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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
More Of That Jazz
Non classifié
343
Piano & claviers
Piano seul
246
Piano, Voix et Guitare
44
Instruments en Do
36
Piano, Voix
32
Piano Facile
26
Piano grosses notes
19
2 Pianos, 4 mains
5
Orgue
4
Piano Trio: piano, violon, violoncelle
4
1 Piano, 4 mains
3
Piano (partie séparée)
3
Accompagnement Piano
2
Accordéon
2
Piano Quatuor: piano, violon, alto, violoncelle
1
Orgue, Piano (duo)
1
+ 10 instrumentations
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Guitares
Guitare
48
Guitare notes et tablatures
25
Ligne De Mélodie, (Paroles) et Accords
10
Guitare (partie séparée)
6
Mandoline
5
Ukulele
3
Basse electrique
2
Banjo
2
Piano, Guitare (duo)
1
Paroles et Accords
1
4 Guitares (Quatuor)
1
Ensemble de guitares
1
+ 7 instrumentations
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Voix
Chorale SATB
45
Chorale 3 parties
16
Voix Alto, Piano
11
Chorale SSAA
10
Chorale TTBB
8
Chorale 2 parties
5
Chorale Unison
4
Voix Tenor, Piano
1
Voix duo, Piano
1
Voix haute
1
Voix seule
1
+ 6 instrumentations
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Vents
2 Saxophones (duo)
84
Saxophone, Clarinette (duo)
37
2 Clarinettes (duo)
34
Clarinette, Violon (duo)
30
2 Flûtes traversières (duo)
28
Quatuor de Saxophones: 4 saxophones
27
Clarinette, Trompette (duo)
24
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
21
2 Hautbois (duo)
20
Saxophone (partie séparée)
17
Flûte, Violon
17
Flûte, Saxophone (duo)
16
Quatuor de Clarinettes: 4 clarinettes
14
Clarinette et Alto
14
Hautbois, Clarinette (duo)
14
Saxophone Tenor et Piano
13
Saxophone Alto
12
Flûte, Alto (duo)
12
Flûte, Hautbois, Clarinette, Basson
12
Flûte, Clarinette (duo)
12
Flûte traversière et Piano
11
Flûte traversière
11
Clarinette
11
Hautbois, Basson (duo)
11
Flûte, Trompette (duo)
10
Clarinette et Piano
10
Saxophone Alto et Piano
10
Hautbois, Flûte
10
Saxophone Tenor
9
Hautbois, Piano (duo)
6
Quatuor de Flûtes : 4 flûtes
6
Flûte, Hautbois (duo)
5
Ensemble de saxophones
5
3 Saxophones (trio)
4
Hautbois, violon (duo)
4
Saxophone Soprano et Piano
4
Trio de Flûtes: 3 flûtes
4
Flûte à bec Soprano
4
3 Clarinettes (trio)
3
Clarinette Basse, Piano
3
Quintette de Saxophone: 5 saxophones
3
Quintette de Clarinettes: 5 clarinettes
3
Flute (partie séparée)
2
Cor anglais, Piano
2
Saxophone Baryton, Piano
2
Ensemble de Flûtes
2
Ensemble de Clarinettes
2
Clarinette (partie séparée)
1
Instruments en Mib
1
Hautbois (partie séparée)
1
Flûte à bec Alto, Piano
1
Saxophone
1
Saxophone et Guitare
1
Flûte à Bec
1
Saxophone et Orgue
1
Cor Anglais
1
2 Flûtes traversières, Piano
1
+ 52 instrumentations
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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
35
Trompette, Saxophone (duo)
31
2 Trombones (duo)
19
2 Trompettes (duo)
16
Quatuor de cuivres: 4 trombones
16
Trompette, Trombone (duo)
14
Trombone (partie séparée)
12
Trompette
11
Trompette (partie séparée)
11
Trompette, Piano
9
Trombone et Piano
6
Trombone
5
Quatuor de Cuivres: 2 trompettes, Cor, trombone
5
Ensemble de Trompettes
5
Quatuor de Cuivres : 2 trompettes, trombone, tuba
4
Ensemble de Trombones
4
Euphonium, Piano (duo)
3
Cor (partie séparée)
2
Cor anglais, Piano
2
Tuba (partie séparée)
2
Cor
2
Quatuor de Cuivres
2
Cor et Piano
2
Quatuor de cuivres: 4 cors
2
Instruments en Sib
1
Tuba et Piano
1
Euphonium, Tuba (duo)
1
2 Cors (duo)
1
Tuba
1
Bass Clef Instruments
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Ensemble de Cors
1
2 Tubas (duo)
1
Cor Anglais
1
+ 29 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
45
2 Altos (duo)
25
Violon, Alto (duo)
20
Violon, Violoncelle (duo)
18
Violon
17
2 Violons (duo)
15
2 Violoncelles (duo)
14
Violon et Piano
8
Violoncelle, Piano
7
Alto, Piano
6
Harpe
5
Trio à Cordes: violon, alto, violoncelle
4
Violoncelle
4
Alto seul
4
Contrebasse (partie séparée)
3
Violon, Guitare (duo)
2
Harpe et mandoline
1
Violoncelle , Guitare (duo)
1
Trio à Cordes: 2 violons, violoncelle
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Alto (partie séparée)
1
Contrebasse, Piano (duo)
1
Contre Basse
1
+ 18 instrumentations
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Orchestre & Percussions
Ensemble Jazz
179
Orchestre d'harmonie
56
Jazz combo
31
Orchestre à Cordes
15
Ensemble de cuivres
11
Orchestre
10
Batterie
5
Ensemble de Percussions
4
Ensemble d'École
4
Batterie (partie séparée)
2
Cloches
2
Orchestre de chambre
1
Marimba
1
Xylophone, Piano
1
+ 9 instrumentations
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Autres
Formation musicale - Solfège
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Théorie de la musique
1
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
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BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
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PERCU. ORCH…
PERCUSSION
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SAXOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
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More Of That Jazz
Ensemble de Percussions
Partitions à imprimer
4 partitions trouvées
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Two Dreams for solo Trombone and 8-part Percussion Ensemble
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Ensemble de Percussions
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AVANCÉ
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Antonio J
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Two Dreams for solo Trombone a
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Gordon Cherry
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.811252 Composed by Antonio J. Garcia. Contemporary,Jazz,Latin,World. Score and parts. 119 pages. Gordon Cherry #...
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Percussion Ensemble - Level 5 - SKU: A0.811252 Composed by Antonio J. Garcia. Contemporary,Jazz,Latin,World. Score and parts. 119 pages. Gordon Cherry #6549777. Published by Gordon Cherry (A0.811252). Two Dreams for Trombone and Percussion EnsembleDr. Justin Alexander (Director, VCU Percussion Ensemble) invited me to create a piece for trombone and percussion ensemble that had roles for more- and less-experienced players so that they could mix within the performance. I so enjoyed composing and performing this work. He estimates the overall difficulty grade of Movement I to be a three on a five-point scale and Movement II to be a four, with a grade four for the overall piece; but some players’ parts (within the eight total in the percussion ensemble) are indeed easier.The two Movements are approximately five minutes each.The first Movement Bilita Mpash (An Amazing Dream) calls for (1) shekeré/guiro; (2) 5-octave marimba (shared with...); (3) 5-octave marimba (shared with previous); (4) claves/drum set with mounted cowbell; (5) bell/mounted cowbell/congas; (6) hi-hat/suspended cymbal; (7) bass drum; and (8) four toms/maracas.The Second Movement (Running with the Tigers) calls for (1) xylophone; (2) vibraphone/glockenspiel; (3) 5-octave marimba; (4) drum set; (5) shaker/samba whistle/congas (opt. voice); (6) triangle/bell tree/hanging bells/agogo bells (opt. voice); (7) bass drum (opt. voice); and (8) Timpani (opt. voice). Pending difficulty levels, the conga and drum set parts can optionally be split among additional percussionists. The score notes offer a stage plot and many rehearsal tips.Bilita Mpash (An Amazing Dream)The 3-2 Rumba Clave anchors this movement, launched by the shekeré. Rhythmic vamps of multiple bars form the landscape over which the trombone’s melody emerges, followed by a move to double-time 2-3 Rumba Clave (with montuno) and back. The trombone soloist improvises without chordal accompaniment for a while so could reflect on the preceding harmonies or instead freely improvise with no concern as to chord changes, while a later section requires improv over chord changes. After the recap, a surprise tag of the ending phrase in Cha Cha sets up the rubato finish. Bilita Mpash (BILL-it-uh m-POSH) is a Bantu term for an amazing dream, a dream so good that it is the polar opposite of a nightmare-a dream in a blissful state where all is forgiven and forgotten2. Running with the TigersThe opening, written-out marimba solo is somewhat of a nod to vibist Gary Burton’s influence in bringing mallets towards the expression of modern jazz. A 9/8 samba-groove (5+4) transforms to 4/4. None of the percussionists have to have a jazz background, though the drum set player would be more challenged if not already exposed to Latin drumming. The improvised solo section could be all solo trombone or could be divided among various performers, including trading. The recap of the tune begins over 5/8 samba (3+2, later 2+3). The closing arrhythmic drum-set solo crescendos as the optional surprise of percussionists’ (or additional) voices sing at the end. The title of this movement refers to a recurring dream my dad would have, as well as to the active movements of my grandson when sleeping in his earliest years.-Antonio J. GarcÃaInstrumentation is for:Solo Trombone and 8-part Percussion Ensemble:shekeré/guiro, 2 5-octave marimbas, claves/drumset with cowbell, bell, congas, hi-hat, suspended cymbal, bass drum, toms, maracas, xylophone, vibraphone, glockenspiel, shaker, samba whistle, congas, triangle, bell tree, hanging bells, agogo bells, bass drum and timpani.This rhythmic and dramatic work includes improvisation by the Trombonist. Listen to the brilliant live performance featuring Mr. Garcia and the Virginia Commonwealth University Percussion Ensemble directed by Dr. Justin Alexander.
$50.00
Donut Etudes vol. 3: Don’t Step in the Holes! – Keyboard Percussion (Mallet) Quartet
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Ensemble de Percussions
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INTERMÉDIAIRE
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Methodes
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Joshua Hauser
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Donut Etudes vol. 3: Don&rsquo
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Slide Ride
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SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.784338 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288673. Published by Sl...
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Percussion Ensemble - Level 3 - SKU: A0.784338 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288673. Published by Slide Ride (A0.784338). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
Don't Worry, Be Happy
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Ensemble de Percussions
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INTERMÉDIAIRE
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Jazz
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Bobby McFerrin
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Ricardo Matosinhos
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Don't Worry, Be Happy
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Ricardo Matosinhos
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SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.899162 By Bobby McFerrin. By Bobby McFerrin. Arranged by Ricardo Matosinhos. Jazz. Score and parts. 32 pages. Ri...
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Percussion Ensemble - Level 3 - SKU: A0.899162 By Bobby McFerrin. By Bobby McFerrin. Arranged by Ricardo Matosinhos. Jazz. Score and parts. 32 pages. Ricardo Matosinhos #5723941. Published by Ricardo Matosinhos (A0.899162). This is a well known piece by Bobby McFerrin. Here presented on a music arrangement for unconventional music instruments. The arrangement allows flexibility, so this piece can be performed using tuned bottles (25cl, 33cl and 75cl), lip whistle, finger snaps, complemented with xylophones and optionally with voices to sing the lyrics too. This arrangement was made during the 2020 quarantine, when the world was shutdown due to a world virus pandemic. Some of the music students didn’t have their music instruments at home, so this arrangement came up to fill that gap and it is perfect to keep doing music with the available option of instruments.On each rehearsal letter, you can play optional improvisations, while keeping the voices 5-8. These improvisations can be easily done using the C major pentatonic scale or the note ranges presented on the right, that even include Eâ™ and Bâ™. If played using lip whistle, bendings will be possible too. This arrangement presents 8 voices and an alternative solution for voice 8, that makes it easier to be performed as it is the place where bottles are divided between the players. There is also an optional bass line to complement voice eight one octave bellow. In order to keep it simple, neither dynamics or articulations were included and the notes were represented always in the middle octave in G clef. The correct pitch ranges are presented in the performance notes.The amount of water will change the pitch differently depending if you are blowing or doing percussion on a bottle. When blowing, the more water you use, the higher the pitch will be, but while doing percussions more water means lower pitch. A good option, in order to save time during rehearsals, is to fill the bottles with water, marking the level with a pen, and then filling the bottle with the desired amount of hot wax instead of water. This way, when the wax cools down you can have a tuned bottle without requiring to tune it again every single rehearsal. Please note that the bottles should be made of glass and that different aspects change the performance. For percussion, straight bottles are better to tune as the curves in the bottles tend to produce unstable pitches. The extreme notes of the range might not be available in every single bottle, so you might need to try some alternatives. For example the high A is available in some beer bottles, while the low G is available in larger 75cl bottles of champaign. Last but not least, this piece should always be played according to Bobby’s motto: dont worry, be happy!I had lots of fun while doing this arrangement, now it’s your time to have fun while performing it!Ricardo Matosinhoshttp://www.ricardomatosinhos.com
$14.99
Come To Me
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Ensemble de Percussions
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INTERMÉDIAIRE/AVANCÉ
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Bjork Gudmundsdottir
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David R
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Come To Me
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Bluesilhouettes Music
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SheetMusicPlus
Percussion Ensemble - Level 4 - SKU: A0.1350568 Composed by Bjork Gudmundsdottir. Arranged by David R. Peoples. Classical,Contemporary,Pop,Rock. 87 page...
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Percussion Ensemble - Level 4 - SKU: A0.1350568 Composed by Bjork Gudmundsdottir. Arranged by David R. Peoples. Classical,Contemporary,Pop,Rock. 87 pages. Bluesilhouettes Music #935388. Published by Bluesilhouettes Music (A0.1350568). If you had a day, and all you listened to was Björk, you’d have a fascinating day. The experience would be marked by a kaleidoscope of varying styles from pop, avant-garde, or jazz. Is it mainstream - probably not. But, the artist is definitely recognizable (as a name), appearing across multiple genres. As a source of background to her song ‘Come to Me,’ I borrowed a palindromic idea exploited by Radiohead in their ‘Pyramid song...’ if we truly expand a swing feel to a twelve-eight meter and extend the pattern across two measures - the eighth notes would provide a total of twenty-four possibilities - and as in this work you get four, five, six, five, four a palindrome on 45654 that (when added) equals twenty-four.This version is not a cover. Fragments of musical elements are translated into the ensemble. While occasionally exhibiting moments of dance, the composition evolves into a more profound expression, capitalizing on the musical possibilities of a percussion ensemble. This arrangement was crafted for the University of North Georgia’s percussion ensemble, directed by Dr. Steven Walker.Full mock-up digital audio: available here
$34.99
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More Of That Jazz
