Page d'accueil
Parcourir Free-scores.com
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
In The End
Non classifié
9 864
Piano & claviers
Piano seul
5 744
Piano, Voix
2 756
Piano Facile
1 725
Instruments en Do
908
Piano, Voix et Guitare
895
Orgue
717
1 Piano, 4 mains
203
Accompagnement Piano
199
Piano Trio: piano, violon, violoncelle
112
2 Pianos, 4 mains
79
Accordéon
79
Piano grosses notes
63
Piano Quatuor: piano, violon, alto, violoncelle
47
Piano (partie séparée)
32
Orgue, Piano (duo)
16
Piano Quintette: piano, 2 violons, alto, violoncelle
15
Piano Quatuor: piano, 2 violons, violoncelle
14
Clavecin
13
Orgue, Trompette (duo)
12
1 Piano, 6 mains
5
Clavier
3
Fake Book
2
Ligne De Mélodie, Piano
1
Ensemble d'Accordéons
1
2 Accordéons
1
Accordéon, Piano
1
+ 21 instrumentations
Retracter
Guitares
Guitare notes et tablatures
827
Guitare
534
Ukulele
278
Ligne De Mélodie, (Paroles) et Accords
172
Dulcimer
98
Basse electrique
93
2 Guitares (duo)
71
Guitare (partie séparée)
59
Mandoline
39
Piano, Guitare (duo)
34
4 Guitares (Quatuor)
33
Paroles et Accords
22
Banjo
18
2 Dulcimers (duo)
17
3 Guitares (trio)
14
Ensemble de guitares
9
Ukulele Baryton
5
Mandoline, Guitare (duo)
5
2 Mandolines (duo)
3
Ensemble de Ukulélés
3
Mandoline, Piano (duo)
3
Guitare, Violon, Violoncelle (trio)
1
Orchestre à Plectres
1
Guitare Pedal Steel
1
+ 19 instrumentations
Retracter
Voix
Chorale SATB
3 253
Chorale 3 parties
901
Chorale 2 parties
765
Chorale TTBB
464
Chorale Unison
360
Chorale SSAA
327
Voix duo, Piano
203
Voix Soprano, Piano
135
Voix Tenor, Piano
101
Voix duo
77
Voix Alto, Piano
76
Voix Baryton, Piano
56
Voix haute
36
Voix seule
27
Voix moyenne, Piano
24
Chorale SSAATTBB
16
Voix basse, Piano
14
Chorale
13
Voix Tenor
10
Voix Mezzo-Soprano, Piano
6
Voix basse
5
Chorale SSATB
5
Pack Instrumental pour Chorale
3
Voix Soprano
3
Chorale SSATTB
3
Chorale SATBB
2
Soli, choeur mixte et accompagnement
2
Chorale SSAB a cappella
1
Voix duo, Orgue
1
Voix, Guitare
1
Chorale SATTBB A Cappella
1
Chorale SSAB, Piano
1
+ 27 instrumentations
Retracter
Vents
Quatuor de Saxophones: 4 saxophones
766
Flûte traversière et Piano
671
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
616
Flûte, Hautbois, Clarinette, Basson
612
Clarinette et Piano
534
Hautbois, Piano (duo)
447
Clarinette
407
2 Saxophones (duo)
387
Saxophone Alto et Piano
364
Flûte traversière
359
Quintette de Saxophone: 5 saxophones
355
Saxophone (partie séparée)
318
2 Flûtes traversières (duo)
315
Flûte à bec Soprano
296
Ocarina
287
Quatuor de Clarinettes: 4 clarinettes
286
Saxophone Tenor et Piano
274
Saxophone Alto
262
2 Clarinettes (duo)
234
Flûte à bec Alto
224
Harmonica
215
Saxophone Soprano et Piano
207
Saxophone Tenor
194
Hautbois (partie séparée)
174
Quatuor de Flûtes : 4 flûtes
174
3 Saxophones (trio)
149
Flûte, Clarinette (duo)
130
Ensemble de Clarinettes
127
Saxophone Baryton, Piano
127
3 Clarinettes (trio)
117
Ensemble de saxophones
108
Quintette de Clarinettes: 5 clarinettes
96
2 Hautbois (duo)
90
Ensemble de Flûtes
85
Clarinette, Violon (duo)
78
Hautbois, Basson (duo)
75
Cor anglais, Piano
71
Trio de Flûtes: 3 flûtes
71
2 Flûte à bec (duo)
66
Hautbois, Clarinette (duo)
62
Hautbois
60
Quintette de Flûte : 5 flûtes
59
Clarinette, Basson (duo)
55
Saxophone, Clarinette (duo)
54
Clarinette Basse, Piano
54
Hautbois, Violoncelle
52
Flûte et Guitare
47
2 Flûtes traversières, Piano
45
Flûte, Violoncelle
45
Flûte à bec Alto, Piano
44
Flûte, Clarinette et Basson
43
Clarinette, Violoncelle (duo)
43
Flûte, Hautbois, Clarinette (trio)
41
Flûte, Violon
41
Flûte à Bec
38
Flute (partie séparée)
37
Clarinette, Trompette (duo)
36
Clarinette (partie séparée)
36
Flûte, Alto (duo)
36
Flûte, Violon, Piano
35
Quatuor de Flûtes à bec
34
Hautbois, Flûte
34
Flûte, Clarinette, Piano (trio)
33
Clarinette et Alto
33
Hautbois, Clarinette, Basson (trio d'anches)
31
Saxophone Soprano
27
Flûte, Hautbois, Basson
25
Flûte, Violoncelle, Piano (trio)
23
Flûte, Hautbois (duo)
23
Flûte, Saxophone (duo)
22
Clarinette, Guitare (duo)
21
Flûte, Trompette (duo)
21
5 Flûtes à bec
20
2 Clarinettes, Piano
20
Flûte, Alto et Piano
19
Flûte, Hautbois, Piano (trio)
18
Clarinette, Violoncelle, Piano (trio)
18
Flûte, Violon et Violoncelle
16
Flûte, Clarinette, Cor, Basson (Quartet)
15
Flûte, trombone et piano
14
Flûte à Bec, Piano
14
Flûte, Basson et Piano
14
Saxophone Baryton
14
Hautbois et alto (duo)
13
Hautbois, violon (duo)
13
Cor Anglais
12
Flûte, Violon, Violoncelle et Piano
9
Flûte à bec Tenor
9
3 Flûtes à bec (trio)
9
Flûte à bec Soprano, Piano
9
Flute, harpe et violon
7
Hautbois, trombone (duo)
7
Clarinette, Harpe (duo)
7
Flûte, Trombone (duo)
6
Clarinette, Tuba
6
Clarinette, Trombone (duo)
6
Saxophone
6
Flûte irlandaise
6
Instruments en Mib
6
3 Hautbois
5
Hautbois, Violoncelle et Piano
5
Piccolo, Piano
5
Flûte, Tuba (duo)
5
4 Hautbois
5
Hautbois, Violon, Piano
5
Clarinette, Alto et Piano (trio)
5
Ensemble de Hautbois
4
Hautbois, Basson et Piano
4
Clarinette Basse
4
Cor anglais, Guitare (duo)
4
Saxophone et Guitare
4
Clarinette, trompette et piano
4
2 Clarinettes, Basson
4
Ensemble De Flûte à bec
4
Hautbois, Clarinette et Piano (Trio)
4
2 Saxophones, Piano
4
Hautbois, Guitare (duo)
3
Clarinette, Basson, Piano (trio)
3
Flûte, Harpe et Violoncelle
3
Saxophone et Orgue
3
Flûte et Trio à cordes
3
Hautbois, Harpe
3
Flûte, Hautbois, Violon
3
Piccolo
3
Flûte, Violoncelle, Guitare
3
Cornemuse
2
2 Flûtes, 2 Clarinettes (Quatuor)
2
Flûte, Alto et Violoncelle
2
Flûte, alto et harpe
2
Quintette de Clarinette: Clarinette, Quatuor à Cordes
2
Ensemble à vent
2
Clarinette, Orgue
2
2 Cors Anglais Et Pianoforte
2
Flûte, Clarinette, Violon (trio)
2
Flûte à bec Alto, Basse continue
1
Saxophone et Piano
1
Flûte, Violon, Guitare
1
Flûte de Pan
1
Clarinette, Saxophone, Piano
1
Flûte traversière, Orgue (duo)
1
2 Hautbois, Piano
1
2 Flûtes, Basse continue
1
2 Flûtes traversières, Harpe
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Hautbois, Trompette (duo)
1
+ 140 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
754
Trompette
478
Quatuor de Cuivres : 2 trompettes, trombone, tuba
465
Trombone et Piano
404
Trompette, Piano
396
Cor et Piano
322
Trombone
222
Quatuor de Cuivres
205
Cor
197
Trombone (partie séparée)
188
Trompette (partie séparée)
179
Quatuor de Cuivres: 2 trompettes, Cor, trombone
176
Tuba
144
Tuba et Piano
144
2 Trombones (duo)
131
2 Trompettes (duo)
127
Quatuor de cuivres: 4 trombones
101
Euphonium, Piano (duo)
93
2 Cors (duo)
85
Ensemble de Trompettes
78
Trompette, Trombone (duo)
74
Cor anglais, Piano
71
Ensemble de Trombones
62
Quatuor de cuivres: 4 cors
55
Cor (partie séparée)
46
Trompette, Saxophone (duo)
45
Quatuor de cuivres: 4 trompettes
36
Trio de Cuivres
35
Trompette, Cor (duo)
32
Tuba (partie séparée)
30
2 Tubas (duo)
24
Euphonium
23
Ensemble de Cors
21
3 Trompettes (trio)
20
3 Trombones (trio)
18
Cor, Violoncelle (duo)
15
Trompette, Violoncelle (duo)
14
Trompette, Basson (duo)
14
Quatuor de cuivres: 2 trompettes, 2 trombones
13
Cor Anglais
12
4 Tubas
12
Trompette, Violoncelle et Piano
11
Trompette, Tuba (duo)
11
2 Euphoniums et 2 Tubas
11
Trombone, Cor (duo)
10
Trombone, Violon (duo)
9
Cor et Basson (duo)
9
Trompette, Trombone, Piano
8
Tuba et Orgue
8
Instruments en Sib
6
3 Cors (trio)
6
Trombone basse et Piano
6
Cor et Harpe
5
Bass Clef Instruments
5
Trombone, Tuba (duo)
5
2 Euphoniums (duo)
5
Euphonium, Tuba (duo)
4
Cor anglais, Guitare (duo)
4
Instruments en Fa
4
Cor, Tuba (duo)
4
2 Trompettes, Clavier (piano ou orgue)
3
3 Euphoniums
3
Trombone basse
3
3 Tubas (trio)
3
Trompette, Harpe
3
Trombone, Orgue
2
2 Cors Anglais Et Pianoforte
2
2 Cors, Piano
2
Trompette, violon (duo)
1
Cor et Orgue
1
Trombone et orchestre
1
Ensemble de Tubas
1
Cor, Trompette, Trombone (trio)
1
+ 68 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
1 835
Violon et Piano
904
Violoncelle, Piano
610
Violon
573
Alto, Piano
525
Violoncelle
437
Violon, Violoncelle (duo)
392
Trio à Cordes: violon, alto, violoncelle
345
Harpe
333
Alto seul
246
2 Violons (duo)
238
Quintette à cordes: 2 violons, alto, violoncelle, basse
215
2 Violoncelles (duo)
197
Trio à Cordes: 2 violons, violoncelle
176
Violon, Alto (duo)
161
2 Harpes (duo)
136
Contre Basse
135
Contrebasse, Piano (duo)
132
2 Altos (duo)
123
Violon (partie séparée)
105
Alto (partie séparée)
100
Contrebasse (partie séparée)
70
Alto, Violoncelle (duo)
68
4 Violoncelles
52
Trio à cordes: 3 violins
40
Trio à Cordes: 3 violoncelles
37
Violon, Basson (duo)
35
Piano Trio: Violon, Alto, Piano
34
Violon, Guitare (duo)
26
Quatuor à cordes: 4 violons
26
Violoncelle (partie séparée)
26
Trio à cordes: 3 altos
22
Harpe, Flûte (duo)
21
Quatuor à cordes : 4 altos
18
Trio à Cordes: 2 violons, alto
16
2 Contrebasses (duo)
16
Alto et Basson
16
Quintette à cordes : 2 violons, alto et 2 violoncelles
15
Ensemble de Violons
14
Ensemble d'Altos
13
Violoncelle, Contrebasse (duo)
12
Violon, Clarinette, Piano (trio)
12
Harpe, Violon (duo)
10
Harpe, Voix
10
Alto, Guitare (duo)
8
Violon, Tuba (duo)
8
Violoncelle , Guitare (duo)
7
Harpe, Violoncelle (duo)
6
Quintette à cordes: 2 violons, 2 altos, violoncelle
6
2 Violons, Piano
5
Alto et Harpe
5
Violon, Basse continue
4
2 Altos, Piano
3
Flûte, Contrebasse (duo)
3
Harpe, Violon, Violoncelle
3
Violoncelle, Orgue
2
3 Contrebasses
2
Harpe, Trombone (duo)
2
Harpe et Piano
2
Alto et orchestre
2
Ensemble de Violoncelles
2
Violoncelle, Orchestre
2
Violon, Orgue
2
Violon, Trompette et Piano
1
3 Harpes
1
Violoncelle, Basse continue
1
Violon, Violoncelle, Clarinette
1
2 Violoncelles, Piano
1
Harpe et mandoline
1
Trio à cordes
1
4 Contrebasses
1
Autoharp
1
2 Violons et Basse continue
1
+ 68 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
3 216
Orchestre
764
Orchestre à Cordes
748
Ensemble Jazz
518
Ensemble de cuivres
438
Cloches
348
Orchestre de chambre
234
Fanfare
177
Jazz combo
119
Ensemble de Percussions
83
Batterie
62
Percussion (partie séparée)
33
Batterie (partie séparée)
30
Marimba
27
Vibraphone
18
Xylophone, Piano
17
Xylophone
13
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
8
2 Xylophones
7
Percussion
5
Quintette de Cuivres: autres combinaisons
4
Orchestre, Violon
4
Piano et Orchestre
2
Timbales (partie séparée)
2
Ensemble d'École
2
Vibraphone et Marimba
1
2 Marimbas
1
Cajon
1
Big band
1
Voix et Orchestre
1
Conga
1
3 Percussions
1
Xylophone (partie séparée)
1
2 Caisses Claires (duo)
1
3 Marimbas
1
+ 30 instrumentations
Retracter
Autres
Théorie de la musique
4
Partitions Gratuites
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Instrumentations
Top Téléchargements
Compositeurs
Nouveautés
Partitions de Noël
Genres Musicaux
Genres Musicaux
Autres Services
Autres Services
Top 100
Annuaire Web
Portées musicales
Metronome
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
€
€
EUR €
USD $
GBP £
CAD $
CNY ¥
English
Partitions Gratuites
16
Partitions Numériques
83
Librairie Musicale
77
Matériel de Musique
14 098
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Vous avez sélectionné:
In The End
Ensemble de Percussions
Partitions à imprimer
83 partitions trouvées
<
1
26
51
76
Donut Etudes vol. 3: Don’t Step in the Holes! – Keyboard Percussion (Mallet) Quartet
#
Ensemble de Percussions
#
INTERMÉDIAIRE
#
Methodes
#
Joshua Hauser
#
#
Donut Etudes vol. 3: Don&rsquo
#
Slide Ride
#
SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.784338 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288673. Published by Sl...
(+)
Percussion Ensemble - Level 3 - SKU: A0.784338 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288673. Published by Slide Ride (A0.784338). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
The Escape (medium/big percussion ensemble)
#
Ensemble de Percussions
#
INTERMÉDIAIRE/AVANCÉ
#
Film/TV
#
Frits Renting
#
The Escape
#
Frits_Renting
#
SheetMusicPlus
Percussion Ensemble Bass Marimba,Chimes,Cymbals,Drum Set,Low Drum,Quad Toms,Shaker,Suspended Cymbal,Tam Tam,Tambourine,Timpani,Tom Tom,Tubular Bells,Vibraphone,...
(+)
Percussion Ensemble Bass Marimba,Chimes,Cymbals,Drum Set,Low Drum,Quad Toms,Shaker,Suspended Cymbal,Tam Tam,Tambourine,Timpani,Tom Tom,Tubular Bells,Vibraphone,Xylophone - Level 4 - SKU: A0.1274188 Composed by Frits Renting. Film/TV. 51 pages. Frits_Renting #866319. Published by Frits_Renting (A0.1274188). Side note: This version is for medium/big percussion ensemblesEN:This composition was written for one of the parts of the D exam by Frits Renting. The starting point of the composition was: film music. Inspired by well-known works by Hans Zimmer, Brian Tyler, John Williams and works by De Efteling. The composition starts in a fairly small composition in which, with the help of crescendos and several instruments, it works towards a strong, but above all open and cheerful part. This is followed by a short untuned percussion solo. After this, theme A is closed in a calm, non-violent manner. Immediately theme B comes in which is built up through crescendos and multiple instruments over time. Theme B also comes to a quiet end afterwards. After this theme A and B return at the same time, which builds up and closes in a grandiose way.NL:Deze compositie is geschreven voor één van de onderdelen van het D examen van Frits Renting. Het uitgangsdoel van de compositie was: filmmuziek. Geïnspireerd door bekende werken van Hans Zimmer, Brian Tyler, John Williams en werken van De Efteling. De compositie begint in een vrij kleine samenstelling waarbij, met behulp van crescendo's en meerdere instrumenten, het zich toewerkt naar een sterk, maar vooral open en vrolijk gedeelte. Dit wordt opgevolgd door een korte ongestemde slagwerk solo. Hierna wordt thema A op een rustige, geweldloze manier afgesloten. Direct komt thema B binnenvallen wat word opgebouwd door middel van crescendo's en meerdere instrumenten in loop van de tijd. Ook komt thema B daarna tot rustig einde. Hierna komen thema A en B tegelijkertijd terug wat zich opbouwt en op een grandioze manier, zich afsluit.
$80.00
The Man Who Laughs
#
Ensemble de Percussions
#
AVANCÉ
#
the end of this section, the a
#
Jehad Choate
#
The Man Who Laughs
#
Jehad Choate
#
SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.1025413 Composed by Jehad Choate. 20th Century,Contemporary,Film/TV. Score and parts. 67 pages. Jehad Choate #47...
(+)
Percussion Ensemble - Level 5 - SKU: A0.1025413 Composed by Jehad Choate. 20th Century,Contemporary,Film/TV. Score and parts. 67 pages. Jehad Choate #4781401. Published by Jehad Choate (A0.1025413). The Man Who Laughs is a musical portrait of Batman’s greatest adversary, the Joker (Detective Comics). This piece draws inspiration from both comic book sources and live-action performances on film and television. It features five continuous sections:One Bad Day: (Page 1) A prelude showcasing a lush melodic theme that ascribes the derangement of a normal man to the dramatic events of one bad day.How I Got These Scars: (Page 10) Introduces additional thematic material at a frantically energized pace to contrive an identity from a mind fragmented by hitting rock bottom.Why So Serious: (Page 17) Punctuates the Joker’s aggressive resolutions with a reoccurring two note motif.A Dance with the Devil: (Page 33) A fleshed-out unity of previous materials in a romantic waltz-like style.Giggling in a Corner and Bleeding: (Page 47) A dynamic and provocative bout of hysteria that challenges the speed and dexterity of a player in the same way the Joker challenges the ideological resolve of Batman. By the end of this section, the audience might feel like they have been attacked by the Joker, influenced by him, or may have actually been the Joker all along.
$10.00
Dance of the Wind-Up Toys
#
Ensemble de Percussions
#
INTERMÉDIAIRE/AVANCÉ
#
Contemporain
#
James Siddons
#
Dance of the Wind-Up Toys
#
James Siddons Music and Writings
#
SheetMusicPlus
Percussion Ensemble - Level 4 - SKU: A0.972638 Composed by James Siddons. 20th Century,Concert,Contemporary. Score and parts. 14 pages. James Siddons Mu...
(+)
Percussion Ensemble - Level 4 - SKU: A0.972638 Composed by James Siddons. 20th Century,Concert,Contemporary. Score and parts. 14 pages. James Siddons Music and Writings #3025013. Published by James Siddons Music and Writings (A0.972638). Dance of the Wind-Up Toys is for one clarinet in Bb, one cello, percussionist(s), and mime dancer(s). This work may be performed by instruments only; the percussion part being performed by one, two, or three performers.If a mime performer, or one or more dancers, also perform, the instrumental ensemble must be on the stage with them. The mime or dancer(s) enter the stage at measure 20 and either 1) perform until the end (m. 91), or 2) perform from m. 20 to m. 41, then leave the stage, and then return at m. 67. Costumes: the instrumentalists may be in costume as well as the performers, if desired. See the title page for suggestions. This piece is meant to be energetic, theatrical, and fun to perform as well as to watch.Program Note Dance of the Wind-Up Toys was composed in April-May 1968, when composer James Siddons was 19 years old. It was inspired by mime performers as well as the mechanical toys common in the early twentieth century.
$10.00
Another Place
#
Ensemble de Percussions
#
AVANCÉ
#
Contemporain
#
Adam Grim
#
Another Place
#
Adam B. Grim
#
SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.939392 Composed by Adam Grim. 20th Century,Contemporary. Score and parts. 65 pages. Adam B. Grim #6862379. Publi...
(+)
Percussion Ensemble - Level 5 - SKU: A0.939392 Composed by Adam Grim. 20th Century,Contemporary. Score and parts. 65 pages. Adam B. Grim #6862379. Published by Adam B. Grim (A0.939392). Another Place is a marimba quartet on two instruments with some accessory items like a mounted bass drum, cymbal, and wind chimes. The work is about 10.5 minutes long, and holds three distinct movements that begin with solemn rolls that slowly become more regimented and rhythmic. The second movement raises the bar and becomes very rhythmic and syncopated with a Reich-like approach of melody vs interlocking harmony. This climax brings a high dynamic level to the forefront of the instruments with interlocking impact points being contrasted to unison hits. The third movement takes this original melody and harmony to the next level by using changing time signatures and motivic ideas to maximize the powerful ending. Throughout there is a deep sense of color and texture that can be maximized by the ensemble in new and exciting ways with each performance. This has plenty of ink, but also leaves a lot to interpret and bring the ensemble’s voice forward. I hope you enjoy! This work won the Audience Award in the Rocky Mountain Music Composition Contest in 2022 as well as Second Prize overall. These international awards were judged by a panel of seven judges from around the world, but with the competition based out of Toronto, Canada.
$35.00
IN THE HALL OF THE MOUNTAIN KING
#
Ensemble de Percussions
#
INTERMÉDIAIRE
#
Classique
#
Halloween
#
Edvard Greig
#
Brian Hardy
#
IN THE HALL OF THE MOUNTAIN KI
#
Brian Hardy
#
SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.793570 Composed by Edvard Greig. Arranged by Brian Hardy. Instructional,Standards. Score and parts. 45 pages. Br...
(+)
Percussion Ensemble - Level 3 - SKU: A0.793570 Composed by Edvard Greig. Arranged by Brian Hardy. Instructional,Standards. Score and parts. 45 pages. Brian Hardy #3359389. Published by Brian Hardy (A0.793570). This arrangement was created for the Lincolnshire Music Service 'Massed Strings Project' which brought together 300 young string players of varying abilities. There are three violin parts, three viola, three cello and two bass together with timps, a bass drum and cymbals. There is also a piano part for rehearsal purposes but which may also be used in performance. The string parts range from elementary to advanced to give the very young players experience in an orchestral environment. Hall of the Mountain King starts very softly with the lower string pizzicato and ends with a crashing climax. Exciting stuff!For 'CLOG DANCE' from 'La Fille Mal Gardee' visit sheetmusicplus.com/publishers/bacchusquartet/5331
$12.99
The Merry Farmer - For Orff Ensemble
#
Ensemble de Percussions
#
FACILE
#
Robert Schumann
#
Yvonne Johnson
#
The Merry Farmer - For Orff En
#
Yvonne Johnson
#
SheetMusicPlus
Percussion Ensemble - Level 2 - SKU: A0.998063 Composed by Robert Schumann. Arranged by Yvonne Johnson. Instructional,Romantic Period. Score and parts. ...
(+)
Percussion Ensemble - Level 2 - SKU: A0.998063 Composed by Robert Schumann. Arranged by Yvonne Johnson. Instructional,Romantic Period. Score and parts. 12 pages. Yvonne Johnson #595915. Published by Yvonne Johnson (A0.998063). The Merry Farmer Score and Full Set of 7 Parts Composed for his 3 daughters, this happy little tune from Album for The Young by Robert Schumann, has been arranged in 5 parts for Orff ensemble. Sop Glock and Alto Met play the melody throughout. Alto Glock provides the harmony. Sop Xylo and Alto Xylo adds harmonic and rhythmic elements giving the music a lively bounce. Tambourine adds to the happy mood of the arrangement with rhythmic passages and a trill at the end. Marimba could be used instead of the Bass Xylo. Tempo and dynamic markings are suggested ones only. Written in the key of F Major, players will need their Bb bars.
$3.95
The Horla (Excerpt), an Accompanied Reading
#
Ensemble de Percussions
#
INTERMÉDIAIRE
#
Contemporain
#
Paul Burnell
#
The Horla
#
Paul Burnell
#
SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.835781 Composed by Paul Burnell. Contemporary. Score and parts. 6 pages. Paul Burnell #3222647. Published by Pau...
(+)
Percussion Ensemble - Level 3 - SKU: A0.835781 Composed by Paul Burnell. Contemporary. Score and parts. 6 pages. Paul Burnell #3222647. Published by Paul Burnell (A0.835781). Composed 2015. One of a series of fourteen accompaniments to texts published between 1886-1899 Duration 4:45 approx. For percussion (three players) and narrator Narrator text - from 'Le Horla' by Guy de Maupassant (1850 - 1893), published 1887. English translation by Jonathan Sturges (1864–1911) published 1890. Guy de Maupassant was a French writer, remembered as a master of the short story. It has been suggested that the word horla is a blending of the French words hors (outside) and là (there) and the title can be interpreted as the what’s out there. Percussion: Wind wand or bullroarer and two guiros (or similar). Players read from the score. Narrator cues are shown in the score in boxed text and below in square brackets. Between rehearsal letters [D] and [H] the percussionists maintain tempo; the narrator cues are for guidance only.
$1.99
When The River Meets The Sea
#
Ensemble de Percussions
#
INTERMÉDIAIRE/AVANCÉ
#
Contemporain
#
Andrew Charles Naylor and Roma
#
Jilly Cooke
#
When The River Meets The Sea
#
Jilly Paige Cooke
#
SheetMusicPlus
Percussion Ensemble - Level 4 - SKU: A0.984036 Composed by Andrew Charles Naylor and Roma Connie Waterman. Arranged by Jilly Cooke. Contemporary. Score ...
(+)
Percussion Ensemble - Level 4 - SKU: A0.984036 Composed by Andrew Charles Naylor and Roma Connie Waterman. Arranged by Jilly Cooke. Contemporary. Score and parts. 72 pages. Jilly Paige Cooke #5797561. Published by Jilly Paige Cooke (A0.984036). Paul Williams's beloved tune from the Jim Henson Company's timeless Christmas special Emmet Otter's Jug-Band Christmas is now available as an arrangement for percussion ensemble!Originally performed in December 2019 by the University of Iowa School of Music's percussion studio, under the direction of Dr. Dan Moore, this lively, jazzy arrangement was lovingly crafted by Iowa Percussion's own Jilly Cooke, a music education major who was a junior at the time of this arrangement's premiere. As a lifelong fan of the Muppets (and a promising aspiring puppeteer herself), Cooke cleverly weaves in numerous references to various tunes and styles that have influenced her musical preferences and career (with notes in the score to bring out these musical quotes). Beginning with a faithful adaptation of the original gospel-waltz ballad feel from the TV special, the arrangement swiftly transitions into a toe-tapping, New Orleans-style second-line groove with a solo section and a witty trade-off section in the middle.Instrumentation of 8 players includes: Vibraphone 1 (preferably includes E3), Vibraphone 2, Marimba 1/Accordion (optional use of amplified Melodica), Marimba 2 (preferably includes F2), Bass Marimba (premiere performance used Bass MalletKAT, optional use of Bass Guitar and/or Keyboard Patch), Piano, Drum Set, and Auxiliary Percussion (includes Mark Tree, Suspended Cymbal, Triangle, and important gospel-style Tambourine).
$24.99
Down By The Station - For Orff Ensemble
#
Ensemble de Percussions
#
DÉBUTANT
#
Traditional
#
Yvonne Johnson
#
Down By The Station - For Orff
#
Yvonne Johnson
#
SheetMusicPlus
Percussion Ensemble - Level 1 - SKU: A0.1045775 Composed by Traditional. Arranged by Yvonne Johnson. Children,Folk,Traditional. Score and parts. 10 page...
(+)
Percussion Ensemble - Level 1 - SKU: A0.1045775 Composed by Traditional. Arranged by Yvonne Johnson. Children,Folk,Traditional. Score and parts. 10 pages. Yvonne Johnson #650363. Published by Yvonne Johnson (A0.1045775). This well known children's song has been arranged for the younger Orff performers using basic note values. An easy, simple arrangement, the tune is played twice with only a variation in the Bass Xylo part for the second playing. Tambourine has a trill at the end with a glissando played by the Bass Xylo. Dynamics and tempo markings are suggested ones only and Marimba or Bass Met could be substituted for the Bass Xylo. A happy, fun piece for all the Orff class.
$3.95
Don't Worry, Be Happy
#
Ensemble de Percussions
#
INTERMÉDIAIRE
#
Jazz
#
Bobby McFerrin
#
Ricardo Matosinhos
#
Don't Worry, Be Happy
#
Ricardo Matosinhos
#
SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.899162 By Bobby McFerrin. By Bobby McFerrin. Arranged by Ricardo Matosinhos. Jazz. Score and parts. 32 pages. Ri...
(+)
Percussion Ensemble - Level 3 - SKU: A0.899162 By Bobby McFerrin. By Bobby McFerrin. Arranged by Ricardo Matosinhos. Jazz. Score and parts. 32 pages. Ricardo Matosinhos #5723941. Published by Ricardo Matosinhos (A0.899162). This is a well known piece by Bobby McFerrin. Here presented on a music arrangement for unconventional music instruments. The arrangement allows flexibility, so this piece can be performed using tuned bottles (25cl, 33cl and 75cl), lip whistle, finger snaps, complemented with xylophones and optionally with voices to sing the lyrics too. This arrangement was made during the 2020 quarantine, when the world was shutdown due to a world virus pandemic. Some of the music students didn’t have their music instruments at home, so this arrangement came up to fill that gap and it is perfect to keep doing music with the available option of instruments.On each rehearsal letter, you can play optional improvisations, while keeping the voices 5-8. These improvisations can be easily done using the C major pentatonic scale or the note ranges presented on the right, that even include Eâ™ and Bâ™. If played using lip whistle, bendings will be possible too. This arrangement presents 8 voices and an alternative solution for voice 8, that makes it easier to be performed as it is the place where bottles are divided between the players. There is also an optional bass line to complement voice eight one octave bellow. In order to keep it simple, neither dynamics or articulations were included and the notes were represented always in the middle octave in G clef. The correct pitch ranges are presented in the performance notes.The amount of water will change the pitch differently depending if you are blowing or doing percussion on a bottle. When blowing, the more water you use, the higher the pitch will be, but while doing percussions more water means lower pitch. A good option, in order to save time during rehearsals, is to fill the bottles with water, marking the level with a pen, and then filling the bottle with the desired amount of hot wax instead of water. This way, when the wax cools down you can have a tuned bottle without requiring to tune it again every single rehearsal. Please note that the bottles should be made of glass and that different aspects change the performance. For percussion, straight bottles are better to tune as the curves in the bottles tend to produce unstable pitches. The extreme notes of the range might not be available in every single bottle, so you might need to try some alternatives. For example the high A is available in some beer bottles, while the low G is available in larger 75cl bottles of champaign. Last but not least, this piece should always be played according to Bobby’s motto: dont worry, be happy!I had lots of fun while doing this arrangement, now it’s your time to have fun while performing it!Ricardo Matosinhoshttp://www.ricardomatosinhos.com
$14.99
Germain, An Opera in 4 Acts, INSTRUMENT PARTS 2 (STRINGS, HARP, TIMPANI and PERCUSSION)
#
Ensemble de Percussions
#
AVANCÉ
#
James Nathaniel Holland
#
Germain, An Opera in 4 Acts, I
#
James Nathaniel Holland
#
SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.730497 Composed by James Nathaniel Holland. Contemporary,Musical/Show,Opera. Score and parts. 368 pages. James N...
(+)
Percussion Ensemble - Level 5 - SKU: A0.730497 Composed by James Nathaniel Holland. Contemporary,Musical/Show,Opera. Score and parts. 368 pages. James Nathaniel Holland #5021025. Published by James Nathaniel Holland (A0.730497). INDIVIDUAL INSTRUMENT PARTS 2 (2 of 2) STRINGS, HARP, TIMPANI, PERCUSSIONFull Orchestral Score (Concert Pitch), Vocal Score, Instrument Parts 1 (Woodwinds and Brass) all sold separatelyINDIVIDUAL INSTRUMENT PARTS 2 (2 of 2) STRINGS, HARP, TIMPANI, AND PERCUSSION Full Orchestral Score (Concert Pitch), Vocal Score, Instrument Parts 2 (Strings, Harp, and Percussion)OPERA SYNOPSIS:A mythical country, somewhere lost in time and space; two factions, the minority have and the majority have-not’s, are in constant violent conflict to rule the country. Germain, a young man with mysterious origins, and for neither side,by fate meets the the prime minister and hopes for personal love. But this is not to be a happy ending. The leader of the have-not’s takes this perfect opportunity to assassinate the PM.When the attempt fails, the blame falls on Germain and leads him to his imprisonment and eventual death.GERMAIN, A Dreamer (Lyric Baritone)CHERYL, A tavern owner and girlfriend to Talleyrand (Soprano, Coloratura)TALLEYRAND, Minister of District Thirteen, Secret leader of the Dissidents (Bass)ALEXANDER, The newly elected Prime Minister of Timbaksha (Tenor)TAMINA, Alexander’s wife (Soprano)NADINE, Minister of District Five (Alto)URCHIN, A Young Teen (Male or Female Voice)WALLACE, Minister of District Nine (Baritone)OFFICER (Baritone)CHORUS: DISSIDENT, GUESTS, SERVANTS, CROWD, OFFICERSComplete Instrumentation: picc, fl12, ob, eh, cl12, tensax, bsn, hrn12, tpt12, trm12, tba, timpani, perc, hrp, strgs
$75.95
Le ruisseau d'imprévu // The stream..# ISRC 10254
#
Ensemble de Percussions
#
AVANCÉ
#
Celtique/Irlandais
#
Gaétane Poitras
#
Le ruisseau d'imprévu /
#
Réal Dubois
#
SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.1018803 Composed by Gaétane Poitras. Arranged by Gaétane Poitras & Réal Dubois & Imprevu Group. Celtic,...
(+)
Percussion Ensemble - Level 5 - SKU: A0.1018803 Composed by Gaétane Poitras. Arranged by Gaétane Poitras & Réal Dubois & Imprevu Group. Celtic,Contemporary,Folk,Musical/Show,Standards. Score and parts. 1 pages. Réal Dubois #2069273. Published by Réal Dubois (A0.1018803). Aujourd’hui, je vous fais connaître et entendre une musique intrumentale unique et authentiquement du Québec dans une nature typiquement folklorique et traditionnelle. /// Today, I know you and hear a unique instrumental music and authentic Quebec in a typical folk and traditional nature.
$1.99
Les blues de fils de fermier d'imprévu // The farmer's son blues ..# ISRC 10261
#
Ensemble de Percussions
#
AVANCÉ
#
Celtique/Irlandais
#
Réal Dubois
#
Les blues de fils de fermier d
#
Réal Dubois
#
SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.1018804 Composed by Réal Dubois. Arranged by Réal Dubois & Gaétane Poitras & Imprevu Group. Celtic,Cont...
(+)
Percussion Ensemble - Level 5 - SKU: A0.1018804 Composed by Réal Dubois. Arranged by Réal Dubois & Gaétane Poitras & Imprevu Group. Celtic,Contemporary,Folk,Musical/Show,Standards. Score and parts. 1 pages. Réal Dubois #2069287. Published by Réal Dubois (A0.1018804). Aujourd’hui, je vous fais connaître et entendre une musique intrumentale unique et authentiquement du Québec dans une nature typiquement folklorique et traditionnelle. /// Today, I know you and hear a unique instrumental music and authentic Quebec in a typical folk and traditional nature.
$1.99
Le Grand François d'imprévu // François the Great ..# ISRC 10257
#
Ensemble de Percussions
#
AVANCÉ
#
Celtique/Irlandais
#
Réal Dubois
#
Le Grand François d'imp
#
Réal Dubois
#
SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.1018802 Composed by Réal Dubois. Arranged by Réal Dubois & Gaétane Poitras & Imprevu Group. Celtic,Cont...
(+)
Percussion Ensemble - Level 5 - SKU: A0.1018802 Composed by Réal Dubois. Arranged by Réal Dubois & Gaétane Poitras & Imprevu Group. Celtic,Contemporary,Folk,Musical/Show,Standards. Score and parts. 1 pages. Réal Dubois #2069269. Published by Réal Dubois (A0.1018802). Aujourd’hui, je vous fais connaître et entendre une musique intrumentale unique et authentiquement du Québec dans une nature typiquement folklorique et traditionnelle. /// Today, I know you and hear a unique instrumental music and authentic Quebec in a typical folk and traditional nature.
$1.99
La marche aux combattants d'imprévu // The Fighter's Walk..# ISRC 10264
#
Ensemble de Percussions
#
Celtique/Irlandais
#
Réal Dubois
#
La marche aux combattants d'im
#
Réal Dubois
#
SheetMusicPlus
Percussion Ensemble - SKU: A0.1018795 Composed by Réal Dubois. Arranged by Réal Dubois & Gaétane Poitras & Imprevu Group. Celtic,Contemporary,F...
(+)
Percussion Ensemble - SKU: A0.1018795 Composed by Réal Dubois. Arranged by Réal Dubois & Gaétane Poitras & Imprevu Group. Celtic,Contemporary,Film/TV,Folk,Standards. Score and parts. 1 pages. Réal Dubois #2069249. Published by Réal Dubois (A0.1018795). Aujourd’hui, je vous fais connaître et entendre une musique intrumentale unique et authentiquement du Québec dans une nature typiquement folklorique et traditionnelle. /// Today, I know you and hear a unique instrumental music and authentic Quebec in a typical folk and traditional nature.
$1.99
La maudite pyrrhotite d'imprévu // The Pyrrhotite's Tragedy..# ISRC 10248
#
Ensemble de Percussions
#
Celtique/Irlandais
#
Réal Dubois
#
La maudite pyrrhotite d'impr&e
#
Réal Dubois
#
SheetMusicPlus
Percussion Ensemble - SKU: A0.1018797 Composed by Réal Dubois. Arranged by Réal Dubois & Gaétane Poitras & Imprevu Group. Celtic,Contemporary,F...
(+)
Percussion Ensemble - SKU: A0.1018797 Composed by Réal Dubois. Arranged by Réal Dubois & Gaétane Poitras & Imprevu Group. Celtic,Contemporary,Film/TV,Folk,Standards. Score and parts. 1 pages. Réal Dubois #2069251. Published by Réal Dubois (A0.1018797). Aujourd’hui, je vous fais connaître et entendre une musique intrumentale unique et authentiquement du Québec dans une nature typiquement folklorique et traditionnelle. /// Today, I know you and hear a unique instrumental music and authentic Quebec in a typical folk and traditional nature.
$1.99
Two Dreams for solo Trombone and 8-part Percussion Ensemble
#
Ensemble de Percussions
#
AVANCÉ
#
Antonio J
#
Two Dreams for solo Trombone a
#
Gordon Cherry
#
SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.811252 Composed by Antonio J. Garcia. Contemporary,Jazz,Latin,World. Score and parts. 119 pages. Gordon Cherry #...
(+)
Percussion Ensemble - Level 5 - SKU: A0.811252 Composed by Antonio J. Garcia. Contemporary,Jazz,Latin,World. Score and parts. 119 pages. Gordon Cherry #6549777. Published by Gordon Cherry (A0.811252). Two Dreams for Trombone and Percussion EnsembleDr. Justin Alexander (Director, VCU Percussion Ensemble) invited me to create a piece for trombone and percussion ensemble that had roles for more- and less-experienced players so that they could mix within the performance. I so enjoyed composing and performing this work. He estimates the overall difficulty grade of Movement I to be a three on a five-point scale and Movement II to be a four, with a grade four for the overall piece; but some players’ parts (within the eight total in the percussion ensemble) are indeed easier.The two Movements are approximately five minutes each.The first Movement Bilita Mpash (An Amazing Dream) calls for (1) shekeré/guiro; (2) 5-octave marimba (shared with...); (3) 5-octave marimba (shared with previous); (4) claves/drum set with mounted cowbell; (5) bell/mounted cowbell/congas; (6) hi-hat/suspended cymbal; (7) bass drum; and (8) four toms/maracas.The Second Movement (Running with the Tigers) calls for (1) xylophone; (2) vibraphone/glockenspiel; (3) 5-octave marimba; (4) drum set; (5) shaker/samba whistle/congas (opt. voice); (6) triangle/bell tree/hanging bells/agogo bells (opt. voice); (7) bass drum (opt. voice); and (8) Timpani (opt. voice). Pending difficulty levels, the conga and drum set parts can optionally be split among additional percussionists. The score notes offer a stage plot and many rehearsal tips.Bilita Mpash (An Amazing Dream)The 3-2 Rumba Clave anchors this movement, launched by the shekeré. Rhythmic vamps of multiple bars form the landscape over which the trombone’s melody emerges, followed by a move to double-time 2-3 Rumba Clave (with montuno) and back. The trombone soloist improvises without chordal accompaniment for a while so could reflect on the preceding harmonies or instead freely improvise with no concern as to chord changes, while a later section requires improv over chord changes. After the recap, a surprise tag of the ending phrase in Cha Cha sets up the rubato finish. Bilita Mpash (BILL-it-uh m-POSH) is a Bantu term for an amazing dream, a dream so good that it is the polar opposite of a nightmare-a dream in a blissful state where all is forgiven and forgotten2. Running with the TigersThe opening, written-out marimba solo is somewhat of a nod to vibist Gary Burton’s influence in bringing mallets towards the expression of modern jazz. A 9/8 samba-groove (5+4) transforms to 4/4. None of the percussionists have to have a jazz background, though the drum set player would be more challenged if not already exposed to Latin drumming. The improvised solo section could be all solo trombone or could be divided among various performers, including trading. The recap of the tune begins over 5/8 samba (3+2, later 2+3). The closing arrhythmic drum-set solo crescendos as the optional surprise of percussionists’ (or additional) voices sing at the end. The title of this movement refers to a recurring dream my dad would have, as well as to the active movements of my grandson when sleeping in his earliest years.-Antonio J. GarcÃaInstrumentation is for:Solo Trombone and 8-part Percussion Ensemble:shekeré/guiro, 2 5-octave marimbas, claves/drumset with cowbell, bell, congas, hi-hat, suspended cymbal, bass drum, toms, maracas, xylophone, vibraphone, glockenspiel, shaker, samba whistle, congas, triangle, bell tree, hanging bells, agogo bells, bass drum and timpani.This rhythmic and dramatic work includes improvisation by the Trombonist. Listen to the brilliant live performance featuring Mr. Garcia and the Virginia Commonwealth University Percussion Ensemble directed by Dr. Justin Alexander.
$50.00
Fanfare for the Uncommon Student
#
Ensemble de Percussions
#
AVANCÉ
#
David Berlin
#
font: 12.0px Helvetica
#
Fanfare for the Uncommon Stude
#
David Berlin
#
SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.958075 Composed by David Berlin. 20th Century,Graduation,Instructional,Standards. Score and parts. 44 pages. Dav...
(+)
Percussion Ensemble - Level 5 - SKU: A0.958075 Composed by David Berlin. 20th Century,Graduation,Instructional,Standards. Score and parts. 44 pages. David Berlin #2988815. Published by David Berlin (A0.958075). P.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica; min-height: 14.0px} p.p2 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial; color: #232323} p.p3 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial; color: #1255cc} p.p4 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial; color: #232323; min-height: 15.0px} span.s1 {text-decoration: underline} In collaboration with the Philadelphia Classical Symphony and director, Karl Middleman and Partners in Distance Learning, a music composition project was launched in 2005 for students in Pennsylvania. I created an instructional web site called HOW TO WRITE A FANFARE. Students from around the state worked through the program and sent us their final projects. The committee selected the best ones submitted and we brought the students and their families to Philadelphia where the Philadelphia Classical Symphony performed their pieces on a public concert. The web site is still on line and the student's pieces can be heard. at: http://tozier.net/dberlin/fanfare/index.htm/ Please feel free to use this website in conjunction with my printed score and recording for yourself, students or your circle of friends. This score and recording was my contribution to the concert. It is 90 seconds long at 120 BPM.
$3.99
Christmas Calypso for Percussion Sextet
#
Ensemble de Percussions
#
FACILE
#
Noël
#
Dan Heslink
#
Christmas Calypso for Percussi
#
Pharaoh Publications
#
SheetMusicPlus
Percussion Ensemble - Level 2 - SKU: A0.935389 Arranged by Dan Heslink. Christian,Christmas. Score and parts. 18 pages. Pharaoh Publications #6117159. P...
(+)
Percussion Ensemble - Level 2 - SKU: A0.935389 Arranged by Dan Heslink. Christian,Christmas. Score and parts. 18 pages. Pharaoh Publications #6117159. Published by Pharaoh Publications (A0.935389). Christmas Calypso for Percussion Sextet . . . . . . . . . . . . . . arr. Dan Heslink The calypso style referenced in the title is not the calypso of Afro-Caribbean music from Trinidad and Tobago. Rather, it is the especially toned-down but still rhythmic commercial variant popularized by folk singers. Couched in this style, the arrangement offers Christmas favorites Deck the Halls, Angels We Have Heard On High, God Rest Ye Merry Gentlemen and Good Christian Men, Rejoice. This if one of two versions of the calypso arrangement by Dan Heslink, both of which are available through Sheet Music Plus. The other arrangement, percussion sextet, follows similar musical contours and is available separately. Both versions are intended to elicit one primary response from both performers and audience – fun. It does not tax the players technically, but delivers a satisfying sound with carols that the performers likely know and love. General audiences will be enchanted by the familiar melodies delivered in percussion, especially at Christmas time. The introduction opens with a brisk and rhythmic introduction based on Deck the Halls, and establishes the fun calypso rhythm immediately. Deck the Halls is the much-loved welsh air that was arranged by Haydn, Nos galan (Hob. XXXIb:29, 1803). Then, Angels We Have Heard on High breaks out in double-stops with a continuation of the rhythmic impetus. The birth of Jesus Christ as narrated in the Gospel of Luke is the subject of Angels We Have Heard on High, a traditional French song of unknown origin. The gloria section provides some flowing contrast, portraying the shepherds’ impressions as they encounter a multitude of angels singing and praising. The performers are encouraged to use a relaxed stroke to glide through these passages. Following is God Rest Ye Merry Gentlemen, a 16th century English traditional Christmas carol also known under the title, The old Christmas Carol. It provides a contrast in tonality (minor mode) and texture. The xylophone part likely will lay most comfortably when executed with four mallets, although there are no three or four mallet chords in these passages. Good Christian Men, Rejoice is the closing selection in this Christmas medley. It’s title is an English translation of In dulci jubilo (Latin for In sweet rejoicing). The work ends happily with a summation of the calypso rhythm. This medley will be especially effective programmed on a winter holiday concert. Duration is 2:30. The arranger, Dan Heslink, assigned a difficulty level of medium easy, and can be contacted at dan@dheslink.com.
$4.99
Christmas Calypso for Marimba Quartet
#
Ensemble de Percussions
#
Noël
#
Dan Heslink
#
Christmas Calypso for Marimba
#
Pharaoh Publications
#
SheetMusicPlus
Percussion Ensemble - SKU: A0.935390 Arranged by Dan Heslink. Christian,Christmas. Score and parts. 16 pages. Pharaoh Publications #6117165. Published b...
(+)
Percussion Ensemble - SKU: A0.935390 Arranged by Dan Heslink. Christian,Christmas. Score and parts. 16 pages. Pharaoh Publications #6117165. Published by Pharaoh Publications (A0.935390). Christmas Calypso for Marimba Quartet . . . . . . . . . . . . . . arr. Dan HeslinkThe calypso style referenced in the title is not the calypso of Afro-Caribbean music from Trinidad and Tobago. Rather, it is the especially toned-down but still rhythmic commercial variant popularized by folk singers. Couched in this style, the arrangement offers Christmas favorites Deck the Halls, Angels We Have Heard On High, God Rest Ye Merry Gentlemen and Good Christian Men, Rejoice. This if one of two versions of the calypso arrangement by Dan Heslink, both of which are available through Sheet Music Plus. The other arrangement, for percussion sextet, follows similar musical contours and is available separately. Both versions are intended to elicit one primary response from both performers and audience – fun. It does not tax the players technically, but delivers a satisfying sound with carols that the performers likely know and love. General audiences will be enchanted by the familiar melodies delivered in percussion, especially at Christmas time. The introduction opens with a brisk and rhythmic introduction based on Deck the Halls, and establishes the fun calypso rhythm immediately. Deck the Halls is the much-loved welsh air that was arranged by Haydn, Nos galan (Hob. XXXIb:29, 1803). Then, Angels We Have Heard on High breaks out in double-stops with a continuation of the rhythmic impetus. The birth of Jesus Christ as narrated in the Gospel of Luke is the subject of Angels We Have Heard on High, a traditional French song of unknown origin. The gloria section provides some flowing contrast, portraying the shepherds’ impressions as they encounter a multitude of angels singing and praising. The performers are encouraged to use a relaxed stroke to glide through these passages. Following is God Rest Ye Merry Gentlemen, a 16th century English traditional Christmas carol also known under the title, The old Christmas Carol. It provides a contrast in tonality (minor mode) and texture. The xylophone part likely will lay most comfortably when executed with four mallets, although there are no three or four mallet chords in these passages. Good Christian Men, Rejoice is the closing selection in this Christmas medley. It’s title is an English translation of In dulci jubilo (Latin for In sweet rejoicing). The work ends happily with a summation of the calypso rhythm. This medley will be especially effective programmed on a winter holiday concert. Duration is 2:30. The arranger, Dan Heslink, assigned a difficulty level of medium easy, and can be contacted at dan@dheslink.com.
$4.99
Gravity for Septet
#
Ensemble de Percussions
#
AVANCÉ
#
Contemporain
#
MohammadHadi Ayanbod
#
Gravity for Septet
#
Rimorarte Edition
#
SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.1027778 Composed by MohammadHadi Ayanbod. 20th Century,Contemporary. Score and parts. 25 pages. Rimorarte Editio...
(+)
Percussion Ensemble - Level 5 - SKU: A0.1027778 Composed by MohammadHadi Ayanbod. 20th Century,Contemporary. Score and parts. 25 pages. Rimorarte Edition #5996957. Published by Rimorarte Edition (A0.1027778). In GRAVITY I explored different gravities as forces we not only feel them in every moments of our lives, but also thinking of living without or escaping from them seems impossible. Likewise, those gravities exist in the music, make us feel the music continuous, desirable, logical and an integrated language of art. The exploration of the path from chaos to unity, and from unity to multiplicity, is where the title came from. GRAVITY consists of two main sections. The first section, which shows the fully-grown and flourished musical ecosystem, and the second part; a flashback to just after big-bang, which tries to musicalize the creation of the gravity! In the first section, I’ve used the concept of horizontal and vertical minimalism. At the very beginning of the piece we have a structure that bring the idea of the vertical minimalism out. In every moment, each instrument plays the same note as others. However, the narrative line is divided into different octaves, so, the melody is not the same in spite of the fact that each instrument plays the same tone. This structure also reminds the paradoxical ladder or optical staircase illusion. The narration is built up until it reaches temporal climax. At the same time, this melody starts again from the beginning with some microscopic differences visible vividly to musicians. This semi reciprocating musical narration, could be observed as a musical example of the staircase illusion. After this part, but still in the first section of the music, I’ve used the horizontal (traditional) minimalism idioms to explore the bounding forces present in the music. Although, what interesting here is the creation of synthetic voices which is the result of different amounts of the nuances and different combinations of the sound. For keen ears, it seems like shades of neon lights, penetrate into one another in the scale of time and create a big picture of micro fluctuating objects. In the second section or just after big-bang, I’ve observed and recreate musically, the very moment of creation of the gravity just after the big-bang. Here, we don’t have melody, rhythm, structure, narration and other aspects of the music in the traditional way, although all of them are present in the music. very single sound or noise is meaningful and showing the assemblage process of the forces in the music to create a melody line. I’ve occupied idioms of contemporary Sonorism genre to create the atmosphere. This highly complex texture shows the virtuosity of interpreters and the capability of the instruments in avant-garde literature and extended techniques. The music is concluded by a fast-tempo finale, with the instruction of fortissimo possiblile (as loud as possible). The piece, in fact, will not be finished as a morendo, but, it opens a space for hypothetically living structure; constantly grows, flourishes, shines and decays.
$16.99
[Carl] The Inevitable Wave (B)
#
Ensemble de Percussions
#
Contemporain
#
Robert Carl
#
,edium
#
[Carl] The Inevitable Wave
#
American Composers Alliance Inc.
#
SheetMusicPlus
Percussion Ensemble - SKU: A0.953210 Composed by Robert Carl. Contemporary. Score and parts. 30 pages. American Composers Alliance Inc. #4718325. Publis...
(+)
Percussion Ensemble - SKU: A0.953210 Composed by Robert Carl. Contemporary. Score and parts. 30 pages. American Composers Alliance Inc. #4718325. Published by American Composers Alliance Inc. (A0.953210). The second in a series, scored for 8 percussionists and fixed media. PDF download includes score with fixed media download link - contact sales@composers.com for any inquiries into part sales or rental.Percussion needed:Perc. 1: three suspended cymbals (small: high; ,edium; large: low), edium-sized woodblockPerc. 2: 4 tom-toms, glockenspielPerc. 3: low bass drum, medium-sized tam-tam, vibraphonePerc. 4: timpani: 3 drums, 28, 26, 24 (also plays chimes w/#6)Perc. 5: marimba (also plays vibraphone w/#3)Perc. 6: medium-sized bass drum, chimesPerc. 7: large tam-tam, crotales (2 octave set)Perc. 8: three suspended cymbals
$13.95
In My Blood - Score Only
#
Ensemble de Percussions
#
INTERMÉDIAIRE
#
Shawn Mendes
#
Josh Ball
#
In My Blood - Score Only
#
The BeatCave
#
SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.1304735 By Shawn Mendes. By Geoff Warburton, Scott Harris, Shawn Mendes, and Teddy Geiger. Arranged by Josh Ball...
(+)
Percussion Ensemble - Level 3 - SKU: A0.1304735 By Shawn Mendes. By Geoff Warburton, Scott Harris, Shawn Mendes, and Teddy Geiger. Arranged by Josh Ball. 21st Century,Pop,Rock. 1 pages. The BeatCave #894161. Published by The BeatCave (A0.1304735). Color-coded Top 40 chart for use with Boomwhackers, Xylophones, Keyboards, and all pitched percussion instruments.
$4.99
<
1
26
51
76
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
In The End
