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ACCORDEON
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AUTRES INST…
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COR ANGLAIS
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FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
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LUTH, THEOR…
MANDOLINE
MARIMBA
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PARTITIONS …
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PERCU. ORCH…
PERCUSSION
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
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FLAMENCO
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JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
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METHODE : TECHNIQUES
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POLKA
POP ROCK - POP MUSIC
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SOUL - R&B - HIP HOP…
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Musicnotes
Note4Piano
Noviscore
Profs-edition
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SheetMusicPlus
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Virtualsheetmusic
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A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
1817
PIANO & CLAVIERS
Piano seul
1535
Piano, Voix
482
Piano Facile
466
Piano, Voix et Guitare
255
Instruments en Do
242
Orgue
94
1 Piano, 4 mains
26
Piano Trio: piano, violon, violoncelle
23
Accompagnement Piano
22
Piano Quatuor: piano, violon, alto, violoncelle
10
2 Pianos, 4 mains
6
Piano Quintette: piano, 2 violons, alto, violoncelle
6
Piano grosses notes
6
Clavecin
4
Accordéon
4
Piano (partie séparée)
3
Clavier
2
Orgue, Piano (duo)
2
Piano Quatuor: piano, 2 violons, violoncelle
2
Orgue, Trompette (duo)
2
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GUITARES
Guitare
119
Guitare notes et tablatures
60
Ligne De Mélodie, (Paroles) et Accords
59
Ukulele
29
Guitare (partie séparée)
5
Dulcimer
4
2 Guitares (duo)
4
Banjo
3
Basse electrique
3
Mandoline
3
2 Ukuleles
2
Paroles et Accords
2
3 Guitares (trio)
1
Basse électrique (partie séparée)
1
Ensemble de guitares
1
Guitare, Orchestre
1
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VOIX
Chorale SATB
715
Chorale 3 parties
205
Chorale 2 parties
89
Chorale TTBB
47
Chorale SSAA
46
Chorale Unison
37
Voix Tenor
25
Voix Alto, Piano
24
Voix Soprano
23
Voix Soprano, Piano
11
Voix seule
10
Voix duo
8
Chorale
7
Voix duo, Piano
7
Chorale SSATB
6
Voix Mezzo-Soprano, Piano
5
Chorale SSAATTBB
5
Voix Tenor, Piano
5
Voix Baryton, Piano
4
Voix haute
4
Voix basse, Piano
2
Chorale SSATTB
2
Voix moyenne, Piano
2
Soli, choeur mixte et accompagnement
1
Chorale SATTBB A Cappella
1
Instrumentations suivantes
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VENTS
2 Saxophones (duo)
331
Flûte traversière et Piano
238
Hautbois, Piano (duo)
199
Clarinette et Piano
187
Clarinette
165
Saxophone (partie séparée)
163
Saxophone Alto et Piano
152
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
144
Flûte traversière
133
Saxophone Alto
130
Quatuor de Saxophones: 4 saxophones
121
2 Clarinettes (duo)
119
2 Flûtes traversières (duo)
114
Flûte, Hautbois, Clarinette, Basson
110
Saxophone Tenor et Piano
103
Saxophone Soprano et Piano
101
Quintette de Saxophone: 5 saxophones
92
Saxophone, Clarinette (duo)
86
Hautbois (partie séparée)
82
Saxophone Baryton, Piano
80
Hautbois
71
Clarinette, Violon (duo)
67
2 Hautbois (duo)
65
Hautbois, Basson (duo)
62
Flûte, Clarinette (duo)
53
Saxophone Tenor
47
Clarinette (partie séparée)
44
Quatuor de Clarinettes: 4 clarinettes
44
Clarinette et Alto
40
Clarinette, Trompette (duo)
40
Saxophone Baryton
40
Hautbois, Clarinette (duo)
39
Saxophone Soprano
38
Flûte, Violon
38
Quatuor de Flûtes : 4 flûtes
34
Cor anglais, Piano
33
Hautbois, Violoncelle
32
Clarinette, Violoncelle (duo)
32
Hautbois, Flûte
31
Flûte, Alto (duo)
31
Flûte à bec Soprano
30
2 Flûte à bec (duo)
28
Flûte, Saxophone (duo)
28
Flûte, Violoncelle
27
Clarinette, Basson (duo)
23
Ensemble de Clarinettes
23
Cor Anglais
23
Quintette de Clarinettes: 5 clarinettes
19
3 Clarinettes (trio)
19
Flûte à Bec
19
Flûte, Trompette (duo)
19
Flûte à bec Alto
17
3 Saxophones (trio)
16
Flûte à bec Tenor
14
Clarinette Basse, Piano
14
Flute (partie séparée)
14
Flûte, Hautbois, Clarinette (trio)
11
Ensemble de Flûtes
10
Quintette de Flûte : 5 flûtes
10
Hautbois et alto (duo)
10
Flûte, Clarinette et Basson
10
Trio de Flûtes: 3 flûtes
10
Saxophone
9
Flûte, Violon, Piano
9
Flûte, Hautbois, Basson
8
Hautbois, violon (duo)
7
Ensemble de saxophones
6
Clarinette Basse
6
Flûte, Basson et Piano
6
Flûte, Clarinette, Piano (trio)
6
Hautbois, Clarinette, Basson (trio d'anches)
5
Flûte, Violoncelle, Piano (trio)
5
Clarinette, Violoncelle, Piano (trio)
4
3 Flûtes à bec (trio)
4
Flûte, Alto et Piano
4
Flûte, Hautbois (duo)
4
Clarinette, Basson, Piano (trio)
4
Flûte à bec Soprano, Piano
4
Hautbois, Violon, Piano
4
Flute, harpe et violon
3
Quatuor de Flûtes à bec
3
Flûte traversière, Basse continue
3
Saxophone et Orgue
3
Clarinette, Harpe (duo)
3
Piccolo, Piano
3
Clarinette, Alto et Piano (trio)
3
5 Flûtes à bec
3
Clarinette, Contrebasse (duo)
2
Flûte, Harpe et Violoncelle
2
Hautbois, Basson et Piano
2
2 Cors Anglais Et Pianoforte
2
Piccolo
2
Hautbois, Violoncelle et Piano
2
2 Flûtes traversières, Piano
2
Flûte traversière, Orgue (duo)
2
Flûte et Guitare
2
Flûte, Trombone (duo)
2
Cor anglais et Harpe (duo)
2
Hautbois, trombone (duo)
2
Flûte, Hautbois, Piano (trio)
2
Hautbois, Clarinette et Piano (Trio)
1
Flûte à Bec, Piano
1
Hautbois, Guitare (duo)
1
Flûte, Violon et Violoncelle
1
2 Saxophones, Piano
1
Saxophone et Piano
1
Clarinette, Guitare (duo)
1
Clarinette, Orgue
1
Flûte, Tuba (duo)
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Clarinette, Tuba
1
Saxophone et Harpe
1
Hautbois, Harpe
1
Cornemuse
1
Flûte et Trio à cordes
1
Saxophone et Guitare
1
Instrumentations suivantes
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
214
Trombone et Piano
161
Cor et Piano
143
Trompette
135
Trompette, Piano
131
Cor
120
Trombone
109
Tuba
97
Tuba et Piano
96
2 Trombones (duo)
67
Trio de Cuivres
65
Trompette, Saxophone (duo)
63
2 Trompettes (duo)
62
Trombone (partie séparée)
53
Quatuor de Cuivres: 2 trompettes, Cor, trombone
51
Trompette, Trombone (duo)
47
2 Cors (duo)
41
Trompette (partie séparée)
38
Cor anglais, Piano
33
Euphonium, Piano (duo)
27
Cor (partie séparée)
26
Quatuor de Cuivres
25
Quatuor de cuivres: 4 trombones
25
Cor Anglais
23
Tuba (partie séparée)
21
2 Tubas (duo)
18
Quatuor de Cuivres : 2 trompettes, trombone, tuba
16
Quatuor de cuivres: 4 cors
15
Cor, Violoncelle (duo)
14
4 Tubas
12
Trompette, Violoncelle (duo)
10
Euphonium
9
Trompette, Cor (duo)
9
Ensemble de Trompettes
6
Ensemble de Cors
5
2 Euphoniums (duo)
4
Cor et Basson (duo)
4
Trompette, Basson (duo)
4
Trombone basse
3
Tuba et Orgue
3
2 Euphoniums et 2 Tubas
3
Trompette, Trombone, Piano
2
Trompette, Tuba (duo)
2
2 Cors Anglais Et Pianoforte
2
Trombone, Tuba (duo)
2
Trombone, Orgue
2
Cor anglais et Harpe (duo)
2
3 Trombones (trio)
2
Trombone, Violon (duo)
2
Trombone et orchestre
2
Trombone basse et Piano
1
Cor et Orgue
1
Ensemble de Trombones
1
Euphonium, Tuba (duo)
1
Quatuor de cuivres: 4 trompettes
1
Trompette, Harpe
1
Trompette et Guitare
1
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
1
Instrumentations suivantes
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CORDES
Violon et Piano
295
Quatuor à cordes: 2 violons, alto, violoncelle
280
Alto, Piano
224
Violoncelle, Piano
223
Violon
177
Alto seul
132
Violoncelle (partie séparée)
106
2 Violons (duo)
95
Violon, Violoncelle (duo)
91
Contre Basse
89
Violoncelle
87
Contrebasse, Piano (duo)
87
2 Violoncelles (duo)
67
2 Altos (duo)
65
Violon, Alto (duo)
60
Quintette à cordes: 2 violons, alto, violoncelle, basse
56
Violon (partie séparée)
50
Trio à Cordes: violon, alto, violoncelle
42
Harpe
35
Alto (partie séparée)
28
Alto, Violoncelle (duo)
24
Violon, Basson (duo)
22
2 Contrebasses (duo)
18
Contrebasse (partie séparée)
18
Trio à Cordes: 2 violons, violoncelle
15
Alto et Basson
12
Piano Trio: Violon, Alto, Piano
11
2 Harpes (duo)
10
4 Violoncelles
7
Quintette à cordes : 2 violons, alto et 2 violoncelles
6
Harpe, Flûte (duo)
5
Quatuor à cordes: 4 violons
5
Violon, Clarinette, Piano (trio)
5
Quintette à cordes: 2 violons, 2 altos, violoncelle
5
Violoncelle, Contrebasse (duo)
5
Violon, Orgue
4
Harpe, Violoncelle (duo)
4
Harpe, Violon, Violoncelle
4
Trio à Cordes: 3 violoncelles
3
Trio à cordes: 3 violins
3
Harpe, Violon (duo)
3
Violon, Guitare (duo)
2
Violoncelle , Guitare (duo)
2
Violon, Tuba (duo)
2
Alto, Orgue
2
Violon, Violoncelle, Clarinette
2
Quatuor à cordes : 4 altos
2
Trio à cordes: 3 altos
2
Violoncelle, Orgue
2
Flûte, Contrebasse (duo)
2
Alto, Guitare (duo)
1
Harpe, Trombone (duo)
1
Autoharp
1
Alto et Harpe
1
2 Violoncelles, Piano
1
4 Contrebasses
1
Trio à Cordes: 2 violons, alto
1
Violoncelle, Basse continue
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
957
Orchestre à Cordes
200
Orchestre
88
Cloches
43
Marimba
42
Ensemble de cuivres
34
Percussion (partie séparée)
31
Orchestre de chambre
27
Ensemble Jazz
24
Xylophone
16
Fanfare
11
Jazz combo
10
Xylophone, Piano
10
Percussion
9
Batterie
9
Batterie (partie séparée)
7
Vibraphone
6
Timbales (partie séparée)
6
Ensemble de Percussions
6
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
6
2 Xylophones
1
Instrumentations suivantes
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AUTRES
Formation musicale - Solfège
1
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1
Alexandriana for Percussion Ensemble
Ensemble de Percussions
Percussion Ensemble - Level 5 - Digital Download SKU: A0.937755 Composed by Dan Hes…
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.937755 Composed by Dan Heslink. Contemporary,World. Score and parts. 128 pages. Pharaoh Publications #5983475. Published by Pharaoh Publications (A0.937755). Alexandriana for percussion ensemble (12 performers) by Dan Heslink The term Alexandriana is popularly used to reference the Great Library of antiquity in Alexandria, Egypt. Rooted in Alexander the Great’s global military and exploratory exploits (334 - 323 BCE), the library symbolizes the ancient Greek ever expanding worldview, especially under the influence of Alexander and his tutor, Aristotle. Alexander died long before construction of the Ancient Museum and Library of Alexandria, but the concept of a universal library was uniquely his. The mixing of Hellenistic columns with Egyptian architecture and the housing of thousands of scrolls in Greek, Turkish, Babylonian, Egyptian and Hebrew, intensify the division of the library broadly into two large sections, one for eastern knowledge and one for western knowledge. In this musical score, typically western is the thematic concept (expressed most clearly in the chimes), the tonal, triadic-based harmony and sectional concept of form. The music’s sectional nature parallels the library’s different rooms, each containing their own genre of knowledge (history, mathematics, poetry, etc.) Evocative of eastern musical practices are the simultaneous layers of different rhythmic subdivisions, oriental modes, and florid lines in the xylophone and vibe parts. In this score, eastern musical procedures are expressed with instruments commonly found in the Western orchestra or wind band. The performers are encouraged to always emphasize the score’s contrasts. Passages for indefinitely pitched percussion featuring the song within the drums contrast with other passages of purely quantitative rhythm. Complexity in the interaction of parts contrast with simple rhythmic unison. Passages of thick harmony contrast with modal monophonic melodies accompanied only by indefinitely pitched sounds. Overall, there is a wide dynamic range. During long passages of gradually accruing energy, take care to not build dynamics too quickly, and during fortissimo passages, drums should be stroked in a manner that avoids excessive aggression. The rhythmic background of 16th notes must be consistent among all players so that interlocking rhythmic motifs are consistent. Often the tom-toms have melodic passages that imitate the shape of mallet or timpani melodies. Tune the drums for a warm, round sound and select mallets accordingly. Bar percussion players should apply a flowing legato to their passage work. Soft sections are intended to sound mysterious: be sure to use mallets that match that character. The composer assigns a performance level of difficult to this work. Performance time is 9:15. The composer, Dan Heslink, can be reached at dan@dheslink.com.
$9.99
9.21 €
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Ensemble de Percussions
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Dan Heslink
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Alexandriana for Percussion Ensemble
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Pharaoh Publications
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SheetMusicPlus
Sweet Dreams (are Made Of This)
Ensemble de Percussions
Percussion Ensemble - Level 4 - Digital Download SKU: A0.1324084 By The Eurythmics.…
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Percussion Ensemble - Level 4 - Digital Download SKU: A0.1324084 By The Eurythmics. By Annie Lennox and David Stewart. Arranged by David R. Peoples. Classical,Contemporary,Pop,Rock. 100 pages. Bluesilhouettes Music #912276. Published by Bluesilhouettes Music (A0.1324084). Annie Lennox and David Stewart had recently ended their relationship and disbanded their band. They still worked together - and built this song in a tiny warehouse using whatever technology they could get their hands on. In a day where most music was produced in the large studios backed by industry money - they pioneered a hit without the big studio. Securing a loan, they procured essential equipment—a compact setup comprising an 8-track tape recorder, mixer, effects processors, synthesizers, a drum computer, and a compact dynamic microphone. Some of the emotions from their lives went into the song - a fresh start on the heels of emotional events. Reflecting on that period, Lennox candidly remarked, “I was feeling very vulnerable. The song was an expression of how I felt: hopeless and nihilistic.â€This version is not a cover. Fragments of musical elements are translated into the ensemble. While occasionally exhibiting moments of dance, the composition evolves into a more profound expression, capitalizing on the musical possibilities of a percussion ensemble. This arrangement was crafted for the University of North Georgia’s percussion ensemble, directed by Dr. Steven Walker.Listen to mockup offsite
$34.99
32.25 €
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Ensemble de Percussions
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The Eurythmics
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David R
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Sweet Dreams
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Bluesilhouettes Music
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SheetMusicPlus
Black Hole Sun
Ensemble de Percussions
Percussion Ensemble - Level 4 - Digital Download SKU: A0.1345315 By Soundgarden. By…
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Percussion Ensemble - Level 4 - Digital Download SKU: A0.1345315 By Soundgarden. By Chris Cornell. Arranged by David R. Peoples. Classical,Contemporary,Grunge,Rock. 68 pages. Bluesilhouettes Music #930151. Published by Bluesilhouettes Music (A0.1345315). What I really like about this song is its uniqueness... is it grunge? Psychedelic? Alternative? Hard Rock? Contemporary chamber music? Theoretically - is it some sort of jazz-fuzed harmonic progression or a clever soundscape of melody notes outside of chords? This version is not a cover. Fragments of musical elements are translated into the ensemble. While occasionally exhibiting moments of rock, the composition evolves into a more profound expression, capitalizing on the musical possibilities of a percussion ensemble. This arrangement was crafted for the University of North Georgia’s percussion ensemble, directed by Dr. Steven Walker.Hear full digital audio mockup offsite
$34.99
32.25 €
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Ensemble de Percussions
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Soundgarden
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David R
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Black Hole Sun
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Bluesilhouettes Music
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SheetMusicPlus
Come To Me
Ensemble de Percussions
Percussion Ensemble - Level 4 - Digital Download SKU: A0.1350568 Composed by Bjork …
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Percussion Ensemble - Level 4 - Digital Download SKU: A0.1350568 Composed by Bjork Gudmundsdottir. Arranged by David R. Peoples. Classical,Contemporary,Pop,Rock. 87 pages. Bluesilhouettes Music #935388. Published by Bluesilhouettes Music (A0.1350568). If you had a day, and all you listened to was Björk, you’d have a fascinating day. The experience would be marked by a kaleidoscope of varying styles from pop, avant-garde, or jazz. Is it mainstream - probably not. But, the artist is definitely recognizable (as a name), appearing across multiple genres. As a source of background to her song ‘Come to Me,’ I borrowed a palindromic idea exploited by Radiohead in their ‘Pyramid song...’ if we truly expand a swing feel to a twelve-eight meter and extend the pattern across two measures - the eighth notes would provide a total of twenty-four possibilities - and as in this work you get four, five, six, five, four a palindrome on 45654 that (when added) equals twenty-four.This version is not a cover. Fragments of musical elements are translated into the ensemble. While occasionally exhibiting moments of dance, the composition evolves into a more profound expression, capitalizing on the musical possibilities of a percussion ensemble. This arrangement was crafted for the University of North Georgia’s percussion ensemble, directed by Dr. Steven Walker.Full mock-up digital audio: available here
$34.99
32.25 €
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Ensemble de Percussions
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Bjork Gudmundsdottir
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David R
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Come To Me
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Bluesilhouettes Music
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SheetMusicPlus
One Hour to Madness
Ensemble de Percussions
Percussion Ensemble - Level 5 - Digital Download SKU: A0.935385 Composed by Dan Hes…
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.935385 Composed by Dan Heslink. Contemporary. Score and parts. 36 pages. Pharaoh Publications #5775261. Published by Pharaoh Publications (A0.935385). One Hour to Madness for percussion septet. by Dan Heslink From its opening motto to its bold closing summation, One Hour to Madness explores a high degree of musical energy. The title is loosely inspired by Walt Whitman’s marvelous poem, One Hour to Madness and Joy (Leaves of Grass). The music presents a dark and exciting expression couched in pervasive contrapuntal development. A high degree of dissonance is contrasted with the second theme’s clear Bb major tonality. The work’s contrapuntal nature is distilled into a fugato in the second half. Predominantly a mallet ensemble composition, scoring is for orchestra bells (2 mallets), xylophone (2 mallets), vibraphone (4 mallets), 3 marimbas (each with 2 mallets) and timpani. The timpani part is best performed on the standard set of 4 drums (23-24, 25-26, 28-29, 32-30). The marimba 1 part requires the standard range of 3 ½ or 4 octaves; the marimba 2 part can be executed on the standard 4-octave instrument by omitting a few octave doublings, or on a 5-octave instrument if one is available; marimba 3 requires a 5-octave instrument. The composer assigns a difficulty level of advanced. It will serve any concert or recital very well. Audiences and performers alike will enjoy the flashy passage work and musical impetus afforded by One Hour to Madness. Duration is 3:41. The composer, Dan Heslink, can be contacted at dan@dheslink.com.
$4.99
4.6 €
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Ensemble de Percussions
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Dan Heslink
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One Hour to Madness
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Pharaoh Publications
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SheetMusicPlus
Morning (SCORE ONLY)
Ensemble de Percussions
Percussion Ensemble - Level 4 - Digital Download SKU: A0.782626 Composed by Ashlee …
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Percussion Ensemble - Level 4 - Digital Download SKU: A0.782626 Composed by Ashlee T Busch. 20th Century,Contemporary. Score and parts. 47 pages. Ashlee T Busch #3629077. Published by Ashlee T Busch (A0.782626). Morning is an exercise in musical meditation. Each line should be brought out soloistically but with attention to the atmosphere of the sound world. Like walking down a crowded sidewalk, each face contributes color, expression and individualism. However, as one moves further and further away, the faces begin to blur. Morning is the 9am walk on that crowded street, the swaying of a thousand corn stalks in an endless field, and the drops of water that make up an ocean. Always in a crowd. Always alone.
$15.00
13.82 €
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Ensemble de Percussions
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Ashlee T Busch
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Morning
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Ashlee T Busch
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SheetMusicPlus
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