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CHARANGO
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CONTREBASSE
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COR ANGLAIS
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DOBRO - GUI…
DULCIMER
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FANFARE - B…
FLUTE
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FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
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MANDOLINE
MARIMBA
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PAS DE PART…
PERCU. ORCH…
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
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PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
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Non classifié
883
PIANO & CLAVIERS
Piano seul
490
Piano, Voix et Guitare
370
Piano, Voix
333
Piano Facile
270
Instruments en Do
115
Orgue
27
Accompagnement Piano
15
1 Piano, 4 mains
11
Piano grosses notes
10
Piano Trio: piano, violon, violoncelle
9
Piano Quintette: piano, 2 violons, alto, violoncelle
5
Accordéon
4
Piano Quatuor: piano, violon, alto, violoncelle
4
2 Pianos, 4 mains
3
Piano (partie séparée)
3
Piano Quatuor: piano, 2 violons, violoncelle
1
Ligne De Mélodie, Piano
1
Clavecin
1
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GUITARES
Guitare notes et tablatures
80
Guitare
54
Ligne De Mélodie, (Paroles) et Accords
43
Ukulele
34
Basse electrique
8
Piano, Guitare (duo)
7
Guitare (partie séparée)
6
2 Guitares (duo)
4
Dulcimer
3
Mandoline
3
4 Guitares (Quatuor)
2
Paroles et Accords
2
Banjo
2
Partitions De Groupes
1
Ukulele Baryton
1
Ensemble de guitares
1
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VOIX
Chorale SATB
224
Chorale 3 parties
67
Chorale 2 parties
54
Chorale Unison
35
Chorale TTBB
35
Voix duo, Piano
20
Chorale SSAA
19
Voix Soprano, Piano
12
Voix haute
7
Voix duo
4
Voix seule
3
Voix moyenne, Piano
2
Voix basse
1
Chorale SSAATTBB
1
Voix Alto, Piano
1
Chorale SSATB
1
Chorale SSAB, Piano
1
Voix Tenor
1
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VENTS
Flûte traversière et Piano
93
Clarinette et Piano
74
Saxophone (partie séparée)
61
Hautbois, Piano (duo)
54
Clarinette
53
Saxophone Alto et Piano
45
Flûte traversière
43
2 Saxophones (duo)
37
Saxophone Tenor et Piano
36
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
35
Quatuor de Saxophones: 4 saxophones
34
Saxophone Alto
28
Saxophone Soprano et Piano
24
Hautbois (partie séparée)
23
Ensemble de Flûtes
22
2 Clarinettes (duo)
22
Flûte, Hautbois, Clarinette, Basson
20
Clarinette (partie séparée)
19
Quatuor de Clarinettes: 4 clarinettes
18
Ensemble de Clarinettes
15
Saxophone Baryton, Piano
15
Saxophone
14
Quatuor de Flûtes : 4 flûtes
13
2 Flûtes traversières (duo)
13
Saxophone, Clarinette (duo)
12
Cor anglais, Piano
12
Clarinette, Trompette (duo)
10
Saxophone Tenor
10
Flûte, Clarinette (duo)
10
Clarinette, Violon (duo)
9
3 Clarinettes (trio)
9
Ensemble de saxophones
8
2 Hautbois (duo)
7
Quintette de Saxophone: 5 saxophones
7
Flûte, Alto (duo)
6
Quintette de Clarinettes: 5 clarinettes
6
Hautbois, Basson (duo)
6
Flûte à Bec
6
Clarinette et Alto
5
Flûte, Violon
5
Hautbois, Flûte
5
Clarinette Basse, Piano
5
3 Saxophones (trio)
5
Flûte, Clarinette et Basson
4
Clarinette, Harpe (duo)
4
Clarinette, Guitare (duo)
4
Flute (partie séparée)
4
Flûte à bec Soprano
4
Hautbois
3
Flûte, Saxophone (duo)
3
Cor Anglais
3
Flûte à bec Alto, Piano
3
Flûte et Guitare
3
Flûte à bec Alto
2
Flûte, Violoncelle
2
Hautbois, Clarinette (duo)
2
Trio de Flûtes: 3 flûtes
2
Clarinette, Basson (duo)
2
Piccolo, Piano
2
Flûte, Violon, Piano
1
Flûte à bec Tenor
1
Hautbois, Guitare (duo)
1
Hautbois, Violoncelle
1
Flûte, Trompette (duo)
1
Clarinette, Violoncelle (duo)
1
3 Flûtes à bec (trio)
1
5 Flûtes à bec
1
Flûte irlandaise
1
Flûte, Hautbois, Clarinette (trio)
1
Flûte à Bec, Piano
1
Flûte à bec Soprano, Piano
1
Quintette de Flûte : 5 flûtes
1
Clarinette Basse
1
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CUIVRES
Trompette
57
Trombone et Piano
48
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
44
Trompette, Piano
43
Trombone
40
Cor et Piano
39
Trompette (partie séparée)
31
Cor
29
Tuba
18
Tuba et Piano
18
Quatuor de cuivres: 4 trombones
14
Trombone (partie séparée)
14
Euphonium, Piano (duo)
13
Quatuor de Cuivres : 2 trompettes, trombone, tuba
12
Cor anglais, Piano
12
Quatuor de Cuivres: 2 trompettes, Cor, trombone
11
2 Trompettes (duo)
9
Trompette, Saxophone (duo)
8
Trompette, Trombone (duo)
8
2 Trombones (duo)
8
Quatuor de Cuivres
7
Tuba (partie séparée)
6
Cor (partie séparée)
5
Euphonium
5
2 Cors (duo)
4
Ensemble de Trompettes
3
Cor Anglais
3
Quatuor de cuivres: 4 cors
2
Tuba et Orgue
2
Ensemble de Trombones
2
Ensemble de Cors
2
Trombone basse et Piano
1
Euphonium, Tuba (duo)
1
Trombone, Tuba (duo)
1
Quatuor de cuivres: 4 trompettes
1
Trompette, Cor (duo)
1
Trio de Cuivres
1
2 Euphoniums (duo)
1
3 Trombones (trio)
1
Ensemble de Tubas
1
2 Tubas (duo)
1
2 Euphoniums et 2 Tubas
1
Cor, Trompette, Trombone (trio)
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
109
Violon et Piano
94
Violoncelle, Piano
88
Alto, Piano
75
Violon
57
Violon, Violoncelle (duo)
39
Violoncelle (partie séparée)
33
Alto seul
32
Harpe
29
Violon (partie séparée)
21
Violoncelle
21
Trio à Cordes: 2 violons, violoncelle
20
2 Violoncelles (duo)
18
Violon, Alto (duo)
17
Trio à Cordes: violon, alto, violoncelle
16
Alto, Violoncelle (duo)
15
Contre Basse
13
Contrebasse, Piano (duo)
13
2 Violons (duo)
11
Alto (partie séparée)
9
2 Altos (duo)
7
2 Harpes (duo)
5
Violon, Guitare (duo)
5
Contrebasse (partie séparée)
5
Harpe, Voix
5
Violoncelle, Contrebasse (duo)
3
Trio à cordes: 3 violins
3
2 Contrebasses (duo)
2
Trio à Cordes: 2 violons, alto
2
Harpe, Flûte (duo)
2
Quintette à cordes : 2 violons, alto et 2 violoncelles
2
Trio à Cordes: 3 violoncelles
1
Harpe, Violon (duo)
1
Violoncelle , Guitare (duo)
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Ensemble de Violoncelles
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
341
Batterie
136
Orchestre
71
Orchestre à Cordes
61
Ensemble Jazz
52
Ensemble de cuivres
32
Jazz combo
21
Cloches
20
Percussion (partie séparée)
18
Orchestre de chambre
18
Ensemble de Percussions
11
Fanfare
10
Xylophone, Piano
4
Marimba
4
Batterie (partie séparée)
3
Xylophone
3
2 Xylophones
1
Piano et Orchestre
1
Vibraphone et Marimba
1
Voix et Orchestre
1
Caisse Claire
1
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Long Way Down
Ensemble de Percussions
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Alexandriana for Percussion Ensemble
Ensemble de Percussions
Percussion Ensemble - Level 5 - Digital Download SKU: A0.937755 Composed by Dan Hes…
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.937755 Composed by Dan Heslink. Contemporary,World. Score and parts. 128 pages. Pharaoh Publications #5983475. Published by Pharaoh Publications (A0.937755). Alexandriana for percussion ensemble (12 performers) by Dan Heslink The term Alexandriana is popularly used to reference the Great Library of antiquity in Alexandria, Egypt. Rooted in Alexander the Great’s global military and exploratory exploits (334 - 323 BCE), the library symbolizes the ancient Greek ever expanding worldview, especially under the influence of Alexander and his tutor, Aristotle. Alexander died long before construction of the Ancient Museum and Library of Alexandria, but the concept of a universal library was uniquely his. The mixing of Hellenistic columns with Egyptian architecture and the housing of thousands of scrolls in Greek, Turkish, Babylonian, Egyptian and Hebrew, intensify the division of the library broadly into two large sections, one for eastern knowledge and one for western knowledge. In this musical score, typically western is the thematic concept (expressed most clearly in the chimes), the tonal, triadic-based harmony and sectional concept of form. The music’s sectional nature parallels the library’s different rooms, each containing their own genre of knowledge (history, mathematics, poetry, etc.) Evocative of eastern musical practices are the simultaneous layers of different rhythmic subdivisions, oriental modes, and florid lines in the xylophone and vibe parts. In this score, eastern musical procedures are expressed with instruments commonly found in the Western orchestra or wind band. The performers are encouraged to always emphasize the score’s contrasts. Passages for indefinitely pitched percussion featuring the song within the drums contrast with other passages of purely quantitative rhythm. Complexity in the interaction of parts contrast with simple rhythmic unison. Passages of thick harmony contrast with modal monophonic melodies accompanied only by indefinitely pitched sounds. Overall, there is a wide dynamic range. During long passages of gradually accruing energy, take care to not build dynamics too quickly, and during fortissimo passages, drums should be stroked in a manner that avoids excessive aggression. The rhythmic background of 16th notes must be consistent among all players so that interlocking rhythmic motifs are consistent. Often the tom-toms have melodic passages that imitate the shape of mallet or timpani melodies. Tune the drums for a warm, round sound and select mallets accordingly. Bar percussion players should apply a flowing legato to their passage work. Soft sections are intended to sound mysterious: be sure to use mallets that match that character. The composer assigns a performance level of difficult to this work. Performance time is 9:15. The composer, Dan Heslink, can be reached at dan@dheslink.com.
$9.99
9.22 €
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Ensemble de Percussions
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Dan Heslink
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Alexandriana for Percussion Ensemble
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Pharaoh Publications
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SheetMusicPlus
Another Place
Ensemble de Percussions
Percussion Ensemble - Level 5 - Digital Download SKU: A0.939392 Composed by Adam Gr…
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.939392 Composed by Adam Grim. 20th Century,Contemporary. Score and parts. 65 pages. Adam B. Grim #6862379. Published by Adam B. Grim (A0.939392). Another Place is a marimba quartet on two instruments with some accessory items like a mounted bass drum, cymbal, and wind chimes. The work is about 10.5 minutes long, and holds three distinct movements that begin with solemn rolls that slowly become more regimented and rhythmic. The second movement raises the bar and becomes very rhythmic and syncopated with a Reich-like approach of melody vs interlocking harmony. This climax brings a high dynamic level to the forefront of the instruments with interlocking impact points being contrasted to unison hits. The third movement takes this original melody and harmony to the next level by using changing time signatures and motivic ideas to maximize the powerful ending. Throughout there is a deep sense of color and texture that can be maximized by the ensemble in new and exciting ways with each performance. This has plenty of ink, but also leaves a lot to interpret and bring the ensemble’s voice forward. I hope you enjoy! This work won the Audience Award in the Rocky Mountain Music Composition Contest in 2022 as well as Second Prize overall. These international awards were judged by a panel of seven judges from around the world, but with the competition based out of Toronto, Canada.
$35.00
32.3 €
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Ensemble de Percussions
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Adam Grim
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Another Place
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Adam B. Grim
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SheetMusicPlus
Chicken and a Biscuit
Ensemble de Percussions
Percussion Ensemble - Level 2 - Digital Download SKU: A0.1013921 Composed by Tsoof …
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Percussion Ensemble - Level 2 - Digital Download SKU: A0.1013921 Composed by Tsoof Baras. Standards. Score and parts. 42 pages. Tsoof Baras #6332907. Published by Tsoof Baras (A0.1013921). Players - 6Instrumentation - Snare Drum, 4 Concert Toms, Kick DrumChicken and a Biscuit is a phrase used as a teaching tool for one of the most common drum fills in funk and reggae music. The piece draws inspiration from traditional drumming styles such as Samba and West African Djembe drumming. It also pays homage to great percussion composers, John Parker and Tania Savage, who have created drumming pieces that are the staple of high school percussion music in Brisbane, Australia.As always, the aim is that the ensemble has fun and enjoys the groove. Coming from a long background of Latin and African drumming styles, the piece was written with heavy emphasis on feeling the rhythm and hearing all the parts lock in.
$45.00
41.53 €
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Ensemble de Percussions
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Tsoof Baras
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Chicken and a Biscuit
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Tsoof Baras
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SheetMusicPlus
Chops McGee's Bucket of Chops
Ensemble de Percussions
Percussion Ensemble - Level 3 - Digital Download SKU: A0.1013933 Composed by Tsoof …
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.1013933 Composed by Tsoof Baras. Standards. Score and parts. 15 pages. Tsoof Baras #6332949. Published by Tsoof Baras (A0.1013933). Players - 4Instrumentation - Concert Toms.Inspired by the music of Kevin Tuck, this drumming quartet is an introduction to 12/8, soloing and creating melodies across parts.As always, the aim is that the ensemble has fun and enjoys the groove. Coming from a long background of Latin and African drumming styles, this composition places a heavy emphasis on feeling the rhythm and hearing all the parts lock in.
$45.00
41.53 €
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Ensemble de Percussions
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Tsoof Baras
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Chops McGee's Bucket of Chops
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Tsoof Baras
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SheetMusicPlus
Groove City
Ensemble de Percussions
Percussion Ensemble - Level 2 - Digital Download SKU: A0.1013925 Composed by Tsoof …
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Percussion Ensemble - Level 2 - Digital Download SKU: A0.1013925 Composed by Tsoof Baras. Contemporary,Hip-Hop,Jazz,R & B,Standards. Score and parts. 18 pages. Tsoof Baras #6662685. Published by Tsoof Baras (A0.1013925). Players - 4Instrumentation - Snare Drum, Concert Toms, Kick Drum.I wrote this piece for one of my school percussion ensembles trying to fill a gap in percussion ensemble drumming pieces. In my search for great pieces, some were too hard, others too easy. So, I decided to write my own.The piece draws inspiration from funk and R&B drumming and as always, the aim is that the ensemble has fun and enjoys the groove. Coming from a long background of Latin and African drumming styles, my compositions place a heavy emphasis on feeling the rhythm and hearing all the parts lock in, rather than being accurate.
$45.00
41.53 €
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Ensemble de Percussions
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Tsoof Baras
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Groove City
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Tsoof Baras
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SheetMusicPlus
Storm the Gate
Ensemble de Percussions
Percussion Ensemble - Level 1 - Digital Download SKU: A0.1013927 Composed by Tsoof …
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Percussion Ensemble - Level 1 - Digital Download SKU: A0.1013927 Composed by Tsoof Baras. Contemporary,Instructional,Standards,World. Score and parts. 15 pages. Tsoof Baras #6663539. Published by Tsoof Baras (A0.1013927). Players - 4Instrumentation - Snare drum, Concert toms, Kick drum.I wrote this piece for one of my school percussion ensembles trying to fill a gap in percussion ensemble drumming pieces. In my search for great pieces, some were too hard, others too easy. So, I decided to write my own.The piece also draws inspiration from funk and Taiko drumming. It also pays homage to the great percussion composer Kevin Tuck and his piece Summon the Spirits, who has created drumming pieces that are the staple of percussion music all around the world.As always, the aim is that the ensemble has fun and enjoys the groove. Coming from a long background of Latin and African drumming styles, my compositions place a heavy emphasis on feeling the rhythm and hearing all the parts lock in, rather than being accurate.
$45.00
41.53 €
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Ensemble de Percussions
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Tsoof Baras
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Storm the Gate
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Tsoof Baras
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SheetMusicPlus
Judex (from Mors et Vita)
Ensemble de Percussions
Percussion Ensemble - Level 3 - Digital Download SKU: A0.597224 Composed by Charles…
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.597224 Composed by Charles Francois Gounod. Arranged by Flávio Régis Cunha. Concert,Contemporary,Romantic Period,Sacred,Standards. Score and parts. 47 pages. Flavio Regis Cunha #4595365. Published by Flavio Regis Cunha (A0.597224). Mors et vita is an oratorio in three parts by Charles Gounod premiered at the Birmingham Festival in 1885. It was conceived as a sequel to La rédemption (1882). The 1886 Paris premiere again featured Jean Baptiste Faure. Gounod considered this oratorio, and its predecessor La rédemption (1882) as his greatest achievements. JUDEX is a part of this important work and now you have it in a friendlier tonality (G) than the original written by Gounod (the key of Gb). The music remains unchanged. It is a beautiful work, very accessible and suitable for concerts openings, service preludes, recitals. It is an important work of the orchestral repertoire and your orchestra needs to play it at some point along the way. You and your orchestra will enjoy playing this work of unique beauty.Flavio Regis Cunha is a pianist, conductor and composer from São Paulo - Brasil. He is currently finishing his doctorate at Mackenzie Presbyterian University where he works as conductor of the Mackenzie University Orchestra and resident composer. For more arrangements like this, works by commission or for any questions you can contact Flavio Regis Cunha at his facebook page: https://www.facebook.com/flavioregiscunha
$40.00
36.92 €
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Ensemble de Percussions
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Charles Francois Gounod
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Flávio Régis Cunha
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Judex
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Flavio Regis Cunha
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SheetMusicPlus
The Man Who Laughs
Ensemble de Percussions
Percussion Ensemble - Level 5 - Digital Download SKU: A0.1025413 Composed by Jehad …
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.1025413 Composed by Jehad Choate. 20th Century,Contemporary,Film/TV. Score and parts. 67 pages. Jehad Choate #4781401. Published by Jehad Choate (A0.1025413). The Man Who Laughs is a musical portrait of Batman’s greatest adversary, the Joker (Detective Comics). This piece draws inspiration from both comic book sources and live-action performances on film and television. It features five continuous sections:One Bad Day: (Page 1) A prelude showcasing a lush melodic theme that ascribes the derangement of a normal man to the dramatic events of one bad day.How I Got These Scars: (Page 10) Introduces additional thematic material at a frantically energized pace to contrive an identity from a mind fragmented by hitting rock bottom.Why So Serious: (Page 17) Punctuates the Joker’s aggressive resolutions with a reoccurring two note motif.A Dance with the Devil: (Page 33) A fleshed-out unity of previous materials in a romantic waltz-like style.Giggling in a Corner and Bleeding: (Page 47) A dynamic and provocative bout of hysteria that challenges the speed and dexterity of a player in the same way the Joker challenges the ideological resolve of Batman. By the end of this section, the audience might feel like they have been attacked by the Joker, influenced by him, or may have actually been the Joker all along.
$10.00
9.23 €
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Ensemble de Percussions
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the end of this section, the audience might feel like they have been attacked by the Joker, influenced by him, or may have actually been the Joker all along
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Jehad Choate
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The Man Who Laughs
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Jehad Choate
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SheetMusicPlus
Terraqueous
Ensemble de Percussions
Percussion Ensemble - Level 5 - Digital Download SKU: A0.1022509 Composed by Marsha…
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.1022509 Composed by Marshall Jones. Contemporary. Score and parts. 54 pages. Marshall Jones #2014111. Published by Marshall Jones (A0.1022509). Each movement of Terraqueous is centered around a geological process. Orogeny-the formation of mountains. Glaciation--the forming of glaciers. Erosion and Stratification--the stripping away of material by wind and water that is then carried along and then piles up in layers. The audio clip is of the final movement.
$36.00
33.23 €
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Ensemble de Percussions
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Marshall Jones
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Terraqueous
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Marshall Jones
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SheetMusicPlus
Four Forces (First movement) I. Strong Forces
Ensemble de Percussions
Percussion Ensemble - Level 5 - Digital Download SKU: A0.962406 Composed by Salvado…
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.962406 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 173 pages. Salvador Rojo-Gamon #5801913. Published by Salvador Rojo-Gamon (A0.962406). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$300.00
276.88 €
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Ensemble de Percussions
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Salvador Rojo Gamón
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Four Forces
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Salvador Rojo-Gamon
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SheetMusicPlus
Four Forces (Second movement) II. Weak Forces
Ensemble de Percussions
Percussion Ensemble - Level 5 - Digital Download SKU: A0.962405 Composed by Salvado…
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.962405 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 255 pages. Salvador Rojo-Gamon #5801921. Published by Salvador Rojo-Gamon (A0.962405). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$150.00
138.44 €
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Ensemble de Percussions
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Salvador Rojo Gamón
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Four Forces
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Salvador Rojo-Gamon
#
SheetMusicPlus
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