Page d'accueil
Parcourir Librairie Musicale
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Let There be Music
Non classifié
975
Piano & claviers
Piano seul
240
Piano, Voix et Guitare
110
Piano, Voix
97
Piano grosses notes
53
Orgue
39
Piano Facile
36
2 Pianos, 4 mains
22
Instruments en Do
12
Piano Trio: piano, violon, violoncelle
8
1 Piano, 4 mains
6
Accordéon
2
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Accompagnement Piano
2
Piano (partie séparée)
2
Clavier
1
Orgue, Trompette (duo)
1
Ensemble d'Accordéons
1
+ 12 instrumentations
Retracter
Guitares
Guitare notes et tablatures
43
Ligne De Mélodie, (Paroles) et Accords
25
Guitare
20
Basse electrique
8
Guitare (partie séparée)
5
Paroles et Accords
5
Ukulele
3
Dulcimer
3
2 Guitares (duo)
2
Ensemble de guitares
1
Mandoline
1
+ 6 instrumentations
Retracter
Voix
Chorale SATB
106
Chorale 3 parties
29
Chorale 2 parties
20
Chorale
14
Voix duo, Piano
11
Chorale TTBB
9
Chorale Unison
5
Voix Baryton, Piano
4
Voix seule
4
Voix Tenor, Piano
2
Voix basse, Piano
2
Voix haute
1
Soli, choeur mixte et accompagnement
1
Chorale SSAA
1
Voix Alto, Piano
1
Voix duo
1
+ 11 instrumentations
Retracter
Vents
Quintette de Saxophone: 5 saxophones
109
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
73
Ensemble de saxophones
71
2 Saxophones (duo)
46
Flûte traversière et Piano
39
Clarinette et Piano
36
Hautbois, Piano (duo)
32
2 Flûtes traversières (duo)
32
Ensemble de Clarinettes
31
Saxophone Alto et Piano
26
Quatuor de Saxophones: 4 saxophones
25
Flûte, Hautbois, Clarinette, Basson
24
2 Clarinettes (duo)
22
Saxophone (partie séparée)
21
Saxophone, Clarinette (duo)
19
Clarinette
19
Quintette de Flûte : 5 flûtes
17
Saxophone Tenor et Piano
15
Saxophone Soprano et Piano
13
Clarinette, Violon (duo)
12
Clarinette, Trompette (duo)
12
Flûte, Clarinette (duo)
12
Ensemble de Flûtes
12
Hautbois, Clarinette (duo)
11
Hautbois (partie séparée)
11
2 Hautbois (duo)
11
Flûte, Violon
11
Saxophone Baryton, Piano
11
Cor anglais, Piano
10
Clarinette Basse, Piano
9
Hautbois, Basson (duo)
8
Hautbois, Flûte
8
Flûte, Trompette (duo)
6
Flûte traversière
6
Flûte, Saxophone (duo)
6
Flûte, Alto (duo)
5
Quatuor de Clarinettes: 4 clarinettes
5
3 Saxophones (trio)
5
Quatuor de Flûtes : 4 flûtes
5
Clarinette et Alto
5
3 Clarinettes (trio)
5
Saxophone Tenor
5
Trio de Flûtes: 3 flûtes
5
Saxophone Alto
4
Quintette de Clarinettes: 5 clarinettes
4
Clarinette (partie séparée)
3
2 Flûtes traversières, Piano
3
Flûte à bec Soprano
3
Flûte, Hautbois, Clarinette (trio)
3
Flûte, Hautbois, Piano (trio)
2
2 Flûte à bec (duo)
2
Flûte, Violon, Piano
2
Flute, harpe et violon
2
Quatuor de Flûtes à bec
2
Flute (partie séparée)
2
Flûte, Hautbois (duo)
1
Flûte à bec Tenor
1
3 Flûtes à bec (trio)
1
Flûte, Clarinette et Basson
1
Hautbois, violon (duo)
1
Clarinette, Guitare (duo)
1
2 Clarinettes, Piano
1
Saxophone
1
2 Hautbois, Piano
1
Ensemble De Flûte à bec
1
Flûte, Hautbois, Basson
1
Clarinette, Violoncelle (duo)
1
Ensemble de Hautbois
1
Flûte, Clarinette, Piano (trio)
1
Clarinette, Basson (duo)
1
+ 65 instrumentations
Retracter
Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
83
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
83
Ensemble de Trompettes
51
Trombone et Piano
34
Cor et Piano
30
Trompette, Piano
29
Ensemble de Trombones
28
Quatuor de Cuivres: 2 trompettes, Cor, trombone
23
Trompette (partie séparée)
18
Trombone (partie séparée)
16
2 Trombones (duo)
16
Euphonium, Piano (duo)
15
Quatuor de Cuivres
15
2 Trompettes (duo)
15
Trompette, Trombone (duo)
14
Trompette, Saxophone (duo)
14
Trompette
13
Tuba et Piano
11
Cor anglais, Piano
10
2 Cors (duo)
8
Ensemble de Cors
6
Cor
4
Cor (partie séparée)
4
Quatuor de cuivres: 4 trombones
4
Trombone
4
Quatuor de cuivres: 4 trompettes
3
3 Trompettes (trio)
3
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
Tuba (partie séparée)
3
Quatuor de cuivres: 4 cors
2
Trio de Cuivres
2
Bass Clef Instruments
2
2 Tubas (duo)
2
Trompette, Cor (duo)
1
3 Cors (trio)
1
Trombone, Cor (duo)
1
4 Tubas
1
2 Cors, Piano
1
3 Tubas (trio)
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
3 Trombones (trio)
1
Euphonium
1
Tuba et Orgue
1
+ 38 instrumentations
Retracter
Cordes
Violon et Piano
47
Quatuor à cordes: 2 violons, alto, violoncelle
47
Violoncelle, Piano
32
Alto, Piano
31
Harpe
23
Violon, Violoncelle (duo)
22
2 Violoncelles (duo)
21
2 Violons (duo)
19
Quintette à cordes: 2 violons, alto, violoncelle, basse
17
Trio à Cordes: violon, alto, violoncelle
16
Ensemble d'Altos
16
Ensemble de Violons
16
Violon, Alto (duo)
15
Violon
13
Violoncelle
13
2 Altos (duo)
13
Contrebasse (partie séparée)
8
2 Harpes (duo)
7
Violon (partie séparée)
7
Trio à Cordes: 2 violons, violoncelle
6
Harpe, Voix
5
Alto seul
4
Alto, Violoncelle (duo)
4
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
Alto (partie séparée)
3
4 Violoncelles
3
Harpe, Violon (duo)
2
Quintette à cordes : 2 violons, alto et 2 violoncelles
2
2 Altos, Piano
2
Violoncelle (partie séparée)
2
Trio à Cordes: 2 violons, alto
2
Quatuor à cordes: 4 violons
2
Trio à Cordes: 3 violoncelles
2
Violon, Guitare (duo)
1
Alto et Harpe
1
Trio à cordes: 3 violins
1
Piano Trio: Violon, Alto, Piano
1
Quatuor à cordes : 4 altos
1
Harpe, Flûte (duo)
1
3 Harpes
1
Trio à cordes: 3 altos
1
Ensemble de Violoncelles
1
+ 37 instrumentations
Retracter
Orchestre & Percussions
Orchestre
60
Orchestre d'harmonie
58
Orchestre à Cordes
45
Ensemble Jazz
27
Cloches
15
Ensemble de cuivres
14
Orchestre de chambre
10
Ensemble de Percussions
9
Percussion (partie séparée)
4
2 Xylophones
4
Fanfare
3
Batterie (partie séparée)
3
Vibraphone
2
Batterie
1
Ensemble d'École
1
Percussion
1
Jazz combo
1
Vibraphone et Marimba
1
Orchestre, Violon
1
Piano et Orchestre
1
2 Marimbas
1
+ 16 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Instrumentations
Editeurs
Artistes
Formation Musicale
Idées Cadeaux Partitions
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
Autres Services
Autres Services
Top 100
Annuaire Web
Portées musicales
Metronome
A propos de free-scores.com
€
€
EUR €
USD $
GBP £
CAD $
CNY ¥
English
Partitions Gratuites
0
Partitions Numériques
9
Librairie Musicale
4
Matériel de Musique
220
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Crtitères actifs :
Let There be Music
Ensemble de Percussions
Partitions à imprimer
9 partitions trouvées
<
1
The Satyricon, A Balletic Roman Sex Comedy in 3 Acts, Individual Parts 2 (Strings, Harp, Timpani, Pe
#
Ensemble de Percussions
#
AVANCÉ
#
James Nathaniel Holland
#
The Satyricon, A Balletic Roma
#
James Nathaniel Holland
#
SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.730494 Composed by James Nathaniel Holland. Contemporary,Musical/Show. Score and parts. 326 pages. James Nathani...
(+)
Percussion Ensemble - Level 5 - SKU: A0.730494 Composed by James Nathaniel Holland. Contemporary,Musical/Show. Score and parts. 326 pages. James Nathaniel Holland #4800780. Published by James Nathaniel Holland (A0.730494). Advisory: Ballet story contains adult situation and themes. Not suitable for audiences or performers under the age of 18. INDIVIDUAL INSTRUMENT PARTS 2 (Strings, Harp, Timpani and Percussion). Piano Score, Full Orchestral Score, Individual Parts (Part 1) Sold Separately. American composer, James Nathaniel Holland, brings a ballet adapted from the first century Roman novel by Gaius Petronius (cir. 50 A.D.) to the stage. An entertaining ballet for adults (not suitable for general audiences under the age of 18), celebrating the male ballet dancer's physique and a laugh at our own human sexuality. The comedy is a romp of three gay protagonists and their adventures and misadventure in ancient Rome and their characters; an ex-gladiator, Enclopius, his young lover, Giton, and an upper class snob, Ascyltos. It should also be said that this ballet is not pure gratuitous vulgarity, there is a interweaving story containing a deeper message of real human relationships, the satire of ancient Roman archetypes, and a humorous glimpse into ancient Roman life that still rings true even 2,000 plus years later. Regardless of the subject matter, Holland's original music is fantastic tapestry of counterpoint, set in a sort of atonal-ism and heavy percussion, evoking a period of history no longer available to us. Although not all cues and counterpoint is contained here, this piano score is extremely useful for either a performance with 2 pianos and percussion and a dance company, a director's/choreographer's score, or a concise conductor's score, or rehearsal score. Measure numbers line up with the full score. An orchestral, performance CD is available for those company's on a budget.
$34.95
Don't Worry, Be Happy
#
Ensemble de Percussions
#
INTERMÉDIAIRE
#
Jazz
#
Bobby McFerrin
#
Ricardo Matosinhos
#
Don't Worry, Be Happy
#
Ricardo Matosinhos
#
SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.899162 By Bobby McFerrin. By Bobby McFerrin. Arranged by Ricardo Matosinhos. Jazz. Score and parts. 32 pages. Ri...
(+)
Percussion Ensemble - Level 3 - SKU: A0.899162 By Bobby McFerrin. By Bobby McFerrin. Arranged by Ricardo Matosinhos. Jazz. Score and parts. 32 pages. Ricardo Matosinhos #5723941. Published by Ricardo Matosinhos (A0.899162). This is a well known piece by Bobby McFerrin. Here presented on a music arrangement for unconventional music instruments. The arrangement allows flexibility, so this piece can be performed using tuned bottles (25cl, 33cl and 75cl), lip whistle, finger snaps, complemented with xylophones and optionally with voices to sing the lyrics too. This arrangement was made during the 2020 quarantine, when the world was shutdown due to a world virus pandemic. Some of the music students didn’t have their music instruments at home, so this arrangement came up to fill that gap and it is perfect to keep doing music with the available option of instruments.On each rehearsal letter, you can play optional improvisations, while keeping the voices 5-8. These improvisations can be easily done using the C major pentatonic scale or the note ranges presented on the right, that even include Eâ™ and Bâ™. If played using lip whistle, bendings will be possible too. This arrangement presents 8 voices and an alternative solution for voice 8, that makes it easier to be performed as it is the place where bottles are divided between the players. There is also an optional bass line to complement voice eight one octave bellow. In order to keep it simple, neither dynamics or articulations were included and the notes were represented always in the middle octave in G clef. The correct pitch ranges are presented in the performance notes.The amount of water will change the pitch differently depending if you are blowing or doing percussion on a bottle. When blowing, the more water you use, the higher the pitch will be, but while doing percussions more water means lower pitch. A good option, in order to save time during rehearsals, is to fill the bottles with water, marking the level with a pen, and then filling the bottle with the desired amount of hot wax instead of water. This way, when the wax cools down you can have a tuned bottle without requiring to tune it again every single rehearsal. Please note that the bottles should be made of glass and that different aspects change the performance. For percussion, straight bottles are better to tune as the curves in the bottles tend to produce unstable pitches. The extreme notes of the range might not be available in every single bottle, so you might need to try some alternatives. For example the high A is available in some beer bottles, while the low G is available in larger 75cl bottles of champaign. Last but not least, this piece should always be played according to Bobby’s motto: dont worry, be happy!I had lots of fun while doing this arrangement, now it’s your time to have fun while performing it!Ricardo Matosinhoshttp://www.ricardomatosinhos.com
$14.99
Holiday Bolero for Percussion Ensemble
#
Ensemble de Percussions
#
Dan Heslink
#
#
Holiday Bolero for Percussion
#
Pharaoh Publications
#
SheetMusicPlus
Percussion Ensemble - SKU: A0.935382 Arranged by Dan Heslink. Christian,Christmas,Contemporary. Score and parts. 27 pages. Pharaoh Publications #5212785...
(+)
Percussion Ensemble - SKU: A0.935382 Arranged by Dan Heslink. Christian,Christmas,Contemporary. Score and parts. 27 pages. Pharaoh Publications #5212785. Published by Pharaoh Publications (A0.935382). Holiday Bolero for percussion ensemble arr. by Dan Heslink This arrangement is available in two versions, a quintet for xylophone and four marimbas and a percussion ensemble octet for orchestra bells, vibes, 3 marimbas, snare drum, timpani and multiple percussion. These comments refer to the percussion ensemble arrangement. While the term Bolero can be applied to a variety of slow-tempo Latin dances, for most orchestral performers the title will evoke the stirring rhythms of Ravel’s famous Bolero. Similarities include the driving 3/4 bolero rhythm, the building of tension over one long-range crescendo, and the climactic conclusion. The pitch content is based on O Holy Night, the well-known Christmas carol composed by Adolphe Adam in 1847. The difficulty level in terms of executing notes and rhythms is medium-easy. At the same time, the dynamic planning and control of the crescendo requires considerable musical judgment, particularly in the snare drum part. All of the keyboard parts require only two mallets per player, with the exception of the vibe part’s necessity of 3 or 4 mallets. There are no key changes, or mallet and hand independence. Pedaling on the vibes for the most part is suggested by the harmonic rhythm and is not notated. Setup of the general percussion part in the manner of a multiple percussion solo, where all playing surfaces are comfortably accessible. Holiday Bolero is sure to be an audience pleaser during a winter concert, especially close to Christmas. It would serve equally well in a percussion recital or a church service. In church this work would be appropriate as special music or as an offertory. Duration is 2:52. The arranger, Dan Heslink, can be contacted at dan@dheslink.com.
$9.99
Holiday Bolero for Keyboard Percussion
#
Ensemble de Percussions
#
FACILE
#
Pharaoh Publications
#
#
Holiday Bolero for Keyboard Pe
#
Pharaoh Publications
#
SheetMusicPlus
Percussion Ensemble - Level 2 - SKU: A0.935380 Arranged by Pharaoh Publications. Christian,Christmas,Contemporary,Spiritual. Score and parts. 14 pages. ...
(+)
Percussion Ensemble - Level 2 - SKU: A0.935380 Arranged by Pharaoh Publications. Christian,Christmas,Contemporary,Spiritual. Score and parts. 14 pages. Pharaoh Publications #5212781. Published by Pharaoh Publications (A0.935380). Holiday Bolero for keyboard percussion arr. by Dan Heslink This arrangement is available in two versions, a quintet for xylophone and four marimbas, and a percussion ensemble octet for orchestra bells, vibes, 3 marimbas, snare drum, timpani and multiple percussion. These comments refer to the mallet quintet arrangement. While the term Bolero can be applied to a variety of slow-tempo Latin dances, for most orchestral performers the title will evoke the stirring rhythms of Ravel’s famous Bolero. Similarities include the driving 3/4 bolero rhythm, the building of tension over one long-range crescendo, and the climactic conclusion. The pitch content is based on O Holy Night, the well-known Christmas carol composed by Adolphe Adam in 1847. The difficulty level in terms of executing notes and rhythms is medium-easy. At the same time, the dynamic planning and control of the crescendo requires considerable musical judgment. All of the keyboard parts require only two mallets; some passages unfold as double stops. Mallets for the marimbas should be chosen to maximize the blend of individual parts into a unified chord. There are no key changes, or mallet and hand independence. Holiday Bolero is sure to be an audience pleaser during a winter concert, especially close to Christmas. It would serve equally well in a percussion recital or a church service. In church this work would be appropriate as special music or as an offertory. Duration is 2:52. The arranger, Dan Heslink, can be contacted at dan@dheslink.com.
$4.99
Alexandriana for Percussion Ensemble
#
Ensemble de Percussions
#
AVANCÉ
#
Dan Heslink
#
#
Alexandriana for Percussion En
#
Pharaoh Publications
#
SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.937755 Composed by Dan Heslink. Contemporary,World. Score and parts. 128 pages. Pharaoh Publications #5983475. P...
(+)
Percussion Ensemble - Level 5 - SKU: A0.937755 Composed by Dan Heslink. Contemporary,World. Score and parts. 128 pages. Pharaoh Publications #5983475. Published by Pharaoh Publications (A0.937755). Alexandriana for percussion ensemble (12 performers) by Dan Heslink The term Alexandriana is popularly used to reference the Great Library of antiquity in Alexandria, Egypt. Rooted in Alexander the Great’s global military and exploratory exploits (334 - 323 BCE), the library symbolizes the ancient Greek ever expanding worldview, especially under the influence of Alexander and his tutor, Aristotle. Alexander died long before construction of the Ancient Museum and Library of Alexandria, but the concept of a universal library was uniquely his. The mixing of Hellenistic columns with Egyptian architecture and the housing of thousands of scrolls in Greek, Turkish, Babylonian, Egyptian and Hebrew, intensify the division of the library broadly into two large sections, one for eastern knowledge and one for western knowledge. In this musical score, typically western is the thematic concept (expressed most clearly in the chimes), the tonal, triadic-based harmony and sectional concept of form. The music’s sectional nature parallels the library’s different rooms, each containing their own genre of knowledge (history, mathematics, poetry, etc.) Evocative of eastern musical practices are the simultaneous layers of different rhythmic subdivisions, oriental modes, and florid lines in the xylophone and vibe parts. In this score, eastern musical procedures are expressed with instruments commonly found in the Western orchestra or wind band. The performers are encouraged to always emphasize the score’s contrasts. Passages for indefinitely pitched percussion featuring the song within the drums contrast with other passages of purely quantitative rhythm. Complexity in the interaction of parts contrast with simple rhythmic unison. Passages of thick harmony contrast with modal monophonic melodies accompanied only by indefinitely pitched sounds. Overall, there is a wide dynamic range. During long passages of gradually accruing energy, take care to not build dynamics too quickly, and during fortissimo passages, drums should be stroked in a manner that avoids excessive aggression. The rhythmic background of 16th notes must be consistent among all players so that interlocking rhythmic motifs are consistent. Often the tom-toms have melodic passages that imitate the shape of mallet or timpani melodies. Tune the drums for a warm, round sound and select mallets accordingly. Bar percussion players should apply a flowing legato to their passage work. Soft sections are intended to sound mysterious: be sure to use mallets that match that character. The composer assigns a performance level of difficult to this work. Performance time is 9:15. The composer, Dan Heslink, can be reached at dan@dheslink.com.
$9.99
Christmas Calypso for Percussion Sextet
#
Ensemble de Percussions
#
FACILE
#
Noël
#
Dan Heslink
#
Christmas Calypso for Percussi
#
Pharaoh Publications
#
SheetMusicPlus
Percussion Ensemble - Level 2 - SKU: A0.935389 Arranged by Dan Heslink. Christian,Christmas. Score and parts. 18 pages. Pharaoh Publications #6117159. P...
(+)
Percussion Ensemble - Level 2 - SKU: A0.935389 Arranged by Dan Heslink. Christian,Christmas. Score and parts. 18 pages. Pharaoh Publications #6117159. Published by Pharaoh Publications (A0.935389). Christmas Calypso for Percussion Sextet . . . . . . . . . . . . . . arr. Dan Heslink The calypso style referenced in the title is not the calypso of Afro-Caribbean music from Trinidad and Tobago. Rather, it is the especially toned-down but still rhythmic commercial variant popularized by folk singers. Couched in this style, the arrangement offers Christmas favorites Deck the Halls, Angels We Have Heard On High, God Rest Ye Merry Gentlemen and Good Christian Men, Rejoice. This if one of two versions of the calypso arrangement by Dan Heslink, both of which are available through Sheet Music Plus. The other arrangement, percussion sextet, follows similar musical contours and is available separately. Both versions are intended to elicit one primary response from both performers and audience – fun. It does not tax the players technically, but delivers a satisfying sound with carols that the performers likely know and love. General audiences will be enchanted by the familiar melodies delivered in percussion, especially at Christmas time. The introduction opens with a brisk and rhythmic introduction based on Deck the Halls, and establishes the fun calypso rhythm immediately. Deck the Halls is the much-loved welsh air that was arranged by Haydn, Nos galan (Hob. XXXIb:29, 1803). Then, Angels We Have Heard on High breaks out in double-stops with a continuation of the rhythmic impetus. The birth of Jesus Christ as narrated in the Gospel of Luke is the subject of Angels We Have Heard on High, a traditional French song of unknown origin. The gloria section provides some flowing contrast, portraying the shepherds’ impressions as they encounter a multitude of angels singing and praising. The performers are encouraged to use a relaxed stroke to glide through these passages. Following is God Rest Ye Merry Gentlemen, a 16th century English traditional Christmas carol also known under the title, The old Christmas Carol. It provides a contrast in tonality (minor mode) and texture. The xylophone part likely will lay most comfortably when executed with four mallets, although there are no three or four mallet chords in these passages. Good Christian Men, Rejoice is the closing selection in this Christmas medley. It’s title is an English translation of In dulci jubilo (Latin for In sweet rejoicing). The work ends happily with a summation of the calypso rhythm. This medley will be especially effective programmed on a winter holiday concert. Duration is 2:30. The arranger, Dan Heslink, assigned a difficulty level of medium easy, and can be contacted at dan@dheslink.com.
$4.99
Christmas Calypso for Marimba Quartet
#
Ensemble de Percussions
#
Noël
#
Dan Heslink
#
Christmas Calypso for Marimba
#
Pharaoh Publications
#
SheetMusicPlus
Percussion Ensemble - SKU: A0.935390 Arranged by Dan Heslink. Christian,Christmas. Score and parts. 16 pages. Pharaoh Publications #6117165. Published b...
(+)
Percussion Ensemble - SKU: A0.935390 Arranged by Dan Heslink. Christian,Christmas. Score and parts. 16 pages. Pharaoh Publications #6117165. Published by Pharaoh Publications (A0.935390). Christmas Calypso for Marimba Quartet . . . . . . . . . . . . . . arr. Dan HeslinkThe calypso style referenced in the title is not the calypso of Afro-Caribbean music from Trinidad and Tobago. Rather, it is the especially toned-down but still rhythmic commercial variant popularized by folk singers. Couched in this style, the arrangement offers Christmas favorites Deck the Halls, Angels We Have Heard On High, God Rest Ye Merry Gentlemen and Good Christian Men, Rejoice. This if one of two versions of the calypso arrangement by Dan Heslink, both of which are available through Sheet Music Plus. The other arrangement, for percussion sextet, follows similar musical contours and is available separately. Both versions are intended to elicit one primary response from both performers and audience – fun. It does not tax the players technically, but delivers a satisfying sound with carols that the performers likely know and love. General audiences will be enchanted by the familiar melodies delivered in percussion, especially at Christmas time. The introduction opens with a brisk and rhythmic introduction based on Deck the Halls, and establishes the fun calypso rhythm immediately. Deck the Halls is the much-loved welsh air that was arranged by Haydn, Nos galan (Hob. XXXIb:29, 1803). Then, Angels We Have Heard on High breaks out in double-stops with a continuation of the rhythmic impetus. The birth of Jesus Christ as narrated in the Gospel of Luke is the subject of Angels We Have Heard on High, a traditional French song of unknown origin. The gloria section provides some flowing contrast, portraying the shepherds’ impressions as they encounter a multitude of angels singing and praising. The performers are encouraged to use a relaxed stroke to glide through these passages. Following is God Rest Ye Merry Gentlemen, a 16th century English traditional Christmas carol also known under the title, The old Christmas Carol. It provides a contrast in tonality (minor mode) and texture. The xylophone part likely will lay most comfortably when executed with four mallets, although there are no three or four mallet chords in these passages. Good Christian Men, Rejoice is the closing selection in this Christmas medley. It’s title is an English translation of In dulci jubilo (Latin for In sweet rejoicing). The work ends happily with a summation of the calypso rhythm. This medley will be especially effective programmed on a winter holiday concert. Duration is 2:30. The arranger, Dan Heslink, assigned a difficulty level of medium easy, and can be contacted at dan@dheslink.com.
$4.99
Asian Symmetries
#
Ensemble de Percussions
#
INTERMÉDIAIRE
#
Dan Heslink
#
#
Asian Symmetries
#
Pharaoh Publications
#
SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.935379 Composed by Dan Heslink. Contemporary,World. Score and parts. 30 pages. Pharaoh Publications #4978359. Pu...
(+)
Percussion Ensemble - Level 3 - SKU: A0.935379 Composed by Dan Heslink. Contemporary,World. Score and parts. 30 pages. Pharaoh Publications #4978359. Published by Pharaoh Publications (A0.935379). Asian Symmetries by Dan Heslink Asian Symmetries is a fanciful work which draws loosely from the musical procedures and sonic preferences of Indonesian and other Asian musical styles. It is scored for three percussionists, each with their own battery of instruments. Gamelan-like impressions might be inferred from the cyclical nature of its rhythm, using metal plates like cymbals and gongs to mark large units of rhythmic time. Also evocative are the faster moving elaborations and a preponderance of metallophones in the instrumentation. The work is medium to difficult in its demands. There are quick changes of instrument, planned to be manageable but requiring some attention to logistics Each player’s performance station must remain stationary, with all instruments in reach without moving the performer’s position. Percussion I and Percussion III players must set up next to each other so that they may share the tenor drum. A selection of mallets that allows different striking surfaces to sound good without undue picking up and setting down of mallets is suggested. Changes of meter and tempo occur, and an odd meter section sporting measures in 12/8, 6/8, 11/8 may require some additional attention. The instrumentation is selected to approximate Asian sounds with common western instruments. Performance time is 6:28. The composer, Dan Heslink, can be reached at dan@dheslink.com.
$4.99
A Swingin' Safari
#
Ensemble de Percussions
#
Contemporain
#
Billy Vaughn
#
JohnBeale
#
A Swingin' Safari
#
John Beale
#
SheetMusicPlus
Percussion Ensemble - SKU: A0.984904 By Billy Vaughn. By Bert Kaempfert. Arranged by JohnBeale. Contemporary. Score and parts. 68 pages. John Beale #644...
(+)
Percussion Ensemble - SKU: A0.984904 By Billy Vaughn. By Bert Kaempfert. Arranged by JohnBeale. Contemporary. Score and parts. 68 pages. John Beale #6442233. Published by John Beale (A0.984904). For over 40 years I have arranged music for my school's musicians to come together and perform in school concerts. They were mostly grades 1-3. I tried to arrange the parts to be meaningful but at the same time maintaining an effective, complete and pleasing sound. I often arranged parts with individuals in mind. The piano part is there for support and filling in. Not a difficult piece and very repetitive and catchy. I have arranged this piece for a school orchestra made up of pupils of grades 1-3. I suggest a solo for the first 4 bars (I did with a recorder). At F there is a ‘jazz’ style solo. Choose your instrument. Once I did with a recorder. A second time with a trumpet. Beware you won’t get the tune out of your head!!
$49.99
<
1
Let There be Music 
