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GUITARE
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MANDOLINE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
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AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
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DEEJAY
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FANFARE - BAND…
FLUTE A BEC
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FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
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PIANO & CLAVIERS
Piano seul
471
Piano, Voix et Guitare
220
Piano, Voix
187
Piano Facile
153
Instruments en Do
97
Accompagnement Piano
36
Orgue
21
Piano grosses notes
17
1 Piano, 4 mains
16
Piano Trio: piano, violon, violoncelle
5
2 Pianos, 4 mains
4
Piano Quintette: piano, 2 violons, alto, violoncelle
4
Piano (partie séparée)
4
2 Pianos, 8 mains
2
Piano Quatuor: piano, violon, alto, violoncelle
2
Ligne De Mélodie, Piano
1
Accordéon
1
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GUITARES
Guitare notes et tablatures
108
Guitare
34
Ligne De Mélodie, (Paroles) et Accords
34
Ukulele
31
Paroles et Accords
27
Basse electrique
21
Guitare (partie séparée)
6
Mandoline
4
Dulcimer
3
2 Guitares (duo)
3
Ukulele Baryton
1
3 Guitares (trio)
1
2 Ukuleles
1
Basse électrique (partie séparée)
1
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VOIX
Chorale SATB
178
Chorale 3 parties
86
Chorale 2 parties
40
Chorale TTBB
39
Chorale SSAA
26
Chorale Unison
15
Voix haute
12
Voix duo, Piano
6
Voix Soprano
5
Voix Soprano, Piano
5
Voix Alto, Piano
4
Voix Tenor, Piano
3
Voix duo
2
Voix Baryton, Piano
2
Chorale SSATB
1
Chorale SSAATTBB
1
Chorale
1
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VENTS
Quatuor de Saxophones: 4 saxophones
72
Quatuor de Clarinettes: 4 clarinettes
58
2 Saxophones (duo)
42
Quatuor de Flûtes : 4 flûtes
40
Clarinette et Piano
39
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
38
Flûte traversière et Piano
38
2 Flûtes traversières (duo)
37
Clarinette
36
Quintette de Saxophone: 5 saxophones
34
Flûte, Hautbois, Clarinette, Basson
32
Saxophone Alto et Piano
31
Hautbois, Piano (duo)
26
Saxophone (partie séparée)
24
2 Clarinettes (duo)
23
Flûte traversière
23
Saxophone Tenor et Piano
22
3 Saxophones (trio)
21
Quintette de Clarinettes: 5 clarinettes
18
Saxophone Alto
17
Saxophone Soprano et Piano
17
Quintette de Flûte : 5 flûtes
16
Saxophone Tenor
16
Ensemble de saxophones
14
3 Clarinettes (trio)
12
Ensemble de Clarinettes
12
Saxophone Baryton, Piano
12
Trio de Flûtes: 3 flûtes
11
Hautbois
11
Flûte, Clarinette (duo)
10
Ensemble de Flûtes
9
Hautbois, Clarinette, Basson (trio d'anches)
9
Clarinette (partie séparée)
8
Hautbois (partie séparée)
8
2 Hautbois (duo)
7
Saxophone Baryton
5
Flûte, Hautbois, Clarinette (trio)
5
Saxophone Soprano
4
Flûte à bec Alto
4
2 Flûte à bec (duo)
4
Flûte et Guitare
4
Hautbois, Clarinette (duo)
3
Hautbois, Basson (duo)
3
Flûte à bec Soprano
3
Clarinette Basse, Piano
3
5 Flûtes à bec
3
Clarinette, Guitare (duo)
2
Clarinette, Violon (duo)
2
Flute (partie séparée)
2
Clarinette et Alto
2
Saxophone
2
3 Flûtes à bec (trio)
2
Quintette de Clarinette: Clarinette, Quatuor à Cordes
2
Clarinette, Trompette (duo)
2
Flûte, Alto (duo)
1
Flûte, Violoncelle
1
2 Flûtes traversières, Piano
1
Cor anglais, Piano
1
2 Clarinettes, Piano
1
Flûte, Hautbois (duo)
1
Flûte, Saxophone (duo)
1
Clarinette, Violoncelle, Piano (trio)
1
Cor Anglais
1
Flûte, Violon
1
Saxophone et Harpe
1
2 Saxophones, Piano
1
Hautbois, Harpe
1
Flûte, Trompette (duo)
1
Quatuor de Flûtes à bec
1
Saxophone, Clarinette (duo)
1
Clarinette, Basson (duo)
1
Hautbois, violon (duo)
1
Flûte à Bec
1
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
56
Trompette, Piano
39
Trompette
32
Trombone et Piano
26
Quatuor de Cuivres : 2 trompettes, trombone, tuba
23
Cor et Piano
22
Quatuor de Cuivres: 2 trompettes, Cor, trombone
22
Trombone
17
Cor
16
Trombone (partie séparée)
16
Tuba et Piano
15
Quatuor de Cuivres
15
Ensemble de Trompettes
13
Tuba
12
Trompette (partie séparée)
12
Ensemble de Trombones
11
Quatuor de cuivres: 4 trombones
7
2 Trompettes (duo)
7
Trompette, Trombone (duo)
6
Ensemble de Cors
6
Quatuor de cuivres: 4 cors
6
2 Trombones (duo)
6
2 Cors (duo)
5
2 Tubas (duo)
4
Euphonium, Piano (duo)
4
Tuba (partie séparée)
3
Cor (partie séparée)
3
2 Euphoniums et 2 Tubas
3
Euphonium
2
Trompette, Euphonium (duo)
1
Cor anglais, Piano
1
Bass Clef Instruments
1
Cor et Harpe
1
Trompette, Saxophone (duo)
1
3 Euphoniums
1
Clarinette, Cor (duo)
1
3 Cors (trio)
1
Cor Anglais
1
Trio de Cuivres
1
3 Trompettes (trio)
1
Trompette, Harpe
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
191
Violon et Piano
66
Violon
50
Violon (partie séparée)
33
Alto, Piano
32
Violoncelle, Piano
31
Violoncelle
28
Harpe
26
Trio à Cordes: violon, alto, violoncelle
24
Alto seul
23
Violon, Violoncelle (duo)
21
Trio à Cordes: 2 violons, violoncelle
20
Quintette à cordes: 2 violons, alto, violoncelle, basse
20
Contrebasse (partie séparée)
18
2 Violons (duo)
17
Alto (partie séparée)
13
2 Violoncelles (duo)
12
Contrebasse, Piano (duo)
12
Violon, Alto (duo)
11
Contre Basse
9
2 Altos (duo)
8
2 Harpes (duo)
8
Violoncelle (partie séparée)
8
Alto, Violoncelle (duo)
7
Trio à Cordes: 2 violons, alto
7
4 Violoncelles
3
Harpe, Violon (duo)
2
2 Altos, Piano
2
Harpe, Flûte (duo)
2
Trio à cordes: 3 violins
2
Harpe, Violoncelle (duo)
2
Trio à cordes: 3 altos
1
Violon, Guitare (duo)
1
Violoncelle , Guitare (duo)
1
Quatuor à cordes: 4 violons
1
Quatuor à cordes : 4 altos
1
Trio à Cordes: 3 violoncelles
1
Alto et Harpe
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
1260
Orchestre à Cordes
155
Ensemble Jazz
76
Orchestre
65
Ensemble de cuivres
64
Cloches
49
Batterie
32
Orchestre de chambre
17
Fanfare
17
Percussion (partie séparée)
12
Jazz combo
10
Ensemble de Percussions
6
Batterie (partie séparée)
5
2 Xylophones
4
Marimba
2
Piano et Orchestre
1
Vibraphone
1
Batterie-Fanfare
1
Instrumentation Flexible
1
Xylophone, Piano
1
Percussion
1
Instrumentations suivantes
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AUTRES
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Ensemble de Percussions
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Next Year
Ensemble de Percussions
Percussion Ensemble - Level 2 - Digital Download SKU: A0.1016551 By Foo Fighters. B…
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Percussion Ensemble - Level 2 - Digital Download SKU: A0.1016551 By Foo Fighters. By Dave Grohl, Nate Mendel, and Taylor Hawkins. Arranged by Stephen Lawhorne. Rock. Score and parts. 33 pages. StevoPanMan #5726143. Published by StevoPanMan (A0.1016551). Performers and audiences LOVED this tune! A medium-easy steel band arrangement of this Foo Fighters song. BONUS: There is a part for Jumbie Jam if your ensemble includes those instruments. Also great for combined concerts with elementary groups. Arranged for: Jumbie Jam, Lead, Doubles 1, Doubles 2, Guitar/Cello, Bass Pans, Electric Bass, Drum Set and Shaker/Tambourine. Two additional parts included: TAB electric bass and a Jumbie MAP that is excellent for visual learners that may be confused by musical repeats, D.S., Coda, etc.
$25.00
22.62 €
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Ensemble de Percussions
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Foo Fighters
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Stephen Lawhorne
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Next Year
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StevoPanMan
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SheetMusicPlus
Asian Symmetries
Ensemble de Percussions
Percussion Ensemble - Level 3 - Digital Download SKU: A0.935379 Composed by Dan Hes…
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.935379 Composed by Dan Heslink. Contemporary,World. Score and parts. 30 pages. Pharaoh Publications #4978359. Published by Pharaoh Publications (A0.935379). Asian Symmetries by Dan Heslink Asian Symmetries is a fanciful work which draws loosely from the musical procedures and sonic preferences of Indonesian and other Asian musical styles. It is scored for three percussionists, each with their own battery of instruments. Gamelan-like impressions might be inferred from the cyclical nature of its rhythm, using metal plates like cymbals and gongs to mark large units of rhythmic time. Also evocative are the faster moving elaborations and a preponderance of metallophones in the instrumentation. The work is medium to difficult in its demands. There are quick changes of instrument, planned to be manageable but requiring some attention to logistics Each player’s performance station must remain stationary, with all instruments in reach without moving the performer’s position. Percussion I and Percussion III players must set up next to each other so that they may share the tenor drum. A selection of mallets that allows different striking surfaces to sound good without undue picking up and setting down of mallets is suggested. Changes of meter and tempo occur, and an odd meter section sporting measures in 12/8, 6/8, 11/8 may require some additional attention. The instrumentation is selected to approximate Asian sounds with common western instruments. Performance time is 6:28. The composer, Dan Heslink, can be reached at dan@dheslink.com.
$4.99
4.52 €
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Ensemble de Percussions
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Dan Heslink
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Asian Symmetries
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Pharaoh Publications
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SheetMusicPlus
Four Forces (First movement) I. Strong Forces
Ensemble de Percussions
Percussion Ensemble - Level 5 - Digital Download SKU: A0.962406 Composed by Salvado…
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.962406 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 173 pages. Salvador Rojo-Gamon #5801913. Published by Salvador Rojo-Gamon (A0.962406). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$300.00
271.49 €
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Ensemble de Percussions
#
Salvador Rojo Gamón
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Four Forces
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Salvador Rojo-Gamon
#
SheetMusicPlus
Four Forces (Second movement) II. Weak Forces
Ensemble de Percussions
Percussion Ensemble - Level 5 - Digital Download SKU: A0.962405 Composed by Salvado…
(+)
Percussion Ensemble - Level 5 - Digital Download SKU: A0.962405 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 255 pages. Salvador Rojo-Gamon #5801921. Published by Salvador Rojo-Gamon (A0.962405). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$150.00
135.75 €
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Ensemble de Percussions
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Salvador Rojo Gamón
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Four Forces
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Salvador Rojo-Gamon
#
SheetMusicPlus
Sharks' Teeth, a Musical Game for Percussion
Ensemble de Percussions
Percussion Ensemble - Level 3 - Digital Download SKU: A0.935392 Composed by Dan Hes…
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.935392 Composed by Dan Heslink. Contemporary. Score and parts. 23 pages. Pharaoh Publications #6203899. Published by Pharaoh Publications (A0.935392). Sharks’ Teeth, a Game for any Number of Percussionists. . . . . . . . . . . . . . . Dan Heslink Sharks’ Teeth is a musical game, or contest, between two or more percussionists. It is based on rhythm, and can therefore be executed on any combination of indefinitely-pitched percussion instruments. Its execution relies on guided improvisation governed by preconceived thematic material and manners of elaboration. In addition to the two or more contestants, another musician functions as a Game Meister (GM) who controls that game’s progress and evaluation. Enclosed are the game instructions for a contest of guided improvisation, and a notated example for two percussionists and Game Meister, Shark’s Tooth. This score can also be played on recital. After reading the contest instructions, the composer recommends that contestants next play the notated example before attempting the game through improvisation. Besides being fun to play, this game is also an excellent tool for fostering concentration, musicality, memory and an understanding of musical structure. The composer, Dan Heslink, assigned a difficulty level of medium, and can be contacted at dan@dheslink.com.
$9.99
9.04 €
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Ensemble de Percussions
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Dan Heslink
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Sharks' Teeth, a Musical Game for Percussion
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Pharaoh Publications
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SheetMusicPlus
Another Place
Ensemble de Percussions
Percussion Ensemble - Level 5 - Digital Download SKU: A0.939392 Composed by Adam Gr…
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.939392 Composed by Adam Grim. 20th Century,Contemporary. Score and parts. 65 pages. Adam B. Grim #6862379. Published by Adam B. Grim (A0.939392). Another Place is a marimba quartet on two instruments with some accessory items like a mounted bass drum, cymbal, and wind chimes. The work is about 10.5 minutes long, and holds three distinct movements that begin with solemn rolls that slowly become more regimented and rhythmic. The second movement raises the bar and becomes very rhythmic and syncopated with a Reich-like approach of melody vs interlocking harmony. This climax brings a high dynamic level to the forefront of the instruments with interlocking impact points being contrasted to unison hits. The third movement takes this original melody and harmony to the next level by using changing time signatures and motivic ideas to maximize the powerful ending. Throughout there is a deep sense of color and texture that can be maximized by the ensemble in new and exciting ways with each performance. This has plenty of ink, but also leaves a lot to interpret and bring the ensemble’s voice forward. I hope you enjoy! This work won the Audience Award in the Rocky Mountain Music Composition Contest in 2022 as well as Second Prize overall. These international awards were judged by a panel of seven judges from around the world, but with the competition based out of Toronto, Canada.
$35.00
31.67 €
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Ensemble de Percussions
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Adam Grim
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Another Place
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Adam B. Grim
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SheetMusicPlus
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