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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Mati
Non classifié
2 288
Piano & claviers
Piano seul
1 949
Piano, Voix
498
Piano Facile
373
Piano, Voix et Guitare
170
Orgue
142
Accompagnement Piano
77
1 Piano, 4 mains
52
Instruments en Do
49
Accordéon
32
Piano Trio: piano, violon, violoncelle
30
2 Pianos, 4 mains
18
Piano grosses notes
9
Orgue, Piano (duo)
8
Piano Quatuor: piano, violon, alto, violoncelle
7
Piano Quintette: piano, 2 violons, alto, violoncelle
6
Clavier
5
Piano Quatuor: piano, 2 violons, violoncelle
3
Orgue, Trompette (duo)
3
Clavecin
3
2 Accordéons
2
Piano (partie séparée)
2
Ensemble d'Accordéons
1
2 Pianos, 8 mains
1
+ 18 instrumentations
Retracter
Guitares
Guitare notes et tablatures
199
Guitare
160
Dulcimer
44
Ligne De Mélodie, (Paroles) et Accords
34
Ukulele
20
Paroles et Accords
16
Basse electrique
14
2 Guitares (duo)
13
4 Guitares (Quatuor)
8
Banjo
8
Piano, Guitare (duo)
7
Mandoline
6
2 Dulcimers (duo)
4
Ensemble de guitares
3
Guitare (partie séparée)
2
3 Guitares (trio)
2
Guitare, Violon, Violoncelle (trio)
1
+ 12 instrumentations
Retracter
Voix
Chorale SATB
809
Chorale 3 parties
232
Chorale 2 parties
161
Chorale TTBB
86
Chorale Unison
73
Chorale SSAA
65
Voix duo, Piano
42
Voix duo
31
Voix Soprano, Piano
25
Pack Instrumental pour Chorale
24
Voix seule
23
Chorale
17
Voix haute
16
Voix Tenor, Piano
9
Voix Baryton, Piano
9
Voix Alto, Piano
7
Chorale SSAATTBB
4
Voix moyenne, Piano
4
Voix Soprano
4
Voix Mezzo-Soprano, Piano
2
Chorale SSAB a cappella
2
Voix basse, Piano
1
Voix, Guitare
1
Voix Baryton
1
Voix Tenor
1
Chorale SSATB
1
Soli, choeur mixte et accompagnement
1
Voix basse
1
+ 23 instrumentations
Retracter
Vents
Harmonica
218
Quatuor de Saxophones: 4 saxophones
131
Flûte traversière et Piano
128
Clarinette et Piano
93
2 Saxophones (duo)
91
Flûte traversière
89
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
88
Clarinette
83
Quatuor de Clarinettes: 4 clarinettes
80
Hautbois, Piano (duo)
79
Saxophone Alto et Piano
77
Flûte, Hautbois, Clarinette, Basson
55
Saxophone Tenor et Piano
50
Quatuor de Flûtes : 4 flûtes
49
2 Clarinettes (duo)
49
2 Flûtes traversières (duo)
46
3 Saxophones (trio)
45
Saxophone Alto
42
Saxophone Soprano et Piano
41
Quintette de Saxophone: 5 saxophones
41
Saxophone Tenor
35
Saxophone (partie séparée)
27
Flûte et Guitare
25
Clarinette (partie séparée)
24
Saxophone Baryton, Piano
23
Ensemble de Clarinettes
23
Flûte, Clarinette (duo)
22
Hautbois (partie séparée)
21
3 Clarinettes (trio)
21
2 Hautbois (duo)
20
Ensemble de saxophones
17
Quintette de Clarinettes: 5 clarinettes
17
2 Flûte à bec (duo)
17
Trio de Flûtes: 3 flûtes
17
Hautbois, Basson (duo)
14
Hautbois
13
Ensemble de Flûtes
13
Cor anglais, Piano
12
Saxophone Soprano
12
Clarinette Basse, Piano
12
Hautbois, Clarinette, Basson (trio d'anches)
11
Flûte, Hautbois, Basson
10
Saxophone, Clarinette (duo)
10
Quatuor de Flûtes à bec
9
Clarinette, Violon (duo)
9
Flûte, Clarinette et Basson
9
Quintette de Flûte : 5 flûtes
9
Clarinette, Violoncelle, Piano (trio)
8
Hautbois, Clarinette (duo)
8
Clarinette, Basson (duo)
7
Saxophone Baryton
7
Flûte, Violon
7
Flûte, Saxophone (duo)
7
3 Flûtes à bec (trio)
6
Flûte, Hautbois (duo)
6
Flûte à Bec
6
Flûte, Hautbois, Piano (trio)
6
Flûte à bec Alto
6
Flûte, Violoncelle, Piano (trio)
6
Flute (partie séparée)
6
Flûte à bec Soprano
5
Clarinette, Trompette (duo)
4
Flûte, Alto (duo)
4
Clarinette, Violoncelle (duo)
4
Clarinette et Alto
4
Flûte, Violon et Violoncelle
3
Flûte, Alto et Piano
3
Clarinette, Guitare (duo)
3
5 Flûtes à bec
3
2 Flûtes traversières, Piano
3
Flûte à bec Alto, Piano
3
Hautbois, Guitare (duo)
3
Flûte, Hautbois, Clarinette (trio)
3
Flûte, Clarinette, Piano (trio)
2
Hautbois, Flûte
2
Hautbois, Violin, Alto et Violoncelle (Quatuor)
2
2 Clarinettes, Piano
2
Flûte, Violoncelle
2
Ensemble De Flûte à bec
2
Piccolo, Piano
2
Saxophone
2
Instruments en Mib
2
Harmonica, Piano
1
Hautbois, Basson et Piano
1
Flûte à Bec, Piano
1
Piccolo
1
2 Clarinettes, Basson
1
Flûte à bec Soprano, Piano
1
Cor anglais, Guitare (duo)
1
Flûte à bec Tenor
1
Flute, harpe et violon
1
Flûte et Trio à cordes
1
Flûte, Trompette (duo)
1
Clarinette, Trombone (duo)
1
Flûte de Pan
1
Saxophone et Piano
1
Flute, alto, violoncelle et guitare
1
Flûte, trombone et piano
1
Cor Anglais
1
Flûte, Violoncelle, Guitare
1
Saxophone et Orgue
1
+ 96 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
140
Trombone et Piano
87
Trompette
75
Quatuor de Cuivres : 2 trompettes, trombone, tuba
72
Trompette, Piano
62
Cor et Piano
49
Trombone
45
Cor
34
Trompette (partie séparée)
33
Trombone (partie séparée)
33
Tuba et Piano
29
Quatuor de Cuivres: 2 trompettes, Cor, trombone
20
Ensemble de Trombones
19
2 Trompettes (duo)
16
2 Trombones (duo)
16
Tuba
14
Quatuor de Cuivres
14
Quatuor de cuivres: 4 trombones
13
Euphonium, Piano (duo)
13
Quatuor de cuivres: 4 cors
13
Cor anglais, Piano
12
Ensemble de Trompettes
12
Cor (partie séparée)
12
2 Cors (duo)
11
Tuba (partie séparée)
11
2 Euphoniums et 2 Tubas
9
Trompette, Saxophone (duo)
7
Trompette, Trombone (duo)
7
4 Tubas
7
Ensemble de Cors
6
2 Tubas (duo)
4
Quatuor de cuivres: 4 trompettes
4
Bass Clef Instruments
3
Trombone et orchestre
3
Instruments en Sib
2
Cor et Orgue
2
3 Trompettes (trio)
2
Trombone basse et Piano
2
2 Euphoniums (duo)
2
Trombone basse
2
Tuba et Orgue
2
Trio de Cuivres
1
Instruments en Fa
1
3 Cors (trio)
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Clarinette, Cor (duo)
1
Cor anglais, Guitare (duo)
1
Trombone, Orgue
1
Ensemble de Tubas
1
3 Euphoniums
1
Cor, Tuba (duo)
1
Trompette, Cor (duo)
1
3 Trombones (trio)
1
Cor Anglais
1
+ 49 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
378
Violon et Piano
148
Violon
120
Violoncelle, Piano
103
Violon, Violoncelle (duo)
80
Alto, Piano
80
Harpe
72
Violoncelle
71
Violon (partie séparée)
53
Alto seul
48
2 Violons (duo)
47
Trio à Cordes: violon, alto, violoncelle
43
2 Violoncelles (duo)
34
2 Altos (duo)
31
Contrebasse, Piano (duo)
27
Alto (partie séparée)
25
Violon, Alto (duo)
24
Violoncelle (partie séparée)
18
Contre Basse
17
Contrebasse (partie séparée)
17
4 Violoncelles
16
Alto, Violoncelle (duo)
16
Trio à Cordes: 2 violons, violoncelle
15
Trio à Cordes: 3 violoncelles
13
Trio à cordes: 3 violins
11
Quintette à cordes: 2 violons, alto, violoncelle, basse
11
Quatuor à cordes: 4 violons
9
Quatuor à cordes : 4 altos
8
Trio à cordes: 3 altos
7
Violoncelle , Guitare (duo)
7
Violon, Guitare (duo)
6
2 Harpes (duo)
5
Flûte, Contrebasse (duo)
5
Trio à Cordes: 2 violons, alto
4
2 Contrebasses (duo)
4
Quintette à cordes: 2 violons, 2 altos, violoncelle
4
Alto, Guitare (duo)
4
Violoncelle, Contrebasse (duo)
2
Harpe, Violon (duo)
2
Violon, Clarinette, Piano (trio)
2
Autoharp
2
Piano Trio: Violon, Alto, Piano
1
Harpe, Violoncelle (duo)
1
Violon, Orgue
1
Violoncelle, Orgue
1
Ensemble d'Altos
1
Alto et orchestre
1
Alto et Basson
1
Violoncelle, Orchestre
1
Ensemble de Violons
1
Harpe, Voix
1
2 Violons, Piano
1
4 Harpes
1
Harpe, Violon, Violoncelle
1
+ 49 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
1 832
Orchestre à Cordes
285
Orchestre
266
Ensemble de cuivres
98
Cloches
70
Ensemble Jazz
63
Orchestre de chambre
61
Jazz combo
25
Ensemble de Percussions
18
Percussion (partie séparée)
14
Fanfare
12
Batterie
10
Marimba
10
Vibraphone
9
Piano et Orchestre
6
Xylophone
6
Percussion
5
2 Xylophones
4
Batterie (partie séparée)
2
Orchestre, Violon
2
Timbales
1
Marimba, Piano (duo)
1
Quintette de Cuivres: autres combinaisons
1
Bongos
1
Quintette à Vent
1
Ensemble d'École
1
Instrumentation Flexible
1
2 Caisses Claires (duo)
1
Timbales (partie séparée)
1
+ 24 instrumentations
Retracter
Autres
Formation musicale - Solfège
238
Théorie de la musique
2
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ACCORDEON
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BALALAIKA
BANJO
BASSE
BASSON
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CHARANGO
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CLAIRON
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COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
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FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
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LUTH, THEOR…
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TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
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XYLOPHONE
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Vous avez sélectionné:
Mati
Ensemble de Percussions
Partitions à imprimer
18 partitions trouvées
<
1
Alexandriana for Percussion Ensemble
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Ensemble de Percussions
#
AVANCÉ
#
Dan Heslink
#
#
Alexandriana for Percussion En
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Pharaoh Publications
#
SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.937755 Composed by Dan Heslink. Contemporary,World. Score and parts. 128 pages. Pharaoh Publications #5983475. P...
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Percussion Ensemble - Level 5 - SKU: A0.937755 Composed by Dan Heslink. Contemporary,World. Score and parts. 128 pages. Pharaoh Publications #5983475. Published by Pharaoh Publications (A0.937755). Alexandriana for percussion ensemble (12 performers) by Dan Heslink The term Alexandriana is popularly used to reference the Great Library of antiquity in Alexandria, Egypt. Rooted in Alexander the Great’s global military and exploratory exploits (334 - 323 BCE), the library symbolizes the ancient Greek ever expanding worldview, especially under the influence of Alexander and his tutor, Aristotle. Alexander died long before construction of the Ancient Museum and Library of Alexandria, but the concept of a universal library was uniquely his. The mixing of Hellenistic columns with Egyptian architecture and the housing of thousands of scrolls in Greek, Turkish, Babylonian, Egyptian and Hebrew, intensify the division of the library broadly into two large sections, one for eastern knowledge and one for western knowledge. In this musical score, typically western is the thematic concept (expressed most clearly in the chimes), the tonal, triadic-based harmony and sectional concept of form. The music’s sectional nature parallels the library’s different rooms, each containing their own genre of knowledge (history, mathematics, poetry, etc.) Evocative of eastern musical practices are the simultaneous layers of different rhythmic subdivisions, oriental modes, and florid lines in the xylophone and vibe parts. In this score, eastern musical procedures are expressed with instruments commonly found in the Western orchestra or wind band. The performers are encouraged to always emphasize the score’s contrasts. Passages for indefinitely pitched percussion featuring the song within the drums contrast with other passages of purely quantitative rhythm. Complexity in the interaction of parts contrast with simple rhythmic unison. Passages of thick harmony contrast with modal monophonic melodies accompanied only by indefinitely pitched sounds. Overall, there is a wide dynamic range. During long passages of gradually accruing energy, take care to not build dynamics too quickly, and during fortissimo passages, drums should be stroked in a manner that avoids excessive aggression. The rhythmic background of 16th notes must be consistent among all players so that interlocking rhythmic motifs are consistent. Often the tom-toms have melodic passages that imitate the shape of mallet or timpani melodies. Tune the drums for a warm, round sound and select mallets accordingly. Bar percussion players should apply a flowing legato to their passage work. Soft sections are intended to sound mysterious: be sure to use mallets that match that character. The composer assigns a performance level of difficult to this work. Performance time is 9:15. The composer, Dan Heslink, can be reached at dan@dheslink.com.
$9.99
The Man Who Laughs
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Ensemble de Percussions
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AVANCÉ
#
the end of this section, the a
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Jehad Choate
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The Man Who Laughs
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Jehad Choate
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.1025413 Composed by Jehad Choate. 20th Century,Contemporary,Film/TV. Score and parts. 67 pages. Jehad Choate #47...
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Percussion Ensemble - Level 5 - SKU: A0.1025413 Composed by Jehad Choate. 20th Century,Contemporary,Film/TV. Score and parts. 67 pages. Jehad Choate #4781401. Published by Jehad Choate (A0.1025413). The Man Who Laughs is a musical portrait of Batman’s greatest adversary, the Joker (Detective Comics). This piece draws inspiration from both comic book sources and live-action performances on film and television. It features five continuous sections:One Bad Day: (Page 1) A prelude showcasing a lush melodic theme that ascribes the derangement of a normal man to the dramatic events of one bad day.How I Got These Scars: (Page 10) Introduces additional thematic material at a frantically energized pace to contrive an identity from a mind fragmented by hitting rock bottom.Why So Serious: (Page 17) Punctuates the Joker’s aggressive resolutions with a reoccurring two note motif.A Dance with the Devil: (Page 33) A fleshed-out unity of previous materials in a romantic waltz-like style.Giggling in a Corner and Bleeding: (Page 47) A dynamic and provocative bout of hysteria that challenges the speed and dexterity of a player in the same way the Joker challenges the ideological resolve of Batman. By the end of this section, the audience might feel like they have been attacked by the Joker, influenced by him, or may have actually been the Joker all along.
$10.00
Pure Imagination
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Ensemble de Percussions
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Film/TV
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Anthony Newley and Leslie Bric
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Stephen Primatic
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Pure Imagination
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Stephen Primatic
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SheetMusicPlus
Percussion Ensemble - SKU: A0.1032677 Composed by Anthony Newley and Leslie Bricusse. Arranged by Stephen Primatic. Film/TV. Score and parts. 29 pages. ...
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Percussion Ensemble - SKU: A0.1032677 Composed by Anthony Newley and Leslie Bricusse. Arranged by Stephen Primatic. Film/TV. Score and parts. 29 pages. Stephen Primatic #5303367. Published by Stephen Primatic (A0.1032677). This arrangement is an adaptation of the song from the movie Willie Wonka and the Chocolate Factory. It follows the onscreen version quite closely. It is intended for an intermediate ensemble.
$20.00
Battaille Decisive(em20)
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Ensemble de Percussions
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INTERMÉDIAIRE
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Contemporain
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Shiro Sagisu
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Tsuyoshi Yoroiguma
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Battaille Decisive(em20)
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Tsuyoshi Yoroiguma
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SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.711573 By Shiro Sagisu. By Shirou Sagisu. Arranged by Tsuyoshi Yoroiguma. Contemporary. Score and parts. 29 page...
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Percussion Ensemble - Level 3 - SKU: A0.711573 By Shiro Sagisu. By Shirou Sagisu. Arranged by Tsuyoshi Yoroiguma. Contemporary. Score and parts. 29 pages. Tsuyoshi Yoroiguma #6330385. Published by Tsuyoshi Yoroiguma (A0.711573). Let's play a sound track of Japanese animation movie Evangelion by Brass and Percussion.Instrumentation:2 Bb Trumpets / F Horn /Trombone (or Euphonium) / Tuba / Xylophone / TimpaniThe PDF file includes 15 pages of score and 14 pages of parts.Playing time :3min00sec.
$36.00
Four Forces (First movement) I. Strong Forces
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Ensemble de Percussions
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AVANCÉ
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Salvador Rojo Gamón
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Four Forces
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Salvador Rojo-Gamon
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.962406 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 173 pa...
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Percussion Ensemble - Level 5 - SKU: A0.962406 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 173 pages. Salvador Rojo-Gamon #5801913. Published by Salvador Rojo-Gamon (A0.962406). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$300.00
Four Forces (Second movement) II. Weak Forces
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Ensemble de Percussions
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AVANCÉ
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Salvador Rojo Gamón
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Four Forces
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Salvador Rojo-Gamon
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.962405 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 255 pa...
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Percussion Ensemble - Level 5 - SKU: A0.962405 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 255 pages. Salvador Rojo-Gamon #5801921. Published by Salvador Rojo-Gamon (A0.962405). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$150.00
We Will Rock You
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Ensemble de Percussions
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Rock
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Queen
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We Will Rock You
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Michael Smith
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SheetMusicPlus
Percussion Ensemble - SKU: A0.929936 By Queen. By Brian May. Arranged by Alexandra Gilliam, Calvin Roberts, Cassidy FritzHaberland, Delilah Weeden, Fran...
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Percussion Ensemble - SKU: A0.929936 By Queen. By Brian May. Arranged by Alexandra Gilliam, Calvin Roberts, Cassidy FritzHaberland, Delilah Weeden, Frannie Schnadig, Hailey Janoff, Kendra McPherson, Lauren Fowler, Liam Carmichael, Malea Cummings, Matilda Johnston, Matthew Mainzer, and Michael Charles Smith. Rock. Score and parts. 2 pages. Michael Smith #4621417. Published by Michael Smith (A0.929936). This was arranged as a term project for a MarimbaLab class. Premiered May 23rd, 2019 with great acclaim and melted faces.
$12.99
Terraqueous
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Ensemble de Percussions
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AVANCÉ
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Contemporain
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Marshall Jones
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Terraqueous
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Marshall Jones
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.1022509 Composed by Marshall Jones. Contemporary. Score and parts. 54 pages. Marshall Jones #2014111. Published ...
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Percussion Ensemble - Level 5 - SKU: A0.1022509 Composed by Marshall Jones. Contemporary. Score and parts. 54 pages. Marshall Jones #2014111. Published by Marshall Jones (A0.1022509). Each movement of Terraqueous is centered around a geological process. Orogeny-the formation of mountains. Glaciation--the forming of glaciers. Erosion and Stratification--the stripping away of material by wind and water that is then carried along and then piles up in layers. The audio clip is of the final movement.
$36.00
Hosanna (Fanfare) (Brass & Percussion)
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Ensemble de Percussions
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INTERMÉDIAIRE
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Ric Flauding
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Hosanna
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Denise Lea Flauding
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SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.867891 Composed by Ric Flauding. 20th Century,Concert,Contemporary,Easter,Sacred. Score and parts. 18 pages. Den...
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Percussion Ensemble - Level 3 - SKU: A0.867891 Composed by Ric Flauding. 20th Century,Concert,Contemporary,Easter,Sacred. Score and parts. 18 pages. Denise Lea Flauding #2890781. Published by Denise Lea Flauding (A0.867891). For Brass Ensemble & Percussion. Cinematic style. As recorded by Ric Flauding.flaudingmusic.com
$12.00
Sharks' Teeth, a Musical Game for Percussion
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Ensemble de Percussions
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INTERMÉDIAIRE
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Contemporain
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Dan Heslink
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Sharks' Teeth, a Musical Game
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Pharaoh Publications
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SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.935392 Composed by Dan Heslink. Contemporary. Score and parts. 23 pages. Pharaoh Publications #6203899. Publishe...
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Percussion Ensemble - Level 3 - SKU: A0.935392 Composed by Dan Heslink. Contemporary. Score and parts. 23 pages. Pharaoh Publications #6203899. Published by Pharaoh Publications (A0.935392). Sharks’ Teeth, a Game for any Number of Percussionists. . . . . . . . . . . . . . . Dan Heslink Sharks’ Teeth is a musical game, or contest, between two or more percussionists. It is based on rhythm, and can therefore be executed on any combination of indefinitely-pitched percussion instruments. Its execution relies on guided improvisation governed by preconceived thematic material and manners of elaboration. In addition to the two or more contestants, another musician functions as a Game Meister (GM) who controls that game’s progress and evaluation. Enclosed are the game instructions for a contest of guided improvisation, and a notated example for two percussionists and Game Meister, Shark’s Tooth. This score can also be played on recital. After reading the contest instructions, the composer recommends that contestants next play the notated example before attempting the game through improvisation. Besides being fun to play, this game is also an excellent tool for fostering concentration, musicality, memory and an understanding of musical structure. The composer, Dan Heslink, assigned a difficulty level of medium, and can be contacted at dan@dheslink.com.
$9.99
Minuet in G (in the Key of Cool!) - Boomwhackers
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Ensemble de Percussions
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DÉBUTANT
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Christian Petzold
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Shelly Davis
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Minuet in G
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Shelly Davis
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SheetMusicPlus
Percussion Ensemble - Level 1 - SKU: A0.891145 Composed by Christian Petzold. Arranged by Shelly Davis. Baroque,Instructional,Jazz. Score and parts. 7 p...
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Percussion Ensemble - Level 1 - SKU: A0.891145 Composed by Christian Petzold. Arranged by Shelly Davis. Baroque,Instructional,Jazz. Score and parts. 7 pages. Shelly Davis #3507305. Published by Shelly Davis (A0.891145). This arrangement takes this familiar Baroque tune and arranges it to be played with three sets of Boomwhackers (plus a fourth B if you have one). After the familiar tune is established, the arrangement changes time signatures and offers a fun swinging version of the melody. The original melody is transposed from G Major to C Major (the Key of Cool) so that the arrangement can be played on a regular classroom set of diatonic Boomwhackers, without the need for the chromatic set. Minuet in G (in the Key of Cool!) can be performed with as few as nine players.In this arrangement, you will receive the conductor’s score and one copy of each of the individual parts: melody, harmony, and bass. The purchase of this set permits the owner to create enough copies for each performer in their group to have their own music to mark and study.I would love to see videos of your group performing this piece! You can find me on Facebook at Shelly Davis Piano Studio and on Instagram @pianoparentpodcast or email me at shelly@pianoparentpodcast.com
$8.88
One Hour to Madness
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Ensemble de Percussions
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AVANCÉ
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Contemporain
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Dan Heslink
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One Hour to Madness
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Pharaoh Publications
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.935385 Composed by Dan Heslink. Contemporary. Score and parts. 36 pages. Pharaoh Publications #5775261. Publishe...
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Percussion Ensemble - Level 5 - SKU: A0.935385 Composed by Dan Heslink. Contemporary. Score and parts. 36 pages. Pharaoh Publications #5775261. Published by Pharaoh Publications (A0.935385). One Hour to Madness for percussion septet. by Dan Heslink From its opening motto to its bold closing summation, One Hour to Madness explores a high degree of musical energy. The title is loosely inspired by Walt Whitman’s marvelous poem, One Hour to Madness and Joy (Leaves of Grass). The music presents a dark and exciting expression couched in pervasive contrapuntal development. A high degree of dissonance is contrasted with the second theme’s clear Bb major tonality. The work’s contrapuntal nature is distilled into a fugato in the second half. Predominantly a mallet ensemble composition, scoring is for orchestra bells (2 mallets), xylophone (2 mallets), vibraphone (4 mallets), 3 marimbas (each with 2 mallets) and timpani. The timpani part is best performed on the standard set of 4 drums (23-24, 25-26, 28-29, 32-30). The marimba 1 part requires the standard range of 3 ½ or 4 octaves; the marimba 2 part can be executed on the standard 4-octave instrument by omitting a few octave doublings, or on a 5-octave instrument if one is available; marimba 3 requires a 5-octave instrument. The composer assigns a difficulty level of advanced. It will serve any concert or recital very well. Audiences and performers alike will enjoy the flashy passage work and musical impetus afforded by One Hour to Madness. Duration is 3:41. The composer, Dan Heslink, can be contacted at dan@dheslink.com.
$4.99
Christmas Calypso for Percussion Sextet
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Ensemble de Percussions
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FACILE
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Noël
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Dan Heslink
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Christmas Calypso for Percussi
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Pharaoh Publications
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SheetMusicPlus
Percussion Ensemble - Level 2 - SKU: A0.935389 Arranged by Dan Heslink. Christian,Christmas. Score and parts. 18 pages. Pharaoh Publications #6117159. P...
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Percussion Ensemble - Level 2 - SKU: A0.935389 Arranged by Dan Heslink. Christian,Christmas. Score and parts. 18 pages. Pharaoh Publications #6117159. Published by Pharaoh Publications (A0.935389). Christmas Calypso for Percussion Sextet . . . . . . . . . . . . . . arr. Dan Heslink The calypso style referenced in the title is not the calypso of Afro-Caribbean music from Trinidad and Tobago. Rather, it is the especially toned-down but still rhythmic commercial variant popularized by folk singers. Couched in this style, the arrangement offers Christmas favorites Deck the Halls, Angels We Have Heard On High, God Rest Ye Merry Gentlemen and Good Christian Men, Rejoice. This if one of two versions of the calypso arrangement by Dan Heslink, both of which are available through Sheet Music Plus. The other arrangement, percussion sextet, follows similar musical contours and is available separately. Both versions are intended to elicit one primary response from both performers and audience – fun. It does not tax the players technically, but delivers a satisfying sound with carols that the performers likely know and love. General audiences will be enchanted by the familiar melodies delivered in percussion, especially at Christmas time. The introduction opens with a brisk and rhythmic introduction based on Deck the Halls, and establishes the fun calypso rhythm immediately. Deck the Halls is the much-loved welsh air that was arranged by Haydn, Nos galan (Hob. XXXIb:29, 1803). Then, Angels We Have Heard on High breaks out in double-stops with a continuation of the rhythmic impetus. The birth of Jesus Christ as narrated in the Gospel of Luke is the subject of Angels We Have Heard on High, a traditional French song of unknown origin. The gloria section provides some flowing contrast, portraying the shepherds’ impressions as they encounter a multitude of angels singing and praising. The performers are encouraged to use a relaxed stroke to glide through these passages. Following is God Rest Ye Merry Gentlemen, a 16th century English traditional Christmas carol also known under the title, The old Christmas Carol. It provides a contrast in tonality (minor mode) and texture. The xylophone part likely will lay most comfortably when executed with four mallets, although there are no three or four mallet chords in these passages. Good Christian Men, Rejoice is the closing selection in this Christmas medley. It’s title is an English translation of In dulci jubilo (Latin for In sweet rejoicing). The work ends happily with a summation of the calypso rhythm. This medley will be especially effective programmed on a winter holiday concert. Duration is 2:30. The arranger, Dan Heslink, assigned a difficulty level of medium easy, and can be contacted at dan@dheslink.com.
$4.99
Christmas Calypso for Marimba Quartet
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Ensemble de Percussions
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Noël
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Dan Heslink
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Christmas Calypso for Marimba
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Pharaoh Publications
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SheetMusicPlus
Percussion Ensemble - SKU: A0.935390 Arranged by Dan Heslink. Christian,Christmas. Score and parts. 16 pages. Pharaoh Publications #6117165. Published b...
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Percussion Ensemble - SKU: A0.935390 Arranged by Dan Heslink. Christian,Christmas. Score and parts. 16 pages. Pharaoh Publications #6117165. Published by Pharaoh Publications (A0.935390). Christmas Calypso for Marimba Quartet . . . . . . . . . . . . . . arr. Dan HeslinkThe calypso style referenced in the title is not the calypso of Afro-Caribbean music from Trinidad and Tobago. Rather, it is the especially toned-down but still rhythmic commercial variant popularized by folk singers. Couched in this style, the arrangement offers Christmas favorites Deck the Halls, Angels We Have Heard On High, God Rest Ye Merry Gentlemen and Good Christian Men, Rejoice. This if one of two versions of the calypso arrangement by Dan Heslink, both of which are available through Sheet Music Plus. The other arrangement, for percussion sextet, follows similar musical contours and is available separately. Both versions are intended to elicit one primary response from both performers and audience – fun. It does not tax the players technically, but delivers a satisfying sound with carols that the performers likely know and love. General audiences will be enchanted by the familiar melodies delivered in percussion, especially at Christmas time. The introduction opens with a brisk and rhythmic introduction based on Deck the Halls, and establishes the fun calypso rhythm immediately. Deck the Halls is the much-loved welsh air that was arranged by Haydn, Nos galan (Hob. XXXIb:29, 1803). Then, Angels We Have Heard on High breaks out in double-stops with a continuation of the rhythmic impetus. The birth of Jesus Christ as narrated in the Gospel of Luke is the subject of Angels We Have Heard on High, a traditional French song of unknown origin. The gloria section provides some flowing contrast, portraying the shepherds’ impressions as they encounter a multitude of angels singing and praising. The performers are encouraged to use a relaxed stroke to glide through these passages. Following is God Rest Ye Merry Gentlemen, a 16th century English traditional Christmas carol also known under the title, The old Christmas Carol. It provides a contrast in tonality (minor mode) and texture. The xylophone part likely will lay most comfortably when executed with four mallets, although there are no three or four mallet chords in these passages. Good Christian Men, Rejoice is the closing selection in this Christmas medley. It’s title is an English translation of In dulci jubilo (Latin for In sweet rejoicing). The work ends happily with a summation of the calypso rhythm. This medley will be especially effective programmed on a winter holiday concert. Duration is 2:30. The arranger, Dan Heslink, assigned a difficulty level of medium easy, and can be contacted at dan@dheslink.com.
$4.99
Waltz No.3 "A Campus Burlesque"
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Ensemble de Percussions
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INTERMÉDIAIRE
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Contemporain
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Zachary M
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Waltz No.3 "A Campus Burl
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Zach Robinson
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SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.1024088 Composed by Zachary M. Robinson. 20th Century. Score and parts. 30 pages. Zach Robinson #1919711. Publis...
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Percussion Ensemble - Level 3 - SKU: A0.1024088 Composed by Zachary M. Robinson. 20th Century. Score and parts. 30 pages. Zach Robinson #1919711. Published by Zach Robinson (A0.1024088). Burlesque is a literary, dramatic, or musical work intended to cause laughter by caricaturing the manner or spirit of seriousness, or by ludicrous treatment of a subject. This is a waltz based around how I view my undergraduate studies and of the money and time I have spent, despite my high academic standing. It ends solemnly, yet also longingly to suggests that I hope college will eventually get harder and I will actually learn what I have set out to... We can all dream can't we.
$30.99
Meditation (for Percussion Ensemble)
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Ensemble de Percussions
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DÉBUTANT
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Jeremy Barnet
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Meditation
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Jeremy Barnett
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SheetMusicPlus
Percussion Ensemble - Level 1 - SKU: A0.797629 Composed by Jeremy Barnet. 20th Century,Concert,Contemporary,Instructional,World. Score and parts. 15 pag...
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Percussion Ensemble - Level 1 - SKU: A0.797629 Composed by Jeremy Barnet. 20th Century,Concert,Contemporary,Instructional,World. Score and parts. 15 pages. Jeremy Barnett #3455015. Published by Jeremy Barnett (A0.797629). Meditation for 9 percussionistsA slow, dramatic piece for beginner percussion ensemble, 'Meditation' offers the chance to focus on sound quality, delicacy, and detailed ensemble playing, within a piece that is both simple and profound. This is an opportunity for younger player to experience a type of music making usually reserved for more experienced and mature musicians. Using standard band/orchestral percussion instruments, 'Meditation' is a welcome addition to any percussion concert program.
$14.00
Two Dreams for solo Trombone and 8-part Percussion Ensemble
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Ensemble de Percussions
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AVANCÉ
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Antonio J
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Two Dreams for solo Trombone a
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Gordon Cherry
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.811252 Composed by Antonio J. Garcia. Contemporary,Jazz,Latin,World. Score and parts. 119 pages. Gordon Cherry #...
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Percussion Ensemble - Level 5 - SKU: A0.811252 Composed by Antonio J. Garcia. Contemporary,Jazz,Latin,World. Score and parts. 119 pages. Gordon Cherry #6549777. Published by Gordon Cherry (A0.811252). Two Dreams for Trombone and Percussion EnsembleDr. Justin Alexander (Director, VCU Percussion Ensemble) invited me to create a piece for trombone and percussion ensemble that had roles for more- and less-experienced players so that they could mix within the performance. I so enjoyed composing and performing this work. He estimates the overall difficulty grade of Movement I to be a three on a five-point scale and Movement II to be a four, with a grade four for the overall piece; but some players’ parts (within the eight total in the percussion ensemble) are indeed easier.The two Movements are approximately five minutes each.The first Movement Bilita Mpash (An Amazing Dream) calls for (1) shekeré/guiro; (2) 5-octave marimba (shared with...); (3) 5-octave marimba (shared with previous); (4) claves/drum set with mounted cowbell; (5) bell/mounted cowbell/congas; (6) hi-hat/suspended cymbal; (7) bass drum; and (8) four toms/maracas.The Second Movement (Running with the Tigers) calls for (1) xylophone; (2) vibraphone/glockenspiel; (3) 5-octave marimba; (4) drum set; (5) shaker/samba whistle/congas (opt. voice); (6) triangle/bell tree/hanging bells/agogo bells (opt. voice); (7) bass drum (opt. voice); and (8) Timpani (opt. voice). Pending difficulty levels, the conga and drum set parts can optionally be split among additional percussionists. The score notes offer a stage plot and many rehearsal tips.Bilita Mpash (An Amazing Dream)The 3-2 Rumba Clave anchors this movement, launched by the shekeré. Rhythmic vamps of multiple bars form the landscape over which the trombone’s melody emerges, followed by a move to double-time 2-3 Rumba Clave (with montuno) and back. The trombone soloist improvises without chordal accompaniment for a while so could reflect on the preceding harmonies or instead freely improvise with no concern as to chord changes, while a later section requires improv over chord changes. After the recap, a surprise tag of the ending phrase in Cha Cha sets up the rubato finish. Bilita Mpash (BILL-it-uh m-POSH) is a Bantu term for an amazing dream, a dream so good that it is the polar opposite of a nightmare-a dream in a blissful state where all is forgiven and forgotten2. Running with the TigersThe opening, written-out marimba solo is somewhat of a nod to vibist Gary Burton’s influence in bringing mallets towards the expression of modern jazz. A 9/8 samba-groove (5+4) transforms to 4/4. None of the percussionists have to have a jazz background, though the drum set player would be more challenged if not already exposed to Latin drumming. The improvised solo section could be all solo trombone or could be divided among various performers, including trading. The recap of the tune begins over 5/8 samba (3+2, later 2+3). The closing arrhythmic drum-set solo crescendos as the optional surprise of percussionists’ (or additional) voices sing at the end. The title of this movement refers to a recurring dream my dad would have, as well as to the active movements of my grandson when sleeping in his earliest years.-Antonio J. GarcÃaInstrumentation is for:Solo Trombone and 8-part Percussion Ensemble:shekeré/guiro, 2 5-octave marimbas, claves/drumset with cowbell, bell, congas, hi-hat, suspended cymbal, bass drum, toms, maracas, xylophone, vibraphone, glockenspiel, shaker, samba whistle, congas, triangle, bell tree, hanging bells, agogo bells, bass drum and timpani.This rhythmic and dramatic work includes improvisation by the Trombonist. Listen to the brilliant live performance featuring Mr. Garcia and the Virginia Commonwealth University Percussion Ensemble directed by Dr. Justin Alexander.
$50.00
On the Wings of the Scarlet Messenger Opera Instrument Parts Part 2 of 2 (Strings, Harp, Timpani, Pe
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Ensemble de Percussions
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AVANCÉ
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James Nathaniel Holland
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On the Wings of the Scarlet Me
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James Nathaniel Holland
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.730477 Composed by James Nathaniel Holland. Contemporary,Musical/Show,Opera. Score and parts. 284 pages. James N...
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Percussion Ensemble - Level 5 - SKU: A0.730477 Composed by James Nathaniel Holland. Contemporary,Musical/Show,Opera. Score and parts. 284 pages. James Nathaniel Holland #4108107. Published by James Nathaniel Holland (A0.730477). On the Wings of the Scarlet Messenger by American composer James Nathaniel Holland. This is part 2 of 2 publications of the individual instrument parts for the opera. Full Score (in concert pitch), Piano Vocal Score, and Instruments Part 1 (woodwinds and brass) sold separately. The instrumental parts included in part 2 publication are (strings, harp, timpani and percussion) and this part can be used to enhance a production with the piano/vocal score. Opera synopsis: This 21st Century opera or musical drama is adapted from the classic novel of Henry James, On the Wings of a Dove except it is set in the mythical South Pacific island of Soon Rafa. Leads include soprano, mezzo soprano, tenor, and bass with chorus, Asian dance and minor roles. One of the few operas with a love duet between a soprano and bass. Great ensemble scenes. Great for university productions and young voices. Dramatic and beautiful orchestration. Yet to be premiered.YouTube Demo playlist presentation: https://www.youtube.com/playlist?list=PLEcbVsA36MCvHG_MTBdv7x2UNjwG27sMaComposer website: http://lacoronadelossantos.net/jamesnathanielholland.html
$48.95
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