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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
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ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
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CHORALE - CHAN…
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HARPE
HAUTBOIS
LIVRES
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SAXOPHONE
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2719
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793
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337
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232
Piano grosses notes
101
1 Piano, 4 mains
68
Orgue
56
Piano (partie séparée)
37
Piano Trio: piano, violon, violoncelle
37
Accordéon
27
2 Pianos, 4 mains
19
Accompagnement Piano
18
Piano Quintette: piano, 2 violons, alto, violoncelle
5
Accordéon, Piano
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Piano Quatuor: piano, violon, alto, violoncelle
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Clavecin
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Piano Quatuor: piano, 2 violons, violoncelle
2
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2 Pianos, 8 mains
1
1 Piano, 6 mains
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Clavier
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Orgue, Piano (duo)
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GUITARES
Guitare
57
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42
Ligne De Mélodie, (Paroles) et Accords
24
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8
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6
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6
Mandoline
6
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4
Basse electrique
3
3 Guitares (trio)
2
4 Guitares (Quatuor)
1
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VOIX
Chorale SATB
231
Chorale 3 parties
63
Chorale Unison
47
Voix Alto, Piano
38
Chorale 2 parties
35
Voix Tenor, Piano
26
Voix Soprano, Piano
26
Voix Baryton, Piano
26
Chorale TTBB
21
Chorale SSAA
15
Voix duo, Piano
11
Voix moyenne, Piano
5
Voix seule
5
Voix haute
3
Chorale
3
Voix Mezzo-Soprano, Piano
2
Chorale SSAATTBB
1
Voix basse
1
Chorale SSATTB
1
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VENTS
Flûte traversière et Piano
183
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
173
Clarinette et Piano
146
Quintette de Saxophone: 5 saxophones
130
Hautbois, Piano (duo)
124
Quatuor de Saxophones: 4 saxophones
114
Saxophone Alto et Piano
100
Flûte, Hautbois, Clarinette, Basson
89
Clarinette
79
Flûte traversière
70
Saxophone Tenor et Piano
63
2 Saxophones (duo)
60
Saxophone Soprano et Piano
53
Quatuor de Clarinettes: 4 clarinettes
44
Saxophone Baryton, Piano
41
2 Flûtes traversières (duo)
39
Saxophone Alto
39
Saxophone
37
Saxophone (partie séparée)
37
2 Clarinettes (duo)
31
Hautbois (partie séparée)
30
Saxophone Tenor
28
Hautbois
23
Clarinette (partie séparée)
22
Cor anglais, Piano
21
Clarinette Basse, Piano
20
Flûte à Bec
16
3 Saxophones (trio)
15
Ensemble de Clarinettes
15
2 Hautbois (duo)
15
Quatuor de Flûtes : 4 flûtes
14
Flûte à bec Soprano
14
Flûte, Clarinette (duo)
12
Ensemble de saxophones
11
Hautbois, Basson (duo)
11
Saxophone Soprano
11
Flûte à bec Alto
10
2 Flûte à bec (duo)
10
Trio de Flûtes: 3 flûtes
10
Flûte et Guitare
9
Saxophone Baryton
8
Flute (partie séparée)
8
Flûte, Clarinette, Cor, Basson (Quartet)
8
Quintette de Clarinettes: 5 clarinettes
8
Ensemble de Flûtes
8
Quintette de Flûte : 5 flûtes
7
Clarinette, Basson (duo)
6
Flûte, Hautbois (duo)
5
Clarinette, Violoncelle (duo)
5
Hautbois, Violoncelle
5
Flûte, Violoncelle
5
3 Clarinettes (trio)
5
Flûte, Clarinette, Piano (trio)
5
Harmonica
4
Piccolo
4
2 Saxophones, Piano
4
Flûte, Clarinette et Basson
4
Hautbois, Clarinette (duo)
4
2 Clarinettes, Piano
3
Flûte, Hautbois, Piano (trio)
3
Cor Anglais
3
Instruments en Mib
2
Flûte, Violon, Violoncelle et Piano
2
Clarinette, Violoncelle, Piano (trio)
2
3 Flûtes à bec (trio)
2
Clarinette, Trompette (duo)
2
Clarinette et Alto
2
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2
Saxophone, Clarinette (duo)
2
Flûte, Hautbois, Clarinette (trio)
2
Flûte, Hautbois, Basson
2
Piccolo, Piano
2
Flûte, Alto (duo)
2
Flûte, Basson et Piano
2
Flûte, Violon, Piano
2
Flûte, Violoncelle, Piano (trio)
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Quatuor de Flûtes à bec
2
Flûte à bec Soprano, Piano
1
Ensemble De Flûte à bec
1
Flûte, Alto et Piano
1
Flûte à Bec, Piano
1
Clarinette, Harpe (duo)
1
Flûte, Saxophone (duo)
1
Clarinette, Trombone (duo)
1
Flûte à bec Tenor
1
2 Clarinettes, Basson
1
Hautbois, Guitare (duo)
1
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1
Clarinette, Alto et Piano (trio)
1
Hautbois, Flûte
1
Flute, harpe et violon
1
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1
2 Flûtes traversières, Piano
1
Hautbois, Violoncelle et Piano
1
Clarinette, Basson, Piano (trio)
1
Flûte, trombone et piano
1
5 Flûtes à bec
1
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
130
Trompette, Piano
98
Trombone et Piano
97
Cor et Piano
83
Trompette
79
Quatuor de Cuivres
73
Trombone
51
Quatuor de Cuivres : 2 trompettes, trombone, tuba
51
Tuba et Piano
49
Cor
38
Tuba
37
Euphonium, Piano (duo)
32
Trombone (partie séparée)
30
Trompette (partie séparée)
23
2 Trompettes (duo)
21
2 Trombones (duo)
21
Cor anglais, Piano
21
Quatuor de Cuivres: 2 trompettes, Cor, trombone
16
Cor (partie séparée)
13
2 Cors (duo)
13
Trompette, Trombone (duo)
11
Ensemble de Trombones
10
Tuba (partie séparée)
9
Euphonium
7
Ensemble de Trompettes
7
Tuba et Orgue
6
Cor, Violoncelle (duo)
6
Quatuor de cuivres: 4 trombones
6
Trompette, Cor (duo)
5
Quatuor de cuivres: 4 cors
4
Instruments en Fa
4
2 Tubas (duo)
4
Instruments en Sib
4
Bass Clef Instruments
4
Quatuor de cuivres: 4 trompettes
3
3 Trombones (trio)
3
Trombone basse et Piano
3
Cor Anglais
3
3 Trompettes (trio)
2
Cor et Basson (duo)
2
Trompette, Violoncelle (duo)
2
Trombone basse
2
Trompette, Saxophone (duo)
2
Ensemble de Cors
2
Trombone, Cor (duo)
2
3 Tubas (trio)
1
Euphonium, Tuba (duo)
1
Trompette, Basson (duo)
1
Cor et Orgue
1
Ensemble de Tubas
1
Trompette, Trombone, Piano
1
2 Trompettes, Clavier (piano ou orgue)
1
2 Euphoniums et 2 Tubas
1
4 Tubas
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
245
Violon et Piano
234
Violoncelle, Piano
169
Violon
116
Alto, Piano
116
Quintette à cordes: 2 violons, alto, violoncelle, basse
96
Violon, Violoncelle (duo)
68
Violoncelle
65
Alto seul
53
Contrebasse, Piano (duo)
37
2 Violons (duo)
37
2 Violoncelles (duo)
33
Trio à Cordes: violon, alto, violoncelle
33
Violon (partie séparée)
31
Contre Basse
28
2 Altos (duo)
22
Harpe
18
Alto (partie séparée)
15
Alto, Violoncelle (duo)
12
4 Violoncelles
10
Violon, Alto (duo)
10
Contrebasse (partie séparée)
10
Piano Trio: Violon, Alto, Piano
10
Violoncelle (partie séparée)
7
Ensemble de Violons
6
2 Harpes (duo)
6
Alto et Basson
6
Trio à cordes: 3 altos
5
Trio à Cordes: 3 violoncelles
5
Ensemble d'Altos
4
Violon, Basson (duo)
4
Trio à Cordes: 2 violons, violoncelle
4
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
Quatuor à cordes: 4 violons
3
Quatuor à cordes : 4 altos
3
Trio à cordes: 3 violins
3
Trio à Cordes: 2 violons, alto
2
Violon, Guitare (duo)
2
2 Contrebasses (duo)
2
2 Violoncelles, Piano
2
Harpe, Violon (duo)
1
Harpe, Flûte (duo)
1
Violon, Clarinette, Piano (trio)
1
Violoncelle , Guitare (duo)
1
Ensemble de Violoncelles
1
2 Violons, Piano
1
Harpe, Voix
1
Harpe et mandoline
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
291
Orchestre
135
Orchestre à Cordes
73
Cloches
61
Ensemble Jazz
53
Ensemble de cuivres
34
Fanfare
31
Orchestre de chambre
31
Jazz combo
14
Percussion (partie séparée)
12
Ensemble de Percussions
7
Batterie (partie séparée)
3
Batterie
3
Xylophone, Piano
3
Vibraphone
2
Timbales (partie séparée)
2
Xylophone
2
2 Xylophones
2
Quintette de Cuivres: autres combinaisons
1
Percussion
1
Instrumentation Flexible
1
Orchestre, Violon
1
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AUTRES
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Ian's Theme
Ensemble de Percussions
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The Escape (medium/big percussion ensemble)
Ensemble de Percussions
Percussion Ensemble Bass Marimba,Chimes,Cymbals,Drum Set,Low Drum,Quad Toms,Shaker,Suspend…
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Percussion Ensemble Bass Marimba,Chimes,Cymbals,Drum Set,Low Drum,Quad Toms,Shaker,Suspended Cymbal,Tam Tam,Tambourine,Timpani,Tom Tom,Tubular Bells,Vibraphone,Xylophone - Level 4 - Digital Download SKU: A0.1274188 Composed by Frits Renting. Film/TV. 51 pages. Frits_Renting #866319. Published by Frits_Renting (A0.1274188). Side note: This version is for medium/big percussion ensemblesEN:This composition was written for one of the parts of the D exam by Frits Renting. The starting point of the composition was: film music. Inspired by well-known works by Hans Zimmer, Brian Tyler, John Williams and works by De Efteling. The composition starts in a fairly small composition in which, with the help of crescendos and several instruments, it works towards a strong, but above all open and cheerful part. This is followed by a short untuned percussion solo. After this, theme A is closed in a calm, non-violent manner. Immediately theme B comes in which is built up through crescendos and multiple instruments over time. Theme B also comes to a quiet end afterwards. After this theme A and B return at the same time, which builds up and closes in a grandiose way.NL:Deze compositie is geschreven voor één van de onderdelen van het D examen van Frits Renting. Het uitgangsdoel van de compositie was: filmmuziek. Geïnspireerd door bekende werken van Hans Zimmer, Brian Tyler, John Williams en werken van De Efteling. De compositie begint in een vrij kleine samenstelling waarbij, met behulp van crescendo's en meerdere instrumenten, het zich toewerkt naar een sterk, maar vooral open en vrolijk gedeelte. Dit wordt opgevolgd door een korte ongestemde slagwerk solo. Hierna wordt thema A op een rustige, geweldloze manier afgesloten. Direct komt thema B binnenvallen wat word opgebouwd door middel van crescendo's en meerdere instrumenten in loop van de tijd. Ook komt thema B daarna tot rustig einde. Hierna komen thema A en B tegelijkertijd terug wat zich opbouwt en op een grandioze manier, zich afsluit.
$80.00
73.14 €
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Ensemble de Percussions
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Frits Renting
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The Escape
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Frits_Renting
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SheetMusicPlus
The Satyricon, A Balletic Roman Sex Comedy in 3 Acts, Individual Parts 2 (Strings, Harp, Timpani, Pe
Ensemble de Percussions
Percussion Ensemble - Level 5 - Digital Download SKU: A0.730494 Composed by James N…
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.730494 Composed by James Nathaniel Holland. Contemporary,Musical/Show. Score and parts. 326 pages. James Nathaniel Holland #4800780. Published by James Nathaniel Holland (A0.730494). Advisory: Ballet story contains adult situation and themes. Not suitable for audiences or performers under the age of 18. INDIVIDUAL INSTRUMENT PARTS 2 (Strings, Harp, Timpani and Percussion). Piano Score, Full Orchestral Score, Individual Parts (Part 1) Sold Separately. American composer, James Nathaniel Holland, brings a ballet adapted from the first century Roman novel by Gaius Petronius (cir. 50 A.D.) to the stage. An entertaining ballet for adults (not suitable for general audiences under the age of 18), celebrating the male ballet dancer's physique and a laugh at our own human sexuality. The comedy is a romp of three gay protagonists and their adventures and misadventure in ancient Rome and their characters; an ex-gladiator, Enclopius, his young lover, Giton, and an upper class snob, Ascyltos. It should also be said that this ballet is not pure gratuitous vulgarity, there is a interweaving story containing a deeper message of real human relationships, the satire of ancient Roman archetypes, and a humorous glimpse into ancient Roman life that still rings true even 2,000 plus years later. Regardless of the subject matter, Holland's original music is fantastic tapestry of counterpoint, set in a sort of atonal-ism and heavy percussion, evoking a period of history no longer available to us. Although not all cues and counterpoint is contained here, this piano score is extremely useful for either a performance with 2 pianos and percussion and a dance company, a director's/choreographer's score, or a concise conductor's score, or rehearsal score. Measure numbers line up with the full score. An orchestral, performance CD is available for those company's on a budget.
$34.95
31.95 €
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Ensemble de Percussions
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James Nathaniel Holland
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The Satyricon, A Balletic Roman Sex Comedy in 3 Acts, Individual Parts 2
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James Nathaniel Holland
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SheetMusicPlus
Four Forces (First movement) I. Strong Forces
Ensemble de Percussions
Percussion Ensemble - Level 5 - Digital Download SKU: A0.962406 Composed by Salvado…
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.962406 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 173 pages. Salvador Rojo-Gamon #5801913. Published by Salvador Rojo-Gamon (A0.962406). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$300.00
274.27 €
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Ensemble de Percussions
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Salvador Rojo Gamón
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Four Forces
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Salvador Rojo-Gamon
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SheetMusicPlus
Four Forces (Second movement) II. Weak Forces
Ensemble de Percussions
Percussion Ensemble - Level 5 - Digital Download SKU: A0.962405 Composed by Salvado…
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.962405 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 255 pages. Salvador Rojo-Gamon #5801921. Published by Salvador Rojo-Gamon (A0.962405). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$150.00
137.14 €
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Ensemble de Percussions
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Salvador Rojo Gamón
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Four Forces
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Salvador Rojo-Gamon
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SheetMusicPlus
Silent Night Prelude for percussion octet
Ensemble de Percussions
Percussion Ensemble - Level 2 - Digital Download SKU: A0.935383 Composed by Franz X…
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Percussion Ensemble - Level 2 - Digital Download SKU: A0.935383 Composed by Franz Xaver Gruber. Arranged by Dan Heslink. Christian,Christmas. Score and parts. 20 pages. Pharaoh Publications #5363007. Published by Pharaoh Publications (A0.935383). Silent Night Prelude for Percussion Octet arr. by Dan Heslink This work is based on the well-loved Christmas carol, composed in 1818 by Franz Xaver Gruber. This theme is so popular that it was declared an intangible cultural heritage by UNESCO in 2011. And the version sung by Bing Crosby in 1935 is the fourth best-selling single recording of all-time. It’s sure to motivate your audience close to Christmas. The Prelude begins with a brisk tempo. Although notated in 3, as is customary in more modern renditions (the original theme was notated in 6), the tempo must be fast enough that two measures of 3 create a binary pairing (like 6/4 in two). It may be necessary to slightly slow down the roll speed to avoid a frenetic sound. The difficulty level is easy. There are no changes of key, and the timpani part requires only two drums (Bb, F) with no tuning changes. The vibe part could be played with two mallets, but might execute more comfortably with three. The other keyboard parts use only two mallets each. The expression of this beautiful tune will be greatly enhanced by exaggerating the contrasts of dynamics. Accompaniment and ornamental figures must at all times be sublimated to the familiar theme. At the last strain, players should sing the well-known words in order to lead the audience or congregation in group singing. It would be helpful for the conductor to turn and face the audience at this point. This closing passage may be repeated for any number of sung verses. Use a smooth, relaxed stroke to elicit as much legato as possible. At points a continuous arpeggio accompaniment is divided among the instruments. Care must be taken to keep the sixteenth note speed consistent. The opening runs should be performed half-pedal on the vibes for clarity. Prelude on Silent Night would serve equally well in recital or in a church service. Duration is 3:10. The arranger, Dan Heslink, can be contacted at dan@dheslink.com
$4.99
4.56 €
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Ensemble de Percussions
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Franz Xaver Gruber
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Dan Heslink
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Silent Night Prelude for percussion octet
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Pharaoh Publications
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SheetMusicPlus
Zona Centro (Downtown)
Ensemble de Percussions
Percussion Ensemble - Level 4 - Digital Download SKU: A0.1029902 Composed by Luis C…
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Percussion Ensemble - Level 4 - Digital Download SKU: A0.1029902 Composed by Luis Carlos Diaz. Arranged by Luis Carlos Diaz. 20th Century,Contemporary,Hip-Hop,World. Score and parts. 119 pages. Azdi #5983083. Published by azdi (A0.1029902). Downtown area Musical work, for chamber orchestra, which recreates the atmospheres experienced when walking through the streets of the downtown area of ​​my city (Tijuana). Using the popular urban rhythms that can be heard live, performed by all the city's musicians, such as: Rap hip hop). The most popular and booming genre among young people in this city in particular and throughout Mexico in general. Jazz, which since the 1960s has been played on the legendary Av. Revolución. Aztec Dance (Mexica) that is still practiced by various circles of the city and the country, preserving ancient cultures. Reggae. Music of conscience and positive message, which is the most listened to and performed by numerous local and independent bands from the northern border. Divided into three parts, it begins with a melody or main theme, such as the bass line used on rap tracks, played first by the trombone, the double bass, and later also by the other instruments, on a rhythmic basis in the section of percussions with a characteristic rhythm of rap music at a speed of 90 bpm.
$33.00
30.17 €
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Ensemble de Percussions
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Luis Carlos Diaz
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Luis Carlos Diaz
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Zona Centro
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azdi
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SheetMusicPlus
Shores
Ensemble de Percussions
Percussion Ensemble - Level 4 - Digital Download SKU: A0.1028164 Composed by Graeme…
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Percussion Ensemble - Level 4 - Digital Download SKU: A0.1028164 Composed by Graeme Culpepper. Contemporary. Score and parts. 44 pages. Graeme Culpepper #3407713. Published by Graeme Culpepper (A0.1028164). This piece is for 4 percussionists with an optional Harp part that can be played on piano. Shores is a very calming piece that is sure to soothe your audience. Starting in a very mellow manner shores utilizes the unique sound of the ocean drum to achieve a very subdue effect. The B section is more rhythmically involved and ends with a short canon that leads back into the A theme.This was premiered, performed, and recorded by the South Carolina Governor's School for the Arts and Humanities Percussion Ensemble
$12.25
11.2 €
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Ensemble de Percussions
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Graeme Culpepper
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Shores
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Graeme Culpepper
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SheetMusicPlus
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