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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
I Have Come
Non classifié
1 359
Piano & claviers
Piano seul
532
Piano, Voix et Guitare
454
Piano, Voix
291
Instruments en Do
277
Piano Facile
101
Orgue
44
Accompagnement Piano
17
1 Piano, 4 mains
16
Piano Trio: piano, violon, violoncelle
10
2 Pianos, 4 mains
7
Orgue, Piano (duo)
4
Piano Quatuor: piano, 2 violons, violoncelle
4
Accordéon
1
2 Pianos, 8 mains
1
Piano (partie séparée)
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
+ 11 instrumentations
Retracter
Guitares
Piano, Guitare (duo)
114
Guitare
48
Guitare notes et tablatures
45
Basse electrique
10
Ukulele
10
2 Guitares (duo)
9
4 Guitares (Quatuor)
6
Ligne De Mélodie, (Paroles) et Accords
5
3 Guitares (trio)
5
Ukulele Baryton
2
Mandoline
2
Paroles et Accords
1
Mandoline, Guitare (duo)
1
Dulcimer
1
+ 9 instrumentations
Retracter
Voix
Chorale SATB
161
Chorale 2 parties
64
Chorale 3 parties
45
Chorale TTBB
11
Chorale Unison
11
Voix duo, Piano
10
Voix Soprano, Piano
10
Voix Baryton, Piano
9
Voix seule
8
Chorale SSAA
6
Voix Tenor, Piano
5
Chorale
4
Voix haute
4
Voix duo
3
Voix basse, Piano
2
Voix Alto, Piano
2
Voix Soprano
1
Voix Mezzo-Soprano, Piano
1
Voix moyenne, Piano
1
Voix Tenor
1
+ 15 instrumentations
Retracter
Vents
Hautbois, Piano (duo)
205
Clarinette et Piano
191
Flûte traversière et Piano
186
Saxophone Alto et Piano
136
Saxophone Tenor et Piano
130
Quintette de Saxophone: 5 saxophones
111
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
105
Flûte, Hautbois, Clarinette, Basson
79
Quatuor de Saxophones: 4 saxophones
71
Ensemble de saxophones
64
Hautbois (partie séparée)
45
Flûte traversière
43
Clarinette
40
2 Saxophones (duo)
37
2 Flûtes traversières (duo)
30
Ensemble de Clarinettes
27
Ensemble de Flûtes
22
Quatuor de Clarinettes: 4 clarinettes
17
Saxophone Alto
14
2 Clarinettes (duo)
14
Flûte, Clarinette (duo)
13
Quatuor de Flûtes : 4 flûtes
9
Quintette de Flûte : 5 flûtes
9
Flûte, Clarinette, Cor, Basson (Quartet)
8
Saxophone Baryton, Piano
8
3 Clarinettes (trio)
8
Flûte et Guitare
7
Quintette de Clarinettes: 5 clarinettes
6
Quatuor de Flûtes à bec
6
Cor anglais, Piano
5
Saxophone Tenor
5
Clarinette (partie séparée)
5
Flûte, Violon, Piano
5
Clarinette, Violoncelle (duo)
5
Clarinette Basse, Piano
4
Saxophone Soprano et Piano
4
Trio de Flûtes: 3 flûtes
4
Flûte à bec Soprano
4
2 Flûtes traversières, Piano
4
Clarinette, Guitare (duo)
4
Clarinette, Basson (duo)
4
Flûte, Trombone (duo)
3
2 Flûte à bec (duo)
3
Flute (partie séparée)
3
Hautbois, Guitare (duo)
3
3 Saxophones (trio)
3
Hautbois, Clarinette, Basson (trio d'anches)
2
Flûte, Hautbois (duo)
2
Saxophone
2
Hautbois, Clarinette (duo)
2
Cor anglais, Guitare (duo)
2
Saxophone (partie séparée)
2
Clarinette, Trombone (duo)
2
Flûte à bec Alto, Piano
2
2 Clarinettes, Piano
2
Flûte, Hautbois, Clarinette (trio)
2
Flûte, Clarinette, Violon (trio)
1
Flûte, Violoncelle
1
Flûte à bec Soprano, Piano
1
2 Hautbois (duo)
1
Flûte, Clarinette, Piano (trio)
1
Flûte à Bec
1
Flûte, Hautbois, Violon
1
Clarinette, Tuba
1
Clarinette, Harpe (duo)
1
Ocarina
1
Clarinette, Contrebasse (duo)
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Cornemuse
1
Flûte et Quatuor à Cordes
1
Saxophone et Guitare
1
Saxophone, Violon (duo)
1
Ensemble De Flûte à bec
1
Flûte, Alto (duo)
1
Flûte à bec Alto
1
Flûte, Violon
1
Clarinette, Violon (duo)
1
Hautbois, Harpe
1
Flûte, Trompette (duo)
1
2 Flûtes traversières, Harpe
1
Piccolo, Piano
1
+ 76 instrumentations
Retracter
Cuivres
Trombone et Piano
154
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
152
Trompette
101
Quatuor de Cuivres
84
Trompette, Piano
71
Ensemble de Trompettes
47
Quatuor de Cuivres : 2 trompettes, trombone, tuba
47
Trombone
27
Ensemble de Trombones
21
Quatuor de Cuivres: 2 trompettes, Cor, trombone
21
Trompette (partie séparée)
20
Quatuor de cuivres: 4 trombones
16
2 Trombones (duo)
9
2 Trompettes (duo)
9
Trombone (partie séparée)
8
Cor et Piano
8
Tuba et Piano
7
Trio de Cuivres
7
Tuba
7
Ensemble de Cors
6
Cor
6
Euphonium, Piano (duo)
6
2 Tubas (duo)
5
Cor anglais, Piano
5
Trompette, Trombone (duo)
5
Cor (partie séparée)
4
Trompette, Cor (duo)
3
Euphonium, Tuba (duo)
3
2 Cors (duo)
3
Trompette, Saxophone (duo)
2
Cor anglais, Guitare (duo)
2
3 Trompettes (trio)
2
3 Trombones (trio)
2
Quatuor de cuivres: 4 trompettes
2
Tuba (partie séparée)
2
Trompette, violon (duo)
2
Trompette, Violoncelle (duo)
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Cor, Tuba (duo)
1
Quatuor de cuivres: 4 cors
1
Bass Clef Instruments
1
3 Cors (trio)
1
2 Euphoniums et 2 Tubas
1
2 Trompettes, Clavier (piano ou orgue)
1
+ 39 instrumentations
Retracter
Cordes
Violon et Piano
186
Quatuor à cordes: 2 violons, alto, violoncelle
177
Alto, Piano
174
Violoncelle, Piano
148
Quintette à cordes: 2 violons, alto, violoncelle, basse
64
Violon
61
Violoncelle
50
Alto seul
40
2 Violons (duo)
33
Violon, Violoncelle (duo)
28
Contre Basse
24
Trio à Cordes: violon, alto, violoncelle
19
2 Altos (duo)
16
Violon, Alto (duo)
15
2 Violoncelles (duo)
15
Harpe
14
Ensemble d'Altos
11
Alto (partie séparée)
10
Ensemble de Violons
10
Violoncelle, Contrebasse (duo)
7
Piano Trio: Violon, Alto, Piano
6
Alto, Violoncelle (duo)
6
Trio à cordes: 3 altos
5
Harpe, Voix
5
Trio à Cordes: 2 violons, violoncelle
4
Violon, Guitare (duo)
4
2 Contrebasses (duo)
3
Violon (partie séparée)
3
Violoncelle , Guitare (duo)
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
4 Violoncelles
3
Contrebasse (partie séparée)
2
Ensemble de Violoncelles
2
Quatuor à cordes: 4 violons
2
Harpe, Violoncelle (duo)
2
Trio à cordes
2
2 Harpes (duo)
2
Trio à cordes: 3 violins
1
Harpe, Violon (duo)
1
Alto et Basson
1
Contrebasse, Piano (duo)
1
Trio à Cordes: 2 violons, alto
1
Quatuor à cordes : 4 altos
1
2 Violons, Piano
1
Flûte, Contrebasse (duo)
1
Violoncelle, Orchestre
1
+ 41 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
103
Orchestre
59
Orchestre à Cordes
44
Batterie
26
Ensemble de cuivres
20
Ensemble Jazz
16
Orchestre de chambre
15
Jazz combo
11
Ensemble de Percussions
6
Cloches
5
Xylophone, Piano
3
Percussion (partie séparée)
3
Fanfare
2
Marimba
2
Piano et Orchestre
1
Vibraphone
1
2 Marimbas
1
+ 12 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
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débutant
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Vous avez sélectionné:
I Have Come
Ensemble de Percussions
Partitions à imprimer
6 partitions trouvées
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1
When Johnny Comes Marching Home- Intermediate Pitched Percussion
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Ensemble de Percussions
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FACILE
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Michael Arell
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Michael Arell
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When Johnny Comes Marching Hom
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Michael Arell
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SheetMusicPlus
Percussion Ensemble - Level 2 - SKU: A0.951763 Composed by Michael Arell. Arranged by Michael Arell. Folk,Holiday,Patriotic. Score and parts. 3 pages. M...
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Percussion Ensemble - Level 2 - SKU: A0.951763 Composed by Michael Arell. Arranged by Michael Arell. Folk,Holiday,Patriotic. Score and parts. 3 pages. Michael Arell #6274221. Published by Michael Arell (A0.951763). Thank you for your interest in learning this music! I have designed the piece so that it will be approachable to musicians after about 2 years of playing, while still enjoyable for more advanced players. Included are a version in traditional Western notation and a second version with letter names to help with learning. Please visit my website www.MichaelArell.com to access a sample recording. Great fit for schools, students, and churches.
$1.99
Come To Me
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Ensemble de Percussions
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INTERMÉDIAIRE/AVANCÉ
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Bjork Gudmundsdottir
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David R
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Come To Me
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Bluesilhouettes Music
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SheetMusicPlus
Percussion Ensemble - Level 4 - SKU: A0.1350568 Composed by Bjork Gudmundsdottir. Arranged by David R. Peoples. Classical,Contemporary,Pop,Rock. 87 page...
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Percussion Ensemble - Level 4 - SKU: A0.1350568 Composed by Bjork Gudmundsdottir. Arranged by David R. Peoples. Classical,Contemporary,Pop,Rock. 87 pages. Bluesilhouettes Music #935388. Published by Bluesilhouettes Music (A0.1350568). If you had a day, and all you listened to was Björk, you’d have a fascinating day. The experience would be marked by a kaleidoscope of varying styles from pop, avant-garde, or jazz. Is it mainstream - probably not. But, the artist is definitely recognizable (as a name), appearing across multiple genres. As a source of background to her song ‘Come to Me,’ I borrowed a palindromic idea exploited by Radiohead in their ‘Pyramid song...’ if we truly expand a swing feel to a twelve-eight meter and extend the pattern across two measures - the eighth notes would provide a total of twenty-four possibilities - and as in this work you get four, five, six, five, four a palindrome on 45654 that (when added) equals twenty-four.This version is not a cover. Fragments of musical elements are translated into the ensemble. While occasionally exhibiting moments of dance, the composition evolves into a more profound expression, capitalizing on the musical possibilities of a percussion ensemble. This arrangement was crafted for the University of North Georgia’s percussion ensemble, directed by Dr. Steven Walker.Full mock-up digital audio: available here
$34.99
Four Forces (First movement) I. Strong Forces
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Ensemble de Percussions
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AVANCÉ
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Salvador Rojo Gamón
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Four Forces
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Salvador Rojo-Gamon
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.962406 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 173 pa...
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Percussion Ensemble - Level 5 - SKU: A0.962406 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 173 pages. Salvador Rojo-Gamon #5801913. Published by Salvador Rojo-Gamon (A0.962406). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$300.00
A Swingin' Safari
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Ensemble de Percussions
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Contemporain
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Billy Vaughn
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JohnBeale
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A Swingin' Safari
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John Beale
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SheetMusicPlus
Percussion Ensemble - SKU: A0.984904 By Billy Vaughn. By Bert Kaempfert. Arranged by JohnBeale. Contemporary. Score and parts. 68 pages. John Beale #644...
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Percussion Ensemble - SKU: A0.984904 By Billy Vaughn. By Bert Kaempfert. Arranged by JohnBeale. Contemporary. Score and parts. 68 pages. John Beale #6442233. Published by John Beale (A0.984904). For over 40 years I have arranged music for my school's musicians to come together and perform in school concerts. They were mostly grades 1-3. I tried to arrange the parts to be meaningful but at the same time maintaining an effective, complete and pleasing sound. I often arranged parts with individuals in mind. The piano part is there for support and filling in. Not a difficult piece and very repetitive and catchy. I have arranged this piece for a school orchestra made up of pupils of grades 1-3. I suggest a solo for the first 4 bars (I did with a recorder). At F there is a ‘jazz’ style solo. Choose your instrument. Once I did with a recorder. A second time with a trumpet. Beware you won’t get the tune out of your head!!
$49.99
Ambrosian Wish - Percussion Ensemble with Narrator
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Ensemble de Percussions
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INTERMÉDIAIRE
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Chris Kamerling
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his website is www
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Ambrosian Wish - Percussion En
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Phantom K Music
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SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.1012290 Composed by Chris Kamerling. Contemporary,Standards. Score and parts. 24 pages. Phantom K Music #6642767...
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Percussion Ensemble - Level 3 - SKU: A0.1012290 Composed by Chris Kamerling. Contemporary,Standards. Score and parts. 24 pages. Phantom K Music #6642767. Published by Phantom K Music (A0.1012290). Are you searching for something different for your percussion ensemble? Do you not have enough players to utilize keyboard percussion? Have you ever wanted to do something with narrator, but haven't had the chance? Well, I've got a piece for you! This piece is for four percussionists and a single narrator. The sound hearkens back to the beatnik poets of the 1960s! This is an exploration of sound for your percussionists, which allows them to use varied instruments from the snare drum to flower pots! I hope you enjoy Ambrosian Wish for percussion ensemble and narrator. Chris Kamerling can be found on Facebook at www.facebook.com/kamerlingcomposer; his website is www.chriskamerling.com; and his YouTube channel is www.youtube.com/user/ckamerling93. You are always welcome to contact Mr. Kamerling by email at phantomkmusic@gmail.com
$15.00
Four Forces (Second movement) II. Weak Forces
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Ensemble de Percussions
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AVANCÉ
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Salvador Rojo Gamón
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Four Forces
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Salvador Rojo-Gamon
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.962405 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 255 pa...
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Percussion Ensemble - Level 5 - SKU: A0.962405 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 255 pages. Salvador Rojo-Gamon #5801921. Published by Salvador Rojo-Gamon (A0.962405). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
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