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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
It Ain
Non classifié
6 033
Piano & claviers
Piano seul
3 736
Piano, Voix
2 934
Piano, Voix et Guitare
2 090
Piano Facile
1 389
1 Piano, 4 mains
548
Orgue
313
Instruments en Do
313
Piano grosses notes
230
2 Pianos, 4 mains
134
Accompagnement Piano
88
Piano Trio: piano, violon, violoncelle
75
Piano Quatuor: piano, violon, alto, violoncelle
36
Piano Quintette: piano, 2 violons, alto, violoncelle
27
Accordéon
25
Piano (partie séparée)
20
1 Piano, 6 mains
10
Piano Quatuor: piano, 2 violons, violoncelle
9
2 Pianos, 8 mains
7
Orgue, Trompette (duo)
7
Orgue, Piano (duo)
5
Clavier
3
Ligne De Mélodie, Piano
3
Ensemble d'Accordéons
2
Accordéon, Voix
2
Clavecin
1
2 Accordéons
1
+ 21 instrumentations
Retracter
Guitares
Guitare notes et tablatures
699
Ligne De Mélodie, (Paroles) et Accords
457
Guitare
398
Dulcimer
165
Ukulele
140
Basse electrique
87
Paroles et Accords
66
2 Guitares (duo)
51
Guitare (partie séparée)
46
Mandoline
26
4 Guitares (Quatuor)
25
Banjo
20
Piano, Guitare (duo)
14
Ensemble de guitares
13
2 Dulcimers (duo)
12
3 Guitares (trio)
7
Basse électrique (partie séparée)
3
Mandoline, Guitare (duo)
2
2 Mandolines (duo)
2
Guitare, Violon, Violoncelle (trio)
1
Dobro
1
Mandoline, Piano (duo)
1
Guitare, Orchestre
1
Ukulele Baryton
1
+ 19 instrumentations
Retracter
Voix
Chorale SATB
1 558
Chorale 3 parties
610
Chorale 2 parties
326
Chorale TTBB
247
Chorale Unison
190
Chorale SSAA
178
Voix duo, Piano
64
Voix Soprano, Piano
62
Voix Alto, Piano
52
Pack Instrumental pour Chorale
47
Voix seule
43
Voix duo
42
Voix Tenor, Piano
41
Voix haute
39
Voix Baryton, Piano
32
Chorale
25
Voix basse, Piano
15
Voix moyenne, Piano
14
Chorale SSAATTBB
7
Voix basse
5
Voix Mezzo-Soprano, Piano
4
Chorale SSATB
4
Voix Tenor
3
Voix, Guitare
2
Chorale SSATTB
2
Voix Soprano
2
Soli, choeur mixte et accompagnement
1
Voix haute, Piano
1
Voix Moyenne
1
Chorale SSATBB
1
Chorale SSAB, Piano
1
+ 26 instrumentations
Retracter
Vents
Flûte traversière et Piano
662
Clarinette et Piano
630
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
547
Quatuor de Saxophones: 4 saxophones
449
Flûte traversière
411
Hautbois, Piano (duo)
363
Clarinette
361
Flûte, Hautbois, Clarinette, Basson
344
Quintette de Saxophone: 5 saxophones
335
2 Saxophones (duo)
331
Saxophone Alto et Piano
329
Saxophone Alto
315
Saxophone (partie séparée)
298
Quatuor de Clarinettes: 4 clarinettes
265
2 Flûtes traversières (duo)
234
Saxophone Tenor
224
Saxophone Tenor et Piano
219
Saxophone Soprano et Piano
187
2 Clarinettes (duo)
172
Hautbois (partie séparée)
151
Ensemble de saxophones
150
Quatuor de Flûtes : 4 flûtes
142
Ensemble de Clarinettes
138
Saxophone Baryton, Piano
114
3 Saxophones (trio)
86
Ensemble de Flûtes
84
Cor anglais, Piano
81
Saxophone
76
Flûte, Clarinette (duo)
72
2 Hautbois (duo)
68
Flûte et Guitare
59
Trio de Flûtes: 3 flûtes
59
Quintette de Clarinettes: 5 clarinettes
56
Quintette de Flûte : 5 flûtes
54
Hautbois
53
3 Clarinettes (trio)
51
2 Flûte à bec (duo)
50
Clarinette Basse, Piano
47
Saxophone Soprano
46
Flute (partie séparée)
38
Saxophone, Clarinette (duo)
37
Hautbois, Basson (duo)
36
Clarinette (partie séparée)
34
Clarinette, Basson (duo)
33
Flûte à bec Soprano
31
Saxophone Baryton
30
Clarinette, Violon (duo)
30
Flûte à Bec
28
Clarinette, Guitare (duo)
25
Clarinette, Trompette (duo)
25
Hautbois, Clarinette, Basson (trio d'anches)
23
Flûte, Violon
23
Quatuor de Flûtes à bec
21
Hautbois, Clarinette (duo)
20
Clarinette, Violoncelle (duo)
19
Flûte à bec Alto
18
Flûte, Hautbois, Clarinette (trio)
17
Flûte, Violoncelle
16
Flûte, Violon, Piano
16
Flûte, Alto (duo)
16
Clarinette et Alto
15
5 Flûtes à bec
15
Flûte, Hautbois (duo)
14
Flûte, Clarinette et Basson
13
Hautbois, Violoncelle
13
Ocarina
12
Piccolo, Piano
12
Hautbois, Flûte
12
Flûte, Trombone (duo)
11
Flûte, Hautbois, Basson
11
Cor Anglais
11
Flûte, Saxophone (duo)
11
Instruments en Mib
11
3 Flûtes à bec (trio)
11
Flûte à bec Tenor
10
Flûte, Violoncelle, Piano (trio)
10
Ensemble De Flûte à bec
10
Flûte, Clarinette, Piano (trio)
10
Flûte à bec Soprano, Piano
9
Flûte à bec Alto, Piano
9
Clarinette, Harpe (duo)
9
Flûte, Trompette (duo)
9
Harmonica
9
Hautbois, Guitare (duo)
9
Saxophone et Harpe
7
2 Clarinettes, Piano
6
Cor anglais, Guitare (duo)
6
2 Flûtes traversières, Piano
5
Saxophone et Orgue
4
Hautbois, Harpe
4
Flûte et Trio à cordes
3
Ensemble à vent
3
Clarinette, Trombone (duo)
3
4 Hautbois
3
2 Saxophones, Piano
3
Flûte à Bec, Piano
3
Flûte, Hautbois, Piano (trio)
3
Clarinette Basse
3
Flûte irlandaise
2
Flûte à bec Alto, Basse continue
2
Quintette de Clarinette: Clarinette, Quatuor à Cordes
2
Flûte, Violoncelle, Guitare
2
Flute, harpe et violon
2
Hautbois et alto (duo)
2
Ensemble de Hautbois
2
Hautbois, violon (duo)
2
Clarinette, Violoncelle, Piano (trio)
2
Piccolo
2
3 Hautbois
1
Cor anglais et Harpe (duo)
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
2 Cors Anglais Et Pianoforte
1
Flûte, trombone et piano
1
Flûte traversière, Basse continue
1
Flûte, Basson et Piano
1
Flûte, alto et harpe
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
2 Clarinettes, Basson
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Hautbois, Violon, Piano
1
Flûte de Pan
1
Flûte, Violon et Violoncelle
1
Flûte traversière, Orgue (duo)
1
Flûte, Harpe et Violoncelle
1
Saxophone, Tuba (duo)
1
Clarinette, Orgue
1
Flûte, Clarinette, Violon (trio)
1
Saxophone et Guitare
1
+ 123 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
577
Trompette
384
Quatuor de Cuivres : 2 trompettes, trombone, tuba
373
Trombone et Piano
319
Trompette, Piano
319
Trombone
282
Cor et Piano
249
Cor
182
Tuba
155
Trombone (partie séparée)
148
Tuba et Piano
144
Trompette (partie séparée)
135
Quatuor de Cuivres: 2 trompettes, Cor, trombone
133
Quatuor de Cuivres
101
2 Trompettes (duo)
95
2 Trombones (duo)
90
Cor anglais, Piano
81
Euphonium, Piano (duo)
81
2 Cors (duo)
66
Ensemble de Trombones
65
Quatuor de cuivres: 4 trombones
63
Ensemble de Trompettes
61
Trompette, Trombone (duo)
59
Cor (partie séparée)
38
Quatuor de cuivres: 4 cors
37
Tuba (partie séparée)
29
2 Tubas (duo)
27
Trompette, Cor (duo)
25
Quatuor de cuivres: 4 trompettes
23
Ensemble de Cors
21
Trompette, Saxophone (duo)
21
2 Euphoniums et 2 Tubas
21
Euphonium
18
Bass Clef Instruments
16
3 Trombones (trio)
15
4 Tubas
14
Trombone, Cor (duo)
12
Cor Anglais
11
Tuba et Orgue
11
Trombone, Tuba (duo)
10
Trio de Cuivres
10
Instruments en Sib
10
Trompette, Tuba (duo)
9
Euphonium, Tuba (duo)
9
3 Tubas (trio)
8
Cor, Violoncelle (duo)
7
Cor, Tuba (duo)
7
Cor anglais, Guitare (duo)
6
Cor et Harpe
5
3 Cors (trio)
5
Trombone basse
4
2 Euphoniums (duo)
4
Trompette, Harpe
4
3 Trompettes (trio)
3
Trompette, violon (duo)
3
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
Trompette, Violoncelle (duo)
3
Instruments en Fa
2
Trombone, violoncelle (duo)
2
Quatuor de cuivres: 2 trompettes, 2 trombones
2
Cor et Orgue
2
Trombone basse et Piano
2
Trombone et orchestre
2
2 Trompettes, Clavier (piano ou orgue)
1
Trompette, Basson (duo)
1
Cor anglais et Harpe (duo)
1
2 Cors Anglais Et Pianoforte
1
Ensemble de Tubas
1
3 Euphoniums
1
Trombone, Orgue
1
Trompette, Trombone, Piano
1
Clarinette, Cor (duo)
1
Trompette, Violoncelle et Piano
1
Cor et Basson (duo)
1
Tuba ou Euphonium ou Saxhorn
1
+ 70 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
1 166
Violon et Piano
758
Violoncelle, Piano
609
Alto, Piano
588
Violon
530
Violoncelle
430
Harpe
384
Alto seul
279
Violon, Violoncelle (duo)
269
2 Violons (duo)
200
Trio à Cordes: violon, alto, violoncelle
172
2 Violoncelles (duo)
137
Contrebasse, Piano (duo)
136
Quintette à cordes: 2 violons, alto, violoncelle, basse
127
Contre Basse
116
Trio à Cordes: 2 violons, violoncelle
115
Violon, Alto (duo)
108
2 Altos (duo)
100
Alto (partie séparée)
71
2 Harpes (duo)
53
Alto, Violoncelle (duo)
50
Contrebasse (partie séparée)
47
Violon (partie séparée)
45
4 Violoncelles
42
Ensemble de Violons
29
Ensemble d'Altos
28
2 Contrebasses (duo)
25
Quatuor à cordes: 4 violons
25
Harpe, Flûte (duo)
25
Trio à Cordes: 3 violoncelles
24
Trio à cordes: 3 altos
21
Trio à cordes: 3 violins
21
Violon, Guitare (duo)
19
Quatuor à cordes : 4 altos
19
Violoncelle, Contrebasse (duo)
18
Piano Trio: Violon, Alto, Piano
18
Violoncelle , Guitare (duo)
17
Violoncelle (partie séparée)
11
Violon, Basson (duo)
10
Quintette à cordes: 2 violons, 2 altos, violoncelle
9
Alto et Basson
8
Harpe, Violon (duo)
8
Harpe, Violoncelle (duo)
6
Alto, Guitare (duo)
6
Trio à Cordes: 2 violons, alto
6
Harpe, Voix
5
Trio à cordes
4
Harpe, Trombone (duo)
4
Alto et Harpe
3
Violoncelle, Orgue
3
2 Violons, Piano
3
Harpe, Violon, Violoncelle
2
Harpe et Piano
2
4 Contrebasses
2
Ensemble de Violoncelles
2
Violon, Clarinette, Piano (trio)
1
Alto, Orgue
1
Harpe et mandoline
1
5 Harpes
1
Autoharp
1
Violon, Orgue
1
Violoncelle, Basse continue
1
+ 57 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
1 756
Orchestre à Cordes
554
Orchestre
527
Ensemble de cuivres
299
Ensemble Jazz
297
Cloches
286
Fanfare
260
Orchestre de chambre
174
Batterie
116
Jazz combo
99
Ensemble de Percussions
45
Percussion (partie séparée)
29
Batterie (partie séparée)
26
Xylophone, Piano
19
Marimba
13
Vibraphone
12
Percussion
7
2 Xylophones
6
Xylophone
6
Ensemble d'École
5
Orchestre, Violon
3
Instrumentation Flexible
2
Quintette de Cuivres: autres combinaisons
2
Quintette à Vent
2
Timbales (partie séparée)
2
Piano et Orchestre
2
Conga
1
Big band
1
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
1
Timbales
1
Vibraphone et Marimba
1
Bodhran
1
Caisse Claire
1
+ 28 instrumentations
Retracter
Autres
Formation musicale - Solfège
2
Théorie de la musique
1
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
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BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
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UKULELE
VIBRAPHONE
VIELLE A RO…
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VIOLON
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
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COUNTRY
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ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
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Vous avez sélectionné:
It Ain
Ensemble de Percussions
Partitions à imprimer
45 partitions trouvées
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1
26
Ukrainian Bell Carol (But With Extra Percussion)
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Ensemble de Percussions
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INTERMÉDIAIRE
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Mykola Leontovich
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Aedan McBride
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Ukrainian Bell Carol
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Aedan McBride
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SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.1024882 Composed by Mykola Leontovich. Arranged by Aedan McBride. 20th Century,Christmas,Contemporary,Romantic P...
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Percussion Ensemble - Level 3 - SKU: A0.1024882 Composed by Mykola Leontovich. Arranged by Aedan McBride. 20th Century,Christmas,Contemporary,Romantic Period. Score and parts. 38 pages. Aedan McBride #4110919. Published by Aedan McBride (A0.1024882). Everyone knows and loves the Christmas tune known as the Ukrainian Bell Carol. Countless times, it's been arranged for various instrumentations, yet I have not seen string orchestra with percussion ensemble together for this particular tune. So I decided to make my own such arrangement, and now we have this piece: a classic tune with plenty of contemporary twists.
$9.99
Sudhanva Sankirtanam : Kondachiluvaina : Singer : Kanakesh Rathod : Lyrics : Lakshmi Valli Devi Biji
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Ensemble de Percussions
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INTERMÉDIAIRE
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Kanakesh Rathod
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Bijibilla Rama Rao
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Sudhanva Sankirtanam : Kondach
#
Bijibilla Rama Rao
#
SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.1020318 Composed by Kanakesh Rathod. Arranged by Bijibilla Rama Rao. Holiday,Musical/Show,Sacred,Spiritual,World...
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Percussion Ensemble - Level 3 - SKU: A0.1020318 Composed by Kanakesh Rathod. Arranged by Bijibilla Rama Rao. Holiday,Musical/Show,Sacred,Spiritual,World. Score and parts. 180 pages. Bijibilla Rama Rao #4783375. Published by Bijibilla Rama Rao (A0.1020318). Sudhanva Sankirtanam is a Devotional Album written by Lakshmi Valli Devi Bijibilla. Music composed by Kanakesh Rathod. Recorded at 'S' rec.in Hyderabad, Telangana State, India. Indian Percussions : Kanna : Sitar : Nandu Kumar : Flute : Pramod Umapathi. Singers : Vishnu Priya : Siri : Sarada Sai : Laxmi Gayathri : Tulasi : Vijayalaxmi : Bala Saahithi : Madhavi Bijibilla : Raman Rathod : Neeraj : Kanakesh Rathod. Presented by Bijibilla Foundation.This Devotional Album gives inspiration and relief. It gives pleasure and peace. It fits for all age groups. Children can learn and understand about Hindu Culture.
$1.99
Who Can It Be Now?
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Ensemble de Percussions
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DÉBUTANT
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Contemporain
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Men At Work
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Stephen Lawhorne
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Who Can It Be Now?
#
StevoPanMan
#
SheetMusicPlus
Percussion Ensemble - Level 1 - SKU: A0.1016556 By Men At Work. By Colin Hay. Arranged by Stephen Lawhorne. Contemporary. Score and parts. 23 pages. Ste...
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Percussion Ensemble - Level 1 - SKU: A0.1016556 By Men At Work. By Colin Hay. Arranged by Stephen Lawhorne. Contemporary. Score and parts. 23 pages. StevoPanMan #5829319. Published by StevoPanMan (A0.1016556). This classic 80's tune by Men At Work is certain to be a crowd pleaser! BONUS: There is a part for Jumbie Jam if your ensemble includes those instruments. Also great for combined concerts with elementary groups. Arranged for: Tenor Saxophone, Jumbie Jam, Lead 1, Lead 2, Doubles, Guitar/Cello, Bass Pans, Electric Bass and Drum Set. Two additional parts included: TAB electric bass and a Jumbie MAP that is excellent for visual learners that may be confused by musical repeats, D.S., Coda, etc.
$25.00
She'll Be Coming Round The Mountain - For Orff Ensemble
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Ensemble de Percussions
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DÉBUTANT
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Traditional
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Yvonne Johnson
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She'll Be Coming Round The Mou
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Yvonne Johnson
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SheetMusicPlus
Percussion Ensemble - Level 1 - SKU: A0.767905 Composed by Traditional. Arranged by Yvonne Johnson. Children,Folk,Instructional,Standards. Score and par...
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Percussion Ensemble - Level 1 - SKU: A0.767905 Composed by Traditional. Arranged by Yvonne Johnson. Children,Folk,Instructional,Standards. Score and parts. 20 pages. Yvonne Johnson #2893165. Published by Yvonne Johnson (A0.767905). Full Score and Set of 8 PartsAn easy arrangement of this well known folk tune using basic note values. The only eighth note (quaver) rhythms are in the Woodblock part. The lively tempo is a suggested one only and teachers should feel free to adjust it to suit the performers. Marimba could be substituted for the Bass Xyl.
$3.95
Kaos
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Ensemble de Percussions
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INTERMÉDIAIRE
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Giuseppe Mazzamuto
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Giuseppe Mazzamuto
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Kaos
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Giuseppe Mazzamuto
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SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.1033757 By Giuseppe Mazzamuto. By Giuseppe Mazzamuto. Arranged by Giuseppe Mazzamuto. Film/TV,Multicultural,Patr...
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Percussion Ensemble - Level 3 - SKU: A0.1033757 By Giuseppe Mazzamuto. By Giuseppe Mazzamuto. Arranged by Giuseppe Mazzamuto. Film/TV,Multicultural,Patriotic,Traditional,World. Score and parts. 14 pages. Giuseppe Mazzamuto #639067. Published by Giuseppe Mazzamuto (A0.1033757). Kaos is an original composition by Giuseppe Mazzamuto vibraphonist and composer from Palermo. The composition for six percussionists tells the battle of Kiev, the largest battle in history, as well as one of the largest in the Second World War. The scream performed by the percussionists tells of the clash that took place in 1941 between August and September during the early stages of the conflict between the Third Reich and the USSR. It was the Russians who capitulated, whose dead make up most of the 700,000 who remained in the field, letting the Germans penetrate the plains of Ukraine.
$15.00
Paint It, Black
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Ensemble de Percussions
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INTERMÉDIAIRE
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Rock
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The Rolling Stones
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Frits Renting
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Paint It, Black
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Frits_Renting
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SheetMusicPlus
Drum Set, Marimba, Percussion, Xylophone, Percussion Ensemble - INTERMEDIATE By The Rolling Stones. By Keith Richards and Mick Jagger. Arranged by ...
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Drum Set, Marimba, Percussion, Xylophone, Percussion Ensemble - INTERMEDIATE By The Rolling Stones. By Keith Richards and Mick Jagger. Arranged by Frits Renting. Rock. Score and parts. 17 pages. Frits_Renting #790232. Published by Frits_Renting
$30.00
Don't Worry, Be Happy
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Ensemble de Percussions
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INTERMÉDIAIRE
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Jazz
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Bobby McFerrin
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Ricardo Matosinhos
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Don't Worry, Be Happy
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Ricardo Matosinhos
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SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.899162 By Bobby McFerrin. By Bobby McFerrin. Arranged by Ricardo Matosinhos. Jazz. Score and parts. 32 pages. Ri...
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Percussion Ensemble - Level 3 - SKU: A0.899162 By Bobby McFerrin. By Bobby McFerrin. Arranged by Ricardo Matosinhos. Jazz. Score and parts. 32 pages. Ricardo Matosinhos #5723941. Published by Ricardo Matosinhos (A0.899162). This is a well known piece by Bobby McFerrin. Here presented on a music arrangement for unconventional music instruments. The arrangement allows flexibility, so this piece can be performed using tuned bottles (25cl, 33cl and 75cl), lip whistle, finger snaps, complemented with xylophones and optionally with voices to sing the lyrics too. This arrangement was made during the 2020 quarantine, when the world was shutdown due to a world virus pandemic. Some of the music students didn’t have their music instruments at home, so this arrangement came up to fill that gap and it is perfect to keep doing music with the available option of instruments.On each rehearsal letter, you can play optional improvisations, while keeping the voices 5-8. These improvisations can be easily done using the C major pentatonic scale or the note ranges presented on the right, that even include Eâ™ and Bâ™. If played using lip whistle, bendings will be possible too. This arrangement presents 8 voices and an alternative solution for voice 8, that makes it easier to be performed as it is the place where bottles are divided between the players. There is also an optional bass line to complement voice eight one octave bellow. In order to keep it simple, neither dynamics or articulations were included and the notes were represented always in the middle octave in G clef. The correct pitch ranges are presented in the performance notes.The amount of water will change the pitch differently depending if you are blowing or doing percussion on a bottle. When blowing, the more water you use, the higher the pitch will be, but while doing percussions more water means lower pitch. A good option, in order to save time during rehearsals, is to fill the bottles with water, marking the level with a pen, and then filling the bottle with the desired amount of hot wax instead of water. This way, when the wax cools down you can have a tuned bottle without requiring to tune it again every single rehearsal. Please note that the bottles should be made of glass and that different aspects change the performance. For percussion, straight bottles are better to tune as the curves in the bottles tend to produce unstable pitches. The extreme notes of the range might not be available in every single bottle, so you might need to try some alternatives. For example the high A is available in some beer bottles, while the low G is available in larger 75cl bottles of champaign. Last but not least, this piece should always be played according to Bobby’s motto: dont worry, be happy!I had lots of fun while doing this arrangement, now it’s your time to have fun while performing it!Ricardo Matosinhoshttp://www.ricardomatosinhos.com
$14.99
The Satyricon, A Balletic Roman Sex Comedy in 3 Acts, Individual Parts 2 (Strings, Harp, Timpani, Pe
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Ensemble de Percussions
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AVANCÉ
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James Nathaniel Holland
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The Satyricon, A Balletic Roma
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James Nathaniel Holland
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.730494 Composed by James Nathaniel Holland. Contemporary,Musical/Show. Score and parts. 326 pages. James Nathani...
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Percussion Ensemble - Level 5 - SKU: A0.730494 Composed by James Nathaniel Holland. Contemporary,Musical/Show. Score and parts. 326 pages. James Nathaniel Holland #4800780. Published by James Nathaniel Holland (A0.730494). Advisory: Ballet story contains adult situation and themes. Not suitable for audiences or performers under the age of 18. INDIVIDUAL INSTRUMENT PARTS 2 (Strings, Harp, Timpani and Percussion). Piano Score, Full Orchestral Score, Individual Parts (Part 1) Sold Separately. American composer, James Nathaniel Holland, brings a ballet adapted from the first century Roman novel by Gaius Petronius (cir. 50 A.D.) to the stage. An entertaining ballet for adults (not suitable for general audiences under the age of 18), celebrating the male ballet dancer's physique and a laugh at our own human sexuality. The comedy is a romp of three gay protagonists and their adventures and misadventure in ancient Rome and their characters; an ex-gladiator, Enclopius, his young lover, Giton, and an upper class snob, Ascyltos. It should also be said that this ballet is not pure gratuitous vulgarity, there is a interweaving story containing a deeper message of real human relationships, the satire of ancient Roman archetypes, and a humorous glimpse into ancient Roman life that still rings true even 2,000 plus years later. Regardless of the subject matter, Holland's original music is fantastic tapestry of counterpoint, set in a sort of atonal-ism and heavy percussion, evoking a period of history no longer available to us. Although not all cues and counterpoint is contained here, this piano score is extremely useful for either a performance with 2 pianos and percussion and a dance company, a director's/choreographer's score, or a concise conductor's score, or rehearsal score. Measure numbers line up with the full score. An orchestral, performance CD is available for those company's on a budget.
$34.95
'Round About
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Ensemble de Percussions
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INTERMÉDIAIRE/AVANCÉ
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Don Wilkins
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'Round About
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Noddington Music - ASCAP
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SheetMusicPlus
Percussion Ensemble - Level 4 - SKU: A0.987520 Composed by Don Wilkins. 20th Century,Standards. Score and parts. 6 pages. Noddington Music - ASCAP #883....
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Percussion Ensemble - Level 4 - SKU: A0.987520 Composed by Don Wilkins. 20th Century,Standards. Score and parts. 6 pages. Noddington Music - ASCAP #883. Published by Noddington Music - ASCAP (A0.987520). 'Round About is a short, showcase for Brass Quintet with optional Timpani and Percussion. It contains soloistic interplay for each Brass player, inter-mixed with precision ensemble passages. Designed with percussion support, it presents equally well as a brass quintet. While moderately demanding, and a bit unconventional, this piece is a crowd pleaser with a dynamic finish.
$9.95
Quartet #7
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Ensemble de Percussions
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INTERMÉDIAIRE
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Jeff Tincher
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Quartet #7
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Jeff Tincher
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SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.584695 Composed by Jeff Tincher. Blues,Contemporary. Score and parts. 25 pages. Jeff Tincher #6019473. Published...
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Percussion Ensemble - Level 3 - SKU: A0.584695 Composed by Jeff Tincher. Blues,Contemporary. Score and parts. 25 pages. Jeff Tincher #6019473. Published by Jeff Tincher (A0.584695). This composition shows how triads and quad chords work as melody. The prelude of this composition is a slow 4/4 pop feel before it moves into the main body of the song, a 12/8 blues motif. The quad chord bridge moves into a different melody with the 12/8 signature. The second bridge is two measures reminiscent of the opening slow section before it goes into a musical accented war between the instruments. The song, once again, moves into the remembrance of the slow 4 section remaining in the 12/8 time. A three measure battle returns back to the original 12/8 section. Hear the full version of composition on Jeff Tincher's For Percussion Quartet CD. Duration = 6:39. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing.
$12.99
Duel for 2 Marching Percussionists
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Ensemble de Percussions
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INTERMÉDIAIRE
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Contemporain
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Adam Grim
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Duel for 2 Marching Percussion
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Adam B. Grim
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SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.939385 Composed by Adam Grim. Contemporary. Score and parts. 17 pages. Adam B. Grim #6200499. Published by Adam ...
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Percussion Ensemble - Level 3 - SKU: A0.939385 Composed by Adam Grim. Contemporary. Score and parts. 17 pages. Adam B. Grim #6200499. Published by Adam B. Grim (A0.939385). The Duel for 2 Marching Percussionists was written in 2015 and premiered at Ohio Northern University. It features two players, each with a number of marching percussion (drumline) instruments in front of them. Both players use a snare drum and mounted cymbal while one player plays 5 tonal bass drums and the other plays the tenors (for 5 drums). It is for advanced high school or college level players, and is very entertaining to watch. It includes stick tricks and moves that are neat to see and do. All the tricks are fairly well known, so you could easily see them on YouTube. If not, then contact me directly and I would be happy to explain!
$15.00
Donut Etudes vol. 3: Don’t Step in the Holes! – Keyboard Percussion (Mallet) Quartet
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Ensemble de Percussions
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INTERMÉDIAIRE
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Methodes
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Joshua Hauser
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Donut Etudes vol. 3: Don&rsquo
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Slide Ride
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SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.784338 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288673. Published by Sl...
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Percussion Ensemble - Level 3 - SKU: A0.784338 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288673. Published by Slide Ride (A0.784338). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
ANANGULA - an Australian Piece
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Ensemble de Percussions
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FACILE
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Contemporain
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E Riley
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ANANGULA - an Australian Piece
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E Riley
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SheetMusicPlus
Percussion Ensemble - Level 2 - SKU: A0.1025837 Composed by E Riley. 20th Century,Contemporary. Score and parts. 11 pages. E Riley #5298347. Published b...
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Percussion Ensemble - Level 2 - SKU: A0.1025837 Composed by E Riley. 20th Century,Contemporary. Score and parts. 11 pages. E Riley #5298347. Published by E Riley (A0.1025837). ANANGULA - an Australian pieceAnangula is Aboriginal for Australia. This Ross Edwards-inspired piece takes you on a journey through Australia's marvellous Daintree Rainforest as you experience the echoes of the infamous Green Tree Frog and it's mates (imitated by the Marimba),the ostinato hum of Australian crickets (imitated by the Wood Blocks) and delicate glimpses of surrounding insects (imitated by the Xylophone). The Alto flute is to be played meditatively calm with lots of expressive vibrato and a few energetic moments.
$10.50
Judex (From Mors et Vita)
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Ensemble de Percussions
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INTERMÉDIAIRE
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Charles Francois Gounod
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Flávio Régis Cunha
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Judex
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Flavio Regis Cunha
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SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.597220 Composed by Charles Francois Gounod. Arranged by Flávio Régis Cunha. Concert,Contemporary,Romantic ...
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Percussion Ensemble - Level 3 - SKU: A0.597220 Composed by Charles Francois Gounod. Arranged by Flávio Régis Cunha. Concert,Contemporary,Romantic Period,Sacred,Standards. Score and parts. 43 pages. Flavio Regis Cunha #4592917. Published by Flavio Regis Cunha (A0.597220). Mors et vita is an oratorio in three parts by Charles Gounod premiered at the Birmingham Festival in 1885. It was conceived as a sequel to La rédemption (1882). The 1886 Paris premiere again featured Jean Baptiste Faure. Gounod considered this oratorio, and its predecessor La rédemption (1882) as his greatest achievements. This arrangement is designed for a double string orchestra, harp and percussion. The sonority obtained from this arrangement is unique in its conception and can be very well received by the public. Lacking original woodwinds and brasses from Gounod's score, the string orchestra will be an excellent choice for performing in concerts, recitals, funerals and church preludes.Flavio Regis Cunha is a pianist, conductor and composer from São Paulo - Brasil. He is currently finishing his doctorate at Mackenzie Presbyterian University where he works as conductor of the Mackenzie University Orchestra and resident composer. For more arrangements like this, works by commission or for any questions you can contact Flavio Regis Cunha at his facebook page: https://www.facebook.com/flavioregiscunha
$40.00
Hutir Myrno
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Ensemble de Percussions
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INTERMÉDIAIRE/AVANCÉ
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Dmytro Kyryliv
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Hutir Myrno
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Dmytro Kyryliv
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SheetMusicPlus
Percussion Ensemble - Level 4 - SKU: A0.1008718 Composed by Dmytro Kyryliv. 20th Century,Classical,Contemporary,Romantic Period. Score and parts. 94 pag...
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Percussion Ensemble - Level 4 - SKU: A0.1008718 Composed by Dmytro Kyryliv. 20th Century,Classical,Contemporary,Romantic Period. Score and parts. 94 pages. Dmytro Kyryliv #6303047. Published by Dmytro Kyryliv (A0.1008718). Hutir Myrno is a piece for symphony orchestra. Hutir Myrno translated from ukrainian - Peacful village. This piece have a short story. Hutir Myrno located near to Mountains. It is a small village with interesting people. Today will be very mystery night. Today people celebrating festival.... and during this festival happening mystery things.
$7.00
Judex (from Mors et Vita)
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Ensemble de Percussions
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INTERMÉDIAIRE
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Charles Francois Gounod
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Flávio Régis Cunha
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Judex
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Flavio Regis Cunha
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SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.597224 Composed by Charles Francois Gounod. Arranged by Flávio Régis Cunha. Concert,Contemporary,Romantic ...
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Percussion Ensemble - Level 3 - SKU: A0.597224 Composed by Charles Francois Gounod. Arranged by Flávio Régis Cunha. Concert,Contemporary,Romantic Period,Sacred,Standards. Score and parts. 47 pages. Flavio Regis Cunha #4595365. Published by Flavio Regis Cunha (A0.597224). Mors et vita is an oratorio in three parts by Charles Gounod premiered at the Birmingham Festival in 1885. It was conceived as a sequel to La rédemption (1882). The 1886 Paris premiere again featured Jean Baptiste Faure. Gounod considered this oratorio, and its predecessor La rédemption (1882) as his greatest achievements. JUDEX is a part of this important work and now you have it in a friendlier tonality (G) than the original written by Gounod (the key of Gb). The music remains unchanged. It is a beautiful work, very accessible and suitable for concerts openings, service preludes, recitals. It is an important work of the orchestral repertoire and your orchestra needs to play it at some point along the way. You and your orchestra will enjoy playing this work of unique beauty.Flavio Regis Cunha is a pianist, conductor and composer from São Paulo - Brasil. He is currently finishing his doctorate at Mackenzie Presbyterian University where he works as conductor of the Mackenzie University Orchestra and resident composer. For more arrangements like this, works by commission or for any questions you can contact Flavio Regis Cunha at his facebook page: https://www.facebook.com/flavioregiscunha
$40.00
En Rêve for Percussion Ensemble
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Ensemble de Percussions
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FACILE
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Contemporain
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Anders Wall
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En Rêve for Percussion En
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WallofSound
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SheetMusicPlus
Percussion Ensemble - Level 2 - SKU: A0.1028124 Composed by Anders Wall. 20th Century,Contemporary. Score and parts. 23 pages. WallofSound #3374791. Pub...
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Percussion Ensemble - Level 2 - SKU: A0.1028124 Composed by Anders Wall. 20th Century,Contemporary. Score and parts. 23 pages. WallofSound #3374791. Published by WallofSound (A0.1028124). En Rêve, In Dream, was conceived when I studied composition for Tobias Broström. Every day I was commuting from Skurup to Båstad and every day I was struck by Båstads almost continental beauty; I felt like I was in France. Cobble stone roads, houses with towers and that mountain ridge close to the ocean...One day on the train, I ran into three French girls on holiday.Patiently they listened to my ideas and kindly helped me translate the tempo markings to French. The piece begins with us falling to sleep. The marimbas rocks us slowly In Dream.After sudden movements in the vibraphone we are happily strolling on the cobble stones, sun shining and children riding their bikes across the streets not noticing the rocky ride.Bells chime in the distance and the world – or the dream – vanish. As sudden as it started it is gone.The dissonance of the beginning is now gone and our sleep is peaceful and calm - or is it..? Originally a solo piece for Marimba dedicated to Kasper Grøn.Thanks to Camille, Carole, Raphaëlle for the help with the French.
$10.00
Edelweiss
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Ensemble de Percussions
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FACILE
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Comédie Musicale
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Film/TV
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Richard Rodgers
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John M
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Edelweiss
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Music Preparation Services
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SheetMusicPlus
Percussion Ensemble - Level 2 - SKU: A0.908406 Composed by Richard Rodgers. Arranged by John M. Licari. Broadway,Film/TV. Score and parts. 13 pages. Mus...
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Percussion Ensemble - Level 2 - SKU: A0.908406 Composed by Richard Rodgers. Arranged by John M. Licari. Broadway,Film/TV. Score and parts. 13 pages. Music Preparation Services #5196201. Published by Music Preparation Services (A0.908406). Edelweiss - Rodgers & Hammerstein (Percussion Ensemble)Arranged by John M. LicariMusic Preparation Serviceswww.musicprepservices.com Edelweiss is a show tune from the 1959 Rodgers and Hammerstein musical The Sound of Music. It is named after the edelweiss, a white flower found high in the Alps. The song was created for the 1959 Broadway production of The Sound of Music, as a song for the character Captain Georg von Trapp (originated by the performer Theodore Bikel). In the musical, Captain von Trapp and his family sing this song during the concert near the end of Act II, as a statement of Austrian patriotism in the face of the pressure put upon him to join the navy of Nazi Germany following the Anschluss (Nazi annexation of their homeland). It is also Captain von Trapp's subliminal goodbye to his beloved homeland, using the flower as a symbol of his loyalty to Austria. In the 1965 film adaptation, the song is also sung by the Captain earlier in the film when he rediscovers music with his children. It was the last song ever written by Oscar Hammerstein II, prior to his death in August, 1960. This arrangement is written for a percussion ensemble, featuring glockenspiel, marimba, snare, bass, triangle, tambourine, and timpani.
$12.99
Gravity for Septet
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Ensemble de Percussions
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AVANCÉ
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Contemporain
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MohammadHadi Ayanbod
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Gravity for Septet
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Rimorarte Edition
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.1027778 Composed by MohammadHadi Ayanbod. 20th Century,Contemporary. Score and parts. 25 pages. Rimorarte Editio...
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Percussion Ensemble - Level 5 - SKU: A0.1027778 Composed by MohammadHadi Ayanbod. 20th Century,Contemporary. Score and parts. 25 pages. Rimorarte Edition #5996957. Published by Rimorarte Edition (A0.1027778). In GRAVITY I explored different gravities as forces we not only feel them in every moments of our lives, but also thinking of living without or escaping from them seems impossible. Likewise, those gravities exist in the music, make us feel the music continuous, desirable, logical and an integrated language of art. The exploration of the path from chaos to unity, and from unity to multiplicity, is where the title came from. GRAVITY consists of two main sections. The first section, which shows the fully-grown and flourished musical ecosystem, and the second part; a flashback to just after big-bang, which tries to musicalize the creation of the gravity! In the first section, I’ve used the concept of horizontal and vertical minimalism. At the very beginning of the piece we have a structure that bring the idea of the vertical minimalism out. In every moment, each instrument plays the same note as others. However, the narrative line is divided into different octaves, so, the melody is not the same in spite of the fact that each instrument plays the same tone. This structure also reminds the paradoxical ladder or optical staircase illusion. The narration is built up until it reaches temporal climax. At the same time, this melody starts again from the beginning with some microscopic differences visible vividly to musicians. This semi reciprocating musical narration, could be observed as a musical example of the staircase illusion. After this part, but still in the first section of the music, I’ve used the horizontal (traditional) minimalism idioms to explore the bounding forces present in the music. Although, what interesting here is the creation of synthetic voices which is the result of different amounts of the nuances and different combinations of the sound. For keen ears, it seems like shades of neon lights, penetrate into one another in the scale of time and create a big picture of micro fluctuating objects. In the second section or just after big-bang, I’ve observed and recreate musically, the very moment of creation of the gravity just after the big-bang. Here, we don’t have melody, rhythm, structure, narration and other aspects of the music in the traditional way, although all of them are present in the music. very single sound or noise is meaningful and showing the assemblage process of the forces in the music to create a melody line. I’ve occupied idioms of contemporary Sonorism genre to create the atmosphere. This highly complex texture shows the virtuosity of interpreters and the capability of the instruments in avant-garde literature and extended techniques. The music is concluded by a fast-tempo finale, with the instruction of fortissimo possiblile (as loud as possible). The piece, in fact, will not be finished as a morendo, but, it opens a space for hypothetically living structure; constantly grows, flourishes, shines and decays.
$16.99
Four Forces (First movement) I. Strong Forces
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Ensemble de Percussions
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AVANCÉ
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Salvador Rojo Gamón
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Four Forces
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Salvador Rojo-Gamon
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.962406 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 173 pa...
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Percussion Ensemble - Level 5 - SKU: A0.962406 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 173 pages. Salvador Rojo-Gamon #5801913. Published by Salvador Rojo-Gamon (A0.962406). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$300.00
Four Forces (Second movement) II. Weak Forces
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Ensemble de Percussions
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AVANCÉ
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Salvador Rojo Gamón
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Four Forces
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Salvador Rojo-Gamon
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.962405 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 255 pa...
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Percussion Ensemble - Level 5 - SKU: A0.962405 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 255 pages. Salvador Rojo-Gamon #5801921. Published by Salvador Rojo-Gamon (A0.962405). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$150.00
Silent Night Prelude for percussion octet
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Ensemble de Percussions
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FACILE
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Noël
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Franz Xaver Gruber
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Dan Heslink
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Silent Night Prelude for percu
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Pharaoh Publications
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SheetMusicPlus
Percussion Ensemble - Level 2 - SKU: A0.935383 Composed by Franz Xaver Gruber. Arranged by Dan Heslink. Christian,Christmas. Score and parts. 20 pages. ...
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Percussion Ensemble - Level 2 - SKU: A0.935383 Composed by Franz Xaver Gruber. Arranged by Dan Heslink. Christian,Christmas. Score and parts. 20 pages. Pharaoh Publications #5363007. Published by Pharaoh Publications (A0.935383). Silent Night Prelude for Percussion Octet arr. by Dan Heslink This work is based on the well-loved Christmas carol, composed in 1818 by Franz Xaver Gruber. This theme is so popular that it was declared an intangible cultural heritage by UNESCO in 2011. And the version sung by Bing Crosby in 1935 is the fourth best-selling single recording of all-time. It’s sure to motivate your audience close to Christmas. The Prelude begins with a brisk tempo. Although notated in 3, as is customary in more modern renditions (the original theme was notated in 6), the tempo must be fast enough that two measures of 3 create a binary pairing (like 6/4 in two). It may be necessary to slightly slow down the roll speed to avoid a frenetic sound. The difficulty level is easy. There are no changes of key, and the timpani part requires only two drums (Bb, F) with no tuning changes. The vibe part could be played with two mallets, but might execute more comfortably with three. The other keyboard parts use only two mallets each. The expression of this beautiful tune will be greatly enhanced by exaggerating the contrasts of dynamics. Accompaniment and ornamental figures must at all times be sublimated to the familiar theme. At the last strain, players should sing the well-known words in order to lead the audience or congregation in group singing. It would be helpful for the conductor to turn and face the audience at this point. This closing passage may be repeated for any number of sung verses. Use a smooth, relaxed stroke to elicit as much legato as possible. At points a continuous arpeggio accompaniment is divided among the instruments. Care must be taken to keep the sixteenth note speed consistent. The opening runs should be performed half-pedal on the vibes for clarity. Prelude on Silent Night would serve equally well in recital or in a church service. Duration is 3:10. The arranger, Dan Heslink, can be contacted at dan@dheslink.com
$4.99
Etna
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Ensemble de Percussions
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INTERMÉDIAIRE/AVANCÉ
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Tsoof Baras
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Etna
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Tsoof Baras
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SheetMusicPlus
Percussion Ensemble - Level 4 - SKU: A0.1013932 Composed by Tsoof Baras. Contemporary,Hip-Hop,Standards. Score and parts. 32 pages. Tsoof Baras #6667771...
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Percussion Ensemble - Level 4 - SKU: A0.1013932 Composed by Tsoof Baras. Contemporary,Hip-Hop,Standards. Score and parts. 32 pages. Tsoof Baras #6667771. Published by Tsoof Baras (A0.1013932). Players - 4Instrumentation - 4 drums (floor toms or concert toms)Named after the volcano ‘Mount Etna’, Etna is a quartet for Paint Drumming.It is written with the visual effect of paint drumming, where drummers put paint, water or other mediums on the drum to create a visual effect when striking the drum. The composition works with and without the visual effect and focuses on groovy polyrhythms and moving lines across the parts. It is a challenging piece for every level of ensemble.
$60.00
The Lament of Tou-Her 竇娥冤
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Ensemble de Percussions
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Contemporain
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Ma Shui Long 馬水é¾
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The Lament of Tou-Her 竇
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SpringAutumnmusic
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SheetMusicPlus
Percussion Ensemble - SKU: A0.961994 Composed by Ma Shui Long 馬水é¾. 20th Century,Contemporary. Score and parts. 20 pages. SpringAutumnmusi...
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Percussion Ensemble - SKU: A0.961994 Composed by Ma Shui Long 馬水é¾. 20th Century,Contemporary. Score and parts. 20 pages. SpringAutumnmusic #48525. Published by SpringAutumnmusic (A0.961994). Introduction:The Lament of Tou-Ehr, for Suona, Timpani, Percussion, and Chorus 　　This work was composed for a Chinese dance drama Snow Festival. The drama was based on an extremely touching story about a lady named Doue E, and was written by the author Guan Hanqing during the Yuan Dynasty. It is divided into three sections in a cyclic form, with one theme. The instrumentation includes voices for male and female, suona (Chinese cornet), there are more than ten traditional Chinese percussions are used, such as the wind gong, large and small luo (as used in Beijing opera), and the Chinese clapper, Paiban. The sound of suona indicates the lady Dou E with her battle cry and strong faith. The music begins after lady Dou E’s faint narrative. ※The Lament of Tou-Ehr was commissioned by the Neo Classical Music Group. The dance was arranged by Fon-xuei Liu, with orchestra and chorus conducted by the composer, Shui-long Ma himself. It was recorded by the Yun-de Company, and premiered at the Taiwan National Dr. Sun Yat-sen Memorial Hall in April 1981. 《竇娥冤》本曲改編自「舞劇雪ç¥ã€ï¼Œå–æ自ä¸åœ‹å…ƒä»£æˆ²æ›²ä¸é—œæ¼¢å¿çš„作å“-「感天動地竇娥冤ã€ã€‚æœ¬æ›²ç•¥åˆ†ä¸‰æ®µï¼Œé€£æ¨‚ç« å½¢å¼ï¼Œæ¨‚曲çµæ§‹ç‚ºä¸€è²«æ€§çš„主題延展。作曲者在編制上使用人è²(男女混è²)ã€å—©å¶ï¼Œä»¥åŠå多件傳統擊樂器，如風鑼ã€å¹³åŠ‡å¤§å°é‘¼ã€æ‹æ¿ç‰ç‰ã€‚在整曲進行ä¸ï¼Œå‡¡æ˜¯æœ‰ç«‡å¨¥å‡ºç¾ä¹‹è™•ï¼Œå—©å¶ä¹Ÿå°‡éš¨ä¹‹å¥å‡ºï¼Œé‚£æ˜¯å¤©ç†çš„å¶å–Šã€ç²¾ç¥žä¿¡å¿µä¹‹æ‰€åœ¨ã€‚全曲在一段竇娥幽幽的é“白之後，å¾å¾å±•é–‹ã€‚※本曲為新å¤å…¸æ¨‚團委託創作之作å“，由舞蹈家劉鳳å¸ç·¨èˆžã€é¦¬æ°´é¾æŒ‡æ®æ¨‚團與人è²ã€éŸ»å¾·éŒ„音公å¸éŒ„音，於1980å¹´4月在å°åŒ—國父紀念館舉行世界首演。 .
$14.99
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