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Logical
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99
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117
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24
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19
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18
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15
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15
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7
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1
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1
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1
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1
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1
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1
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17
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9
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5
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5
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5
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4
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3
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3
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2
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2
4 Guitares (Quatuor)
1
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1
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57
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20
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6
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4
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4
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2
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2
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2
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1
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1
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1
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15
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9
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7
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7
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7
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5
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4
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4
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3
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3
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3
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3
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3
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2
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2
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2
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2
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2
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1
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1
Saxophone Tenor
1
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1
Clarinette et Piano
1
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1
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1
Ensemble de Flûtes
1
Flûte à bec Soprano, Piano
1
2 Saxophones (duo)
1
Saxophone et Guitare
1
Hautbois
1
Quatuor de Flûtes : 4 flûtes
1
Saxophone et Orgue
1
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13
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10
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9
Trombone
9
Trompette
7
Quatuor de Cuivres : 2 trompettes, trombone, tuba
5
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5
Trombone et Piano
3
Cor anglais, Guitare (duo)
2
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2
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2
Quatuor de Cuivres
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1
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1
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Cor
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1
Tuba
1
Trompette, Trombone (duo)
1
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18
Harpe
12
Violon
10
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7
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5
Trio à Cordes: violon, alto, violoncelle
5
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3
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Violoncelle
3
Alto seul
2
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2
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2
Contre Basse
1
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1
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1
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1
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1
2 Altos (duo)
1
4 Contrebasses
1
Violoncelle , Guitare (duo)
1
Piano Trio: Violon, Alto, Piano
1
Alto, Guitare (duo)
1
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Orchestre d'harmonie
117
Orchestre
18
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12
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10
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9
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6
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4
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4
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3
Orchestre, Violon
2
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2
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1
Jazz combo
1
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Vous avez sélectionné:
Logical
Ensemble de Percussions
Partitions à imprimer
4 partitions trouvées
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Gravity for Septet
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Ensemble de Percussions
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AVANCÉ
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Contemporain
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MohammadHadi Ayanbod
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Gravity for Septet
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Rimorarte Edition
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.1027778 Composed by MohammadHadi Ayanbod. 20th Century,Contemporary. Score and parts. 25 pages. Rimorarte Editio...
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Percussion Ensemble - Level 5 - SKU: A0.1027778 Composed by MohammadHadi Ayanbod. 20th Century,Contemporary. Score and parts. 25 pages. Rimorarte Edition #5996957. Published by Rimorarte Edition (A0.1027778). In GRAVITY I explored different gravities as forces we not only feel them in every moments of our lives, but also thinking of living without or escaping from them seems impossible. Likewise, those gravities exist in the music, make us feel the music continuous, desirable, logical and an integrated language of art. The exploration of the path from chaos to unity, and from unity to multiplicity, is where the title came from. GRAVITY consists of two main sections. The first section, which shows the fully-grown and flourished musical ecosystem, and the second part; a flashback to just after big-bang, which tries to musicalize the creation of the gravity! In the first section, I’ve used the concept of horizontal and vertical minimalism. At the very beginning of the piece we have a structure that bring the idea of the vertical minimalism out. In every moment, each instrument plays the same note as others. However, the narrative line is divided into different octaves, so, the melody is not the same in spite of the fact that each instrument plays the same tone. This structure also reminds the paradoxical ladder or optical staircase illusion. The narration is built up until it reaches temporal climax. At the same time, this melody starts again from the beginning with some microscopic differences visible vividly to musicians. This semi reciprocating musical narration, could be observed as a musical example of the staircase illusion. After this part, but still in the first section of the music, I’ve used the horizontal (traditional) minimalism idioms to explore the bounding forces present in the music. Although, what interesting here is the creation of synthetic voices which is the result of different amounts of the nuances and different combinations of the sound. For keen ears, it seems like shades of neon lights, penetrate into one another in the scale of time and create a big picture of micro fluctuating objects. In the second section or just after big-bang, I’ve observed and recreate musically, the very moment of creation of the gravity just after the big-bang. Here, we don’t have melody, rhythm, structure, narration and other aspects of the music in the traditional way, although all of them are present in the music. very single sound or noise is meaningful and showing the assemblage process of the forces in the music to create a melody line. I’ve occupied idioms of contemporary Sonorism genre to create the atmosphere. This highly complex texture shows the virtuosity of interpreters and the capability of the instruments in avant-garde literature and extended techniques. The music is concluded by a fast-tempo finale, with the instruction of fortissimo possiblile (as loud as possible). The piece, in fact, will not be finished as a morendo, but, it opens a space for hypothetically living structure; constantly grows, flourishes, shines and decays.
$16.99
Terraqueous
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Ensemble de Percussions
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AVANCÉ
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Contemporain
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Marshall Jones
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Terraqueous
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Marshall Jones
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.1022509 Composed by Marshall Jones. Contemporary. Score and parts. 54 pages. Marshall Jones #2014111. Published ...
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Percussion Ensemble - Level 5 - SKU: A0.1022509 Composed by Marshall Jones. Contemporary. Score and parts. 54 pages. Marshall Jones #2014111. Published by Marshall Jones (A0.1022509). Each movement of Terraqueous is centered around a geological process. Orogeny-the formation of mountains. Glaciation--the forming of glaciers. Erosion and Stratification--the stripping away of material by wind and water that is then carried along and then piles up in layers. The audio clip is of the final movement.
$36.00
Ecocycle [Symphony No.4] - score only
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Ensemble de Percussions
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AVANCÉ
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Contemporain
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Colin Bayliss
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Ecocycle [Symphony No.4] - sco
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Colin Bayliss
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.938447 Composed by Colin Bayliss. 20th Century. Score and parts. 84 pages. Colin Bayliss #16627. Published by Co...
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Percussion Ensemble - Level 5 - SKU: A0.938447 Composed by Colin Bayliss. 20th Century. Score and parts. 84 pages. Colin Bayliss #16627. Published by Colin Bayliss (A0.938447). A setting of 4 ecological poems by a friend of the composer for soprano, mezzo and orchestra. Programme notes on last page.
$16.00
The Man Who Laughs
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Ensemble de Percussions
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AVANCÉ
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the end of this section, the a
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Jehad Choate
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The Man Who Laughs
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Jehad Choate
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.1025413 Composed by Jehad Choate. 20th Century,Contemporary,Film/TV. Score and parts. 67 pages. Jehad Choate #47...
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Percussion Ensemble - Level 5 - SKU: A0.1025413 Composed by Jehad Choate. 20th Century,Contemporary,Film/TV. Score and parts. 67 pages. Jehad Choate #4781401. Published by Jehad Choate (A0.1025413). The Man Who Laughs is a musical portrait of Batman’s greatest adversary, the Joker (Detective Comics). This piece draws inspiration from both comic book sources and live-action performances on film and television. It features five continuous sections:One Bad Day: (Page 1) A prelude showcasing a lush melodic theme that ascribes the derangement of a normal man to the dramatic events of one bad day.How I Got These Scars: (Page 10) Introduces additional thematic material at a frantically energized pace to contrive an identity from a mind fragmented by hitting rock bottom.Why So Serious: (Page 17) Punctuates the Joker’s aggressive resolutions with a reoccurring two note motif.A Dance with the Devil: (Page 33) A fleshed-out unity of previous materials in a romantic waltz-like style.Giggling in a Corner and Bleeding: (Page 47) A dynamic and provocative bout of hysteria that challenges the speed and dexterity of a player in the same way the Joker challenges the ideological resolve of Batman. By the end of this section, the audience might feel like they have been attacked by the Joker, influenced by him, or may have actually been the Joker all along.
$10.00
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