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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Let It Die
Non classifié
1 192
Piano & claviers
Piano seul
280
Instruments en Do
204
Piano Facile
142
Piano, Voix et Guitare
88
Piano, Voix
68
Orgue
34
Piano grosses notes
9
Piano Quintette: piano, 2 violons, alto, violoncelle
8
Piano Trio: piano, violon, violoncelle
6
Accordéon
4
Accompagnement Piano
3
1 Piano, 4 mains
3
Orgue, Trompette (duo)
3
2 Pianos, 4 mains
3
Orgue, Piano (duo)
2
Piano Quatuor: piano, violon, alto, violoncelle
2
Piano (partie séparée)
1
+ 12 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
131
Guitare notes et tablatures
78
Guitare
60
Ukulele
21
Banjo
7
Basse electrique
7
4 Guitares (Quatuor)
4
Mandoline
4
Paroles et Accords
4
2 Guitares (duo)
3
Guitare (partie séparée)
2
Ensemble de guitares
2
Ukulele Baryton
1
Mandoline, Piano (duo)
1
3 Guitares (trio)
1
Mandoline, Guitare (duo)
1
Dulcimer
1
+ 12 instrumentations
Retracter
Voix
Chorale SATB
100
Chorale 3 parties
45
Chorale TTBB
25
Chorale SSAA
22
Chorale 2 parties
16
Voix Baryton, Piano
5
Voix haute
4
Chorale Unison
3
Voix Tenor, Piano
3
Voix Soprano, Piano
2
Voix Alto, Piano
2
Voix duo, Piano
2
Chorale
1
Voix moyenne, Piano
1
Voix basse, Piano
1
Voix duo
1
+ 11 instrumentations
Retracter
Vents
Quintette de Saxophone: 5 saxophones
181
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
150
Ensemble de saxophones
105
Quatuor de Saxophones: 4 saxophones
95
Clarinette et Piano
89
Flûte traversière et Piano
73
Clarinette
68
2 Saxophones (duo)
65
Hautbois, Piano (duo)
64
Saxophone Alto et Piano
50
Flûte traversière
49
Ensemble de Clarinettes
48
Quatuor de Clarinettes: 4 clarinettes
48
2 Flûtes traversières (duo)
46
Quatuor de Flûtes : 4 flûtes
41
Saxophone Tenor et Piano
39
Saxophone Alto
38
Flûte, Hautbois, Clarinette, Basson
36
Saxophone (partie séparée)
34
Saxophone Baryton, Piano
34
Hautbois (partie séparée)
33
Saxophone Soprano et Piano
33
Quintette de Flûte : 5 flûtes
29
2 Flûtes traversières, Piano
28
Saxophone Tenor
26
2 Clarinettes (duo)
22
Ensemble De Flûte à bec
19
Cor anglais, Piano
19
Hautbois
17
Ensemble de Flûtes
17
2 Hautbois (duo)
17
3 Saxophones (trio)
15
Quatuor de Flûtes à bec
15
Clarinette Basse, Piano
11
3 Clarinettes (trio)
11
Flûte, Trombone (duo)
10
Quintette de Clarinettes: 5 clarinettes
9
Flûte, Clarinette (duo)
8
Cor Anglais
7
Flûte, Hautbois, Clarinette (trio)
6
Trio de Flûtes: 3 flûtes
6
Saxophone Baryton
5
Flûte, Clarinette et Basson
5
Saxophone Soprano
5
Flute (partie séparée)
5
Harmonica
4
Clarinette, Basson (duo)
4
Ocarina
4
Hautbois, Basson (duo)
4
Clarinette, Harpe (duo)
4
5 Flûtes à bec
4
2 Flûte à bec (duo)
4
Flûte à bec Soprano
3
Hautbois, Clarinette (duo)
3
Saxophone, Clarinette (duo)
3
Flûte, Alto et Piano
3
Hautbois, Flûte
3
Clarinette (partie séparée)
3
Flûte et Guitare
3
Flûte, Violoncelle
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Clarinette, Violoncelle, Piano (trio)
2
Clarinette Basse
2
Clarinette, Violon (duo)
2
Flûte à Bec
2
Clarinette, Trompette (duo)
2
Flûte, Saxophone (duo)
2
Flûte, Violoncelle, Piano (trio)
2
Clarinette, Violoncelle (duo)
2
3 Flûtes à bec (trio)
2
Flûte, Hautbois, Piano (trio)
2
2 Saxophones, Piano
2
Flûte à bec Alto
2
Flûte, Hautbois, Basson
2
Hautbois, Violoncelle
1
Ensemble de Hautbois
1
Flûte irlandaise
1
Piccolo
1
Clarinette et Alto
1
Piccolo, Piano
1
Flûte, Violon
1
Hautbois, Harpe
1
+ 77 instrumentations
Retracter
Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
137
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
120
Cor et Piano
70
Trompette
61
Quatuor de Cuivres: 2 trompettes, Cor, trombone
59
Trombone et Piano
55
Trompette, Piano
48
Cor
47
Trombone
42
Ensemble de Trombones
41
Ensemble de Trompettes
41
Tuba et Piano
36
Tuba
32
Quatuor de Cuivres
28
Euphonium, Piano (duo)
21
2 Trompettes (duo)
20
Quatuor de cuivres: 4 trombones
20
Cor anglais, Piano
19
2 Trombones (duo)
16
2 Cors (duo)
13
Trompette (partie séparée)
10
Trombone (partie séparée)
9
Ensemble de Cors
8
Cor Anglais
7
2 Tubas (duo)
6
Cor (partie séparée)
5
Trompette, Trombone (duo)
5
Trompette, Basson (duo)
4
3 Trombones (trio)
3
Trio de Cuivres
3
Trompette, Saxophone (duo)
2
4 Tubas
2
Quatuor de cuivres: 4 cors
2
3 Cors (trio)
2
Tuba (partie séparée)
2
Quatuor de cuivres: 4 trompettes
2
3 Tubas (trio)
2
2 Euphoniums et 2 Tubas
2
2 Euphoniums (duo)
2
Bass Clef Instruments
1
Trombone, Cor (duo)
1
Trompette, Cor (duo)
1
Ensemble de Tubas
1
Trompette, Violoncelle (duo)
1
Euphonium
1
Euphonium, Tuba (duo)
1
+ 41 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
151
Violoncelle, Piano
90
Violon et Piano
88
Alto, Piano
70
Violon
57
Violoncelle
53
Quintette à cordes: 2 violons, alto, violoncelle, basse
35
Alto seul
34
Trio à Cordes: violon, alto, violoncelle
34
Violon, Violoncelle (duo)
33
2 Violons (duo)
28
Ensemble de Violons
27
Harpe
26
Ensemble d'Altos
26
2 Violoncelles (duo)
24
Contrebasse, Piano (duo)
22
Contre Basse
21
2 Altos (duo)
15
Alto (partie séparée)
11
Trio à Cordes: 2 violons, violoncelle
10
Violon, Alto (duo)
10
4 Violoncelles
9
Alto, Violoncelle (duo)
7
Trio à cordes: 3 altos
6
Quatuor à cordes : 4 altos
4
2 Contrebasses (duo)
4
Harpe, Flûte (duo)
4
2 Harpes (duo)
4
Quatuor à cordes: 4 violons
4
Trio à cordes: 3 violins
3
Violon (partie séparée)
3
Harpe, Violon (duo)
3
Trio à Cordes: 2 violons, alto
3
Trio à Cordes: 3 violoncelles
3
Harpe, Violoncelle (duo)
2
Violon, Guitare (duo)
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Quintette à cordes : 2 violons, alto et 2 violoncelles
2
Violon, Basson (duo)
2
Violoncelle, Contrebasse (duo)
2
Contrebasse (partie séparée)
2
Violoncelle (partie séparée)
1
4 Contrebasses
1
Ensemble de Violoncelles
1
Violoncelle , Guitare (duo)
1
Harpe, Voix
1
3 Harpes
1
+ 42 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
136
Orchestre
82
Orchestre à Cordes
35
Cloches
33
Ensemble Jazz
28
Ensemble de cuivres
23
Orchestre de chambre
18
Jazz combo
12
Ensemble de Percussions
10
Marimba
8
Fanfare
8
Xylophone, Piano
5
Percussion (partie séparée)
4
Xylophone
3
Quintette de Cuivres: autres combinaisons
1
Piano et Orchestre
1
Batterie (partie séparée)
1
Vibraphone
1
+ 13 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
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OCARINA
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Vous avez sélectionné:
Let It Die
Ensemble de Percussions
Partitions à imprimer
10 partitions trouvées
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1
Donut Etudes vol. 3: Don’t Step in the Holes! – Keyboard Percussion (Mallet) Quartet
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Ensemble de Percussions
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INTERMÉDIAIRE
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Methodes
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Joshua Hauser
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Donut Etudes vol. 3: Don&rsquo
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Slide Ride
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SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.784338 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288673. Published by Sl...
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Percussion Ensemble - Level 3 - SKU: A0.784338 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288673. Published by Slide Ride (A0.784338). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
The Satyricon, A Balletic Roman Sex Comedy in 3 Acts, Individual Parts 2 (Strings, Harp, Timpani, Pe
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Ensemble de Percussions
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AVANCÉ
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James Nathaniel Holland
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The Satyricon, A Balletic Roma
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James Nathaniel Holland
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.730494 Composed by James Nathaniel Holland. Contemporary,Musical/Show. Score and parts. 326 pages. James Nathani...
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Percussion Ensemble - Level 5 - SKU: A0.730494 Composed by James Nathaniel Holland. Contemporary,Musical/Show. Score and parts. 326 pages. James Nathaniel Holland #4800780. Published by James Nathaniel Holland (A0.730494). Advisory: Ballet story contains adult situation and themes. Not suitable for audiences or performers under the age of 18. INDIVIDUAL INSTRUMENT PARTS 2 (Strings, Harp, Timpani and Percussion). Piano Score, Full Orchestral Score, Individual Parts (Part 1) Sold Separately. American composer, James Nathaniel Holland, brings a ballet adapted from the first century Roman novel by Gaius Petronius (cir. 50 A.D.) to the stage. An entertaining ballet for adults (not suitable for general audiences under the age of 18), celebrating the male ballet dancer's physique and a laugh at our own human sexuality. The comedy is a romp of three gay protagonists and their adventures and misadventure in ancient Rome and their characters; an ex-gladiator, Enclopius, his young lover, Giton, and an upper class snob, Ascyltos. It should also be said that this ballet is not pure gratuitous vulgarity, there is a interweaving story containing a deeper message of real human relationships, the satire of ancient Roman archetypes, and a humorous glimpse into ancient Roman life that still rings true even 2,000 plus years later. Regardless of the subject matter, Holland's original music is fantastic tapestry of counterpoint, set in a sort of atonal-ism and heavy percussion, evoking a period of history no longer available to us. Although not all cues and counterpoint is contained here, this piano score is extremely useful for either a performance with 2 pianos and percussion and a dance company, a director's/choreographer's score, or a concise conductor's score, or rehearsal score. Measure numbers line up with the full score. An orchestral, performance CD is available for those company's on a budget.
$34.95
Christmas Calypso for Percussion Sextet
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Ensemble de Percussions
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FACILE
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Noël
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Dan Heslink
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Christmas Calypso for Percussi
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Pharaoh Publications
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SheetMusicPlus
Percussion Ensemble - Level 2 - SKU: A0.935389 Arranged by Dan Heslink. Christian,Christmas. Score and parts. 18 pages. Pharaoh Publications #6117159. P...
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Percussion Ensemble - Level 2 - SKU: A0.935389 Arranged by Dan Heslink. Christian,Christmas. Score and parts. 18 pages. Pharaoh Publications #6117159. Published by Pharaoh Publications (A0.935389). Christmas Calypso for Percussion Sextet . . . . . . . . . . . . . . arr. Dan Heslink The calypso style referenced in the title is not the calypso of Afro-Caribbean music from Trinidad and Tobago. Rather, it is the especially toned-down but still rhythmic commercial variant popularized by folk singers. Couched in this style, the arrangement offers Christmas favorites Deck the Halls, Angels We Have Heard On High, God Rest Ye Merry Gentlemen and Good Christian Men, Rejoice. This if one of two versions of the calypso arrangement by Dan Heslink, both of which are available through Sheet Music Plus. The other arrangement, percussion sextet, follows similar musical contours and is available separately. Both versions are intended to elicit one primary response from both performers and audience – fun. It does not tax the players technically, but delivers a satisfying sound with carols that the performers likely know and love. General audiences will be enchanted by the familiar melodies delivered in percussion, especially at Christmas time. The introduction opens with a brisk and rhythmic introduction based on Deck the Halls, and establishes the fun calypso rhythm immediately. Deck the Halls is the much-loved welsh air that was arranged by Haydn, Nos galan (Hob. XXXIb:29, 1803). Then, Angels We Have Heard on High breaks out in double-stops with a continuation of the rhythmic impetus. The birth of Jesus Christ as narrated in the Gospel of Luke is the subject of Angels We Have Heard on High, a traditional French song of unknown origin. The gloria section provides some flowing contrast, portraying the shepherds’ impressions as they encounter a multitude of angels singing and praising. The performers are encouraged to use a relaxed stroke to glide through these passages. Following is God Rest Ye Merry Gentlemen, a 16th century English traditional Christmas carol also known under the title, The old Christmas Carol. It provides a contrast in tonality (minor mode) and texture. The xylophone part likely will lay most comfortably when executed with four mallets, although there are no three or four mallet chords in these passages. Good Christian Men, Rejoice is the closing selection in this Christmas medley. It’s title is an English translation of In dulci jubilo (Latin for In sweet rejoicing). The work ends happily with a summation of the calypso rhythm. This medley will be especially effective programmed on a winter holiday concert. Duration is 2:30. The arranger, Dan Heslink, assigned a difficulty level of medium easy, and can be contacted at dan@dheslink.com.
$4.99
Christmas Calypso for Marimba Quartet
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Ensemble de Percussions
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Noël
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Dan Heslink
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Christmas Calypso for Marimba
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Pharaoh Publications
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SheetMusicPlus
Percussion Ensemble - SKU: A0.935390 Arranged by Dan Heslink. Christian,Christmas. Score and parts. 16 pages. Pharaoh Publications #6117165. Published b...
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Percussion Ensemble - SKU: A0.935390 Arranged by Dan Heslink. Christian,Christmas. Score and parts. 16 pages. Pharaoh Publications #6117165. Published by Pharaoh Publications (A0.935390). Christmas Calypso for Marimba Quartet . . . . . . . . . . . . . . arr. Dan HeslinkThe calypso style referenced in the title is not the calypso of Afro-Caribbean music from Trinidad and Tobago. Rather, it is the especially toned-down but still rhythmic commercial variant popularized by folk singers. Couched in this style, the arrangement offers Christmas favorites Deck the Halls, Angels We Have Heard On High, God Rest Ye Merry Gentlemen and Good Christian Men, Rejoice. This if one of two versions of the calypso arrangement by Dan Heslink, both of which are available through Sheet Music Plus. The other arrangement, for percussion sextet, follows similar musical contours and is available separately. Both versions are intended to elicit one primary response from both performers and audience – fun. It does not tax the players technically, but delivers a satisfying sound with carols that the performers likely know and love. General audiences will be enchanted by the familiar melodies delivered in percussion, especially at Christmas time. The introduction opens with a brisk and rhythmic introduction based on Deck the Halls, and establishes the fun calypso rhythm immediately. Deck the Halls is the much-loved welsh air that was arranged by Haydn, Nos galan (Hob. XXXIb:29, 1803). Then, Angels We Have Heard on High breaks out in double-stops with a continuation of the rhythmic impetus. The birth of Jesus Christ as narrated in the Gospel of Luke is the subject of Angels We Have Heard on High, a traditional French song of unknown origin. The gloria section provides some flowing contrast, portraying the shepherds’ impressions as they encounter a multitude of angels singing and praising. The performers are encouraged to use a relaxed stroke to glide through these passages. Following is God Rest Ye Merry Gentlemen, a 16th century English traditional Christmas carol also known under the title, The old Christmas Carol. It provides a contrast in tonality (minor mode) and texture. The xylophone part likely will lay most comfortably when executed with four mallets, although there are no three or four mallet chords in these passages. Good Christian Men, Rejoice is the closing selection in this Christmas medley. It’s title is an English translation of In dulci jubilo (Latin for In sweet rejoicing). The work ends happily with a summation of the calypso rhythm. This medley will be especially effective programmed on a winter holiday concert. Duration is 2:30. The arranger, Dan Heslink, assigned a difficulty level of medium easy, and can be contacted at dan@dheslink.com.
$4.99
One Hour to Madness
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Ensemble de Percussions
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AVANCÉ
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Contemporain
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Dan Heslink
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One Hour to Madness
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Pharaoh Publications
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.935385 Composed by Dan Heslink. Contemporary. Score and parts. 36 pages. Pharaoh Publications #5775261. Publishe...
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Percussion Ensemble - Level 5 - SKU: A0.935385 Composed by Dan Heslink. Contemporary. Score and parts. 36 pages. Pharaoh Publications #5775261. Published by Pharaoh Publications (A0.935385). One Hour to Madness for percussion septet. by Dan Heslink From its opening motto to its bold closing summation, One Hour to Madness explores a high degree of musical energy. The title is loosely inspired by Walt Whitman’s marvelous poem, One Hour to Madness and Joy (Leaves of Grass). The music presents a dark and exciting expression couched in pervasive contrapuntal development. A high degree of dissonance is contrasted with the second theme’s clear Bb major tonality. The work’s contrapuntal nature is distilled into a fugato in the second half. Predominantly a mallet ensemble composition, scoring is for orchestra bells (2 mallets), xylophone (2 mallets), vibraphone (4 mallets), 3 marimbas (each with 2 mallets) and timpani. The timpani part is best performed on the standard set of 4 drums (23-24, 25-26, 28-29, 32-30). The marimba 1 part requires the standard range of 3 ½ or 4 octaves; the marimba 2 part can be executed on the standard 4-octave instrument by omitting a few octave doublings, or on a 5-octave instrument if one is available; marimba 3 requires a 5-octave instrument. The composer assigns a difficulty level of advanced. It will serve any concert or recital very well. Audiences and performers alike will enjoy the flashy passage work and musical impetus afforded by One Hour to Madness. Duration is 3:41. The composer, Dan Heslink, can be contacted at dan@dheslink.com.
$4.99
Holiday Bolero for Keyboard Percussion
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Ensemble de Percussions
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FACILE
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Pharaoh Publications
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Holiday Bolero for Keyboard Pe
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Pharaoh Publications
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SheetMusicPlus
Percussion Ensemble - Level 2 - SKU: A0.935380 Arranged by Pharaoh Publications. Christian,Christmas,Contemporary,Spiritual. Score and parts. 14 pages. ...
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Percussion Ensemble - Level 2 - SKU: A0.935380 Arranged by Pharaoh Publications. Christian,Christmas,Contemporary,Spiritual. Score and parts. 14 pages. Pharaoh Publications #5212781. Published by Pharaoh Publications (A0.935380). Holiday Bolero for keyboard percussion arr. by Dan Heslink This arrangement is available in two versions, a quintet for xylophone and four marimbas, and a percussion ensemble octet for orchestra bells, vibes, 3 marimbas, snare drum, timpani and multiple percussion. These comments refer to the mallet quintet arrangement. While the term Bolero can be applied to a variety of slow-tempo Latin dances, for most orchestral performers the title will evoke the stirring rhythms of Ravel’s famous Bolero. Similarities include the driving 3/4 bolero rhythm, the building of tension over one long-range crescendo, and the climactic conclusion. The pitch content is based on O Holy Night, the well-known Christmas carol composed by Adolphe Adam in 1847. The difficulty level in terms of executing notes and rhythms is medium-easy. At the same time, the dynamic planning and control of the crescendo requires considerable musical judgment. All of the keyboard parts require only two mallets; some passages unfold as double stops. Mallets for the marimbas should be chosen to maximize the blend of individual parts into a unified chord. There are no key changes, or mallet and hand independence. Holiday Bolero is sure to be an audience pleaser during a winter concert, especially close to Christmas. It would serve equally well in a percussion recital or a church service. In church this work would be appropriate as special music or as an offertory. Duration is 2:52. The arranger, Dan Heslink, can be contacted at dan@dheslink.com.
$4.99
Holiday Bolero for Percussion Ensemble
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Ensemble de Percussions
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Dan Heslink
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Holiday Bolero for Percussion
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Pharaoh Publications
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SheetMusicPlus
Percussion Ensemble - SKU: A0.935382 Arranged by Dan Heslink. Christian,Christmas,Contemporary. Score and parts. 27 pages. Pharaoh Publications #5212785...
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Percussion Ensemble - SKU: A0.935382 Arranged by Dan Heslink. Christian,Christmas,Contemporary. Score and parts. 27 pages. Pharaoh Publications #5212785. Published by Pharaoh Publications (A0.935382). Holiday Bolero for percussion ensemble arr. by Dan Heslink This arrangement is available in two versions, a quintet for xylophone and four marimbas and a percussion ensemble octet for orchestra bells, vibes, 3 marimbas, snare drum, timpani and multiple percussion. These comments refer to the percussion ensemble arrangement. While the term Bolero can be applied to a variety of slow-tempo Latin dances, for most orchestral performers the title will evoke the stirring rhythms of Ravel’s famous Bolero. Similarities include the driving 3/4 bolero rhythm, the building of tension over one long-range crescendo, and the climactic conclusion. The pitch content is based on O Holy Night, the well-known Christmas carol composed by Adolphe Adam in 1847. The difficulty level in terms of executing notes and rhythms is medium-easy. At the same time, the dynamic planning and control of the crescendo requires considerable musical judgment, particularly in the snare drum part. All of the keyboard parts require only two mallets per player, with the exception of the vibe part’s necessity of 3 or 4 mallets. There are no key changes, or mallet and hand independence. Pedaling on the vibes for the most part is suggested by the harmonic rhythm and is not notated. Setup of the general percussion part in the manner of a multiple percussion solo, where all playing surfaces are comfortably accessible. Holiday Bolero is sure to be an audience pleaser during a winter concert, especially close to Christmas. It would serve equally well in a percussion recital or a church service. In church this work would be appropriate as special music or as an offertory. Duration is 2:52. The arranger, Dan Heslink, can be contacted at dan@dheslink.com.
$9.99
Silent Night Prelude for percussion octet
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Ensemble de Percussions
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FACILE
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Noël
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Franz Xaver Gruber
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Dan Heslink
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Silent Night Prelude for percu
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Pharaoh Publications
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SheetMusicPlus
Percussion Ensemble - Level 2 - SKU: A0.935383 Composed by Franz Xaver Gruber. Arranged by Dan Heslink. Christian,Christmas. Score and parts. 20 pages. ...
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Percussion Ensemble - Level 2 - SKU: A0.935383 Composed by Franz Xaver Gruber. Arranged by Dan Heslink. Christian,Christmas. Score and parts. 20 pages. Pharaoh Publications #5363007. Published by Pharaoh Publications (A0.935383). Silent Night Prelude for Percussion Octet arr. by Dan Heslink This work is based on the well-loved Christmas carol, composed in 1818 by Franz Xaver Gruber. This theme is so popular that it was declared an intangible cultural heritage by UNESCO in 2011. And the version sung by Bing Crosby in 1935 is the fourth best-selling single recording of all-time. It’s sure to motivate your audience close to Christmas. The Prelude begins with a brisk tempo. Although notated in 3, as is customary in more modern renditions (the original theme was notated in 6), the tempo must be fast enough that two measures of 3 create a binary pairing (like 6/4 in two). It may be necessary to slightly slow down the roll speed to avoid a frenetic sound. The difficulty level is easy. There are no changes of key, and the timpani part requires only two drums (Bb, F) with no tuning changes. The vibe part could be played with two mallets, but might execute more comfortably with three. The other keyboard parts use only two mallets each. The expression of this beautiful tune will be greatly enhanced by exaggerating the contrasts of dynamics. Accompaniment and ornamental figures must at all times be sublimated to the familiar theme. At the last strain, players should sing the well-known words in order to lead the audience or congregation in group singing. It would be helpful for the conductor to turn and face the audience at this point. This closing passage may be repeated for any number of sung verses. Use a smooth, relaxed stroke to elicit as much legato as possible. At points a continuous arpeggio accompaniment is divided among the instruments. Care must be taken to keep the sixteenth note speed consistent. The opening runs should be performed half-pedal on the vibes for clarity. Prelude on Silent Night would serve equally well in recital or in a church service. Duration is 3:10. The arranger, Dan Heslink, can be contacted at dan@dheslink.com
$4.99
Batman Theme
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Ensemble de Percussions
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INTERMÉDIAIRE
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Contemporain
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Marketts
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Tsuyoshi Yoroiguma
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Batman Theme
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Tsuyoshi Yoroiguma
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SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.711641 By Marketts. By Neal Hefti. Arranged by Tsuyoshi Yoroiguma. Contemporary. Score and parts. 17 pages. Tsuy...
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Percussion Ensemble - Level 3 - SKU: A0.711641 By Marketts. By Neal Hefti. Arranged by Tsuyoshi Yoroiguma. Contemporary. Score and parts. 17 pages. Tsuyoshi Yoroiguma #6596315. Published by Tsuyoshi Yoroiguma (A0.711641). Let's play an old American comic movie music in four percussion players.This arrangement is written for Vibraphone, Marimba(2 players), Timpani(G-Bb-C-D).It is also good for school band students.This unique program will make your audience fun and excited !PDF file includes 9 pages of score and 8 pages of parts.Playing time is 2 min 20 sec.
$28.00
Coruscations, op. 83
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Ensemble de Percussions
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INTERMÉDIAIRE/AVANCÉ
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Michael A Yenny
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Coruscations, op. 83
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Michael A Yenny
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SheetMusicPlus
Percussion Ensemble - Level 4 - SKU: A0.938772 Composed by Michael A Yenny. 20th Century,Concert,Contemporary,Standards. Score and parts. 90 pages. Mich...
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Percussion Ensemble - Level 4 - SKU: A0.938772 Composed by Michael A Yenny. 20th Century,Concert,Contemporary,Standards. Score and parts. 90 pages. Michael A Yenny #50387. Published by Michael A Yenny (A0.938772). A highly attractive work for percussion ensemble! Coruscations are sudden, brief points of light. Score outline played here. Db major. Features mixed meters, tuneful melodies, and flowing accompaniment in the B section. Tuneful melodies also accompany a syncopated and driving rhythmic motor in the A sections. Easier to play than it appears; easily accessible for any college ensemble. Instrumentation: Marimba 1, 2, 3, xylophone, bells, chimes, crotales, timpani (5), SD/BD, sus/cr cymbal, triangle, wind chimes. Duration: 3 minutes 30 seconds. C) 2002. Level: Late intermediate+ Score and parts complete available.
$9.95
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