsibility for some of my more outside the box compositions. I called him Professor Burble; he was probably inspired by TV cartoons in the 1960s.... The first Invention was for guitar solo (published by Productions d'Oz), the third one one was for two wind instruments (published by Musik Fabrik), and this one - number 4 - is for piano, strings, gong, cymbal, bass drum and side drum. It is in a relentless 5/4 rhythm and starts with a fugato idea on piano and strings (including several divisi moments), with gongs, cymbal and snare drums beginning about a minute into the piece.
$12.00
Groove City
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Ensemble de Percussions
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FACILE
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Tsoof Baras
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Groove City
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Tsoof Baras
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SheetMusicPlus
Percussion Ensemble - Level 2 - SKU: A0.1013925 Composed by Tsoof Baras. Contemporary,Hip-Hop,Jazz,R & B,Standards. Score and parts. 18 pages. Tsoof Bar...
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Percussion Ensemble - Level 2 - SKU: A0.1013925 Composed by Tsoof Baras. Contemporary,Hip-Hop,Jazz,R & B,Standards. Score and parts. 18 pages. Tsoof Baras #6662685. Published by Tsoof Baras (A0.1013925). Players - 4Instrumentation - Snare Drum, Concert Toms, Kick Drum.I wrote this piece for one of my school percussion ensembles trying to fill a gap in percussion ensemble drumming pieces. In my search for great pieces, some were too hard, others too easy. So, I decided to write my own.The piece draws inspiration from funk and R&B drumming and as always, the aim is that the ensemble has fun and enjoys the groove. Coming from a long background of Latin and African drumming styles, my compositions place a heavy emphasis on feeling the rhythm and hearing all the parts lock in, rather than being accurate.
$45.00
Dialogue On An Urgent Journey
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Ensemble de Percussions
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Mark G
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Dialogue On An Urgent Journey
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M.G.Turner
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SheetMusicPlus
Percussion Ensemble - Level 4 - SKU: A0.938558 Composed by Mark G. Turner. Contemporary. Score and parts. 59 pages. M.G.Turner #546155. Published by M.G...
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Percussion Ensemble - Level 4 - SKU: A0.938558 Composed by Mark G. Turner. Contemporary. Score and parts. 59 pages. M.G.Turner #546155. Published by M.G.Turner (A0.938558). This original nonete (Flute, 1st Bb Clarinet, 2nd Bb Clarinet, Alto Sax, Baritone Sax, Bb Trumpet, Tuba, Timpani & Percussion) was first premiered at the University of Leeds in the UK. As a composer I utilized melodic serialism, consonant whole tone harmonies, intriguing chromatics, frequent syncopation, and a jazz flavour in several sections. Solos are presented by: Flute, Bb Trumpet, Baritone Sax and Tuba. The timpani and percussion (suspended cymbal being used in a high hat style and a woodblock keep things moving well. A number of my other original ensemble pieces are listed under my full name: Mark G. Turner.
$1.99
Trio for Three Marimbas
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Ensemble de Percussions
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David Garner
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Trio for Three Marimbas
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David Garner Music
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SheetMusicPlus
Percussion Ensemble - SKU: A0.947356 Composed by David Garner. 20th Century,Contemporary,Jazz. Score and parts. 68 pages. David Garner Music #2888289. P...
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Percussion Ensemble - SKU: A0.947356 Composed by David Garner. 20th Century,Contemporary,Jazz. Score and parts. 68 pages. David Garner Music #2888289. Published by David Garner Music (A0.947356). Trio for Three Marimbas (two mallets) Three movements for three marimbas. I. Sidestep, II. Canon for the Imam, III. Splinters. Duration c. 12:00
$15.00
Minuet in G (in the Key of Cool!) - Boomwhackers
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Ensemble de Percussions
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DÉBUTANT
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Christian Petzold
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Shelly Davis
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Minuet in G
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Shelly Davis
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SheetMusicPlus
Percussion Ensemble - Level 1 - SKU: A0.891145 Composed by Christian Petzold. Arranged by Shelly Davis. Baroque,Instructional,Jazz. Score and parts. 7 p...
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Percussion Ensemble - Level 1 - SKU: A0.891145 Composed by Christian Petzold. Arranged by Shelly Davis. Baroque,Instructional,Jazz. Score and parts. 7 pages. Shelly Davis #3507305. Published by Shelly Davis (A0.891145). This arrangement takes this familiar Baroque tune and arranges it to be played with three sets of Boomwhackers (plus a fourth B if you have one). After the familiar tune is established, the arrangement changes time signatures and offers a fun swinging version of the melody. The original melody is transposed from G Major to C Major (the Key of Cool) so that the arrangement can be played on a regular classroom set of diatonic Boomwhackers, without the need for the chromatic set. Minuet in G (in the Key of Cool!) can be performed with as few as nine players.In this arrangement, you will receive the conductor’s score and one copy of each of the individual parts: melody, harmony, and bass. The purchase of this set permits the owner to create enough copies for each performer in their group to have their own music to mark and study.I would love to see videos of your group performing this piece! You can find me on Facebook at Shelly Davis Piano Studio and on Instagram @pianoparentpodcast or email me at shelly@pianoparentpodcast.com
$8.88
Don't Worry, Be Happy
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Ensemble de Percussions
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INTERMÉDIAIRE
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Jazz
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Bobby McFerrin
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Ricardo Matosinhos
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Don't Worry, Be Happy
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Ricardo Matosinhos
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SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.899162 By Bobby McFerrin. By Bobby McFerrin. Arranged by Ricardo Matosinhos. Jazz. Score and parts. 32 pages. Ri...
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Percussion Ensemble - Level 3 - SKU: A0.899162 By Bobby McFerrin. By Bobby McFerrin. Arranged by Ricardo Matosinhos. Jazz. Score and parts. 32 pages. Ricardo Matosinhos #5723941. Published by Ricardo Matosinhos (A0.899162). This is a well known piece by Bobby McFerrin. Here presented on a music arrangement for unconventional music instruments. The arrangement allows flexibility, so this piece can be performed using tuned bottles (25cl, 33cl and 75cl), lip whistle, finger snaps, complemented with xylophones and optionally with voices to sing the lyrics too. This arrangement was made during the 2020 quarantine, when the world was shutdown due to a world virus pandemic. Some of the music students didn’t have their music instruments at home, so this arrangement came up to fill that gap and it is perfect to keep doing music with the available option of instruments.On each rehearsal letter, you can play optional improvisations, while keeping the voices 5-8. These improvisations can be easily done using the C major pentatonic scale or the note ranges presented on the right, that even include Eâ™ and Bâ™. If played using lip whistle, bendings will be possible too. This arrangement presents 8 voices and an alternative solution for voice 8, that makes it easier to be performed as it is the place where bottles are divided between the players. There is also an optional bass line to complement voice eight one octave bellow. In order to keep it simple, neither dynamics or articulations were included and the notes were represented always in the middle octave in G clef. The correct pitch ranges are presented in the performance notes.The amount of water will change the pitch differently depending if you are blowing or doing percussion on a bottle. When blowing, the more water you use, the higher the pitch will be, but while doing percussions more water means lower pitch. A good option, in order to save time during rehearsals, is to fill the bottles with water, marking the level with a pen, and then filling the bottle with the desired amount of hot wax instead of water. This way, when the wax cools down you can have a tuned bottle without requiring to tune it again every single rehearsal. Please note that the bottles should be made of glass and that different aspects change the performance. For percussion, straight bottles are better to tune as the curves in the bottles tend to produce unstable pitches. The extreme notes of the range might not be available in every single bottle, so you might need to try some alternatives. For example the high A is available in some beer bottles, while the low G is available in larger 75cl bottles of champaign. Last but not least, this piece should always be played according to Bobby’s motto: dont worry, be happy!I had lots of fun while doing this arrangement, now it’s your time to have fun while performing it!Ricardo Matosinhoshttp://www.ricardomatosinhos.com
$14.99
Black Hole Sun
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Ensemble de Percussions
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INTERMÉDIAIRE/AVANCÉ
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Soundgarden
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David R
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Black Hole Sun
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Bluesilhouettes Music
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SheetMusicPlus
Percussion Ensemble - Level 4 - SKU: A0.1345315 By Soundgarden. By Chris Cornell. Arranged by David R. Peoples. Classical,Contemporary,Grunge,Rock. 68 p...
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Percussion Ensemble - Level 4 - SKU: A0.1345315 By Soundgarden. By Chris Cornell. Arranged by David R. Peoples. Classical,Contemporary,Grunge,Rock. 68 pages. Bluesilhouettes Music #930151. Published by Bluesilhouettes Music (A0.1345315). What I really like about this song is its uniqueness... is it grunge? Psychedelic? Alternative? Hard Rock? Contemporary chamber music? Theoretically - is it some sort of jazz-fuzed harmonic progression or a clever soundscape of melody notes outside of chords? This version is not a cover. Fragments of musical elements are translated into the ensemble. While occasionally exhibiting moments of rock, the composition evolves into a more profound expression, capitalizing on the musical possibilities of a percussion ensemble. This arrangement was crafted for the University of North Georgia’s percussion ensemble, directed by Dr. Steven Walker.Hear full digital audio mockup offsite
$34.99
Come To Me
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Ensemble de Percussions
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INTERMÉDIAIRE/AVANCÉ
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Bjork Gudmundsdottir
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David R
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Come To Me
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Bluesilhouettes Music
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SheetMusicPlus
Percussion Ensemble - Level 4 - SKU: A0.1350568 Composed by Bjork Gudmundsdottir. Arranged by David R. Peoples. Classical,Contemporary,Pop,Rock. 87 page...
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Percussion Ensemble - Level 4 - SKU: A0.1350568 Composed by Bjork Gudmundsdottir. Arranged by David R. Peoples. Classical,Contemporary,Pop,Rock. 87 pages. Bluesilhouettes Music #935388. Published by Bluesilhouettes Music (A0.1350568). If you had a day, and all you listened to was Björk, you’d have a fascinating day. The experience would be marked by a kaleidoscope of varying styles from pop, avant-garde, or jazz. Is it mainstream - probably not. But, the artist is definitely recognizable (as a name), appearing across multiple genres. As a source of background to her song ‘Come to Me,’ I borrowed a palindromic idea exploited by Radiohead in their ‘Pyramid song...’ if we truly expand a swing feel to a twelve-eight meter and extend the pattern across two measures - the eighth notes would provide a total of twenty-four possibilities - and as in this work you get four, five, six, five, four a palindrome on 45654 that (when added) equals twenty-four.This version is not a cover. Fragments of musical elements are translated into the ensemble. While occasionally exhibiting moments of dance, the composition evolves into a more profound expression, capitalizing on the musical possibilities of a percussion ensemble. This arrangement was crafted for the University of North Georgia’s percussion ensemble, directed by Dr. Steven Walker.Full mock-up digital audio: available here
$34.99
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