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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Keep the Change
Non classifié
117
Piano & claviers
Piano seul
68
Piano Facile
20
Piano, Voix et Guitare
19
Piano, Voix
9
Orgue
3
Instruments en Do
2
1 Piano, 4 mains
2
2 Pianos, 4 mains
1
Piano (partie séparée)
1
Piano Trio: piano, violon, violoncelle
1
Orgue, Piano (duo)
1
1 Piano, 6 mains
1
Accompagnement Piano
1
+ 8 instrumentations
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Guitares
Guitare
7
Basse electrique
3
Guitare (partie séparée)
2
Guitare notes et tablatures
2
3 Guitares (trio)
1
2 Guitares (duo)
1
+ 1 instrumentations
Retracter
Voix
Chorale SATB
31
Chorale 3 parties
14
Chorale TTBB
8
Chorale 2 parties
7
Voix duo
6
Chorale SSAA
5
Chorale Unison
2
Voix Alto, Piano
1
Chorale
1
+ 4 instrumentations
Retracter
Vents
Quatuor de Saxophones: 4 saxophones
26
2 Saxophones (duo)
24
3 Saxophones (trio)
16
Quintette de Saxophone: 5 saxophones
15
Clarinette et Piano
11
Flûte, Hautbois, Clarinette, Basson
10
Quatuor de Clarinettes: 4 clarinettes
9
2 Flûtes traversières (duo)
8
Flûte traversière et Piano
8
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
7
2 Flûte à bec (duo)
7
Hautbois, Piano (duo)
6
Saxophone (partie séparée)
6
2 Clarinettes (duo)
6
Saxophone Tenor et Piano
5
3 Flûtes à bec (trio)
5
Cor anglais, Piano
5
Flûte, Clarinette (duo)
5
Quatuor de Flûtes : 4 flûtes
4
Quatuor de Flûtes à bec
4
Quintette de Flûte : 5 flûtes
4
3 Clarinettes (trio)
4
Hautbois, Clarinette, Basson (trio d'anches)
4
5 Flûtes à bec
4
Saxophone Alto et Piano
4
Saxophone Baryton, Piano
4
Clarinette, Basson (duo)
4
Ensemble de saxophones
3
Trio de Flûtes: 3 flûtes
3
Saxophone, Clarinette (duo)
3
Flûte à Bec
3
Quintette de Clarinettes: 5 clarinettes
3
Flûte à bec Alto
3
Hautbois (partie séparée)
2
Flûte, Hautbois, Clarinette (trio)
2
Clarinette
2
Clarinette, Trompette (duo)
2
Ensemble de Flûtes
2
Cor Anglais
1
Flûte irlandaise
1
2 Hautbois (duo)
1
Hautbois, Flûte
1
Flûte, Clarinette, Piano (trio)
1
Hautbois, Clarinette (duo)
1
Saxophone Soprano et Piano
1
Ensemble de Clarinettes
1
Clarinette, Violon (duo)
1
Flûte à bec Soprano
1
Flute (partie séparée)
1
Saxophone Alto
1
Flûte et Guitare
1
Flûte, Saxophone (duo)
1
Flûte, Alto (duo)
1
Hautbois, Basson (duo)
1
Flûte, Violon
1
+ 50 instrumentations
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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
8
Quatuor de Cuivres : 2 trompettes, trombone, tuba
7
Cor anglais, Piano
5
Trompette (partie séparée)
4
Ensemble de Cors
4
Trombone (partie séparée)
4
Trompette, Piano
4
Ensemble de Trompettes
3
Quatuor de cuivres: 4 trompettes
3
4 Tubas
3
Quatuor de cuivres: 4 trombones
3
Cor
2
Tuba
2
Trompette, Saxophone (duo)
2
Tuba (partie séparée)
2
Quatuor de cuivres: 4 cors
2
Trombone
2
2 Trombones (duo)
2
Cor et Piano
2
Trombone et Piano
2
Trombone basse
1
Trompette
1
Cor Anglais
1
Tuba et Piano
1
2 Trompettes (duo)
1
Trombone, Tuba (duo)
1
3 Euphoniums
1
Cor (partie séparée)
1
Trompette, Trombone (duo)
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
2 Tubas (duo)
1
+ 26 instrumentations
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Cordes
Harpe
23
Quatuor à cordes: 2 violons, alto, violoncelle
22
Violon et Piano
9
Violoncelle
7
Violoncelle, Piano
6
Alto, Piano
6
Violon, Violoncelle (duo)
6
2 Violoncelles (duo)
5
Quatuor à cordes: 4 violons
5
2 Violons (duo)
5
4 Violoncelles
5
Violon, Alto (duo)
5
Trio à Cordes: 3 violoncelles
4
2 Altos (duo)
4
Quatuor à cordes : 4 altos
4
Trio à cordes: 3 altos
4
Alto, Violoncelle (duo)
4
2 Harpes (duo)
3
Trio à cordes: 3 violins
3
Contrebasse (partie séparée)
2
Contrebasse, Piano (duo)
2
Alto seul
2
Violon
1
Harpe, Voix
1
Trio à Cordes: violon, alto, violoncelle
1
Violon (partie séparée)
1
+ 21 instrumentations
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Orchestre & Percussions
Cloches
21
Ensemble Jazz
16
Orchestre d'harmonie
15
Orchestre à Cordes
14
Orchestre
10
Ensemble de Percussions
7
Ensemble de cuivres
5
Jazz combo
4
Batterie
3
Orchestre de chambre
2
Fanfare
2
Batterie (partie séparée)
1
Percussion (partie séparée)
1
Percussion
1
+ 9 instrumentations
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Autres
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TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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METHODE : ACCORDS ET…
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METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
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SOUL - R&B - HIP HOP…
TANGO
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Musicnotes
Note4Piano
Noviscore
Profs-edition
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SheetMusicPlus
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Crtitères actifs :
Keep the Change
Ensemble de Percussions
Partitions à imprimer
7 partitions trouvées
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Donut Etudes vol. 3: Don’t Step in the Holes! – Keyboard Percussion (Mallet) Quartet
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Ensemble de Percussions
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INTERMÉDIAIRE
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Methodes
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Joshua Hauser
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Donut Etudes vol. 3: Don&rsquo
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Slide Ride
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SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.784338 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288673. Published by Sl...
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Percussion Ensemble - Level 3 - SKU: A0.784338 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288673. Published by Slide Ride (A0.784338). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
Don't Worry, Be Happy
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Ensemble de Percussions
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INTERMÉDIAIRE
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Jazz
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Bobby McFerrin
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Ricardo Matosinhos
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Don't Worry, Be Happy
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Ricardo Matosinhos
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SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.899162 By Bobby McFerrin. By Bobby McFerrin. Arranged by Ricardo Matosinhos. Jazz. Score and parts. 32 pages. Ri...
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Percussion Ensemble - Level 3 - SKU: A0.899162 By Bobby McFerrin. By Bobby McFerrin. Arranged by Ricardo Matosinhos. Jazz. Score and parts. 32 pages. Ricardo Matosinhos #5723941. Published by Ricardo Matosinhos (A0.899162). This is a well known piece by Bobby McFerrin. Here presented on a music arrangement for unconventional music instruments. The arrangement allows flexibility, so this piece can be performed using tuned bottles (25cl, 33cl and 75cl), lip whistle, finger snaps, complemented with xylophones and optionally with voices to sing the lyrics too. This arrangement was made during the 2020 quarantine, when the world was shutdown due to a world virus pandemic. Some of the music students didn’t have their music instruments at home, so this arrangement came up to fill that gap and it is perfect to keep doing music with the available option of instruments.On each rehearsal letter, you can play optional improvisations, while keeping the voices 5-8. These improvisations can be easily done using the C major pentatonic scale or the note ranges presented on the right, that even include Eâ™ and Bâ™. If played using lip whistle, bendings will be possible too. This arrangement presents 8 voices and an alternative solution for voice 8, that makes it easier to be performed as it is the place where bottles are divided between the players. There is also an optional bass line to complement voice eight one octave bellow. In order to keep it simple, neither dynamics or articulations were included and the notes were represented always in the middle octave in G clef. The correct pitch ranges are presented in the performance notes.The amount of water will change the pitch differently depending if you are blowing or doing percussion on a bottle. When blowing, the more water you use, the higher the pitch will be, but while doing percussions more water means lower pitch. A good option, in order to save time during rehearsals, is to fill the bottles with water, marking the level with a pen, and then filling the bottle with the desired amount of hot wax instead of water. This way, when the wax cools down you can have a tuned bottle without requiring to tune it again every single rehearsal. Please note that the bottles should be made of glass and that different aspects change the performance. For percussion, straight bottles are better to tune as the curves in the bottles tend to produce unstable pitches. The extreme notes of the range might not be available in every single bottle, so you might need to try some alternatives. For example the high A is available in some beer bottles, while the low G is available in larger 75cl bottles of champaign. Last but not least, this piece should always be played according to Bobby’s motto: dont worry, be happy!I had lots of fun while doing this arrangement, now it’s your time to have fun while performing it!Ricardo Matosinhoshttp://www.ricardomatosinhos.com
$14.99
Your Love
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Ensemble de Percussions
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FACILE
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Contemporain
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Dirty Heads
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Aaron Ziegler
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Your Love
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Aaron Ziegler
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SheetMusicPlus
Percussion Ensemble - Level 2 - SKU: A0.884320 By Dirty Heads. By Dustin Bushnell, Jared Watson, Lewis Michael Richards, Lewis Richards, Stan Fox, Stan ...
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Percussion Ensemble - Level 2 - SKU: A0.884320 By Dirty Heads. By Dustin Bushnell, Jared Watson, Lewis Michael Richards, Lewis Richards, Stan Fox, Stan Frazier, and Steve Fox. Arranged by Aaron Ziegler. Contemporary. Score and parts. 29 pages. Aaron Ziegler #6244907. Published by Aaron Ziegler (A0.884320). Your Love by the Dirty Heads feat. Ky-Mani Marley is a fun pop-reggae that will be a blast for your band to play, and audience to hear. This arrangement is a quick learn and is great for any level band for either gigs or more formal concerts. While the tune has repetitive parts, small changes keep the player on their toes, and give them a chance to work on different elements of music through changes in strum pattern, arpeggiation, and/or melody/counter melody parts. .
$20.00
Silent Night Prelude for percussion octet
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Ensemble de Percussions
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FACILE
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Noël
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Franz Xaver Gruber
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Dan Heslink
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Silent Night Prelude for percu
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Pharaoh Publications
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SheetMusicPlus
Percussion Ensemble - Level 2 - SKU: A0.935383 Composed by Franz Xaver Gruber. Arranged by Dan Heslink. Christian,Christmas. Score and parts. 20 pages. ...
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Percussion Ensemble - Level 2 - SKU: A0.935383 Composed by Franz Xaver Gruber. Arranged by Dan Heslink. Christian,Christmas. Score and parts. 20 pages. Pharaoh Publications #5363007. Published by Pharaoh Publications (A0.935383). Silent Night Prelude for Percussion Octet arr. by Dan Heslink This work is based on the well-loved Christmas carol, composed in 1818 by Franz Xaver Gruber. This theme is so popular that it was declared an intangible cultural heritage by UNESCO in 2011. And the version sung by Bing Crosby in 1935 is the fourth best-selling single recording of all-time. It’s sure to motivate your audience close to Christmas. The Prelude begins with a brisk tempo. Although notated in 3, as is customary in more modern renditions (the original theme was notated in 6), the tempo must be fast enough that two measures of 3 create a binary pairing (like 6/4 in two). It may be necessary to slightly slow down the roll speed to avoid a frenetic sound. The difficulty level is easy. There are no changes of key, and the timpani part requires only two drums (Bb, F) with no tuning changes. The vibe part could be played with two mallets, but might execute more comfortably with three. The other keyboard parts use only two mallets each. The expression of this beautiful tune will be greatly enhanced by exaggerating the contrasts of dynamics. Accompaniment and ornamental figures must at all times be sublimated to the familiar theme. At the last strain, players should sing the well-known words in order to lead the audience or congregation in group singing. It would be helpful for the conductor to turn and face the audience at this point. This closing passage may be repeated for any number of sung verses. Use a smooth, relaxed stroke to elicit as much legato as possible. At points a continuous arpeggio accompaniment is divided among the instruments. Care must be taken to keep the sixteenth note speed consistent. The opening runs should be performed half-pedal on the vibes for clarity. Prelude on Silent Night would serve equally well in recital or in a church service. Duration is 3:10. The arranger, Dan Heslink, can be contacted at dan@dheslink.com
$4.99
Ojo for percussion quintet
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Ensemble de Percussions
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INTERMÉDIAIRE/AVANCÉ
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Joe W
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Ojo for percussion quintet
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JWMIII Compositions
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SheetMusicPlus
Percussion Ensemble - Level 4 - SKU: A0.1086633 Composed by Joe W. Moore III. 20th Century,Contemporary,Latin,Multicultural,World. Score and parts. 82 p...
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Percussion Ensemble - Level 4 - SKU: A0.1086633 Composed by Joe W. Moore III. 20th Century,Contemporary,Latin,Multicultural,World. Score and parts. 82 pages. JWMIII Compositions #690841. Published by JWMIII Compositions (A0.1086633). Ojo (evil eye) was written in 2018 for the UTRGV Percussion ensemble. The inspiration for the piece comes from Latin American folklore “mal de ojo†which is essentially staring or looking on someone with envy or praising them without touching them. It is believed that your spirit will haunt the person you’ve looked at with a desire to touch but didn’t. This is the goal of the piece; to keep the audience engaged throughout the work with quick passages, rhythmic variety, and timbre changes, giving the performers ojo because there is no other option but to watch and listen intently.
$50.00
Confused - Snare Drum - Percussion
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Ensemble de Percussions
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FACILE
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Contemporain
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Adrian Esmerio
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Confused - Snare Drum - Percus
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Adrian Esmerio
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SheetMusicPlus
Percussion Ensemble - Level 2 - SKU: A0.1031402 Composed by Adrian Esmerio. Contemporary. Score and parts. 1 pages. Adrian Esmerio #3257905. Published b...
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Percussion Ensemble - Level 2 - SKU: A0.1031402 Composed by Adrian Esmerio. Contemporary. Score and parts. 1 pages. Adrian Esmerio #3257905. Published by Adrian Esmerio (A0.1031402). 1 - Easy to learn sheet music. Learn and Challenge your friends!2 - Drum to Music. Drum to your favorite song while trying to enjoy both3 - Perform it. Don't let any note fall out of place, keep it in the pocket4 - Change it up, Suite your needs. This is just a guideline, add your own personality
$2.33
Excerpts from Grande Tarantelle
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Ensemble de Percussions
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FACILE
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Classique
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Louis Moreau Gottschalk
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Ross Birdsall
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Excerpts from Grande Tarantell
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Ross Birdsall
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SheetMusicPlus
Percussion Ensemble - Level 2 - SKU: A0.921977 Composed by Louis Moreau Gottschalk. Arranged by Ross Birdsall. Romantic Period. Score and parts. 20 page...
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Percussion Ensemble - Level 2 - SKU: A0.921977 Composed by Louis Moreau Gottschalk. Arranged by Ross Birdsall. Romantic Period. Score and parts. 20 pages. Ross Birdsall #6069539. Published by Ross Birdsall (A0.921977). Louis Moreau Gottschalk's Grande Tarantelle - arranged for five players on two 4.3 octave (low A) marimbas. This piece is a fun, fast-paced journey exploring ideas in 6/8 time with a few quick position changes to keep your performers and audience on their toes.Originally premiered by the Coleman middle school percussion ensemble at the 2019 University of South Florida Marimba Festival, this piece is perfect for an advanced middle school ensemble or an early high school group.
$14.99
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Keep the Change
