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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Make Way for the King
Non classifié
222
Piano & claviers
Piano seul
126
Piano, Voix
91
Piano Facile
83
Instruments en Do
31
Piano, Voix et Guitare
28
1 Piano, 4 mains
8
Orgue
3
Accompagnement Piano
3
Piano Quatuor: piano, 2 violons, violoncelle
1
2 Pianos, 4 mains
1
Piano Quatuor: piano, violon, alto, violoncelle
1
+ 6 instrumentations
Retracter
Guitares
Guitare notes et tablatures
24
Guitare
8
2 Guitares (duo)
6
Ukulele
3
Basse electrique
3
Paroles et Accords
2
Piano, Guitare (duo)
1
Ligne De Mélodie, (Paroles) et Accords
1
3 Guitares (trio)
1
2 Ukuleles
1
+ 5 instrumentations
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Voix
Chorale SATB
53
Voix Soprano, Piano
46
Voix Alto, Piano
36
Voix Tenor, Piano
27
Chorale 3 parties
19
Chorale 2 parties
14
Chorale SSAA
14
Chorale TTBB
3
Chorale Unison
3
Voix duo, Piano
2
+ 5 instrumentations
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Vents
Saxophone Alto
22
Flûte, Hautbois, Clarinette, Basson
16
2 Saxophones (duo)
16
Quatuor de Saxophones: 4 saxophones
16
Flûte traversière et Piano
14
Flûte traversière
14
2 Flûtes traversières (duo)
13
Saxophone, Clarinette (duo)
12
Quintette de Saxophone: 5 saxophones
12
Clarinette et Piano
12
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
11
Hautbois, Piano (duo)
11
Clarinette
11
Saxophone Tenor et Piano
11
Clarinette, Violon (duo)
9
Flûte, Clarinette (duo)
8
Hautbois, Clarinette (duo)
7
Saxophone Alto et Piano
7
Quatuor de Clarinettes: 4 clarinettes
7
Hautbois, Basson (duo)
7
Clarinette, Trompette (duo)
6
Saxophone (partie séparée)
6
Clarinette et Alto
6
2 Hautbois (duo)
5
2 Clarinettes (duo)
5
Saxophone Baryton, Piano
5
Saxophone Soprano et Piano
5
Hautbois, Flûte
4
Flûte à bec Soprano
4
Hautbois (partie séparée)
4
Saxophone Tenor
4
Flûte, Violon
4
Flûte, Alto (duo)
4
Flûte, Saxophone (duo)
4
Hautbois
3
Flûte, Trompette (duo)
3
Clarinette, Basson (duo)
3
Saxophone Baryton
2
Saxophone Soprano
2
Cor Anglais
2
Clarinette, Violoncelle (duo)
2
Flûte, Violoncelle
2
Hautbois et alto (duo)
2
Hautbois, violon (duo)
2
Hautbois, Violoncelle
2
Flûte, Hautbois (duo)
2
Ensemble de saxophones
2
Quatuor de Flûtes : 4 flûtes
2
Ocarina
1
Clarinette, Guitare (duo)
1
Flûte et Guitare
1
Flûte et Trio à cordes
1
Flûte, Trombone (duo)
1
Flûte, Tuba (duo)
1
Quintette de Flûte : 5 flûtes
1
Clarinette, Contrebasse (duo)
1
Ensemble de Clarinettes
1
Flûte, Hautbois, Clarinette (trio)
1
Quintette de Clarinettes: 5 clarinettes
1
Trio de Flûtes: 3 flûtes
1
Quatuor de Flûtes à bec
1
+ 56 instrumentations
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Cuivres
Trombone et Piano
13
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
12
Trombone
10
Trompette, Trombone (duo)
10
Trompette
10
Trompette, Saxophone (duo)
8
Trompette, Piano
8
Cor et Piano
8
Quatuor de Cuivres: 2 trompettes, Cor, trombone
8
Tuba et Piano
6
Cor
6
Tuba
6
2 Trombones (duo)
4
Trompette, Cor (duo)
4
Quatuor de cuivres: 4 trompettes
3
Trompette (partie séparée)
2
Cor Anglais
2
Euphonium
2
Ensemble de Trompettes
2
Quatuor de Cuivres
2
Trombone, Violon (duo)
1
Quatuor de cuivres: 4 trombones
1
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1
Euphonium, Piano (duo)
1
4 Tubas
1
2 Euphoniums et 2 Tubas
1
Quatuor de cuivres: 4 cors
1
+ 22 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
57
Violon et Piano
39
Violoncelle
18
Violoncelle, Piano
17
Violon
17
Violon, Violoncelle (duo)
16
Violon, Alto (duo)
11
Alto, Piano
11
2 Violons (duo)
10
Quintette à cordes: 2 violons, alto, violoncelle, basse
10
2 Violoncelles (duo)
9
Contrebasse, Piano (duo)
7
Harpe
7
Trio à Cordes: violon, alto, violoncelle
6
Alto seul
6
2 Altos (duo)
5
Alto (partie séparée)
5
Contre Basse
5
Violoncelle, Contrebasse (duo)
2
Harpe, Voix
2
Trio à Cordes: 2 violons, violoncelle
2
Trio à Cordes: 3 violoncelles
2
Violon, Basson (duo)
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Flûte, Contrebasse (duo)
1
Alto et Basson
1
Violon, Clarinette, Piano (trio)
1
Harpe, Trombone (duo)
1
Violon (partie séparée)
1
Ensemble de Violoncelles
1
Alto, Violoncelle (duo)
1
Violon, Tuba (duo)
1
+ 27 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
37
Orchestre à Cordes
20
Orchestre
16
Orchestre de chambre
15
Ensemble Jazz
7
Cloches
7
Ensemble de cuivres
5
Jazz combo
3
Ensemble de Percussions
2
Batterie
1
Vibraphone et Marimba
1
Fanfare
1
Percussion (partie séparée)
1
+ 8 instrumentations
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DULCIMER
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FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
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MANDOLINE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
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TROMBONE
TROMPETTE
TUBA
UKULELE
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METHODE : TECHNIQUES
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OPERA
PATRIOTIQUE
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POP ROCK - POP MUSIC
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Crtitères actifs :
Make Way for the King
Ensemble de Percussions
Partitions à imprimer
2 partitions trouvées
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1
Gravity for Septet
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Ensemble de Percussions
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AVANCÉ
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Contemporain
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MohammadHadi Ayanbod
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Gravity for Septet
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Rimorarte Edition
#
SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.1027778 Composed by MohammadHadi Ayanbod. 20th Century,Contemporary. Score and parts. 25 pages. Rimorarte Editio...
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Percussion Ensemble - Level 5 - SKU: A0.1027778 Composed by MohammadHadi Ayanbod. 20th Century,Contemporary. Score and parts. 25 pages. Rimorarte Edition #5996957. Published by Rimorarte Edition (A0.1027778). In GRAVITY I explored different gravities as forces we not only feel them in every moments of our lives, but also thinking of living without or escaping from them seems impossible. Likewise, those gravities exist in the music, make us feel the music continuous, desirable, logical and an integrated language of art. The exploration of the path from chaos to unity, and from unity to multiplicity, is where the title came from. GRAVITY consists of two main sections. The first section, which shows the fully-grown and flourished musical ecosystem, and the second part; a flashback to just after big-bang, which tries to musicalize the creation of the gravity! In the first section, I’ve used the concept of horizontal and vertical minimalism. At the very beginning of the piece we have a structure that bring the idea of the vertical minimalism out. In every moment, each instrument plays the same note as others. However, the narrative line is divided into different octaves, so, the melody is not the same in spite of the fact that each instrument plays the same tone. This structure also reminds the paradoxical ladder or optical staircase illusion. The narration is built up until it reaches temporal climax. At the same time, this melody starts again from the beginning with some microscopic differences visible vividly to musicians. This semi reciprocating musical narration, could be observed as a musical example of the staircase illusion. After this part, but still in the first section of the music, I’ve used the horizontal (traditional) minimalism idioms to explore the bounding forces present in the music. Although, what interesting here is the creation of synthetic voices which is the result of different amounts of the nuances and different combinations of the sound. For keen ears, it seems like shades of neon lights, penetrate into one another in the scale of time and create a big picture of micro fluctuating objects. In the second section or just after big-bang, I’ve observed and recreate musically, the very moment of creation of the gravity just after the big-bang. Here, we don’t have melody, rhythm, structure, narration and other aspects of the music in the traditional way, although all of them are present in the music. very single sound or noise is meaningful and showing the assemblage process of the forces in the music to create a melody line. I’ve occupied idioms of contemporary Sonorism genre to create the atmosphere. This highly complex texture shows the virtuosity of interpreters and the capability of the instruments in avant-garde literature and extended techniques. The music is concluded by a fast-tempo finale, with the instruction of fortissimo possiblile (as loud as possible). The piece, in fact, will not be finished as a morendo, but, it opens a space for hypothetically living structure; constantly grows, flourishes, shines and decays.
$16.99
Don't Worry, Be Happy
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Ensemble de Percussions
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INTERMÉDIAIRE
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Jazz
#
Bobby McFerrin
#
Ricardo Matosinhos
#
Don't Worry, Be Happy
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Ricardo Matosinhos
#
SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.899162 By Bobby McFerrin. By Bobby McFerrin. Arranged by Ricardo Matosinhos. Jazz. Score and parts. 32 pages. Ri...
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Percussion Ensemble - Level 3 - SKU: A0.899162 By Bobby McFerrin. By Bobby McFerrin. Arranged by Ricardo Matosinhos. Jazz. Score and parts. 32 pages. Ricardo Matosinhos #5723941. Published by Ricardo Matosinhos (A0.899162). This is a well known piece by Bobby McFerrin. Here presented on a music arrangement for unconventional music instruments. The arrangement allows flexibility, so this piece can be performed using tuned bottles (25cl, 33cl and 75cl), lip whistle, finger snaps, complemented with xylophones and optionally with voices to sing the lyrics too. This arrangement was made during the 2020 quarantine, when the world was shutdown due to a world virus pandemic. Some of the music students didn’t have their music instruments at home, so this arrangement came up to fill that gap and it is perfect to keep doing music with the available option of instruments.On each rehearsal letter, you can play optional improvisations, while keeping the voices 5-8. These improvisations can be easily done using the C major pentatonic scale or the note ranges presented on the right, that even include Eâ™ and Bâ™. If played using lip whistle, bendings will be possible too. This arrangement presents 8 voices and an alternative solution for voice 8, that makes it easier to be performed as it is the place where bottles are divided between the players. There is also an optional bass line to complement voice eight one octave bellow. In order to keep it simple, neither dynamics or articulations were included and the notes were represented always in the middle octave in G clef. The correct pitch ranges are presented in the performance notes.The amount of water will change the pitch differently depending if you are blowing or doing percussion on a bottle. When blowing, the more water you use, the higher the pitch will be, but while doing percussions more water means lower pitch. A good option, in order to save time during rehearsals, is to fill the bottles with water, marking the level with a pen, and then filling the bottle with the desired amount of hot wax instead of water. This way, when the wax cools down you can have a tuned bottle without requiring to tune it again every single rehearsal. Please note that the bottles should be made of glass and that different aspects change the performance. For percussion, straight bottles are better to tune as the curves in the bottles tend to produce unstable pitches. The extreme notes of the range might not be available in every single bottle, so you might need to try some alternatives. For example the high A is available in some beer bottles, while the low G is available in larger 75cl bottles of champaign. Last but not least, this piece should always be played according to Bobby’s motto: dont worry, be happy!I had lots of fun while doing this arrangement, now it’s your time to have fun while performing it!Ricardo Matosinhoshttp://www.ricardomatosinhos.com
$14.99
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Make Way for the King
