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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Laxed
Non classifié
150
Piano & claviers
Piano seul
311
Piano Facile
21
Orgue
12
1 Piano, 4 mains
12
Instruments en Do
7
Piano, Voix et Guitare
5
Piano, Voix
2
Piano (partie séparée)
2
Clavecin
1
Piano Trio: piano, violon, violoncelle
1
Accompagnement Piano
1
2 Pianos, 4 mains
1
Accordéon
1
+ 8 instrumentations
Retracter
Guitares
Guitare
17
Guitare notes et tablatures
12
Ukulele
5
Guitare (partie séparée)
4
Ligne De Mélodie, (Paroles) et Accords
4
Dulcimer
3
Piano, Guitare (duo)
1
Basse electrique
1
Mandoline
1
2 Guitares (duo)
1
+ 5 instrumentations
Retracter
Voix
Chorale SATB
30
Chorale 3 parties
11
Chorale Unison
9
Chorale 2 parties
8
Chorale TTBB
6
Chorale SSAA
6
Voix moyenne, Piano
1
Voix Tenor
1
+ 3 instrumentations
Retracter
Vents
Flûte traversière et Piano
53
Hautbois, Piano (duo)
39
2 Saxophones (duo)
35
Saxophone
24
Clarinette et Piano
16
Saxophone (partie séparée)
15
Clarinette
12
Quatuor de Saxophones: 4 saxophones
12
2 Flûtes traversières (duo)
11
2 Clarinettes (duo)
10
Flûte traversière
10
2 Hautbois (duo)
9
Quatuor de Clarinettes: 4 clarinettes
9
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
8
Saxophone Alto et Piano
8
Flûte et Guitare
6
Saxophone Alto
6
Saxophone Tenor et Piano
5
Ensemble de Clarinettes
5
Flûte à bec Soprano
4
Flûte à bec Tenor
4
Flûte à bec Alto
4
Cor anglais, Piano
4
Flûte à Bec
4
Hautbois (partie séparée)
4
Ensemble de saxophones
3
3 Saxophones (trio)
3
Quintette de Saxophone: 5 saxophones
3
Saxophone, Clarinette (duo)
3
Saxophone Baryton, Piano
3
Ensemble de Flûtes
3
Saxophone Tenor
3
Quatuor de Flûtes : 4 flûtes
3
Clarinette, Trompette (duo)
2
Hautbois, Guitare (duo)
2
Flûte, Hautbois, Clarinette, Basson
2
Flute (partie séparée)
2
3 Clarinettes (trio)
2
Quintette de Clarinettes: 5 clarinettes
2
Clarinette, Violon (duo)
2
Saxophone Soprano et Piano
2
Flûte, Violon
1
Clarinette et Alto
1
Flûte, Basson et Piano
1
Clarinette (partie séparée)
1
Hautbois, Flûte
1
Flûte, Trompette (duo)
1
Hautbois, Clarinette (duo)
1
Flûte, Saxophone (duo)
1
Flûte, Clarinette et Basson
1
Hautbois, Basson et Piano
1
Quatuor de Flûtes à bec
1
Flûte, Clarinette (duo)
1
+ 48 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
22
Trompette
14
Trombone
10
Trombone (partie séparée)
10
2 Trombones (duo)
9
2 Trompettes (duo)
9
2 Cors (duo)
8
Trombone et Piano
8
Cor et Piano
7
Trompette, Piano
7
Tuba et Piano
6
Quatuor de Cuivres : 2 trompettes, trombone, tuba
6
Trompette (partie séparée)
6
2 Tubas (duo)
4
Cor anglais, Piano
4
Cor
3
Ensemble de Trombones
2
Tuba
2
Trompette, Saxophone (duo)
2
Quatuor de cuivres: 4 trombones
2
Quatuor de Cuivres
2
Tuba (partie séparée)
2
Cor (partie séparée)
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Euphonium, Piano (duo)
2
Trompette, Trombone (duo)
1
Cor et Harpe
1
4 Tubas
1
Quatuor de cuivres: 4 cors
1
+ 24 instrumentations
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Cordes
Violon et Piano
51
Quatuor à cordes: 2 violons, alto, violoncelle
24
Violoncelle, Piano
11
2 Violons (duo)
10
Alto, Piano
10
2 Altos (duo)
9
2 Violoncelles (duo)
9
Harpe
9
2 Harpes (duo)
9
Violon
6
Violoncelle
5
2 Contrebasses (duo)
4
Trio à Cordes: violon, alto, violoncelle
4
Violon, Violoncelle (duo)
3
Alto seul
3
Contrebasse, Piano (duo)
2
Violon (partie séparée)
2
Contre Basse
2
Contrebasse (partie séparée)
2
Trio à Cordes: 2 violons, violoncelle
2
Alto (partie séparée)
2
Harpe, Violoncelle (duo)
1
Violon, Alto (duo)
1
Violoncelle (partie séparée)
1
4 Violoncelles
1
Violon, Guitare (duo)
1
Harpe, Flûte (duo)
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
+ 23 instrumentations
Retracter
Orchestre & Percussions
Ensemble Jazz
55
Orchestre d'harmonie
25
Orchestre à Cordes
14
Ensemble de cuivres
12
Cloches
12
Jazz combo
7
Orchestre de chambre
6
Ensemble de Percussions
4
Batterie
4
Batterie (partie séparée)
3
Orchestre
3
Fanfare
2
+ 7 instrumentations
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DOBRO - GUI…
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FLUTE A DIX…
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GUITARE PED…
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LUTH, THEOR…
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
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VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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GOSPEL - SPIRITUEL -…
HALLOWEEN
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JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
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MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
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PUNK
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Vous avez sélectionné:
Laxed
Ensemble de Percussions
Partitions à imprimer
4 partitions trouvées
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A Child Is Born
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Ensemble de Percussions
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INTERMÉDIAIRE
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Jazz
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Thad Jones
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Thomas Graf
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Vibraphone, Marimba 1-4  
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A Child Is Born
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.568894 By Thad Jones. By Thad Jones. Arranged by Thomas Graf. Jazz. Score and parts. 23 pages. Thomas Graf - the...
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Percussion Ensemble - Level 3 - SKU: A0.568894 By Thad Jones. By Thad Jones. Arranged by Thomas Graf. Jazz. Score and parts. 23 pages. Thomas Graf - the-hit-factory.com #3407347. Published by Thomas Graf - the-hit-factory.com (A0.568894). Thad Jones composed this wonderful Christmas song, relaxed, very tender, smooth, with a wide melody. Instrumentation: Vibraphone, Marimba 1-4 Listen to the recording - a challenge for your ensemble. Please don't forget to review your purchase - you will help other musicians to choose the perfect arrangement for their ensemble. Thank you very much! Check out our latest uploads: http://www.sheetmusicplus.com/publishers/thomas-graf-the-hit-factory-com/smp-press/3001412+1303131?N... Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic Video: https://www.youtu.be/gI24Zinq4CQ
$14.99
Silent Night Prelude for percussion octet
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Ensemble de Percussions
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FACILE
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Noël
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Franz Xaver Gruber
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Dan Heslink
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Silent Night Prelude for percu
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Pharaoh Publications
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SheetMusicPlus
Percussion Ensemble - Level 2 - SKU: A0.935383 Composed by Franz Xaver Gruber. Arranged by Dan Heslink. Christian,Christmas. Score and parts. 20 pages. ...
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Percussion Ensemble - Level 2 - SKU: A0.935383 Composed by Franz Xaver Gruber. Arranged by Dan Heslink. Christian,Christmas. Score and parts. 20 pages. Pharaoh Publications #5363007. Published by Pharaoh Publications (A0.935383). Silent Night Prelude for Percussion Octet arr. by Dan Heslink This work is based on the well-loved Christmas carol, composed in 1818 by Franz Xaver Gruber. This theme is so popular that it was declared an intangible cultural heritage by UNESCO in 2011. And the version sung by Bing Crosby in 1935 is the fourth best-selling single recording of all-time. It’s sure to motivate your audience close to Christmas. The Prelude begins with a brisk tempo. Although notated in 3, as is customary in more modern renditions (the original theme was notated in 6), the tempo must be fast enough that two measures of 3 create a binary pairing (like 6/4 in two). It may be necessary to slightly slow down the roll speed to avoid a frenetic sound. The difficulty level is easy. There are no changes of key, and the timpani part requires only two drums (Bb, F) with no tuning changes. The vibe part could be played with two mallets, but might execute more comfortably with three. The other keyboard parts use only two mallets each. The expression of this beautiful tune will be greatly enhanced by exaggerating the contrasts of dynamics. Accompaniment and ornamental figures must at all times be sublimated to the familiar theme. At the last strain, players should sing the well-known words in order to lead the audience or congregation in group singing. It would be helpful for the conductor to turn and face the audience at this point. This closing passage may be repeated for any number of sung verses. Use a smooth, relaxed stroke to elicit as much legato as possible. At points a continuous arpeggio accompaniment is divided among the instruments. Care must be taken to keep the sixteenth note speed consistent. The opening runs should be performed half-pedal on the vibes for clarity. Prelude on Silent Night would serve equally well in recital or in a church service. Duration is 3:10. The arranger, Dan Heslink, can be contacted at dan@dheslink.com
$4.99
Christmas Calypso for Percussion Sextet
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Ensemble de Percussions
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FACILE
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Noël
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Dan Heslink
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Christmas Calypso for Percussi
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Pharaoh Publications
#
SheetMusicPlus
Percussion Ensemble - Level 2 - SKU: A0.935389 Arranged by Dan Heslink. Christian,Christmas. Score and parts. 18 pages. Pharaoh Publications #6117159. P...
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Percussion Ensemble - Level 2 - SKU: A0.935389 Arranged by Dan Heslink. Christian,Christmas. Score and parts. 18 pages. Pharaoh Publications #6117159. Published by Pharaoh Publications (A0.935389). Christmas Calypso for Percussion Sextet . . . . . . . . . . . . . . arr. Dan Heslink The calypso style referenced in the title is not the calypso of Afro-Caribbean music from Trinidad and Tobago. Rather, it is the especially toned-down but still rhythmic commercial variant popularized by folk singers. Couched in this style, the arrangement offers Christmas favorites Deck the Halls, Angels We Have Heard On High, God Rest Ye Merry Gentlemen and Good Christian Men, Rejoice. This if one of two versions of the calypso arrangement by Dan Heslink, both of which are available through Sheet Music Plus. The other arrangement, percussion sextet, follows similar musical contours and is available separately. Both versions are intended to elicit one primary response from both performers and audience – fun. It does not tax the players technically, but delivers a satisfying sound with carols that the performers likely know and love. General audiences will be enchanted by the familiar melodies delivered in percussion, especially at Christmas time. The introduction opens with a brisk and rhythmic introduction based on Deck the Halls, and establishes the fun calypso rhythm immediately. Deck the Halls is the much-loved welsh air that was arranged by Haydn, Nos galan (Hob. XXXIb:29, 1803). Then, Angels We Have Heard on High breaks out in double-stops with a continuation of the rhythmic impetus. The birth of Jesus Christ as narrated in the Gospel of Luke is the subject of Angels We Have Heard on High, a traditional French song of unknown origin. The gloria section provides some flowing contrast, portraying the shepherds’ impressions as they encounter a multitude of angels singing and praising. The performers are encouraged to use a relaxed stroke to glide through these passages. Following is God Rest Ye Merry Gentlemen, a 16th century English traditional Christmas carol also known under the title, The old Christmas Carol. It provides a contrast in tonality (minor mode) and texture. The xylophone part likely will lay most comfortably when executed with four mallets, although there are no three or four mallet chords in these passages. Good Christian Men, Rejoice is the closing selection in this Christmas medley. It’s title is an English translation of In dulci jubilo (Latin for In sweet rejoicing). The work ends happily with a summation of the calypso rhythm. This medley will be especially effective programmed on a winter holiday concert. Duration is 2:30. The arranger, Dan Heslink, assigned a difficulty level of medium easy, and can be contacted at dan@dheslink.com.
$4.99
Christmas Calypso for Marimba Quartet
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Ensemble de Percussions
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Noël
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Dan Heslink
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Christmas Calypso for Marimba
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Pharaoh Publications
#
SheetMusicPlus
Percussion Ensemble - SKU: A0.935390 Arranged by Dan Heslink. Christian,Christmas. Score and parts. 16 pages. Pharaoh Publications #6117165. Published b...
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Percussion Ensemble - SKU: A0.935390 Arranged by Dan Heslink. Christian,Christmas. Score and parts. 16 pages. Pharaoh Publications #6117165. Published by Pharaoh Publications (A0.935390). Christmas Calypso for Marimba Quartet . . . . . . . . . . . . . . arr. Dan HeslinkThe calypso style referenced in the title is not the calypso of Afro-Caribbean music from Trinidad and Tobago. Rather, it is the especially toned-down but still rhythmic commercial variant popularized by folk singers. Couched in this style, the arrangement offers Christmas favorites Deck the Halls, Angels We Have Heard On High, God Rest Ye Merry Gentlemen and Good Christian Men, Rejoice. This if one of two versions of the calypso arrangement by Dan Heslink, both of which are available through Sheet Music Plus. The other arrangement, for percussion sextet, follows similar musical contours and is available separately. Both versions are intended to elicit one primary response from both performers and audience – fun. It does not tax the players technically, but delivers a satisfying sound with carols that the performers likely know and love. General audiences will be enchanted by the familiar melodies delivered in percussion, especially at Christmas time. The introduction opens with a brisk and rhythmic introduction based on Deck the Halls, and establishes the fun calypso rhythm immediately. Deck the Halls is the much-loved welsh air that was arranged by Haydn, Nos galan (Hob. XXXIb:29, 1803). Then, Angels We Have Heard on High breaks out in double-stops with a continuation of the rhythmic impetus. The birth of Jesus Christ as narrated in the Gospel of Luke is the subject of Angels We Have Heard on High, a traditional French song of unknown origin. The gloria section provides some flowing contrast, portraying the shepherds’ impressions as they encounter a multitude of angels singing and praising. The performers are encouraged to use a relaxed stroke to glide through these passages. Following is God Rest Ye Merry Gentlemen, a 16th century English traditional Christmas carol also known under the title, The old Christmas Carol. It provides a contrast in tonality (minor mode) and texture. The xylophone part likely will lay most comfortably when executed with four mallets, although there are no three or four mallet chords in these passages. Good Christian Men, Rejoice is the closing selection in this Christmas medley. It’s title is an English translation of In dulci jubilo (Latin for In sweet rejoicing). The work ends happily with a summation of the calypso rhythm. This medley will be especially effective programmed on a winter holiday concert. Duration is 2:30. The arranger, Dan Heslink, assigned a difficulty level of medium easy, and can be contacted at dan@dheslink.com.
$4.99
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