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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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Non classifié
192
Piano & claviers
Piano seul
96
Piano Facile
68
Piano, Voix et Guitare
36
Piano, Voix
21
Orgue
11
Instruments en Do
10
2 Pianos, 4 mains
2
1 Piano, 4 mains
2
Piano Trio: piano, violon, violoncelle
2
Piano grosses notes
2
Accordéon
1
Accompagnement Piano
1
Piano Quatuor: piano, 2 violons, violoncelle
1
Piano Quatuor: piano, violon, alto, violoncelle
1
+ 9 instrumentations
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Guitares
Guitare
32
Basse electrique
12
Guitare notes et tablatures
11
Ligne De Mélodie, (Paroles) et Accords
7
Ukulele
4
Dulcimer
1
2 Guitares (duo)
1
Mandoline
1
Guitare, Violon, Violoncelle (trio)
1
+ 4 instrumentations
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Voix
Chorale SATB
29
Chorale 3 parties
9
Chorale 2 parties
4
Chorale TTBB
4
Voix Soprano, Piano
3
Chorale Unison
2
Voix seule
1
Chorale SSAA
1
Voix Tenor, Piano
1
+ 4 instrumentations
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Vents
Quintette de Saxophone: 5 saxophones
20
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
15
2 Saxophones (duo)
13
Quatuor de Saxophones: 4 saxophones
13
Saxophone Alto
11
Flûte, Hautbois, Clarinette, Basson
11
Saxophone (partie séparée)
11
Flûte traversière et Piano
10
Clarinette et Piano
9
Flûte traversière
9
Clarinette
9
Saxophone Alto et Piano
7
Hautbois (partie séparée)
6
Saxophone Baryton, Piano
5
Saxophone Tenor et Piano
5
Hautbois, Piano (duo)
5
Saxophone Tenor
5
3 Saxophones (trio)
4
2 Flûtes traversières (duo)
4
Quatuor de Flûtes : 4 flûtes
4
Saxophone Soprano et Piano
3
Quintette de Clarinettes: 5 clarinettes
3
Hautbois
3
Ensemble de Flûtes
3
Flute (partie séparée)
3
2 Hautbois (duo)
3
2 Clarinettes (duo)
3
Quintette de Flûte : 5 flûtes
2
Clarinette, Violon (duo)
2
Clarinette, Violoncelle (duo)
2
Cor anglais, Piano
2
Saxophone, Clarinette (duo)
2
Quatuor de Clarinettes: 4 clarinettes
2
Flûte, Hautbois, Clarinette (trio)
2
Clarinette, Trompette (duo)
2
Clarinette, Basson (duo)
2
Clarinette Basse, Piano
2
3 Clarinettes (trio)
2
Trio de Flûtes: 3 flûtes
2
Flûte, Alto (duo)
1
Clarinette, Guitare (duo)
1
Flûte, Violon
1
Flûte, Hautbois, Basson
1
Harmonica
1
Flûte, Saxophone (duo)
1
Hautbois, Clarinette (duo)
1
Piccolo
1
Ensemble de Hautbois
1
Flûte à bec Soprano
1
Flûte et Guitare
1
Quatuor de Flûtes à bec
1
Hautbois, Basson (duo)
1
Flûte, Trompette (duo)
1
Flûte, Violoncelle
1
Hautbois, Flûte
1
Hautbois, Violoncelle
1
Ensemble de Clarinettes
1
Flûte, Clarinette (duo)
1
Piccolo, Piano
1
Flûte, Clarinette et Basson
1
Cor Anglais
1
+ 56 instrumentations
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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
23
Cor
11
Trompette
11
Trombone
8
Tuba
7
Quatuor de Cuivres : 2 trompettes, trombone, tuba
7
Trombone et Piano
6
Trompette (partie séparée)
5
Quatuor de Cuivres: 2 trompettes, Cor, trombone
5
Cor et Piano
5
Euphonium, Piano (duo)
3
Trompette, Piano
3
Trompette, Basson (duo)
3
Trombone (partie séparée)
3
2 Trompettes (duo)
3
Cor anglais, Piano
2
Tuba et Piano
2
2 Trombones (duo)
2
Trompette, Saxophone (duo)
2
Quatuor de Cuivres
2
Bass Clef Instruments
1
Ensemble de Trompettes
1
2 Euphoniums et 2 Tubas
1
Trompette, Violoncelle (duo)
1
Euphonium
1
Ensemble de Trombones
1
2 Tubas (duo)
1
Cor Anglais
1
Trompette, Trombone (duo)
1
+ 24 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
36
Violon
13
Violon et Piano
11
Harpe
8
Violoncelle, Piano
8
Alto, Piano
8
Quintette à cordes: 2 violons, alto, violoncelle, basse
7
Alto seul
6
Violoncelle
6
Violon, Violoncelle (duo)
5
Alto (partie séparée)
4
Trio à Cordes: 2 violons, violoncelle
3
Trio à Cordes: violon, alto, violoncelle
3
Contre Basse
2
Trio à Cordes: 2 violons, alto
2
Harpe, Voix
2
Quintette à cordes : 2 violons, alto et 2 violoncelles
2
2 Violons (duo)
2
Violon, Alto (duo)
2
2 Violoncelles (duo)
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Ensemble de Violons
1
2 Altos (duo)
1
Contrebasse (partie séparée)
1
Ensemble d'Altos
1
+ 20 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
35
Orchestre
28
Orchestre à Cordes
12
Ensemble Jazz
11
Batterie
9
Cloches
9
Orchestre de chambre
7
Fanfare
5
Ensemble de cuivres
5
Ensemble de Percussions
3
Ensemble d'École
3
Batterie (partie séparée)
2
Jazz combo
1
Piano et Orchestre
1
Vibraphone et Marimba
1
Percussion (partie séparée)
1
Orchestre, Violon
1
+ 12 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
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CORNET
DEEJAY
DIDGERIDOO
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EUPHONIUM
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FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
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HARPE
HAUTBOIS
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LUTH
MANDOLINE
MARIMBA
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ORGUE
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Ensemble de Percussions
Partitions à imprimer
3 partitions trouvées
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1
The Satyricon, A Balletic Roman Sex Comedy in 3 Acts, Individual Parts 2 (Strings, Harp, Timpani, Pe
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Ensemble de Percussions
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AVANCÉ
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James Nathaniel Holland
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The Satyricon, A Balletic Roma
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James Nathaniel Holland
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.730494 Composed by James Nathaniel Holland. Contemporary,Musical/Show. Score and parts. 326 pages. James Nathani...
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Percussion Ensemble - Level 5 - SKU: A0.730494 Composed by James Nathaniel Holland. Contemporary,Musical/Show. Score and parts. 326 pages. James Nathaniel Holland #4800780. Published by James Nathaniel Holland (A0.730494). Advisory: Ballet story contains adult situation and themes. Not suitable for audiences or performers under the age of 18. INDIVIDUAL INSTRUMENT PARTS 2 (Strings, Harp, Timpani and Percussion). Piano Score, Full Orchestral Score, Individual Parts (Part 1) Sold Separately. American composer, James Nathaniel Holland, brings a ballet adapted from the first century Roman novel by Gaius Petronius (cir. 50 A.D.) to the stage. An entertaining ballet for adults (not suitable for general audiences under the age of 18), celebrating the male ballet dancer's physique and a laugh at our own human sexuality. The comedy is a romp of three gay protagonists and their adventures and misadventure in ancient Rome and their characters; an ex-gladiator, Enclopius, his young lover, Giton, and an upper class snob, Ascyltos. It should also be said that this ballet is not pure gratuitous vulgarity, there is a interweaving story containing a deeper message of real human relationships, the satire of ancient Roman archetypes, and a humorous glimpse into ancient Roman life that still rings true even 2,000 plus years later. Regardless of the subject matter, Holland's original music is fantastic tapestry of counterpoint, set in a sort of atonal-ism and heavy percussion, evoking a period of history no longer available to us. Although not all cues and counterpoint is contained here, this piano score is extremely useful for either a performance with 2 pianos and percussion and a dance company, a director's/choreographer's score, or a concise conductor's score, or rehearsal score. Measure numbers line up with the full score. An orchestral, performance CD is available for those company's on a budget.
$34.95
Four Forces (First movement) I. Strong Forces
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Ensemble de Percussions
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AVANCÉ
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Salvador Rojo Gamón
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Four Forces
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Salvador Rojo-Gamon
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.962406 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 173 pa...
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Percussion Ensemble - Level 5 - SKU: A0.962406 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 173 pages. Salvador Rojo-Gamon #5801913. Published by Salvador Rojo-Gamon (A0.962406). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$300.00
Four Forces (Second movement) II. Weak Forces
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Ensemble de Percussions
#
AVANCÉ
#
Salvador Rojo Gamón
#
Four Forces
#
Salvador Rojo-Gamon
#
SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.962405 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 255 pa...
(+)
Percussion Ensemble - Level 5 - SKU: A0.962405 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 255 pages. Salvador Rojo-Gamon #5801921. Published by Salvador Rojo-Gamon (A0.962405). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$150.00
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