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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Let It Be
Non classifié
1 859
Piano & claviers
Piano seul
1 401
Piano Facile
754
Piano, Voix
246
Piano, Voix et Guitare
188
Orgue
66
Instruments en Do
53
Accordéon
35
2 Pianos, 4 mains
29
Piano grosses notes
28
Accompagnement Piano
21
1 Piano, 4 mains
21
Piano Trio: piano, violon, violoncelle
14
Piano Quatuor: piano, 2 violons, violoncelle
4
Orgue, Piano (duo)
4
Piano Quintette: piano, 2 violons, alto, violoncelle
3
Orgue, Trompette (duo)
2
Ensemble d'Accordéons
2
Piano (partie séparée)
1
Clavier
1
Accordéon, Voix
1
2 Pianos, 8 mains
1
+ 16 instrumentations
Retracter
Guitares
Guitare notes et tablatures
155
Guitare
136
Ligne De Mélodie, (Paroles) et Accords
39
Ukulele
36
Basse electrique
18
Paroles et Accords
13
Dulcimer
12
Banjo
8
Mandoline
7
2 Guitares (duo)
3
Ensemble de guitares
3
3 Guitares (trio)
2
Guitare (partie séparée)
2
Ensemble de Ukulélés
2
2 Dulcimers (duo)
2
Basse électrique (partie séparée)
1
Ukulele Baryton
1
Mandoline, Guitare (duo)
1
4 Guitares (Quatuor)
1
Dobro
1
+ 15 instrumentations
Retracter
Voix
Chorale SATB
312
Chorale 3 parties
106
Chorale 2 parties
62
Chorale TTBB
44
Chorale Unison
35
Voix Soprano, Piano
32
Voix Baryton, Piano
28
Voix Tenor, Piano
27
Voix Alto, Piano
21
Chorale SSAA
20
Voix seule
11
Chorale
7
Voix duo, Piano
7
Voix haute
5
Voix duo
4
Voix moyenne, Piano
3
Voix Tenor
2
Voix basse
1
Voix basse, Piano
1
Voix, Guitare
1
Soli, choeur mixte et accompagnement
1
+ 16 instrumentations
Retracter
Vents
Quintette de Saxophone: 5 saxophones
179
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
161
Flûte traversière et Piano
123
Clarinette et Piano
119
Ensemble de saxophones
106
Quatuor de Saxophones: 4 saxophones
106
Hautbois, Piano (duo)
93
Clarinette
93
2 Saxophones (duo)
90
Flûte traversière
88
Saxophone Alto et Piano
79
Saxophone Tenor et Piano
63
2 Flûtes traversières (duo)
57
Saxophone (partie séparée)
53
Ensemble de Clarinettes
53
Hautbois (partie séparée)
50
Saxophone Alto
49
Flûte, Hautbois, Clarinette, Basson
49
Saxophone Tenor
47
Saxophone Baryton, Piano
44
2 Clarinettes (duo)
44
Saxophone Soprano et Piano
41
Quatuor de Clarinettes: 4 clarinettes
33
Ensemble de Flûtes
29
Quintette de Flûte : 5 flûtes
28
Cor anglais, Piano
23
Saxophone
19
Flûte, Clarinette (duo)
18
2 Hautbois (duo)
18
3 Saxophones (trio)
16
Clarinette Basse, Piano
15
Quatuor de Flûtes : 4 flûtes
14
Saxophone, Clarinette (duo)
13
Cor Anglais
11
Hautbois, Basson (duo)
10
Flûte à bec Soprano
10
Trio de Flûtes: 3 flûtes
10
Clarinette, Violon (duo)
9
3 Clarinettes (trio)
9
Clarinette, Trompette (duo)
9
Hautbois, Clarinette (duo)
9
Flûte, Violon
9
Quintette de Clarinettes: 5 clarinettes
8
Saxophone Soprano
7
Flûte, Saxophone (duo)
7
Flûte à Bec
6
Flûte, Trompette (duo)
6
Flûte, Hautbois, Clarinette (trio)
6
Ocarina
6
Hautbois, Flûte
6
Flûte et Guitare
6
Hautbois, Clarinette, Basson (trio d'anches)
6
Flûte, Alto (duo)
5
Quatuor de Flûtes à bec
5
Harmonica
5
Hautbois
5
2 Flûtes traversières, Piano
5
Saxophone Baryton
4
Clarinette, Basson (duo)
4
2 Flûte à bec (duo)
4
Clarinette, Guitare (duo)
4
Clarinette et Alto
4
3 Flûtes à bec (trio)
3
Flute (partie séparée)
3
Flûte, Hautbois, Piano (trio)
3
Flûte, Clarinette et Basson
3
5 Flûtes à bec
3
Flûte, Violon, Piano
3
Flûte à bec Tenor
2
2 Clarinettes, Piano
2
Flûte à bec Alto
2
Hautbois, Guitare (duo)
2
Instruments en Mib
2
Flûte, Harpe et Violoncelle
1
Flûte, Clarinette, Piano (trio)
1
Ensemble de Hautbois
1
2 Hautbois, Piano
1
Ensemble De Flûte à bec
1
Clarinette (partie séparée)
1
Flûte, Violoncelle, Piano (trio)
1
Flûte traversière, Basse continue
1
Clarinette, Harpe (duo)
1
Flûte, Hautbois, Basson
1
Flûte, Alto et Piano
1
Hautbois, violon (duo)
1
Piccolo
1
Flute, harpe et violon
1
Clarinette, Violoncelle (duo)
1
2 Cors Anglais Et Pianoforte
1
Flûte, Violoncelle
1
Flûte, Hautbois (duo)
1
+ 86 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
149
Quatuor de Cuivres : 2 trompettes, trombone, tuba
137
Trompette
91
Cor et Piano
87
Trompette, Piano
84
Trombone et Piano
84
Trombone
71
Ensemble de Trompettes
61
Quatuor de Cuivres: 2 trompettes, Cor, trombone
53
Ensemble de Trombones
45
Tuba et Piano
44
Cor
41
Quatuor de cuivres: 4 trombones
32
Tuba
31
Quatuor de Cuivres
27
2 Trompettes (duo)
27
Cor anglais, Piano
23
Euphonium, Piano (duo)
23
2 Trombones (duo)
23
Trompette (partie séparée)
18
Trompette, Trombone (duo)
15
2 Cors (duo)
14
Cor Anglais
11
Trompette, Saxophone (duo)
10
Ensemble de Cors
10
2 Tubas (duo)
8
2 Euphoniums et 2 Tubas
6
Trombone (partie séparée)
5
Cor (partie séparée)
4
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
Quatuor de cuivres: 4 cors
3
Trompette, Cor (duo)
3
Quatuor de cuivres: 4 trompettes
2
Bass Clef Instruments
2
Trio de Cuivres
2
Tuba et Orgue
2
3 Trombones (trio)
2
Instruments en Sib
2
Tuba (partie séparée)
2
4 Tubas
2
2 Euphoniums (duo)
2
Trombone et orchestre
1
Ensemble de Tubas
1
Trompette, Trombone, Piano
1
3 Trompettes (trio)
1
Trombone, Cor (duo)
1
Euphonium
1
2 Cors Anglais Et Pianoforte
1
3 Tubas (trio)
1
3 Cors (trio)
1
2 Cors, Piano
1
Instruments en Fa
1
+ 47 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
202
Violon et Piano
135
Violoncelle, Piano
113
Violon
109
Alto, Piano
92
Violoncelle
78
Violon, Violoncelle (duo)
61
Harpe
54
Alto seul
44
2 Violons (duo)
41
Trio à Cordes: violon, alto, violoncelle
40
2 Violoncelles (duo)
39
Quintette à cordes: 2 violons, alto, violoncelle, basse
37
Contre Basse
33
Contrebasse, Piano (duo)
32
Ensemble de Violons
29
Ensemble d'Altos
27
2 Altos (duo)
26
Violon, Alto (duo)
25
Trio à Cordes: 2 violons, violoncelle
18
Alto (partie séparée)
16
Alto, Violoncelle (duo)
11
Violon, Guitare (duo)
8
Quatuor à cordes: 4 violons
8
2 Harpes (duo)
7
4 Violoncelles
6
Quintette à cordes: 2 violons, 2 altos, violoncelle
5
2 Contrebasses (duo)
4
Quatuor à cordes : 4 altos
4
Trio à cordes: 3 violins
4
Quintette à cordes : 2 violons, alto et 2 violoncelles
3
3 Harpes
3
Trio à Cordes: 3 violoncelles
3
Trio à Cordes: 2 violons, alto
3
Trio à cordes: 3 altos
3
Violoncelle, Contrebasse (duo)
3
Piano Trio: Violon, Alto, Piano
3
Harpe, Voix
3
Violoncelle , Guitare (duo)
3
Alto, Guitare (duo)
2
Violon (partie séparée)
2
2 Altos, Piano
2
5 Harpes
2
Harpe, Flûte (duo)
2
Violoncelle (partie séparée)
1
Harpe, Violoncelle (duo)
1
Harpe et Piano
1
Contrebasse (partie séparée)
1
Harpe, Violon (duo)
1
Autoharp
1
Ensemble de Violoncelles
1
+ 46 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
321
Orchestre
134
Cloches
133
Orchestre à Cordes
75
Ensemble Jazz
65
Ensemble de cuivres
47
Ensemble de Percussions
43
Orchestre de chambre
39
Jazz combo
20
Fanfare
18
Batterie
14
Percussion (partie séparée)
6
Xylophone, Piano
6
Xylophone
5
Ensemble d'École
5
Vibraphone
4
Batterie (partie séparée)
4
Marimba
3
Percussion
2
Quintette de Cuivres: autres combinaisons
2
Piano et Orchestre
1
Timbales (partie séparée)
1
Vibraphone et Marimba
1
Orchestre, Violon
1
2 Xylophones
1
+ 20 instrumentations
Retracter
Autres
Instruments
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COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
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FANFARE - B…
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FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
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GUITARE PED…
HARMONICA
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HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
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FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
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Vous avez sélectionné:
Let It Be
Ensemble de Percussions
Partitions à imprimer
43 partitions trouvées
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1
26
The Satyricon, A Balletic Roman Sex Comedy in 3 Acts, Individual Parts 2 (Strings, Harp, Timpani, Pe
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Ensemble de Percussions
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AVANCÉ
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James Nathaniel Holland
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The Satyricon, A Balletic Roma
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James Nathaniel Holland
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.730494 Composed by James Nathaniel Holland. Contemporary,Musical/Show. Score and parts. 326 pages. James Nathani...
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Percussion Ensemble - Level 5 - SKU: A0.730494 Composed by James Nathaniel Holland. Contemporary,Musical/Show. Score and parts. 326 pages. James Nathaniel Holland #4800780. Published by James Nathaniel Holland (A0.730494). Advisory: Ballet story contains adult situation and themes. Not suitable for audiences or performers under the age of 18. INDIVIDUAL INSTRUMENT PARTS 2 (Strings, Harp, Timpani and Percussion). Piano Score, Full Orchestral Score, Individual Parts (Part 1) Sold Separately. American composer, James Nathaniel Holland, brings a ballet adapted from the first century Roman novel by Gaius Petronius (cir. 50 A.D.) to the stage. An entertaining ballet for adults (not suitable for general audiences under the age of 18), celebrating the male ballet dancer's physique and a laugh at our own human sexuality. The comedy is a romp of three gay protagonists and their adventures and misadventure in ancient Rome and their characters; an ex-gladiator, Enclopius, his young lover, Giton, and an upper class snob, Ascyltos. It should also be said that this ballet is not pure gratuitous vulgarity, there is a interweaving story containing a deeper message of real human relationships, the satire of ancient Roman archetypes, and a humorous glimpse into ancient Roman life that still rings true even 2,000 plus years later. Regardless of the subject matter, Holland's original music is fantastic tapestry of counterpoint, set in a sort of atonal-ism and heavy percussion, evoking a period of history no longer available to us. Although not all cues and counterpoint is contained here, this piano score is extremely useful for either a performance with 2 pianos and percussion and a dance company, a director's/choreographer's score, or a concise conductor's score, or rehearsal score. Measure numbers line up with the full score. An orchestral, performance CD is available for those company's on a budget.
$34.95
On the Wings of the Scarlet Messenger Opera Instrument Parts Part 2 of 2 (Strings, Harp, Timpani, Pe
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Ensemble de Percussions
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AVANCÉ
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James Nathaniel Holland
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On the Wings of the Scarlet Me
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James Nathaniel Holland
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.730477 Composed by James Nathaniel Holland. Contemporary,Musical/Show,Opera. Score and parts. 284 pages. James N...
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Percussion Ensemble - Level 5 - SKU: A0.730477 Composed by James Nathaniel Holland. Contemporary,Musical/Show,Opera. Score and parts. 284 pages. James Nathaniel Holland #4108107. Published by James Nathaniel Holland (A0.730477). On the Wings of the Scarlet Messenger by American composer James Nathaniel Holland. This is part 2 of 2 publications of the individual instrument parts for the opera. Full Score (in concert pitch), Piano Vocal Score, and Instruments Part 1 (woodwinds and brass) sold separately. The instrumental parts included in part 2 publication are (strings, harp, timpani and percussion) and this part can be used to enhance a production with the piano/vocal score. Opera synopsis: This 21st Century opera or musical drama is adapted from the classic novel of Henry James, On the Wings of a Dove except it is set in the mythical South Pacific island of Soon Rafa. Leads include soprano, mezzo soprano, tenor, and bass with chorus, Asian dance and minor roles. One of the few operas with a love duet between a soprano and bass. Great ensemble scenes. Great for university productions and young voices. Dramatic and beautiful orchestration. Yet to be premiered.YouTube Demo playlist presentation: https://www.youtube.com/playlist?list=PLEcbVsA36MCvHG_MTBdv7x2UNjwG27sMaComposer website: http://lacoronadelossantos.net/jamesnathanielholland.html
$48.95
Don't Worry, Be Happy
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Ensemble de Percussions
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INTERMÉDIAIRE
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Jazz
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Bobby McFerrin
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Ricardo Matosinhos
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Don't Worry, Be Happy
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Ricardo Matosinhos
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SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.899162 By Bobby McFerrin. By Bobby McFerrin. Arranged by Ricardo Matosinhos. Jazz. Score and parts. 32 pages. Ri...
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Percussion Ensemble - Level 3 - SKU: A0.899162 By Bobby McFerrin. By Bobby McFerrin. Arranged by Ricardo Matosinhos. Jazz. Score and parts. 32 pages. Ricardo Matosinhos #5723941. Published by Ricardo Matosinhos (A0.899162). This is a well known piece by Bobby McFerrin. Here presented on a music arrangement for unconventional music instruments. The arrangement allows flexibility, so this piece can be performed using tuned bottles (25cl, 33cl and 75cl), lip whistle, finger snaps, complemented with xylophones and optionally with voices to sing the lyrics too. This arrangement was made during the 2020 quarantine, when the world was shutdown due to a world virus pandemic. Some of the music students didn’t have their music instruments at home, so this arrangement came up to fill that gap and it is perfect to keep doing music with the available option of instruments.On each rehearsal letter, you can play optional improvisations, while keeping the voices 5-8. These improvisations can be easily done using the C major pentatonic scale or the note ranges presented on the right, that even include Eâ™ and Bâ™. If played using lip whistle, bendings will be possible too. This arrangement presents 8 voices and an alternative solution for voice 8, that makes it easier to be performed as it is the place where bottles are divided between the players. There is also an optional bass line to complement voice eight one octave bellow. In order to keep it simple, neither dynamics or articulations were included and the notes were represented always in the middle octave in G clef. The correct pitch ranges are presented in the performance notes.The amount of water will change the pitch differently depending if you are blowing or doing percussion on a bottle. When blowing, the more water you use, the higher the pitch will be, but while doing percussions more water means lower pitch. A good option, in order to save time during rehearsals, is to fill the bottles with water, marking the level with a pen, and then filling the bottle with the desired amount of hot wax instead of water. This way, when the wax cools down you can have a tuned bottle without requiring to tune it again every single rehearsal. Please note that the bottles should be made of glass and that different aspects change the performance. For percussion, straight bottles are better to tune as the curves in the bottles tend to produce unstable pitches. The extreme notes of the range might not be available in every single bottle, so you might need to try some alternatives. For example the high A is available in some beer bottles, while the low G is available in larger 75cl bottles of champaign. Last but not least, this piece should always be played according to Bobby’s motto: dont worry, be happy!I had lots of fun while doing this arrangement, now it’s your time to have fun while performing it!Ricardo Matosinhoshttp://www.ricardomatosinhos.com
$14.99
Donut Etudes vol. 3: Don’t Step in the Holes! – Keyboard Percussion (Mallet) Quartet
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Ensemble de Percussions
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INTERMÉDIAIRE
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Methodes
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Joshua Hauser
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Donut Etudes vol. 3: Don&rsquo
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Slide Ride
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SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.784338 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288673. Published by Sl...
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Percussion Ensemble - Level 3 - SKU: A0.784338 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288673. Published by Slide Ride (A0.784338). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
God Rest Ye Merry, Gentlemen for two mallet instruments
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Ensemble de Percussions
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FACILE
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Frank Pugh
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God Rest Ye Merry, Gentlemen f
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Frank Pugh
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SheetMusicPlus
Percussion Ensemble - Level 2 - SKU: A0.942733 Arranged by Frank Pugh. Christian,Christmas. Score and parts. 5 pages. Frank Pugh #6050785. Published by ...
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Percussion Ensemble - Level 2 - SKU: A0.942733 Arranged by Frank Pugh. Christian,Christmas. Score and parts. 5 pages. Frank Pugh #6050785. Published by Frank Pugh (A0.942733). This well-known carol has been set here as a mallet instrument duet with easy rhythm values. It works for bells, marimbas, xylophones, vibraphones, or a combination of those instruments. It makes a good selection for church programs or recitals with a playing time of around 2:30. Part 1 uses a two octave range from D - D, and part two uses a one octave and a sixth range from D - Bb.You can find my other small ensemble arrangements here at Sheet Music Plus, and be sure to check out some of the full-length videos at my YouTube channel: https://www.youtube.com/channel/UCFOboEO545LYT_F7kSa99Xw/videos Thanks for listening!
$3.99
Holiday Bolero for Keyboard Percussion
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Ensemble de Percussions
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FACILE
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Pharaoh Publications
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Holiday Bolero for Keyboard Pe
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Pharaoh Publications
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SheetMusicPlus
Percussion Ensemble - Level 2 - SKU: A0.935380 Arranged by Pharaoh Publications. Christian,Christmas,Contemporary,Spiritual. Score and parts. 14 pages. ...
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Percussion Ensemble - Level 2 - SKU: A0.935380 Arranged by Pharaoh Publications. Christian,Christmas,Contemporary,Spiritual. Score and parts. 14 pages. Pharaoh Publications #5212781. Published by Pharaoh Publications (A0.935380). Holiday Bolero for keyboard percussion arr. by Dan Heslink This arrangement is available in two versions, a quintet for xylophone and four marimbas, and a percussion ensemble octet for orchestra bells, vibes, 3 marimbas, snare drum, timpani and multiple percussion. These comments refer to the mallet quintet arrangement. While the term Bolero can be applied to a variety of slow-tempo Latin dances, for most orchestral performers the title will evoke the stirring rhythms of Ravel’s famous Bolero. Similarities include the driving 3/4 bolero rhythm, the building of tension over one long-range crescendo, and the climactic conclusion. The pitch content is based on O Holy Night, the well-known Christmas carol composed by Adolphe Adam in 1847. The difficulty level in terms of executing notes and rhythms is medium-easy. At the same time, the dynamic planning and control of the crescendo requires considerable musical judgment. All of the keyboard parts require only two mallets; some passages unfold as double stops. Mallets for the marimbas should be chosen to maximize the blend of individual parts into a unified chord. There are no key changes, or mallet and hand independence. Holiday Bolero is sure to be an audience pleaser during a winter concert, especially close to Christmas. It would serve equally well in a percussion recital or a church service. In church this work would be appropriate as special music or as an offertory. Duration is 2:52. The arranger, Dan Heslink, can be contacted at dan@dheslink.com.
$4.99
One Hour to Madness
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Ensemble de Percussions
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AVANCÉ
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Contemporain
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Dan Heslink
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One Hour to Madness
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Pharaoh Publications
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.935385 Composed by Dan Heslink. Contemporary. Score and parts. 36 pages. Pharaoh Publications #5775261. Publishe...
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Percussion Ensemble - Level 5 - SKU: A0.935385 Composed by Dan Heslink. Contemporary. Score and parts. 36 pages. Pharaoh Publications #5775261. Published by Pharaoh Publications (A0.935385). One Hour to Madness for percussion septet. by Dan Heslink From its opening motto to its bold closing summation, One Hour to Madness explores a high degree of musical energy. The title is loosely inspired by Walt Whitman’s marvelous poem, One Hour to Madness and Joy (Leaves of Grass). The music presents a dark and exciting expression couched in pervasive contrapuntal development. A high degree of dissonance is contrasted with the second theme’s clear Bb major tonality. The work’s contrapuntal nature is distilled into a fugato in the second half. Predominantly a mallet ensemble composition, scoring is for orchestra bells (2 mallets), xylophone (2 mallets), vibraphone (4 mallets), 3 marimbas (each with 2 mallets) and timpani. The timpani part is best performed on the standard set of 4 drums (23-24, 25-26, 28-29, 32-30). The marimba 1 part requires the standard range of 3 ½ or 4 octaves; the marimba 2 part can be executed on the standard 4-octave instrument by omitting a few octave doublings, or on a 5-octave instrument if one is available; marimba 3 requires a 5-octave instrument. The composer assigns a difficulty level of advanced. It will serve any concert or recital very well. Audiences and performers alike will enjoy the flashy passage work and musical impetus afforded by One Hour to Madness. Duration is 3:41. The composer, Dan Heslink, can be contacted at dan@dheslink.com.
$4.99
Christmas Calypso for Percussion Sextet
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Ensemble de Percussions
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FACILE
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Noël
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Dan Heslink
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Christmas Calypso for Percussi
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Pharaoh Publications
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SheetMusicPlus
Percussion Ensemble - Level 2 - SKU: A0.935389 Arranged by Dan Heslink. Christian,Christmas. Score and parts. 18 pages. Pharaoh Publications #6117159. P...
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Percussion Ensemble - Level 2 - SKU: A0.935389 Arranged by Dan Heslink. Christian,Christmas. Score and parts. 18 pages. Pharaoh Publications #6117159. Published by Pharaoh Publications (A0.935389). Christmas Calypso for Percussion Sextet . . . . . . . . . . . . . . arr. Dan Heslink The calypso style referenced in the title is not the calypso of Afro-Caribbean music from Trinidad and Tobago. Rather, it is the especially toned-down but still rhythmic commercial variant popularized by folk singers. Couched in this style, the arrangement offers Christmas favorites Deck the Halls, Angels We Have Heard On High, God Rest Ye Merry Gentlemen and Good Christian Men, Rejoice. This if one of two versions of the calypso arrangement by Dan Heslink, both of which are available through Sheet Music Plus. The other arrangement, percussion sextet, follows similar musical contours and is available separately. Both versions are intended to elicit one primary response from both performers and audience – fun. It does not tax the players technically, but delivers a satisfying sound with carols that the performers likely know and love. General audiences will be enchanted by the familiar melodies delivered in percussion, especially at Christmas time. The introduction opens with a brisk and rhythmic introduction based on Deck the Halls, and establishes the fun calypso rhythm immediately. Deck the Halls is the much-loved welsh air that was arranged by Haydn, Nos galan (Hob. XXXIb:29, 1803). Then, Angels We Have Heard on High breaks out in double-stops with a continuation of the rhythmic impetus. The birth of Jesus Christ as narrated in the Gospel of Luke is the subject of Angels We Have Heard on High, a traditional French song of unknown origin. The gloria section provides some flowing contrast, portraying the shepherds’ impressions as they encounter a multitude of angels singing and praising. The performers are encouraged to use a relaxed stroke to glide through these passages. Following is God Rest Ye Merry Gentlemen, a 16th century English traditional Christmas carol also known under the title, The old Christmas Carol. It provides a contrast in tonality (minor mode) and texture. The xylophone part likely will lay most comfortably when executed with four mallets, although there are no three or four mallet chords in these passages. Good Christian Men, Rejoice is the closing selection in this Christmas medley. It’s title is an English translation of In dulci jubilo (Latin for In sweet rejoicing). The work ends happily with a summation of the calypso rhythm. This medley will be especially effective programmed on a winter holiday concert. Duration is 2:30. The arranger, Dan Heslink, assigned a difficulty level of medium easy, and can be contacted at dan@dheslink.com.
$4.99
Christmas Calypso for Marimba Quartet
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Ensemble de Percussions
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Noël
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Dan Heslink
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Christmas Calypso for Marimba
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Pharaoh Publications
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SheetMusicPlus
Percussion Ensemble - SKU: A0.935390 Arranged by Dan Heslink. Christian,Christmas. Score and parts. 16 pages. Pharaoh Publications #6117165. Published b...
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Percussion Ensemble - SKU: A0.935390 Arranged by Dan Heslink. Christian,Christmas. Score and parts. 16 pages. Pharaoh Publications #6117165. Published by Pharaoh Publications (A0.935390). Christmas Calypso for Marimba Quartet . . . . . . . . . . . . . . arr. Dan HeslinkThe calypso style referenced in the title is not the calypso of Afro-Caribbean music from Trinidad and Tobago. Rather, it is the especially toned-down but still rhythmic commercial variant popularized by folk singers. Couched in this style, the arrangement offers Christmas favorites Deck the Halls, Angels We Have Heard On High, God Rest Ye Merry Gentlemen and Good Christian Men, Rejoice. This if one of two versions of the calypso arrangement by Dan Heslink, both of which are available through Sheet Music Plus. The other arrangement, for percussion sextet, follows similar musical contours and is available separately. Both versions are intended to elicit one primary response from both performers and audience – fun. It does not tax the players technically, but delivers a satisfying sound with carols that the performers likely know and love. General audiences will be enchanted by the familiar melodies delivered in percussion, especially at Christmas time. The introduction opens with a brisk and rhythmic introduction based on Deck the Halls, and establishes the fun calypso rhythm immediately. Deck the Halls is the much-loved welsh air that was arranged by Haydn, Nos galan (Hob. XXXIb:29, 1803). Then, Angels We Have Heard on High breaks out in double-stops with a continuation of the rhythmic impetus. The birth of Jesus Christ as narrated in the Gospel of Luke is the subject of Angels We Have Heard on High, a traditional French song of unknown origin. The gloria section provides some flowing contrast, portraying the shepherds’ impressions as they encounter a multitude of angels singing and praising. The performers are encouraged to use a relaxed stroke to glide through these passages. Following is God Rest Ye Merry Gentlemen, a 16th century English traditional Christmas carol also known under the title, The old Christmas Carol. It provides a contrast in tonality (minor mode) and texture. The xylophone part likely will lay most comfortably when executed with four mallets, although there are no three or four mallet chords in these passages. Good Christian Men, Rejoice is the closing selection in this Christmas medley. It’s title is an English translation of In dulci jubilo (Latin for In sweet rejoicing). The work ends happily with a summation of the calypso rhythm. This medley will be especially effective programmed on a winter holiday concert. Duration is 2:30. The arranger, Dan Heslink, assigned a difficulty level of medium easy, and can be contacted at dan@dheslink.com.
$4.99
Holiday Bolero for Percussion Ensemble
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Ensemble de Percussions
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Dan Heslink
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Holiday Bolero for Percussion
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Pharaoh Publications
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SheetMusicPlus
Percussion Ensemble - SKU: A0.935382 Arranged by Dan Heslink. Christian,Christmas,Contemporary. Score and parts. 27 pages. Pharaoh Publications #5212785...
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Percussion Ensemble - SKU: A0.935382 Arranged by Dan Heslink. Christian,Christmas,Contemporary. Score and parts. 27 pages. Pharaoh Publications #5212785. Published by Pharaoh Publications (A0.935382). Holiday Bolero for percussion ensemble arr. by Dan Heslink This arrangement is available in two versions, a quintet for xylophone and four marimbas and a percussion ensemble octet for orchestra bells, vibes, 3 marimbas, snare drum, timpani and multiple percussion. These comments refer to the percussion ensemble arrangement. While the term Bolero can be applied to a variety of slow-tempo Latin dances, for most orchestral performers the title will evoke the stirring rhythms of Ravel’s famous Bolero. Similarities include the driving 3/4 bolero rhythm, the building of tension over one long-range crescendo, and the climactic conclusion. The pitch content is based on O Holy Night, the well-known Christmas carol composed by Adolphe Adam in 1847. The difficulty level in terms of executing notes and rhythms is medium-easy. At the same time, the dynamic planning and control of the crescendo requires considerable musical judgment, particularly in the snare drum part. All of the keyboard parts require only two mallets per player, with the exception of the vibe part’s necessity of 3 or 4 mallets. There are no key changes, or mallet and hand independence. Pedaling on the vibes for the most part is suggested by the harmonic rhythm and is not notated. Setup of the general percussion part in the manner of a multiple percussion solo, where all playing surfaces are comfortably accessible. Holiday Bolero is sure to be an audience pleaser during a winter concert, especially close to Christmas. It would serve equally well in a percussion recital or a church service. In church this work would be appropriate as special music or as an offertory. Duration is 2:52. The arranger, Dan Heslink, can be contacted at dan@dheslink.com.
$9.99
Percussion Suite: Dracula's Curse (Full Score)
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Ensemble de Percussions
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INTERMÉDIAIRE/AVANCÉ
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Halloween
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JC Croyle
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Percussion Suite: Dracula's Cu
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JC Croyle
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SheetMusicPlus
Percussion Ensemble African Percussion,Bass Marimba,Bongos,Boomwhackers,Conga Drum,Drum Set,Snare Drum,Vibraphone - Level 4 - SKU: A0.1416844 By JC Croy...
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Percussion Ensemble African Percussion,Bass Marimba,Bongos,Boomwhackers,Conga Drum,Drum Set,Snare Drum,Vibraphone - Level 4 - SKU: A0.1416844 By JC Croyle. By JC Croyle. Classical,Halloween,Multicultural,World. 75 pages. JC Croyle #998440. Published by JC Croyle (A0.1416844). This is One of Four Percussion suites (Part II) that can either be played with the other three portions or by itself or even each part inside this portion of the suite for performance. Â Included with the score and each instrument part are the entire instrumentation, storyboards, and a character Bio Page. Â Why is there a character Bio page and storyboard you ask? Â This suite combined with the others can also be performed as a contemporary dance piece following the story of the short story (which is in the public domain) written by Bram Stroker as a prelude to Dracula entitled Dracula's Curse. Â Instrumentation for each portion can range from Orchestral Bass Drum, Snare Drum, and Marimba Parts to drum-set to Boom Whackers. Â Note: Most of the Marimba parts and some of the Vibeâ??s parts are written for Grand Marimba, these could also be played on a piano if need be. Â Same with the Vibes. Â Each mallet part could also be split so that 2-3 people play it instead of a more advanced player playing with 4 mallets. Â This would be the same for the Boom Whacker sections as well.
$50.00
Sapphire (Full Score)
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Ensemble de Percussions
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INTERMÉDIAIRE
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Methodes
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Ben Calkins
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Sapphire
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Ben Calkins
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SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.1028381 Composed by Ben Calkins. Instructional. Score and parts. 11 pages. Ben Calkins #3493833. Published by Be...
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Percussion Ensemble - Level 3 - SKU: A0.1028381 Composed by Ben Calkins. Instructional. Score and parts. 11 pages. Ben Calkins #3493833. Published by Ben Calkins (A0.1028381). Why play Sapphire?Sapphire can be used my mallet percussion/ front ensembles to warm up. It includes sections that require 4 mallets for both block and arpeggiated chords. Many other common pit instruments have parts as well.Who would want this piece? Mallet percussion ensembles, probably marching band groups would get the most use from this piece. About Me:This is my first piece I have ever published. I have written several others but I finally made something I felt comfortable posting. I just bought Finale v25 and can't wait to continue writing more music for front ensemble/ piano in the future. I'm also in a small band and I may post our arrangements here too if the copyrights are okay.
$1.99
Sapphire (Parts)
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Ensemble de Percussions
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Methodes
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Ben Calkins
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Sapphire
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Ben Calkins
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SheetMusicPlus
Percussion Ensemble - SKU: A0.1028382 Composed by Ben Calkins. Instructional. Score and parts. 12 pages. Ben Calkins #3493837. Published by Ben Calkins ...
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Percussion Ensemble - SKU: A0.1028382 Composed by Ben Calkins. Instructional. Score and parts. 12 pages. Ben Calkins #3493837. Published by Ben Calkins (A0.1028382). Why play Sapphire?Sapphire can be used my mallet percussion/ front ensembles to warm up. It includes sections that require 4 mallets for both block and arpeggiated chords. Many other common pit instruments have parts as well.Who would want this piece? Mallet percussion ensembles, probably marching band groups would get the most use from this piece. About Me:This is my first piece I have ever published. I have written several others but I finally made something I felt comfortable posting. I just bought Finale v25 and can't wait to continue writing more music for front ensemble/ piano in the future. I'm also in a small band and I may post our arrangements here too if the copyrights are okay.
$1.99
Silent Night Prelude for percussion octet
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Ensemble de Percussions
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FACILE
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Noël
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Franz Xaver Gruber
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Dan Heslink
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Silent Night Prelude for percu
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Pharaoh Publications
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SheetMusicPlus
Percussion Ensemble - Level 2 - SKU: A0.935383 Composed by Franz Xaver Gruber. Arranged by Dan Heslink. Christian,Christmas. Score and parts. 20 pages. ...
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Percussion Ensemble - Level 2 - SKU: A0.935383 Composed by Franz Xaver Gruber. Arranged by Dan Heslink. Christian,Christmas. Score and parts. 20 pages. Pharaoh Publications #5363007. Published by Pharaoh Publications (A0.935383). Silent Night Prelude for Percussion Octet arr. by Dan Heslink This work is based on the well-loved Christmas carol, composed in 1818 by Franz Xaver Gruber. This theme is so popular that it was declared an intangible cultural heritage by UNESCO in 2011. And the version sung by Bing Crosby in 1935 is the fourth best-selling single recording of all-time. It’s sure to motivate your audience close to Christmas. The Prelude begins with a brisk tempo. Although notated in 3, as is customary in more modern renditions (the original theme was notated in 6), the tempo must be fast enough that two measures of 3 create a binary pairing (like 6/4 in two). It may be necessary to slightly slow down the roll speed to avoid a frenetic sound. The difficulty level is easy. There are no changes of key, and the timpani part requires only two drums (Bb, F) with no tuning changes. The vibe part could be played with two mallets, but might execute more comfortably with three. The other keyboard parts use only two mallets each. The expression of this beautiful tune will be greatly enhanced by exaggerating the contrasts of dynamics. Accompaniment and ornamental figures must at all times be sublimated to the familiar theme. At the last strain, players should sing the well-known words in order to lead the audience or congregation in group singing. It would be helpful for the conductor to turn and face the audience at this point. This closing passage may be repeated for any number of sung verses. Use a smooth, relaxed stroke to elicit as much legato as possible. At points a continuous arpeggio accompaniment is divided among the instruments. Care must be taken to keep the sixteenth note speed consistent. The opening runs should be performed half-pedal on the vibes for clarity. Prelude on Silent Night would serve equally well in recital or in a church service. Duration is 3:10. The arranger, Dan Heslink, can be contacted at dan@dheslink.com
$4.99
Nuevo Nueve ( New Nine )
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Ensemble de Percussions
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FACILE
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Frank Pugh
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Nuevo Nueve
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Frank Pugh
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SheetMusicPlus
Percussion Ensemble - Level 2 - SKU: A0.942726 Composed by Frank Pugh. Standards. Score and parts. 24 pages. Frank Pugh #6018905. Published by Frank Pug...
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Percussion Ensemble - Level 2 - SKU: A0.942726 Composed by Frank Pugh. Standards. Score and parts. 24 pages. Frank Pugh #6018905. Published by Frank Pugh (A0.942726). I wrote Nuevo-Nueve for an ensemble of nine new first-time percussion students. Nuevo meaning new or different, and Nueve meaning nine, seemed to be a good title for the piece. Going along with the concept of nine, the song is written in nine bar phrases and has a total of 99 measures as well. It uses simple and repetitive patterns to introduce students to the instruments that are utilized in the piece. Out of the nine students that I originally wrote it for, six were wind players and the other three had never read music. They had great success with it (and a lot of fun, too!). The first four parts are all listed as generic mallet parts, and all work pretty well with whatever mallet instruments that you have available. Part 3 and 4 double each other, but part 4 is in bass clef. They are written on the same sheet. If you have the equipment for it, I recommend the following instrumentation: Part 1: bells or marimba Part 2: vibraphone Part 3: marimba Part 4: (optional, bass clef, doubles part 3): bass guitar, keyboard, or mallet controller Part 5: hi-hat cymbal, suspended cymbal, mounted tambourine Part 6: guiro, castanets, maracas, two pitched toms Part 7: drum set Part 8: suspended cymbal, china cymbal, splash cymbal, triangle Part 9: concert bass drum, cabasaBe sure to check out my other small ensemble arrangements here on Sheet Music Plus, and thanks for taking a look!
$11.99
Four Forces (First movement) I. Strong Forces
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Ensemble de Percussions
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AVANCÉ
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Salvador Rojo Gamón
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Four Forces
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Salvador Rojo-Gamon
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.962406 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 173 pa...
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Percussion Ensemble - Level 5 - SKU: A0.962406 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 173 pages. Salvador Rojo-Gamon #5801913. Published by Salvador Rojo-Gamon (A0.962406). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$300.00
Four Forces (Second movement) II. Weak Forces
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Ensemble de Percussions
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AVANCÉ
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Salvador Rojo Gamón
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Four Forces
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Salvador Rojo-Gamon
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.962405 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 255 pa...
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Percussion Ensemble - Level 5 - SKU: A0.962405 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 255 pages. Salvador Rojo-Gamon #5801921. Published by Salvador Rojo-Gamon (A0.962405). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$150.00
The COVID Awakening
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Ensemble de Percussions
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INTERMÉDIAIRE/AVANCÉ
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Adam Grim
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The COVID Awakening
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Adam B. Grim
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SheetMusicPlus
Percussion Ensemble - Level 4 - SKU: A0.939390 Composed by Adam Grim. 20th Century,Concert,Standards. Score and parts. 50 pages. Adam B. Grim #6210963. ...
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Percussion Ensemble - Level 4 - SKU: A0.939390 Composed by Adam Grim. 20th Century,Concert,Standards. Score and parts. 50 pages. Adam B. Grim #6210963. Published by Adam B. Grim (A0.939390). The COVID Awakening is a marimba quartet for two 5.0 octave instruments. This piece is inspired by minimalism and minimalist compositional techniques combined with layering found in West African drumming, though it is not the only source of this specific technique. It was written during the beginning of the summer of 2020, when the Coronavirus, COVID-19, had started its grips on the United States in the forms of illness, death, and economic and emotional distress. This piece reflects on these early feelings of quarantines and sheltering in place, and using the techniques listed above the listeners are pulled in to listen between the notes. These reflections are found not in the music itself, but is different with every listen. The listeners’ ears will venture as they wish, and make this piece new with every performance, even though the notes and rhythms never change. Instrumentation: Two 5.0 octave marimbas, though only one marimba needs to be the full range. Marimba 1 can be a much smaller instrument if necessary. I’d suggest using rubber/latex mallets. Unless the performance is in a reasonably dry hall, this articulation and tone benefit does wonders for this piece. Each player needs only 2 mallets.
$25.00
Two Dreams for solo Trombone and 8-part Percussion Ensemble
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Ensemble de Percussions
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AVANCÉ
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Antonio J
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Two Dreams for solo Trombone a
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Gordon Cherry
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.811252 Composed by Antonio J. Garcia. Contemporary,Jazz,Latin,World. Score and parts. 119 pages. Gordon Cherry #...
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Percussion Ensemble - Level 5 - SKU: A0.811252 Composed by Antonio J. Garcia. Contemporary,Jazz,Latin,World. Score and parts. 119 pages. Gordon Cherry #6549777. Published by Gordon Cherry (A0.811252). Two Dreams for Trombone and Percussion EnsembleDr. Justin Alexander (Director, VCU Percussion Ensemble) invited me to create a piece for trombone and percussion ensemble that had roles for more- and less-experienced players so that they could mix within the performance. I so enjoyed composing and performing this work. He estimates the overall difficulty grade of Movement I to be a three on a five-point scale and Movement II to be a four, with a grade four for the overall piece; but some players’ parts (within the eight total in the percussion ensemble) are indeed easier.The two Movements are approximately five minutes each.The first Movement Bilita Mpash (An Amazing Dream) calls for (1) shekeré/guiro; (2) 5-octave marimba (shared with...); (3) 5-octave marimba (shared with previous); (4) claves/drum set with mounted cowbell; (5) bell/mounted cowbell/congas; (6) hi-hat/suspended cymbal; (7) bass drum; and (8) four toms/maracas.The Second Movement (Running with the Tigers) calls for (1) xylophone; (2) vibraphone/glockenspiel; (3) 5-octave marimba; (4) drum set; (5) shaker/samba whistle/congas (opt. voice); (6) triangle/bell tree/hanging bells/agogo bells (opt. voice); (7) bass drum (opt. voice); and (8) Timpani (opt. voice). Pending difficulty levels, the conga and drum set parts can optionally be split among additional percussionists. The score notes offer a stage plot and many rehearsal tips.Bilita Mpash (An Amazing Dream)The 3-2 Rumba Clave anchors this movement, launched by the shekeré. Rhythmic vamps of multiple bars form the landscape over which the trombone’s melody emerges, followed by a move to double-time 2-3 Rumba Clave (with montuno) and back. The trombone soloist improvises without chordal accompaniment for a while so could reflect on the preceding harmonies or instead freely improvise with no concern as to chord changes, while a later section requires improv over chord changes. After the recap, a surprise tag of the ending phrase in Cha Cha sets up the rubato finish. Bilita Mpash (BILL-it-uh m-POSH) is a Bantu term for an amazing dream, a dream so good that it is the polar opposite of a nightmare-a dream in a blissful state where all is forgiven and forgotten2. Running with the TigersThe opening, written-out marimba solo is somewhat of a nod to vibist Gary Burton’s influence in bringing mallets towards the expression of modern jazz. A 9/8 samba-groove (5+4) transforms to 4/4. None of the percussionists have to have a jazz background, though the drum set player would be more challenged if not already exposed to Latin drumming. The improvised solo section could be all solo trombone or could be divided among various performers, including trading. The recap of the tune begins over 5/8 samba (3+2, later 2+3). The closing arrhythmic drum-set solo crescendos as the optional surprise of percussionists’ (or additional) voices sing at the end. The title of this movement refers to a recurring dream my dad would have, as well as to the active movements of my grandson when sleeping in his earliest years.-Antonio J. GarcÃaInstrumentation is for:Solo Trombone and 8-part Percussion Ensemble:shekeré/guiro, 2 5-octave marimbas, claves/drumset with cowbell, bell, congas, hi-hat, suspended cymbal, bass drum, toms, maracas, xylophone, vibraphone, glockenspiel, shaker, samba whistle, congas, triangle, bell tree, hanging bells, agogo bells, bass drum and timpani.This rhythmic and dramatic work includes improvisation by the Trombonist. Listen to the brilliant live performance featuring Mr. Garcia and the Virginia Commonwealth University Percussion Ensemble directed by Dr. Justin Alexander.
$50.00
Asian Symmetries
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Ensemble de Percussions
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INTERMÉDIAIRE
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Dan Heslink
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Asian Symmetries
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Pharaoh Publications
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SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.935379 Composed by Dan Heslink. Contemporary,World. Score and parts. 30 pages. Pharaoh Publications #4978359. Pu...
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Percussion Ensemble - Level 3 - SKU: A0.935379 Composed by Dan Heslink. Contemporary,World. Score and parts. 30 pages. Pharaoh Publications #4978359. Published by Pharaoh Publications (A0.935379). Asian Symmetries by Dan Heslink Asian Symmetries is a fanciful work which draws loosely from the musical procedures and sonic preferences of Indonesian and other Asian musical styles. It is scored for three percussionists, each with their own battery of instruments. Gamelan-like impressions might be inferred from the cyclical nature of its rhythm, using metal plates like cymbals and gongs to mark large units of rhythmic time. Also evocative are the faster moving elaborations and a preponderance of metallophones in the instrumentation. The work is medium to difficult in its demands. There are quick changes of instrument, planned to be manageable but requiring some attention to logistics Each player’s performance station must remain stationary, with all instruments in reach without moving the performer’s position. Percussion I and Percussion III players must set up next to each other so that they may share the tenor drum. A selection of mallets that allows different striking surfaces to sound good without undue picking up and setting down of mallets is suggested. Changes of meter and tempo occur, and an odd meter section sporting measures in 12/8, 6/8, 11/8 may require some additional attention. The instrumentation is selected to approximate Asian sounds with common western instruments. Performance time is 6:28. The composer, Dan Heslink, can be reached at dan@dheslink.com.
$4.99
Sunflower
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Ensemble de Percussions
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DÉBUTANT
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Pop musique
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Post Malone
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Ryan Jonker
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Sunflower
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Ryan Jonker
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SheetMusicPlus
Percussion Ensemble - Level 1 - SKU: A0.870527 By Post Malone. By Austin Richard Post, Billy Walsh, Carl Austin Rosen, Carl Rosen, Carter Lang, Khalif B...
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Percussion Ensemble - Level 1 - SKU: A0.870527 By Post Malone. By Austin Richard Post, Billy Walsh, Carl Austin Rosen, Carl Rosen, Carter Lang, Khalif Brown, Louis Bell, and William Thomas Walsh. Arranged by Ryan Jonker. Pop. Score and parts. 21 pages. Ryan Jonker #6017207. Published by Ryan Jonker (A0.870527). Watch the video to see and hear the score! https://youtu.be/OvMowzDntBcFun and simple percussion ensemble arrangement of Sunflower by Post Malone and Swae Lee, featured in the movie Spiderman: Into the Spiderverse. It's all 2-mallet, and can be performed by beginners. The following instrumentation can be doubled as necessary:- 1 glockenspiel (or more)- 2 vibraphones (or more)- 2 marimbas (or more), 4.3 octave (standard)- Bass Guitar (could be played on any low-register instrument)- Drumset (this part could be split into three or more auxiliary parts)Hope you enjoy it! Visit www.RyanJonkerMusic.com for more like this. Send me an email with questions or comments at ryanjonkermusic@gmail.com
$24.99
White Christmas
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Ensemble de Percussions
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INTERMÉDIAIRE
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Jazz
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Dave Koz & Kelly Sweet
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Michael Rennaker
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White Christmas
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Rennaker Music
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SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.927008 By Dave Koz & Kelly Sweet. By Irving Berlin. Arranged by Michael Rennaker. Jazz. Score and parts. 22 page...
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Percussion Ensemble - Level 3 - SKU: A0.927008 By Dave Koz & Kelly Sweet. By Irving Berlin. Arranged by Michael Rennaker. Jazz. Score and parts. 22 pages. Rennaker Music #3864925. Published by Rennaker Music (A0.927008). This arrangement of the popular Christmas tune is designed to facilitate a large range of skill sets to be accessible for middle/high school groups with a wide range of abilities. The timpani and percussion parts are optional additions to involve more players, but the piece works equally well with only the mallet parts. The auxiliary parts may also be augmented to add more color as seen fit by the director/performers. 4-mallet marimba parts can be covered by a single player, or split between to younger performers. At 3 minutes in duration it's the perfect addition to the Winter Concert to showcase the special talents of the percussion section. .
$19.99
CANON IN D (Pachelbel) - PERCUSSION ENSEMBLE
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Ensemble de Percussions
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INTERMÉDIAIRE
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Classique
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Johann Pachelbel
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Glen Poehlmann
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CANON IN D
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arrangements by GPoehlmann
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SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.807171 Composed by Johann Pachelbel. Arranged by Glen Poehlmann. Baroque,Graduation,Standards,Wedding. Score and...
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Percussion Ensemble - Level 3 - SKU: A0.807171 Composed by Johann Pachelbel. Arranged by Glen Poehlmann. Baroque,Graduation,Standards,Wedding. Score and parts. 14 pages. Arrangements by GPoehlmann #6473761. Published by arrangements by GPoehlmann (A0.807171). CANON IN D - PERCUSSION ENSEMBLEJohann Pachelbel's famous Canon arranged for a Percussion Ensemble. Originally written for a beginning High School ensemble, it could be used with other groups as well. All of the parts participate in the Canon! All 4 Mallet parts have double stops. Mallet 4 is Bass Clef.. The Percussion Parts are printed on one page (Percussion) and 2 pages (Percussion 1 & Percussion 2) for your convenience.61 measures. Performance Time approx 2:40. Medium in Difficulty (Grade 3-).Key: D. Meter: 4/4.PDF parts included: Score, Mallet 1, Mallet 2, Mallet 3, Mallet 4, Timpani (G - A - D), Percussion (Snare Drum, Bass Drum, Cymbal, Triangle), Percussion 1 (Snare Drum, Bass Drum), Percussion 2 (Cymbal, Triangle).
$5.00
JINGLE BELLS FOR PERCUSSION - PERCUSSION ENSEMBLE
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Ensemble de Percussions
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FACILE
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Noël
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Glen Poehlmann
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JINGLE BELLS FOR PERCUSSION -
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arrangements by GPoehlmann
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SheetMusicPlus
Percussion Ensemble - Level 2 - SKU: A0.807193 Arranged by Glen Poehlmann. Christmas,Standards. Score and parts. 19 pages. Arrangements by GPoehlmann #6...
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Percussion Ensemble - Level 2 - SKU: A0.807193 Arranged by Glen Poehlmann. Christmas,Standards. Score and parts. 19 pages. Arrangements by GPoehlmann #6504097. Published by arrangements by GPoehlmann (A0.807193). JINGLE BELLS FOR PERCUSSION - PERCUSSION ENSEMBLEOriginally written for a beginning Junior High School Percussion Ensemble, it could also be played by a talented Elementary Ensemble. I used it with a High School group and increased the tempo! The Mallet parts could be double (unison or octave) for a larger sound.
$5.00
Feliz Navidad
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Ensemble de Percussions
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FACILE
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Latin/Musique du monde
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Clay Walker
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Ryan Jonker
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Feliz Navidad
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Ryan Jonker
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SheetMusicPlus
Percussion Ensemble - Level 2 - SKU: A0.870506 By Clay Walker. By Jose Feliciano. Arranged by Ryan Jonker. Latin. Score and parts. 24 pages. Ryan Jonker...
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Percussion Ensemble - Level 2 - SKU: A0.870506 By Clay Walker. By Jose Feliciano. Arranged by Ryan Jonker. Latin. Score and parts. 24 pages. Ryan Jonker #3579325. Published by Ryan Jonker (A0.870506). Pick up some Christmas / Holiday percussion ensemble arrangements now! See and hear the score here: https://youtu.be/gWxlmj7lC7ASimple arrangement of Feliz Navidad for Percussion Ensemble. 2 Marimbas, 2 Vibraphones, Glockenspiel, Piano, 4 Auxiliary Percussion parts that can be combined to create one drumset part if necessary. You can double up on the mallet parts or pare it down to one marimba and one vibe each. In total, you could perform this arrangement with as little as 3 percussionists (one on the Glock/Vibe melody, one on a Marimba part, and one on drumset), or as many as 15 (or more) with doubling! Your purchase includes a full score and each separate part. Sign up for custom solo/ensemble percussion music: www.patreon.com/ryanjonkermusicThanks for checking it out! Find more of my music at http://www.ryanjonkermusic.comAny questions or comments about the arrangement: ryanjonkermusic@gmail.com
$28.99
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