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FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
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LUTH, THEOR…
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
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SYNTHETISEUR
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CLASSIQUE - BAROQUE …
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PIANO & CLAVIERS
Piano seul
581
Piano, Voix
204
Piano Facile
155
Piano, Voix et Guitare
147
Accompagnement Piano
71
Instruments en Do
51
Orgue
35
1 Piano, 4 mains
25
2 Pianos, 4 mains
10
Piano Quatuor: piano, violon, alto, violoncelle
10
Piano Trio: piano, violon, violoncelle
8
Piano Quatuor: piano, 2 violons, violoncelle
5
Piano grosses notes
3
Piano (partie séparée)
3
2 Pianos, 8 mains
2
Accordéon
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Clavecin
2
Clavier
1
Orgue, Trompette (duo)
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
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GUITARES
Guitare
68
Guitare notes et tablatures
49
Ligne De Mélodie, (Paroles) et Accords
31
Ukulele
16
Basse electrique
11
Piano, Guitare (duo)
9
2 Guitares (duo)
8
Paroles et Accords
8
Guitare (partie séparée)
4
Banjo
3
Dobro
1
3 Guitares (trio)
1
Mandoline
1
Ensemble de guitares
1
Mandoline, Guitare (duo)
1
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VOIX
Chorale SATB
221
Chorale 3 parties
60
Chorale TTBB
44
Chorale 2 parties
43
Chorale SSAA
34
Voix Tenor, Piano
18
Chorale Unison
18
Voix Alto, Piano
11
Voix Soprano, Piano
9
Voix duo, Piano
6
Voix Tenor
6
Voix moyenne, Piano
4
Voix seule
4
Chorale
3
Voix haute
3
Voix Soprano
1
Voix duo
1
Chorale SSATTB
1
Instrumentations suivantes
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VENTS
Flûte traversière et Piano
109
Quatuor de Saxophones: 4 saxophones
90
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
84
Saxophone (partie séparée)
80
Clarinette et Piano
67
Hautbois, Piano (duo)
62
2 Saxophones (duo)
58
Saxophone Tenor et Piano
58
Saxophone Alto et Piano
57
Quatuor de Clarinettes: 4 clarinettes
56
Quintette de Saxophone: 5 saxophones
45
Saxophone Soprano et Piano
40
Flûte, Hautbois, Clarinette, Basson
40
Saxophone Baryton, Piano
36
Clarinette
33
Cor anglais, Piano
32
Flûte traversière
31
2 Clarinettes (duo)
30
Ensemble de Clarinettes
26
Saxophone Alto
24
2 Flûtes traversières (duo)
24
Hautbois (partie séparée)
24
Ensemble de Flûtes
23
Quatuor de Flûtes : 4 flûtes
19
Clarinette Basse, Piano
18
Flûte, Clarinette (duo)
17
3 Saxophones (trio)
16
Ensemble de saxophones
16
Quintette de Clarinettes: 5 clarinettes
15
Quintette de Flûte : 5 flûtes
14
3 Clarinettes (trio)
14
Saxophone, Clarinette (duo)
13
Flûte à bec Soprano
10
2 Hautbois (duo)
9
Clarinette, Violon (duo)
9
Clarinette (partie séparée)
9
Clarinette, Trompette (duo)
7
Hautbois, Clarinette (duo)
7
Hautbois, Basson (duo)
7
2 Flûte à bec (duo)
6
Trio de Flûtes: 3 flûtes
6
Clarinette et Alto
6
Saxophone Tenor
6
Clarinette, Basson (duo)
6
Flûte et Guitare
5
Flûte, Alto (duo)
5
Quatuor de Flûtes à bec
5
Flûte, Violon
5
Flûte, Saxophone (duo)
5
Hautbois, Flûte
4
Flûte à Bec
4
Flûte, Trompette (duo)
4
Flûte, Hautbois, Clarinette (trio)
3
Clarinette, Violoncelle (duo)
3
Clarinette, Guitare (duo)
3
Flûte à bec Tenor
3
Flûte à bec Alto, Piano
3
Ensemble De Flûte à bec
3
Flute (partie séparée)
3
Piccolo, Piano
3
Flûte à bec Soprano, Piano
3
3 Flûtes à bec (trio)
3
Saxophone Soprano
2
Flûte, Violon, Violoncelle et Piano
2
5 Flûtes à bec
2
Flûte, Violoncelle
2
Saxophone et Orgue
2
Flûte à bec Alto
2
Flûte, Hautbois, Piano (trio)
2
Flûte, Clarinette, Piano (trio)
2
2 Flûtes traversières, Piano
2
Ensemble de Hautbois
1
2 Saxophones, Piano
1
Flûte, Violon, Piano
1
4 Hautbois
1
Flûte et Trio à cordes
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte, Clarinette et Basson
1
2 Flûtes à bec, Guitare
1
Harmonica
1
Hautbois et alto (duo)
1
Clarinette, Violoncelle, Piano (trio)
1
Cor anglais et Harpe (duo)
1
Flûte, Hautbois (duo)
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Cor anglais, Guitare (duo)
1
Flute, harpe et violon
1
Hautbois, Violoncelle
1
2 Clarinettes, Piano
1
Flûte, Basson et Piano
1
Flûte, Violoncelle, Piano (trio)
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Instrumentations suivantes
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
106
Trombone et Piano
60
Quatuor de Cuivres : 2 trompettes, trombone, tuba
56
Trompette
42
Cor et Piano
38
Euphonium, Piano (duo)
36
Trompette, Piano
35
Cor anglais, Piano
32
Trombone (partie séparée)
28
Trompette (partie séparée)
23
Quatuor de Cuivres: 2 trompettes, Cor, trombone
21
Trompette, Trombone (duo)
17
Tuba et Piano
15
Trombone
14
2 Trompettes (duo)
14
2 Trombones (duo)
13
Cor
12
Ensemble de Trombones
11
2 Cors (duo)
10
Trompette, Saxophone (duo)
10
Cor (partie séparée)
10
Tuba
9
Quatuor de cuivres: 4 trombones
9
Quatuor de Cuivres
9
Ensemble de Trompettes
8
Trompette, Cor (duo)
6
Quatuor de cuivres: 4 trompettes
4
Quatuor de cuivres: 4 cors
4
Ensemble de Cors
4
Tuba (partie séparée)
4
3 Trombones (trio)
3
Tuba et Orgue
3
Trombone, Cor (duo)
3
3 Tubas (trio)
3
Trio de Cuivres
2
3 Cors (trio)
2
2 Tubas (duo)
2
4 Tubas
2
Euphonium, Tuba (duo)
1
Trompette, Euphonium (duo)
1
Euphonium
1
Cor anglais et Harpe (duo)
1
3 Trompettes (trio)
1
Trombone, Tuba (duo)
1
Cor anglais, Guitare (duo)
1
2 Euphoniums et 2 Tubas
1
2 Euphoniums (duo)
1
Trompette, Tuba (duo)
1
Cor, Tuba (duo)
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
167
Violon et Piano
93
Alto, Piano
60
Violoncelle, Piano
55
Violon
42
Harpe
34
Violon, Violoncelle (duo)
32
Violoncelle (partie séparée)
28
2 Violons (duo)
24
Violon, Alto (duo)
20
Trio à Cordes: violon, alto, violoncelle
15
Alto seul
14
2 Violoncelles (duo)
14
2 Altos (duo)
13
Violoncelle
13
2 Harpes (duo)
10
Trio à Cordes: 2 violons, violoncelle
10
Violon, Guitare (duo)
9
4 Violoncelles
8
Alto (partie séparée)
8
Piano Trio: Violon, Alto, Piano
6
Violon (partie séparée)
5
Contre Basse
5
Alto, Violoncelle (duo)
5
Ensemble de Violons
5
Ensemble d'Altos
4
Contrebasse (partie séparée)
4
Quatuor à cordes: 4 violons
4
Quintette à cordes: 2 violons, alto, violoncelle, basse
4
Trio à Cordes: 3 violoncelles
4
Trio à cordes: 3 violins
4
Contrebasse, Piano (duo)
4
Quatuor à cordes : 4 altos
3
Harpe, Voix
3
Trio à cordes: 3 altos
2
Harpe, Flûte (duo)
2
Violoncelle, Contrebasse (duo)
2
Harpe et Piano
1
2 Contrebasses (duo)
1
Violon, Clarinette, Piano (trio)
1
Violon, Basson (duo)
1
Violoncelle , Guitare (duo)
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
239
Orchestre
91
Orchestre à Cordes
73
Ensemble de cuivres
38
Ensemble Jazz
31
Orchestre de chambre
27
Cloches
24
Ensemble de Percussions
11
Jazz combo
9
Fanfare
7
Percussion (partie séparée)
5
Piano et Orchestre
4
Batterie (partie séparée)
4
Batterie
3
Marimba
3
Vibraphone
2
Orchestre, Violon
1
Vibraphone (partie séparée)
1
Instrumentations suivantes
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AUTRES
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It's Late
Ensemble de Percussions
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33 Tears (for percussion trio)
Ensemble de Percussions
Percussion Ensemble - Level 4 - Digital Download SKU: A0.977040 Composed by Paul Sa…
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Percussion Ensemble - Level 4 - Digital Download SKU: A0.977040 Composed by Paul SanGregory. Contemporary. Score and parts. 18 pages. Distant Engraver Music #3539349. Published by Distant Engraver Music (A0.977040). (For this piece, both score and parts are included in a single PDF file.)This quietly beautiful music began as a simple piano piece in memory of the composer’s late wife. Because her ‘English’ name, Sansan, sounds like the number 33 in Mandarin Chinese, the piece is based on the numbers 3, 33 and various multiples of them. The numbers were used to shape all aspects of the music, but in performance the piece still flows simply and naturally. It is technically not difficult for performers, but they do need good ears for color and balance, and they must work carefully as an ensemble. Instrumentation:Perc. 1: vibraphone and crotales (or glockenspiel)Perc. 2: vibraphonePerc. 3: Marimba (with low C)
$8.00
7.39 €
#
Ensemble de Percussions
#
Paul SanGregory
#
33 Tears
#
Distant Engraver Music
#
SheetMusicPlus
Four Forces (First movement) I. Strong Forces
Ensemble de Percussions
Percussion Ensemble - Level 5 - Digital Download SKU: A0.962406 Composed by Salvado…
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.962406 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 173 pages. Salvador Rojo-Gamon #5801913. Published by Salvador Rojo-Gamon (A0.962406). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$300.00
277.06 €
#
Ensemble de Percussions
#
Salvador Rojo Gamón
#
Four Forces
#
Salvador Rojo-Gamon
#
SheetMusicPlus
Four Forces (Second movement) II. Weak Forces
Ensemble de Percussions
Percussion Ensemble - Level 5 - Digital Download SKU: A0.962405 Composed by Salvado…
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.962405 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 255 pages. Salvador Rojo-Gamon #5801921. Published by Salvador Rojo-Gamon (A0.962405). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$150.00
138.53 €
#
Ensemble de Percussions
#
Salvador Rojo Gamón
#
Four Forces
#
Salvador Rojo-Gamon
#
SheetMusicPlus
Up the Body and Down the Page
Ensemble de Percussions
Percussion Ensemble - Level 4 - Digital Download SKU: A0.1013929 Composed by Tsoof …
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Percussion Ensemble - Level 4 - Digital Download SKU: A0.1013929 Composed by Tsoof Baras. Concert,Contemporary,Instructional,Standards. Score and parts. 16 pages. Tsoof Baras #6663587. Published by Tsoof Baras (A0.1013929). Players - 4Instrumentation - Body Percussion‘Up the Body and Down the Page’ is a body percussion piece for percussion quartet. This piece involves the playing of one’s body as an instrument. For musicians, this piece is short, easy to setup, exciting for the crowd, a bit of a workout, fun to play and a challenge.My aim for this piece was to emulate the concept of ‘seeing sounds’ by only creating sound in the light. It was a challenge to get the lighting effect that provided us with a sharp difference between light and dark.Because it is such a physical piece, I would encourage the performers to add in choreography and to exercise the power of choice in terms of sticking (‘handings’ and ‘footings’) and the choice between standing and sitting. The performers may also experiment with visual mediums like talcum powder and other sound choices like using toy hammers instead of hands and choosing extremely thick shoes.
$45.00
41.56 €
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Ensemble de Percussions
#
Tsoof Baras
#
Up the Body and Down the Page
#
Tsoof Baras
#
SheetMusicPlus
Staying Busy for Two Marimbas (or vibraphones)
Ensemble de Percussions
Percussion Ensemble - Level 3 - Digital Download SKU: A0.803346 Composed by Paul Ta…
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.803346 Composed by Paul Taylor. 20th Century. Score and parts. 6 pages. Paul Taylor #6099257. Published by Paul Taylor (A0.803346). An exciting and busy marimba or xylophone duet written for late intermediate students. Both students get to play the main motives and will find it stimulating to bat these motives back and forth to each other throughout the piece. The printing format provides each player with their own score, allowing them the convenience of not only seeing their own individual part, but their partner's as well. .
$1.99
1.84 €
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Ensemble de Percussions
#
Paul Taylor
#
Staying Busy for Two Marimbas
#
Paul Taylor
#
SheetMusicPlus
Two Dreams for solo Trombone and 8-part Percussion Ensemble
Ensemble de Percussions
Percussion Ensemble - Level 5 - Digital Download SKU: A0.811252 Composed by Antonio…
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.811252 Composed by Antonio J. Garcia. Contemporary,Jazz,Latin,World. Score and parts. 119 pages. Gordon Cherry #6549777. Published by Gordon Cherry (A0.811252). Two Dreams for Trombone and Percussion EnsembleDr. Justin Alexander (Director, VCU Percussion Ensemble) invited me to create a piece for trombone and percussion ensemble that had roles for more- and less-experienced players so that they could mix within the performance. I so enjoyed composing and performing this work. He estimates the overall difficulty grade of Movement I to be a three on a five-point scale and Movement II to be a four, with a grade four for the overall piece; but some players’ parts (within the eight total in the percussion ensemble) are indeed easier.The two Movements are approximately five minutes each.The first Movement Bilita Mpash (An Amazing Dream) calls for (1) shekeré/guiro; (2) 5-octave marimba (shared with...); (3) 5-octave marimba (shared with previous); (4) claves/drum set with mounted cowbell; (5) bell/mounted cowbell/congas; (6) hi-hat/suspended cymbal; (7) bass drum; and (8) four toms/maracas.The Second Movement (Running with the Tigers) calls for (1) xylophone; (2) vibraphone/glockenspiel; (3) 5-octave marimba; (4) drum set; (5) shaker/samba whistle/congas (opt. voice); (6) triangle/bell tree/hanging bells/agogo bells (opt. voice); (7) bass drum (opt. voice); and (8) Timpani (opt. voice). Pending difficulty levels, the conga and drum set parts can optionally be split among additional percussionists. The score notes offer a stage plot and many rehearsal tips.Bilita Mpash (An Amazing Dream)The 3-2 Rumba Clave anchors this movement, launched by the shekeré. Rhythmic vamps of multiple bars form the landscape over which the trombone’s melody emerges, followed by a move to double-time 2-3 Rumba Clave (with montuno) and back. The trombone soloist improvises without chordal accompaniment for a while so could reflect on the preceding harmonies or instead freely improvise with no concern as to chord changes, while a later section requires improv over chord changes. After the recap, a surprise tag of the ending phrase in Cha Cha sets up the rubato finish. Bilita Mpash (BILL-it-uh m-POSH) is a Bantu term for an amazing dream, a dream so good that it is the polar opposite of a nightmare-a dream in a blissful state where all is forgiven and forgotten2. Running with the TigersThe opening, written-out marimba solo is somewhat of a nod to vibist Gary Burton’s influence in bringing mallets towards the expression of modern jazz. A 9/8 samba-groove (5+4) transforms to 4/4. None of the percussionists have to have a jazz background, though the drum set player would be more challenged if not already exposed to Latin drumming. The improvised solo section could be all solo trombone or could be divided among various performers, including trading. The recap of the tune begins over 5/8 samba (3+2, later 2+3). The closing arrhythmic drum-set solo crescendos as the optional surprise of percussionists’ (or additional) voices sing at the end. The title of this movement refers to a recurring dream my dad would have, as well as to the active movements of my grandson when sleeping in his earliest years.-Antonio J. GarcÃaInstrumentation is for:Solo Trombone and 8-part Percussion Ensemble:shekeré/guiro, 2 5-octave marimbas, claves/drumset with cowbell, bell, congas, hi-hat, suspended cymbal, bass drum, toms, maracas, xylophone, vibraphone, glockenspiel, shaker, samba whistle, congas, triangle, bell tree, hanging bells, agogo bells, bass drum and timpani.This rhythmic and dramatic work includes improvisation by the Trombonist. Listen to the brilliant live performance featuring Mr. Garcia and the Virginia Commonwealth University Percussion Ensemble directed by Dr. Justin Alexander.
$50.00
46.18 €
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Ensemble de Percussions
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Antonio J
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Two Dreams for solo Trombone and 8-part Percussion Ensemble
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Gordon Cherry
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SheetMusicPlus
Einmal möcht' Ich so verliebt sein (from Beautiful Galathea)
Ensemble de Percussions
Percussion Ensemble - Digital Download SKU: A0.597222 Composed by Franz von Suppe. …
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Percussion Ensemble - Digital Download SKU: A0.597222 Composed by Franz von Suppe. Arranged by Flávio Régis Cunha. Concert,Opera,Romantic Period,Standards. Score and parts. 16 pages. Flavio Regis Cunha #4593577. Published by Flavio Regis Cunha (A0.597222). Die schöne Galathée (The Beautiful Galatea) is an operetta in two acts by Franz von Suppé to a German libretto by the composer and 'Poly Henrion' (the pseudonym of Leonhard Kohl von Kohlenegg). This arrangement of Einmal möcht' Ich so verliebt sein (one aria of the operetta) for orchestra and soprano voice is a very good Encore or an orchestral piece for your repertoire.Flavio Regis Cunha is a pianist, conductor and composer from São Paulo - Brasil. He is currently finishing his doctorate at Mackenzie Presbyterian University where he works as conductor of the Mackenzie University Orchestra and resident composer. For more arrangements like this, works by commission or for any questions you can contact Flavio Regis Cunha at his facebook page: https://www.facebook.com/flavioregiscunhaIn the early 1860s, French operettas by Jacques Offenbach were first presented in Vienna. Franz von Suppé was obliged to compete with them by taking the time-honored traditions of Vienna and combining it with the new style of Offenbach. Die schöne Galathée was Franz von Suppé's first critical success. The sculptor Pygmalion has fallen madly in love with his statue of Galathée and accordingly does not want to sell it to Mydas, a patron of the arts. Instead he prays to Venus, the goddess of the love, that the statue be brought to life. The wish is granted but Galathée turns out to be a very independent-minded creature. She is unfaithful to Pygmalion with his servant Ganymed (because he is much more pleasing to her than Pygmalion) and does not reject Mydas, who offers her jewelry. When Pygmalion catches Galathée in a compromising situation, he successfully implores Venus to turn her back into stone. The jewelry offered by Mydas is also turned into stone, but the whole statue is sold to him.
$20.00
18.47 €
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Ensemble de Percussions
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Franz von Suppe
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Flávio Régis Cunha
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Einmal möcht' Ich so verliebt sein
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Flavio Regis Cunha
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SheetMusicPlus
Winter Bells
Ensemble de Percussions
Percussion Ensemble - Level 3 - Digital Download SKU: A0.935375 Composed by Dan Hes…
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.935375 Composed by Dan Heslink. Christmas,Contemporary,Hanukkah. Score and parts. 24 pages. Pharaoh Publications #4885579. Published by Pharaoh Publications (A0.935375). Winter Bells composed by Dan Heslink Imagine a cold winter evening in which church bells, sleigh bells, and other bell sounds are mixed into a tantalizing soundscape. Winter Bells explores the interaction of these sounds through chimes, sleigh bells, orchestra bells, marimba, vibraphone, two triangles, large suspended cymbal, large tam-tam, and two timpani. Winter Bells requires seven performers; the two chime players share one rack of chimes and one part. It presents mostly modest demands, both in performing technique in the number and type of percussion instruments. Challenges include rapid passage work in the part for orchestra bells, requiring smooth and even negotiation of the instrument, and a tour de force of polyrhythms at the end, where all bell timbres of the soundscape are juxtaposed. Some parts present more challenge than others, making it an ideal selection for ensembles populated by players of uneven levels of experience. To some listeners Winter Bells is possibly reminiscent of a sleigh ride without the horse’s hooves. It is sure to be an audience pleaser during a winter concert, especially close to Christmas and Hanukkah.
$3.99
3.68 €
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Ensemble de Percussions
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Dan Heslink
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Winter Bells
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Pharaoh Publications
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SheetMusicPlus
Asian Symmetries
Ensemble de Percussions
Percussion Ensemble - Level 3 - Digital Download SKU: A0.935379 Composed by Dan Hes…
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.935379 Composed by Dan Heslink. Contemporary,World. Score and parts. 30 pages. Pharaoh Publications #4978359. Published by Pharaoh Publications (A0.935379). Asian Symmetries by Dan Heslink Asian Symmetries is a fanciful work which draws loosely from the musical procedures and sonic preferences of Indonesian and other Asian musical styles. It is scored for three percussionists, each with their own battery of instruments. Gamelan-like impressions might be inferred from the cyclical nature of its rhythm, using metal plates like cymbals and gongs to mark large units of rhythmic time. Also evocative are the faster moving elaborations and a preponderance of metallophones in the instrumentation. The work is medium to difficult in its demands. There are quick changes of instrument, planned to be manageable but requiring some attention to logistics Each player’s performance station must remain stationary, with all instruments in reach without moving the performer’s position. Percussion I and Percussion III players must set up next to each other so that they may share the tenor drum. A selection of mallets that allows different striking surfaces to sound good without undue picking up and setting down of mallets is suggested. Changes of meter and tempo occur, and an odd meter section sporting measures in 12/8, 6/8, 11/8 may require some additional attention. The instrumentation is selected to approximate Asian sounds with common western instruments. Performance time is 6:28. The composer, Dan Heslink, can be reached at dan@dheslink.com.
$4.99
4.61 €
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Ensemble de Percussions
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Dan Heslink
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Asian Symmetries
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Pharaoh Publications
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SheetMusicPlus
The Satyricon, A Balletic Roman Sex Comedy in 3 Acts, Individual Parts 2 (Strings, Harp, Timpani, Pe
Ensemble de Percussions
Percussion Ensemble - Level 5 - Digital Download SKU: A0.730494 Composed by James N…
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.730494 Composed by James Nathaniel Holland. Contemporary,Musical/Show. Score and parts. 326 pages. James Nathaniel Holland #4800780. Published by James Nathaniel Holland (A0.730494). Advisory: Ballet story contains adult situation and themes. Not suitable for audiences or performers under the age of 18. INDIVIDUAL INSTRUMENT PARTS 2 (Strings, Harp, Timpani and Percussion). Piano Score, Full Orchestral Score, Individual Parts (Part 1) Sold Separately. American composer, James Nathaniel Holland, brings a ballet adapted from the first century Roman novel by Gaius Petronius (cir. 50 A.D.) to the stage. An entertaining ballet for adults (not suitable for general audiences under the age of 18), celebrating the male ballet dancer's physique and a laugh at our own human sexuality. The comedy is a romp of three gay protagonists and their adventures and misadventure in ancient Rome and their characters; an ex-gladiator, Enclopius, his young lover, Giton, and an upper class snob, Ascyltos. It should also be said that this ballet is not pure gratuitous vulgarity, there is a interweaving story containing a deeper message of real human relationships, the satire of ancient Roman archetypes, and a humorous glimpse into ancient Roman life that still rings true even 2,000 plus years later. Regardless of the subject matter, Holland's original music is fantastic tapestry of counterpoint, set in a sort of atonal-ism and heavy percussion, evoking a period of history no longer available to us. Although not all cues and counterpoint is contained here, this piano score is extremely useful for either a performance with 2 pianos and percussion and a dance company, a director's/choreographer's score, or a concise conductor's score, or rehearsal score. Measure numbers line up with the full score. An orchestral, performance CD is available for those company's on a budget.
$34.95
32.28 €
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Ensemble de Percussions
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James Nathaniel Holland
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The Satyricon, A Balletic Roman Sex Comedy in 3 Acts, Individual Parts 2
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James Nathaniel Holland
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SheetMusicPlus
Zona Centro (Downtown)
Ensemble de Percussions
Percussion Ensemble - Level 4 - Digital Download SKU: A0.1029902 Composed by Luis C…
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Percussion Ensemble - Level 4 - Digital Download SKU: A0.1029902 Composed by Luis Carlos Diaz. Arranged by Luis Carlos Diaz. 20th Century,Contemporary,Hip-Hop,World. Score and parts. 119 pages. Azdi #5983083. Published by azdi (A0.1029902). Downtown area Musical work, for chamber orchestra, which recreates the atmospheres experienced when walking through the streets of the downtown area of ​​my city (Tijuana). Using the popular urban rhythms that can be heard live, performed by all the city's musicians, such as: Rap hip hop). The most popular and booming genre among young people in this city in particular and throughout Mexico in general. Jazz, which since the 1960s has been played on the legendary Av. Revolución. Aztec Dance (Mexica) that is still practiced by various circles of the city and the country, preserving ancient cultures. Reggae. Music of conscience and positive message, which is the most listened to and performed by numerous local and independent bands from the northern border. Divided into three parts, it begins with a melody or main theme, such as the bass line used on rap tracks, played first by the trombone, the double bass, and later also by the other instruments, on a rhythmic basis in the section of percussions with a characteristic rhythm of rap music at a speed of 90 bpm.
$33.00
30.48 €
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Ensemble de Percussions
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Luis Carlos Diaz
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Luis Carlos Diaz
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Zona Centro
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azdi
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SheetMusicPlus
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