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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Melody A
Non classifié
9 544
Piano & claviers
Piano seul
6 176
Piano grosses notes
3 295
Piano Facile
2 839
Piano, Voix
2 356
Orgue
1 989
Instruments en Do
1 194
Piano, Voix et Guitare
754
Accompagnement Piano
478
1 Piano, 4 mains
266
Piano Trio: piano, violon, violoncelle
130
Piano (partie séparée)
89
Clavier
60
2 Pianos, 4 mains
44
Piano Quatuor: piano, violon, alto, violoncelle
34
Accordéon
30
Orgue, Piano (duo)
17
Orgue, Trompette (duo)
15
Piano Quatuor: piano, 2 violons, violoncelle
15
1 Piano, 6 mains
13
Piano Quintette: piano, 2 violons, alto, violoncelle
12
Clavecin
6
2 Pianos, 8 mains
2
Fake Book
1
2 Accordéons
1
+ 19 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
4 669
Guitare notes et tablatures
672
Guitare
582
Ukulele
247
Guitare (partie séparée)
173
Piano, Guitare (duo)
153
Dulcimer
139
2 Guitares (duo)
71
Mandoline
57
Banjo
32
Basse electrique
29
4 Guitares (Quatuor)
25
Paroles et Accords
21
2 Dulcimers (duo)
13
Ensemble de guitares
7
3 Guitares (trio)
6
Mandoline, Guitare (duo)
6
2 Ukuleles
4
Guitare, Violon, Violoncelle (trio)
3
2 Mandolines (duo)
1
Guitare, Orchestre
1
+ 16 instrumentations
Retracter
Voix
Chorale SATB
2 440
Chorale 3 parties
962
Chorale 2 parties
917
Chorale TTBB
713
Chorale Unison
624
Chorale SSAA
623
Voix duo, Piano
238
Voix Alto, Piano
154
Voix Soprano, Piano
149
Voix Tenor, Piano
143
Voix duo
112
Voix Baryton, Piano
84
Voix haute
81
Voix seule
70
Voix Tenor
35
Voix Soprano
26
Voix moyenne, Piano
15
Voix basse, Piano
13
Chorale
7
Chorale SSATB
5
Chorale SSAATTBB
4
Chorale SSATTB
2
Chorale SSAB, Piano
2
Voix Mezzo-Soprano, Piano
1
Voix Soprano, Orchestre
1
Soli, choeur mixte et accompagnement
1
Chorale SATTBB A Cappella
1
+ 22 instrumentations
Retracter
Vents
Flûte traversière et Piano
1 080
Clarinette et Piano
1 021
Hautbois, Piano (duo)
844
2 Saxophones (duo)
691
Saxophone (partie séparée)
628
Saxophone Alto et Piano
626
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
604
Quatuor de Saxophones: 4 saxophones
596
Flûte traversière
565
Clarinette
479
Flûte, Hautbois, Clarinette, Basson
465
Saxophone Tenor et Piano
455
2 Flûtes traversières (duo)
428
Quintette de Saxophone: 5 saxophones
409
2 Clarinettes (duo)
396
Saxophone Alto
379
Quatuor de Clarinettes: 4 clarinettes
282
Hautbois (partie séparée)
281
Saxophone Soprano et Piano
226
Saxophone Tenor
223
Flûte, Clarinette (duo)
196
Saxophone Baryton, Piano
169
Saxophone, Clarinette (duo)
167
Clarinette, Violon (duo)
156
2 Hautbois (duo)
149
Quatuor de Flûtes : 4 flûtes
148
Hautbois
147
3 Saxophones (trio)
136
Hautbois, Basson (duo)
121
Clarinette, Trompette (duo)
116
Clarinette, Harpe (duo)
112
Hautbois, Clarinette (duo)
106
3 Clarinettes (trio)
99
Flûte, Violon
96
Flûte et Guitare
91
Ensemble de Clarinettes
85
Flute (partie séparée)
85
Quintette de Clarinettes: 5 clarinettes
85
Trio de Flûtes: 3 flûtes
80
Ensemble de saxophones
78
Clarinette et Alto
74
Flûte, Alto (duo)
72
Cor anglais, Piano
72
Ensemble de Flûtes
71
Flûte, Saxophone (duo)
65
Hautbois, Flûte
65
2 Flûte à bec (duo)
63
Clarinette Basse, Piano
62
Saxophone Soprano
56
Hautbois, Violoncelle
55
Quintette de Flûte : 5 flûtes
54
Flûte, Violoncelle
53
Flûte, Hautbois, Clarinette (trio)
52
Flûte à Bec
52
Flûte, Trompette (duo)
52
Clarinette, Basson (duo)
51
Flûte à bec Soprano
50
Flûte, Violon, Piano
47
Clarinette (partie séparée)
45
Clarinette, Violoncelle (duo)
43
2 Flûtes traversières, Piano
40
Flûte, Hautbois (duo)
39
Flûte à bec Alto
39
Saxophone Baryton
36
Hautbois, Clarinette, Basson (trio d'anches)
32
Flûte, Clarinette et Basson
31
Saxophone
30
Quatuor de Flûtes à bec
30
Hautbois, violon (duo)
28
Clarinette, Guitare (duo)
28
Cor Anglais
27
Ensemble De Flûte à bec
25
Flûte à bec Tenor
24
Ocarina
23
Flûte, Trombone (duo)
23
5 Flûtes à bec
21
Flûte, Clarinette, Piano (trio)
19
Harmonica
18
Flûte, Hautbois, Basson
18
Hautbois et alto (duo)
16
2 Clarinettes, Piano
15
Hautbois, Harpe
15
Saxophone et Guitare
14
Piccolo
14
Flûte, Hautbois, Piano (trio)
14
Instruments en Mib
14
Saxophone et Harpe
13
Flûte, Violoncelle, Piano (trio)
11
Cor anglais, Guitare (duo)
11
Clarinette Basse
11
Flûte, Violon et Violoncelle
11
Flûte, Clarinette, Cor, Basson (Quartet)
9
Flûte, Basson et Piano
9
3 Flûtes à bec (trio)
9
Flûte, Alto et Piano
7
Clarinette, Violoncelle, Piano (trio)
7
Flute, harpe et violon
7
Piccolo, Piano
6
Clarinette, Trombone (duo)
6
Hautbois, Violoncelle et Piano
5
Clarinette, Contrebasse (duo)
5
Hautbois, Guitare (duo)
5
2 Saxophones, Piano
5
Saxophone et Piano
5
Flûte traversière, Orgue (duo)
5
Flûte irlandaise
4
Flûte à bec Soprano, Piano
4
Hautbois, Clarinette et Piano (Trio)
4
Clarinette, Basson, Piano (trio)
4
Flûte, trombone et piano
4
2 Hautbois, Piano
4
Flûte, Violon, Violoncelle et Piano
3
Saxophone et Orgue
3
Flûte et Trio à cordes
3
2 Clarinettes, Basson
3
Flûte à bec Alto, Piano
3
Cornemuse
3
Hautbois, Violin, Alto et Violoncelle (Quatuor)
3
Clarinette, Tuba
3
Flûte à Bec, Piano
2
Hautbois, Basson et Piano
2
3 Hautbois
2
Flûte, Clarinette, Violon (trio)
2
4 Hautbois
2
Flûte, Violoncelle, Guitare
2
Clarinette, trompette et piano
2
2 Cors Anglais Et Pianoforte
2
Quintette de Clarinette: Clarinette, Quatuor à Cordes
2
Clarinette, Orgue
2
Flûte, Tuba (duo)
2
Flûte à bec, Harpe
2
Flûte à bec Alto, Basse continue
1
Hautbois, Trompette (duo)
1
Flûte et Quatuor à Cordes
1
2 Hautbois, 2 Cors et 2 Bassons
1
2 Flûtes traversières, Harpe
1
Saxophone, Basson (duo)
1
Saxophone et violoncelle
1
Clarinette, Alto et Piano (trio)
1
Flûte, Hautbois, Violon
1
Flûte, Harpe et Violoncelle
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Ensemble de Hautbois
1
Hautbois, trombone (duo)
1
Flûte de Pan
1
+ 140 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
641
Trombone et Piano
612
Trompette, Piano
611
Trompette
580
Cor et Piano
465
Trombone (partie séparée)
384
Trombone
377
Cor
349
Quatuor de Cuivres : 2 trompettes, trombone, tuba
322
Trompette (partie séparée)
314
Tuba
278
Tuba et Piano
265
2 Trompettes (duo)
193
2 Trombones (duo)
172
Quatuor de Cuivres
169
Trompette, Trombone (duo)
137
Quatuor de Cuivres: 2 trompettes, Cor, trombone
126
Trompette, Saxophone (duo)
121
2 Cors (duo)
99
Cor (partie séparée)
84
Tuba (partie séparée)
81
Euphonium, Piano (duo)
79
Cor anglais, Piano
72
Quatuor de cuivres: 4 trombones
54
Trompette, Cor (duo)
45
2 Tubas (duo)
45
Quatuor de cuivres: 4 cors
40
Ensemble de Trombones
37
Cor Anglais
27
Euphonium
23
Ensemble de Trompettes
21
3 Trombones (trio)
20
Tuba et Orgue
20
Cor, Violoncelle (duo)
20
Ensemble de Cors
20
2 Euphoniums et 2 Tubas
19
Quatuor de cuivres: 4 trompettes
18
Trompette, Harpe
16
Cor et Harpe
15
Bass Clef Instruments
14
3 Trompettes (trio)
14
4 Tubas
13
Trio de Cuivres
12
Cor anglais, Guitare (duo)
11
Instruments en Sib
9
Trombone, Cor (duo)
9
3 Cors (trio)
8
Trompette, Tuba (duo)
7
Trombone basse
7
3 Tubas (trio)
6
Trompette et Guitare
6
Trombone, Orgue
6
2 Trompettes, Clavier (piano ou orgue)
5
Trompette, Violoncelle et Piano
5
Euphonium, Tuba (duo)
5
Cor, Tuba (duo)
5
Cor et Basson (duo)
5
2 Cors, Piano
4
Trombone basse et Piano
4
Trompette, Violoncelle (duo)
4
Trombone, Violon (duo)
3
Trompette, violon (duo)
2
Quatuor de cuivres: 2 trompettes, 2 trombones
2
2 Cors Anglais Et Pianoforte
2
Cor et Orgue
2
Trombone, Tuba (duo)
2
Cor, Violoncelle et Piano
1
Clarinette, Cor (duo)
1
Trombone, Alto (duo)
1
3 Euphoniums
1
Trompette, Trombone, Piano
1
Trombone, violoncelle (duo)
1
Trompette, Basson (duo)
1
Trompette, Euphonium (duo)
1
2 Euphoniums (duo)
1
4 Euphoniums
1
+ 71 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
1 475
Violon et Piano
1 398
Violoncelle, Piano
878
Alto, Piano
838
Violon
746
Violoncelle
601
Violon, Violoncelle (duo)
495
Harpe
425
Alto seul
414
2 Violons (duo)
381
Trio à Cordes: violon, alto, violoncelle
313
Quintette à cordes: 2 violons, alto, violoncelle, basse
294
2 Violoncelles (duo)
275
Contre Basse
261
Contrebasse, Piano (duo)
258
Violon, Alto (duo)
231
Harpe, Flûte (duo)
219
2 Altos (duo)
198
Trio à Cordes: 2 violons, violoncelle
194
2 Harpes (duo)
176
Alto, Violoncelle (duo)
120
Alto (partie séparée)
120
Contrebasse (partie séparée)
116
Harpe, Violon (duo)
110
Violon (partie séparée)
84
Violon, Guitare (duo)
64
Violon, Basson (duo)
49
4 Violoncelles
45
Piano Trio: Violon, Alto, Piano
35
Trio à cordes: 3 violins
33
2 Contrebasses (duo)
30
Trio à Cordes: 3 violoncelles
26
Violoncelle , Guitare (duo)
25
Violoncelle (partie séparée)
21
Alto et Basson
20
Trio à cordes: 3 altos
19
Quatuor à cordes: 4 violons
18
Harpe, Violoncelle (duo)
18
Trio à Cordes: 2 violons, alto
17
Violoncelle, Contrebasse (duo)
14
Quintette à cordes : 2 violons, alto et 2 violoncelles
13
Ensemble de Violons
12
Quatuor à cordes : 4 altos
11
Alto et Harpe
11
Harpe, Voix
10
Ensemble d'Altos
10
Violoncelle, Orgue
8
Alto, Guitare (duo)
7
Quintette à cordes: 2 violons, 2 altos, violoncelle
7
Autoharp
6
Violon, Orgue
6
2 Violons, Piano
6
Flûte, Contrebasse (duo)
5
2 Altos, Piano
4
Violon, Tuba (duo)
4
2 Violoncelles, Piano
4
Harpe, Trombone (duo)
4
Violon, Clarinette, Piano (trio)
3
Ensemble de Violoncelles
3
Violon, Trompette et Piano
3
4 Harpes
2
Alto, Orgue
2
Harpe et Piano
2
Harpe et mandoline
2
3 Harpes
1
4 Contrebasses
1
+ 61 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
2 865
Orchestre à Cordes
709
Cloches
595
Ensemble Jazz
540
Ensemble de cuivres
267
Orchestre
257
Jazz combo
92
Batterie (partie séparée)
89
Orchestre de chambre
83
Ensemble de Percussions
61
Fanfare
49
Xylophone, Piano
26
Percussion (partie séparée)
19
Marimba
18
Vibraphone
18
Xylophone
14
Batterie
11
2 Xylophones
9
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
8
Ensemble d'École
5
Marimba, Piano (duo)
2
Instrumentation Flexible
2
Vibraphone et Marimba
2
Piano et Orchestre
1
Quintette de Cuivres: autres combinaisons
1
2 Marimbas
1
Percussion
1
+ 22 instrumentations
Retracter
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Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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GOSPEL - SPIRITUEL -…
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LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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Vous avez sélectionné:
Melody A
Ensemble de Percussions
Partitions à imprimer
61 partitions trouvées
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51
A Caribbean Christmas
#
Ensemble de Percussions
#
AVANCÉ
#
Noël
#
George Frideric Handel, James
#
Aaron G
#
A Caribbean Christmas
#
Aaron G. Railey
#
SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.891828 Composed by George Frideric Handel, James Chadwick, James Pierpont, and Thomas Oliphant. Arranged by Aaro...
(+)
Percussion Ensemble - Level 5 - SKU: A0.891828 Composed by George Frideric Handel, James Chadwick, James Pierpont, and Thomas Oliphant. Arranged by Aaron G. Railey. Christmas. Score and parts. 28 pages. Aaron G. Railey #6607247. Published by Aaron G. Railey (A0.891828). A Caribbean Christmas is a thrilling adventure through the most famous and recognizable Christmas holiday songs of all time. Written in a Caribbean Soca rhythmic style and including three key changes, this is an advanced arrangement that will feature and challenge your best musicians. Each section of the ensemble has the opportunity to perform the melody in this arrangement. Often, students on the accompaniment instruments are stuck playing repeated chords with little to no motion or challenge. I found it important as an educator that each student gets challenged and has the opportunity to feel important to the contribution of the ensemble. Every ensemble that has ever performed this has received a standing ovation. It is thrilling, exciting, challenging, recognizable, and just fun to play. I hope that you enjoy this and it brings holiday spirit to your community! .
$39.99
A Child Is Born
#
Ensemble de Percussions
#
INTERMÉDIAIRE
#
Jazz
#
Thad Jones
#
Thomas Graf
#
Vibraphone, Marimba 1-4
#
A Child Is Born
#
Thomas Graf - the-hit-factory.com
#
SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.568894 By Thad Jones. By Thad Jones. Arranged by Thomas Graf. Jazz. Score and parts. 23 pages. Thomas Graf - the...
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Percussion Ensemble - Level 3 - SKU: A0.568894 By Thad Jones. By Thad Jones. Arranged by Thomas Graf. Jazz. Score and parts. 23 pages. Thomas Graf - the-hit-factory.com #3407347. Published by Thomas Graf - the-hit-factory.com (A0.568894). Thad Jones composed this wonderful Christmas song, relaxed, very tender, smooth, with a wide melody. Instrumentation: Vibraphone, Marimba 1-4 Listen to the recording - a challenge for your ensemble. Please don't forget to review your purchase - you will help other musicians to choose the perfect arrangement for their ensemble. Thank you very much! Check out our latest uploads: http://www.sheetmusicplus.com/publishers/thomas-graf-the-hit-factory-com/smp-press/3001412+1303131?N... Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic Video: https://www.youtu.be/gI24Zinq4CQ
$14.99
Deck the Halls
#
Ensemble de Percussions
#
DÉBUTANT
#
Noël
#
Welsh melody
#
Deck the Halls
#
GuarrineMusic
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SheetMusicPlus
Composed by Welsh melody. Arranged by Arranged by Andrew R. Guarrine. For Percussion Ensemble,Hand Percussion. 21st Century,Christmas. Easy/Beginner. Score,Set ...
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Composed by Welsh melody. Arranged by Arranged by Andrew R. Guarrine. For Percussion Ensemble,Hand Percussion. 21st Century,Christmas. Easy/Beginner. Score,Set of Parts. 7 pages. Published by GuarrineMusic
Another twist on a holiday standard. All percussion, but if you listen carefully you will hear the melody everywhere. Do you need to use the suggested instrumentation? Of course not, try whatever you want. Fun ANY grade level. Hand percussion, rhythm sticks, hand claps and foot stomps. Grade 1.
$6.25
Gravity for Septet
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Ensemble de Percussions
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AVANCÉ
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Contemporain
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MohammadHadi Ayanbod
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Gravity for Septet
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Rimorarte Edition
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.1027778 Composed by MohammadHadi Ayanbod. 20th Century,Contemporary. Score and parts. 25 pages. Rimorarte Editio...
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Percussion Ensemble - Level 5 - SKU: A0.1027778 Composed by MohammadHadi Ayanbod. 20th Century,Contemporary. Score and parts. 25 pages. Rimorarte Edition #5996957. Published by Rimorarte Edition (A0.1027778). In GRAVITY I explored different gravities as forces we not only feel them in every moments of our lives, but also thinking of living without or escaping from them seems impossible. Likewise, those gravities exist in the music, make us feel the music continuous, desirable, logical and an integrated language of art. The exploration of the path from chaos to unity, and from unity to multiplicity, is where the title came from. GRAVITY consists of two main sections. The first section, which shows the fully-grown and flourished musical ecosystem, and the second part; a flashback to just after big-bang, which tries to musicalize the creation of the gravity! In the first section, I’ve used the concept of horizontal and vertical minimalism. At the very beginning of the piece we have a structure that bring the idea of the vertical minimalism out. In every moment, each instrument plays the same note as others. However, the narrative line is divided into different octaves, so, the melody is not the same in spite of the fact that each instrument plays the same tone. This structure also reminds the paradoxical ladder or optical staircase illusion. The narration is built up until it reaches temporal climax. At the same time, this melody starts again from the beginning with some microscopic differences visible vividly to musicians. This semi reciprocating musical narration, could be observed as a musical example of the staircase illusion. After this part, but still in the first section of the music, I’ve used the horizontal (traditional) minimalism idioms to explore the bounding forces present in the music. Although, what interesting here is the creation of synthetic voices which is the result of different amounts of the nuances and different combinations of the sound. For keen ears, it seems like shades of neon lights, penetrate into one another in the scale of time and create a big picture of micro fluctuating objects. In the second section or just after big-bang, I’ve observed and recreate musically, the very moment of creation of the gravity just after the big-bang. Here, we don’t have melody, rhythm, structure, narration and other aspects of the music in the traditional way, although all of them are present in the music. very single sound or noise is meaningful and showing the assemblage process of the forces in the music to create a melody line. I’ve occupied idioms of contemporary Sonorism genre to create the atmosphere. This highly complex texture shows the virtuosity of interpreters and the capability of the instruments in avant-garde literature and extended techniques. The music is concluded by a fast-tempo finale, with the instruction of fortissimo possiblile (as loud as possible). The piece, in fact, will not be finished as a morendo, but, it opens a space for hypothetically living structure; constantly grows, flourishes, shines and decays.
$16.99
The Hammer & Anvil
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Ensemble de Percussions
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INTERMÉDIAIRE
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Jake Garratt
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The Hammer & Anvil
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J Garratt Composer
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SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.1029072 Composed by Jake Garratt. Contemporary,Folk,Standards,World. Score and parts. 1 pages. J Garratt Compose...
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Percussion Ensemble - Level 3 - SKU: A0.1029072 Composed by Jake Garratt. Contemporary,Folk,Standards,World. Score and parts. 1 pages. J Garratt Composer #4615943. Published by J Garratt Composer (A0.1029072). 'The Hammer & Anvil' is the piece that adorns the balustrade of the band stand in Parade Gardens, Bath, UK. The band stand was forged by the National Heritage Ironwork Group as a gift to the city during their 2018 'BathIron' festival. The piece is written for 2 treble clef parts and a bass clef part and can be performed by any group of instruments. For the original performance it was performed on 2 Bb Clarinets and a Bass Clarinet.About the piece:'The Hammer & Anvil' is derived from the melody of an English folk song about a blacksmith (ironworker) which has been adapted and augmented to be used as a melodic foundation throughout the piece, similar to an isorhythm in medieval compositions. The piece is in two sections: the A section where the folk melody is confined to the bass and the B section where the melody is split between all three parts. A repeated rhythmic motif, representative of an ironworker using his hammer and anvil, is used to accompany and/or decorate this melody.
$2.99
Four Forces (First movement) I. Strong Forces
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Ensemble de Percussions
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AVANCÉ
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Salvador Rojo Gamón
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Four Forces
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Salvador Rojo-Gamon
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.962406 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 173 pa...
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Percussion Ensemble - Level 5 - SKU: A0.962406 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 173 pages. Salvador Rojo-Gamon #5801913. Published by Salvador Rojo-Gamon (A0.962406). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$300.00
Four Forces (Second movement) II. Weak Forces
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Ensemble de Percussions
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AVANCÉ
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Salvador Rojo Gamón
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Four Forces
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Salvador Rojo-Gamon
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.962405 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 255 pa...
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Percussion Ensemble - Level 5 - SKU: A0.962405 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 255 pages. Salvador Rojo-Gamon #5801921. Published by Salvador Rojo-Gamon (A0.962405). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$150.00
Quartet #9
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Ensemble de Percussions
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INTERMÉDIAIRE
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Contemporain
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Jeff Tincher
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Quartet #9
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Jeff Tincher
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SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.584697 Composed by Jeff Tincher. Contemporary. Score and parts. 52 pages. Jeff Tincher #6019477. Published by Je...
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Percussion Ensemble - Level 3 - SKU: A0.584697 Composed by Jeff Tincher. Contemporary. Score and parts. 52 pages. Jeff Tincher #6019477. Published by Jeff Tincher (A0.584697). This composition is a Bolero in 12/8. It begins with the initial rhythm that is played throughout the piece. The piece begins at ppp and increases in volume as each instrument plays the melody section. As each instrument enters, it forms a round of the same melody. The bridge begins with the continuing rhythm with each instrument adding their own note with the same rhythm until the complete quartet is playing the same rhythm in a chord. The bridge leads to the climax section where the initial rhythm continues with the third instrument imitates a tympani while the upper two instruments play the melody in harmony at fff volume. The finale is a repeat of the layering bridge to a single accented chord. Hear the full version of composition on Jeff Tincher's For Percussion Quartet CD. Duration = 6:43. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing
$12.99
Minuet in G (in the Key of Cool!) - Boomwhackers
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Ensemble de Percussions
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DÉBUTANT
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Christian Petzold
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Shelly Davis
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Minuet in G
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Shelly Davis
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SheetMusicPlus
Percussion Ensemble - Level 1 - SKU: A0.891145 Composed by Christian Petzold. Arranged by Shelly Davis. Baroque,Instructional,Jazz. Score and parts. 7 p...
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Percussion Ensemble - Level 1 - SKU: A0.891145 Composed by Christian Petzold. Arranged by Shelly Davis. Baroque,Instructional,Jazz. Score and parts. 7 pages. Shelly Davis #3507305. Published by Shelly Davis (A0.891145). This arrangement takes this familiar Baroque tune and arranges it to be played with three sets of Boomwhackers (plus a fourth B if you have one). After the familiar tune is established, the arrangement changes time signatures and offers a fun swinging version of the melody. The original melody is transposed from G Major to C Major (the Key of Cool) so that the arrangement can be played on a regular classroom set of diatonic Boomwhackers, without the need for the chromatic set. Minuet in G (in the Key of Cool!) can be performed with as few as nine players.In this arrangement, you will receive the conductor’s score and one copy of each of the individual parts: melody, harmony, and bass. The purchase of this set permits the owner to create enough copies for each performer in their group to have their own music to mark and study.I would love to see videos of your group performing this piece! You can find me on Facebook at Shelly Davis Piano Studio and on Instagram @pianoparentpodcast or email me at shelly@pianoparentpodcast.com
$8.88
Midnight Manor - Sextet for Percussion Ensemble
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Ensemble de Percussions
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INTERMÉDIAIRE
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Jesse Milhoan
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Midnight Manor - Sextet for Pe
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ArrangeMe
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SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.1035920 Composed by Jesse Milhoan. Contemporary,Standards. Score and parts. 28 pages. ArrangeMe #6440859. Publis...
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Percussion Ensemble - Level 3 - SKU: A0.1035920 Composed by Jesse Milhoan. Contemporary,Standards. Score and parts. 28 pages. ArrangeMe #6440859. Published by ArrangeMe (A0.1035920). Midnight Manor is a composition for percussion ensemble utilizing 6 performers. The work was written as a side project in segments over the course of the composer's undergraduate degree, beginning as a fragment of a melody and eventually arriving at the final product it is today. The instrumentation of the piece makes use of two 4.3 octave marimbas, a vibraphone, glockenspiel, tubular bells, and various unpitched percussion instruments. An attempt at writing for mostly keyboard instruments in the percussion ensemble setting, this melody-based composition recreates the atmosphere of feeling left alone in a seemingly haunted mansion with nowhere to run. Midnight Manor is in ABA form, with the A section
$13.00
Another Place
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Ensemble de Percussions
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AVANCÉ
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Contemporain
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Adam Grim
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Another Place
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Adam B. Grim
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.939392 Composed by Adam Grim. 20th Century,Contemporary. Score and parts. 65 pages. Adam B. Grim #6862379. Publi...
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Percussion Ensemble - Level 5 - SKU: A0.939392 Composed by Adam Grim. 20th Century,Contemporary. Score and parts. 65 pages. Adam B. Grim #6862379. Published by Adam B. Grim (A0.939392). Another Place is a marimba quartet on two instruments with some accessory items like a mounted bass drum, cymbal, and wind chimes. The work is about 10.5 minutes long, and holds three distinct movements that begin with solemn rolls that slowly become more regimented and rhythmic. The second movement raises the bar and becomes very rhythmic and syncopated with a Reich-like approach of melody vs interlocking harmony. This climax brings a high dynamic level to the forefront of the instruments with interlocking impact points being contrasted to unison hits. The third movement takes this original melody and harmony to the next level by using changing time signatures and motivic ideas to maximize the powerful ending. Throughout there is a deep sense of color and texture that can be maximized by the ensemble in new and exciting ways with each performance. This has plenty of ink, but also leaves a lot to interpret and bring the ensemble’s voice forward. I hope you enjoy! This work won the Audience Award in the Rocky Mountain Music Composition Contest in 2022 as well as Second Prize overall. These international awards were judged by a panel of seven judges from around the world, but with the competition based out of Toronto, Canada.
$35.00
Quartet #7
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Ensemble de Percussions
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INTERMÉDIAIRE
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Jeff Tincher
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Quartet #7
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Jeff Tincher
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SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.584695 Composed by Jeff Tincher. Blues,Contemporary. Score and parts. 25 pages. Jeff Tincher #6019473. Published...
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Percussion Ensemble - Level 3 - SKU: A0.584695 Composed by Jeff Tincher. Blues,Contemporary. Score and parts. 25 pages. Jeff Tincher #6019473. Published by Jeff Tincher (A0.584695). This composition shows how triads and quad chords work as melody. The prelude of this composition is a slow 4/4 pop feel before it moves into the main body of the song, a 12/8 blues motif. The quad chord bridge moves into a different melody with the 12/8 signature. The second bridge is two measures reminiscent of the opening slow section before it goes into a musical accented war between the instruments. The song, once again, moves into the remembrance of the slow 4 section remaining in the 12/8 time. A three measure battle returns back to the original 12/8 section. Hear the full version of composition on Jeff Tincher's For Percussion Quartet CD. Duration = 6:39. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing.
$12.99
Quartet #3
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Ensemble de Percussions
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INTERMÉDIAIRE
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Jeff Tincher
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Quartet #3
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Jeff Tincher
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SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.584691 Composed by Jeff Tincher. Contemporary,Rock. Score and parts. 22 pages. Jeff Tincher #6019463. Published ...
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Percussion Ensemble - Level 3 - SKU: A0.584691 Composed by Jeff Tincher. Contemporary,Rock. Score and parts. 22 pages. Jeff Tincher #6019463. Published by Jeff Tincher (A0.584691). This composition begins with a 12/8 rock tempo. Although it is written in C, the composition is begins in D Minor. The Marimba keeps the 12/8 going while the other three become punctuations. The punctuation continues while the Glockenspiel plays the melody. At measure 15 the song moves into a 6/8 feel. At measure 34 the song returns to the original 12/8 feel. The composition then splits to where the Vibraphone takes on harmony in the 12/8 feel while the Glockenspiel and Xylophone take on a 6/8 countermelody. A short bridge is created by stacking the other 2 on top of the Vibraphone and Marimba 12/8 feel. Then it splits again to where the Xylophone stays with the Vibraphone and Marimba pattern and the Glockenspiel goes off on it's own. During this time the Glockenspiel folds in the 6/8 melody, creating a pleasant conflict. The song D.C.'s to the original 12/8 content. Hear the full version of composition on Jeff Tincher's For Percussion Quartet CD. Duration = 6:14. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing.
$12.99
Quartet #6
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Ensemble de Percussions
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INTERMÉDIAIRE
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Jeff Tincher
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Quartet #6
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Jeff Tincher
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SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.584694 Composed by Jeff Tincher. Contemporary,Jazz. Score and parts. 16 pages. Jeff Tincher #6019471. Published ...
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Percussion Ensemble - Level 3 - SKU: A0.584694 Composed by Jeff Tincher. Contemporary,Jazz. Score and parts. 16 pages. Jeff Tincher #6019471. Published by Jeff Tincher (A0.584694). You like old-time jazz, this is it. This composition begins with the Marimba playing a walking 4. The other three instruments join in with a triad chord melody. Once the melody passage ends each instrument takes a solo with the Marimba line continuing until the Marimba takes it's turn alone. The quartet then takes on a unison passage before returning to the original groove. Hear the full version of composition on Jeff Tincher's For Percussion Quartet CD. Duration = 4:35. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing
$12.99
Your Love
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Ensemble de Percussions
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FACILE
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Contemporain
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Dirty Heads
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Aaron Ziegler
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Your Love
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Aaron Ziegler
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SheetMusicPlus
Percussion Ensemble - Level 2 - SKU: A0.884320 By Dirty Heads. By Dustin Bushnell, Jared Watson, Lewis Michael Richards, Lewis Richards, Stan Fox, Stan ...
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Percussion Ensemble - Level 2 - SKU: A0.884320 By Dirty Heads. By Dustin Bushnell, Jared Watson, Lewis Michael Richards, Lewis Richards, Stan Fox, Stan Frazier, and Steve Fox. Arranged by Aaron Ziegler. Contemporary. Score and parts. 29 pages. Aaron Ziegler #6244907. Published by Aaron Ziegler (A0.884320). Your Love by the Dirty Heads feat. Ky-Mani Marley is a fun pop-reggae that will be a blast for your band to play, and audience to hear. This arrangement is a quick learn and is great for any level band for either gigs or more formal concerts. While the tune has repetitive parts, small changes keep the player on their toes, and give them a chance to work on different elements of music through changes in strum pattern, arpeggiation, and/or melody/counter melody parts. .
$20.00
Frère Jacques - For Orff Ensemble
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Ensemble de Percussions
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DÉBUTANT
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Traditional
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Yvonne Johnson
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Frère Jacques - For Orf
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Yvonne Johnson
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SheetMusicPlus
Percussion Ensemble - Level 1 - SKU: A0.1094079 Composed by Traditional. Arranged by Yvonne Johnson. Children,Folk,Traditional. Score and parts. 9 pages...
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Percussion Ensemble - Level 1 - SKU: A0.1094079 Composed by Traditional. Arranged by Yvonne Johnson. Children,Folk,Traditional. Score and parts. 9 pages. Yvonne Johnson #698182. Published by Yvonne Johnson (A0.1094079). Full Score and Set of 4 Parts An easy arrangement of this traditional French children's song for the younger Orff performers. Sop Glock and Alto Met both play the melody with Alto Glock providing some harmony. Bass Xylo plays a simple bass line for the first half of the arrangement with a variation outlining the melody for the second half. Marimba would make a nice alternative to the Bass Xylo. Tempo and dynamic markings are suggested ones only. Multirest passages have been written out in full to make it easier for the beginning performer.
$3.95
Hot Cross Buns! - For Orff Ensemble
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Ensemble de Percussions
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DÉBUTANT
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Traditional
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Yvonne Johnson
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Hot Cross Buns! - For Orff Ens
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Yvonne Johnson
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SheetMusicPlus
Percussion Ensemble - Level 1 - SKU: A0.1096333 Composed by Traditional. Arranged by Yvonne Johnson. Children,Easter,Instructional. Score and parts. 7 p...
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Percussion Ensemble - Level 1 - SKU: A0.1096333 Composed by Traditional. Arranged by Yvonne Johnson. Children,Easter,Instructional. Score and parts. 7 pages. Yvonne Johnson #700301. Published by Yvonne Johnson (A0.1096333). Full Score and Set of 4 parts The two often heard variations of the melody have been used in this easy arrangement of Hot Cross Buns. Sop Glock and Alto Met both play the melody throughout, with the Bass Xylo providing a simple bass line in both variations. Alto Glock has some glissandi passages and provides the harmony. Marimba would make a nice substitute for the Bass Xylo. Dynamics and tempo markings are suggested ones only. An easy and fun to play arrangement for the beginner level Orff performers.
$3.95
Two Dreams for solo Trombone and 8-part Percussion Ensemble
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Ensemble de Percussions
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AVANCÉ
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Antonio J
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Two Dreams for solo Trombone a
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Gordon Cherry
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.811252 Composed by Antonio J. Garcia. Contemporary,Jazz,Latin,World. Score and parts. 119 pages. Gordon Cherry #...
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Percussion Ensemble - Level 5 - SKU: A0.811252 Composed by Antonio J. Garcia. Contemporary,Jazz,Latin,World. Score and parts. 119 pages. Gordon Cherry #6549777. Published by Gordon Cherry (A0.811252). Two Dreams for Trombone and Percussion EnsembleDr. Justin Alexander (Director, VCU Percussion Ensemble) invited me to create a piece for trombone and percussion ensemble that had roles for more- and less-experienced players so that they could mix within the performance. I so enjoyed composing and performing this work. He estimates the overall difficulty grade of Movement I to be a three on a five-point scale and Movement II to be a four, with a grade four for the overall piece; but some players’ parts (within the eight total in the percussion ensemble) are indeed easier.The two Movements are approximately five minutes each.The first Movement Bilita Mpash (An Amazing Dream) calls for (1) shekeré/guiro; (2) 5-octave marimba (shared with...); (3) 5-octave marimba (shared with previous); (4) claves/drum set with mounted cowbell; (5) bell/mounted cowbell/congas; (6) hi-hat/suspended cymbal; (7) bass drum; and (8) four toms/maracas.The Second Movement (Running with the Tigers) calls for (1) xylophone; (2) vibraphone/glockenspiel; (3) 5-octave marimba; (4) drum set; (5) shaker/samba whistle/congas (opt. voice); (6) triangle/bell tree/hanging bells/agogo bells (opt. voice); (7) bass drum (opt. voice); and (8) Timpani (opt. voice). Pending difficulty levels, the conga and drum set parts can optionally be split among additional percussionists. The score notes offer a stage plot and many rehearsal tips.Bilita Mpash (An Amazing Dream)The 3-2 Rumba Clave anchors this movement, launched by the shekeré. Rhythmic vamps of multiple bars form the landscape over which the trombone’s melody emerges, followed by a move to double-time 2-3 Rumba Clave (with montuno) and back. The trombone soloist improvises without chordal accompaniment for a while so could reflect on the preceding harmonies or instead freely improvise with no concern as to chord changes, while a later section requires improv over chord changes. After the recap, a surprise tag of the ending phrase in Cha Cha sets up the rubato finish. Bilita Mpash (BILL-it-uh m-POSH) is a Bantu term for an amazing dream, a dream so good that it is the polar opposite of a nightmare-a dream in a blissful state where all is forgiven and forgotten2. Running with the TigersThe opening, written-out marimba solo is somewhat of a nod to vibist Gary Burton’s influence in bringing mallets towards the expression of modern jazz. A 9/8 samba-groove (5+4) transforms to 4/4. None of the percussionists have to have a jazz background, though the drum set player would be more challenged if not already exposed to Latin drumming. The improvised solo section could be all solo trombone or could be divided among various performers, including trading. The recap of the tune begins over 5/8 samba (3+2, later 2+3). The closing arrhythmic drum-set solo crescendos as the optional surprise of percussionists’ (or additional) voices sing at the end. The title of this movement refers to a recurring dream my dad would have, as well as to the active movements of my grandson when sleeping in his earliest years.-Antonio J. GarcÃaInstrumentation is for:Solo Trombone and 8-part Percussion Ensemble:shekeré/guiro, 2 5-octave marimbas, claves/drumset with cowbell, bell, congas, hi-hat, suspended cymbal, bass drum, toms, maracas, xylophone, vibraphone, glockenspiel, shaker, samba whistle, congas, triangle, bell tree, hanging bells, agogo bells, bass drum and timpani.This rhythmic and dramatic work includes improvisation by the Trombonist. Listen to the brilliant live performance featuring Mr. Garcia and the Virginia Commonwealth University Percussion Ensemble directed by Dr. Justin Alexander.
$50.00
Forest
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Ensemble de Percussions
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INTERMÉDIAIRE
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Contemporain
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Adam Grim
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Forest
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Adam B. Grim
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SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.942396 Composed by Adam Grim. Contemporary. Score and parts. 17 pages. Adam B. Grim #6200493. Published by Adam ...
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Percussion Ensemble - Level 3 - SKU: A0.942396 Composed by Adam Grim. Contemporary. Score and parts. 17 pages. Adam B. Grim #6200493. Published by Adam B. Grim (A0.942396). Forest is a quartet/quintet for marimba, melody instrument, and optional cajon. Written with amadinda/akadinda playing in mind, this interlocking piece uses layered rhythms and melody to make the ensemble come to life with motion. Written and recorded during the 2020 COVID-19 Pandemic in the living room of my parents house, while I was working on my master’s degree.
$25.00
Stardust Inferno
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Ensemble de Percussions
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INTERMÉDIAIRE/AVANCÉ
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Adam Grim
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Stardust Inferno
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Adam B. Grim
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SheetMusicPlus
Percussion Ensemble - Level 4 - SKU: A0.939373 Composed by Adam Grim. Concert,Pop,World. Score and parts. 38 pages. Adam B. Grim #5991851. Published by ...
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Percussion Ensemble - Level 4 - SKU: A0.939373 Composed by Adam Grim. Concert,Pop,World. Score and parts. 38 pages. Adam B. Grim #5991851. Published by Adam B. Grim (A0.939373). Stardust Inferno is a soca written for a steel band with the following instrumentation: Lead (Low C), Double Tenor, Double Seconds, Cello, Bass, and Drum Set. The motives found in this were written on a lead pan first, and then added variations and a solo section. The bass voices have a time to shine with their own melody, the double tenor and double seconds add harmony, and the drum set has group hits written in, rather than having a repeated pattern with slash notation on top. This was a fun piece to write, and is one of my favorites in my works for pan!
$30.00
16th Street
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Ensemble de Percussions
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FACILE
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Jazz
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Rock
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Luke Henson
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16th Street
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Luke Henson
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SheetMusicPlus
Percussion Ensemble - Level 2 - SKU: A0.942604 Composed by Luke Henson. Jazz,Rock. Score and parts. 7 pages. Luke Henson #2864551. Published by Luke Hen...
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Percussion Ensemble - Level 2 - SKU: A0.942604 Composed by Luke Henson. Jazz,Rock. Score and parts. 7 pages. Luke Henson #2864551. Published by Luke Henson (A0.942604). A cool funk tune for beginning and intermediate steel bands. Named after 16th Street in Denver, it is easy to learn, but has a few challenging licks. It features a bass-heavy intro, a tenor-based melody, and a gradual crescendo into a fun, loud climax. Recommended especially for high school ensembles, this is sure to become one of your favorites. .
$29.99
The Gloucestershire Wassail for Percussion Octet
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Ensemble de Percussions
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INTERMÉDIAIRE
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Traditional Christmas
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Kevin A
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The Gloucestershire Wassail fo
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Kevin Worley
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SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.923874 Composed by Traditional Christmas. Arranged by Kevin A. Worley. Christmas,Classical. Score and parts. 26 ...
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Percussion Ensemble - Level 3 - SKU: A0.923874 Composed by Traditional Christmas. Arranged by Kevin A. Worley. Christmas,Classical. Score and parts. 26 pages. Kevin Worley #3517537. Published by Kevin Worley (A0.923874). The Gloucestershire Wassail for Percussion Octet (2:15) Wassail is a beverage of hot mulled cider, drunk traditionally as an integral part of wassailing, a Medieval Christmastide English drinking ritual. This is a somewhat obscure English Christmastime wassailing song that has a lovely melody and works well with a bouncy, percussive style. Octet, score and all parts.
$4.99
Sleeping In
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Ensemble de Percussions
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INTERMÉDIAIRE/AVANCÉ
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Luke Henson
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Sleeping In
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Luke Henson
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SheetMusicPlus
Percussion Ensemble - Level 4 - SKU: A0.942610 Composed by Luke Henson. Jazz,Pop,World. Score and parts. 42 pages. Luke Henson #3866911. Published by Lu...
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Percussion Ensemble - Level 4 - SKU: A0.942610 Composed by Luke Henson. Jazz,Pop,World. Score and parts. 42 pages. Luke Henson #3866911. Published by Luke Henson (A0.942610). This great steelband composition, inspired by the music of Andy and Jeff Narell, will leave any audience humming and tapping their feet! It begins with a simple, yet infectious, bass and cello groove which gradually builds up to include the entire band. The intro then shifts into a catchy, laid-back verse, a call-and-response chorus, and a solo section. An intense bridge brings us right back to the original melody, followed by a satisfying outro. It would make a great recording and performance piece or any advanced steelpan ensemble.
$29.99
Koalas, Wombats and Drop Bears Too
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Ensemble de Percussions
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INTERMÉDIAIRE
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Fiona Hickie
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Koalas, Wombats and Drop Bears
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Fiona Alice Hickie
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SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.738088 Composed by Fiona Hickie. Classical,Contemporary,Patriotic,Rock. Score and parts. 17 pages. Fiona Alice H...
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Percussion Ensemble - Level 3 - SKU: A0.738088 Composed by Fiona Hickie. Classical,Contemporary,Patriotic,Rock. Score and parts. 17 pages. Fiona Alice Hickie #4630233. Published by Fiona Alice Hickie (A0.738088). A set of 3 pieces (for 3 players). The pieces are about Australian animals.Instrumentation Glockenspiel, marimba, timpani and vibraphone (marimba can be used instead of vibraphone) 1. Koalas - A beautiful lullaby, where the glockenspiel plays the melody and the timpani comes in as a raucous koala, awake from his many hours of sleep. (Then he/she sleeps again.) 2. Wombat Waddle 3. Drop bear - a timpani solo about a mythical, carnivorous version of the koala.
$15.00
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