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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
No Good
Non classifié
298
Piano & claviers
Piano seul
222
Piano, Voix et Guitare
114
Piano, Voix
108
Piano Facile
62
Instruments en Do
24
Orgue
14
Piano (partie séparée)
8
Piano grosses notes
4
1 Piano, 4 mains
3
Piano Trio: piano, violon, violoncelle
3
Accompagnement Piano
2
Orgue, Piano (duo)
2
Accordéon
1
2 Pianos, 4 mains
1
+ 9 instrumentations
Retracter
Guitares
Guitare notes et tablatures
72
Guitare
61
Ukulele
28
Ligne De Mélodie, (Paroles) et Accords
28
Basse electrique
17
Guitare (partie séparée)
16
Paroles et Accords
13
Mandoline
2
2 Guitares (duo)
2
3 Guitares (trio)
1
Piano, Guitare (duo)
1
Dulcimer
1
Ensemble de guitares
1
+ 8 instrumentations
Retracter
Voix
Chorale SATB
101
Chorale 3 parties
39
Voix haute
22
Chorale TTBB
13
Chorale 2 parties
13
Chorale SSAA
7
Voix seule
7
Voix duo
4
Voix basse
4
Chorale Unison
3
Chorale
3
Voix moyenne, Piano
3
Voix duo, Piano
2
Voix Alto, Piano
2
Voix Soprano
1
Voix basse, Piano
1
Voix Soprano, Piano
1
Chorale SSATBB
1
+ 13 instrumentations
Retracter
Vents
Saxophone (partie séparée)
51
Flûte traversière et Piano
20
Saxophone
18
3 Clarinettes (trio)
16
Quatuor de Saxophones: 4 saxophones
16
Clarinette et Piano
14
Hautbois, Piano (duo)
14
Saxophone Alto et Piano
14
Saxophone Tenor et Piano
13
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
11
Clarinette
11
Quatuor de Clarinettes: 4 clarinettes
10
Flûte traversière
10
Flûte, Hautbois, Clarinette, Basson
10
2 Flûtes traversières (duo)
10
Saxophone Alto
9
3 Saxophones (trio)
9
2 Saxophones (duo)
9
Quintette de Clarinettes: 5 clarinettes
6
Quatuor de Flûtes : 4 flûtes
6
Saxophone Tenor
6
2 Clarinettes (duo)
6
Quintette de Saxophone: 5 saxophones
6
2 Flûtes traversières, Piano
5
Flûte, Violon, Piano
5
Flûte, Harpe et Violoncelle
4
Trio de Flûtes: 3 flûtes
4
Hautbois (partie séparée)
4
Quatuor de Flûtes à bec
4
Ensemble de Clarinettes
4
Saxophone Baryton, Piano
4
Flute (partie séparée)
3
Ensemble de Flûtes
3
Saxophone Soprano et Piano
3
Flûte à bec Soprano
3
Clarinette, Violoncelle (duo)
2
Flûte, Violon, Violoncelle et Piano
2
Flûte, Violoncelle, Piano (trio)
2
Flûte, Violon et Violoncelle
2
Cor anglais, Piano
2
Flûte à bec Alto, Piano
2
Flûte, Clarinette (duo)
2
Flûte, Alto et Piano
1
Clarinette, Basson (duo)
1
Hautbois, Guitare (duo)
1
2 Flûte à bec (duo)
1
Quintette de Flûte : 5 flûtes
1
Flute, harpe et violon
1
2 Clarinettes, Piano
1
Clarinette, Harpe (duo)
1
Clarinette, Violon (duo)
1
3 Hautbois
1
Flûte, Hautbois, Basson
1
3 Flûtes à bec (trio)
1
Clarinette Basse, Piano
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte, Clarinette et Basson
1
Flûte à Bec
1
Flûte et Guitare
1
2 Hautbois (duo)
1
Saxophone Soprano
1
Flûte à bec Alto
1
+ 57 instrumentations
Retracter
Cuivres
Trombone (partie séparée)
36
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
28
Trompette (partie séparée)
27
Quatuor de Cuivres : 2 trompettes, trombone, tuba
12
Trombone et Piano
12
Trompette, Piano
11
Cor et Piano
9
Trompette
8
Tuba et Piano
7
Trombone
6
Quatuor de Cuivres
6
Cor
5
Tuba
5
Quatuor de cuivres: 4 trombones
4
2 Trombones (duo)
4
2 Trompettes (duo)
4
Tuba (partie séparée)
3
Trompette, Trombone (duo)
3
Cor (partie séparée)
3
Ensemble de Trombones
3
2 Cors (duo)
3
2 Tubas (duo)
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Cor anglais, Piano
2
Euphonium, Tuba (duo)
2
Quatuor de cuivres: 4 cors
2
Euphonium, Piano (duo)
2
Ensemble de Cors
1
4 Tubas
1
Ensemble de Tubas
1
2 Trompettes, Clavier (piano ou orgue)
1
Trompette, Cor (duo)
1
Ensemble de Trompettes
1
Quatuor de cuivres: 4 trompettes
1
Euphonium
1
Trombone, Cor (duo)
1
+ 31 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
61
Harpe
27
Violon, Violoncelle (duo)
26
Trio à Cordes: violon, alto, violoncelle
24
Violon et Piano
24
Violon, Alto (duo)
17
Violoncelle
17
Violoncelle, Piano
15
Violon
14
Alto, Piano
14
2 Violons (duo)
11
Contrebasse (partie séparée)
9
Trio à Cordes: 2 violons, violoncelle
8
2 Altos (duo)
6
Alto seul
5
2 Violoncelles (duo)
5
Alto, Violoncelle (duo)
4
Contrebasse, Piano (duo)
4
Violon (partie séparée)
3
Alto (partie séparée)
3
2 Harpes (duo)
2
Trio à cordes: 3 violins
2
Harpe, Flûte (duo)
2
Trio à cordes: 3 altos
2
Trio à cordes
2
Harpe, Violoncelle (duo)
2
Trio à Cordes: 3 violoncelles
1
Contre Basse
1
Violoncelle , Guitare (duo)
1
2 Contrebasses (duo)
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Harpe, Violon (duo)
1
Violoncelle (partie séparée)
1
Quatuor à cordes : 4 altos
1
+ 29 instrumentations
Retracter
Orchestre & Percussions
Ensemble Jazz
74
Orchestre d'harmonie
41
Orchestre
32
Orchestre à Cordes
28
Batterie
22
Cloches
18
Ensemble de cuivres
16
Batterie (partie séparée)
9
Jazz combo
8
Orchestre de chambre
6
Fanfare
5
Ensemble de Percussions
4
Marimba
3
Quintette de Cuivres: autres combinaisons
2
Vibraphone
1
+ 10 instrumentations
Retracter
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Instruments
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ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
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CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
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VIOLON
VIOLONCELLE
XYLOPHONE
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Vous avez sélectionné:
No Good
Ensemble de Percussions
Partitions à imprimer
4 partitions trouvées
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1
No 35
#
Ensemble de Percussions
#
INTERMÉDIAIRE
#
Contemporain
#
Nina Aagaard Israelsen
#
No 35
#
Nina Aa.Israelsen
#
SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.1027270 Composed by Nina Aagaard Israelsen. Contemporary. Score and parts. 2 pages. Nina Aa.Israelsen #2024233. ...
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Percussion Ensemble - Level 3 - SKU: A0.1027270 Composed by Nina Aagaard Israelsen. Contemporary. Score and parts. 2 pages. Nina Aa.Israelsen #2024233. Published by Nina Aa.Israelsen (A0.1027270). Small piece for snare drum, tenor drum and bass drum. Ideally for maching / perssuon ensemble with more than 5 players for each part. Alternaly - it can be good for playing with teacher for 1 snare drum, just to play the snare drum part. Good for exercise snar drum technique.
$4.50
Christmas Calypso for Percussion Sextet
#
Ensemble de Percussions
#
FACILE
#
Noël
#
Dan Heslink
#
Christmas Calypso for Percussi
#
Pharaoh Publications
#
SheetMusicPlus
Percussion Ensemble - Level 2 - SKU: A0.935389 Arranged by Dan Heslink. Christian,Christmas. Score and parts. 18 pages. Pharaoh Publications #6117159. P...
(+)
Percussion Ensemble - Level 2 - SKU: A0.935389 Arranged by Dan Heslink. Christian,Christmas. Score and parts. 18 pages. Pharaoh Publications #6117159. Published by Pharaoh Publications (A0.935389). Christmas Calypso for Percussion Sextet . . . . . . . . . . . . . . arr. Dan Heslink The calypso style referenced in the title is not the calypso of Afro-Caribbean music from Trinidad and Tobago. Rather, it is the especially toned-down but still rhythmic commercial variant popularized by folk singers. Couched in this style, the arrangement offers Christmas favorites Deck the Halls, Angels We Have Heard On High, God Rest Ye Merry Gentlemen and Good Christian Men, Rejoice. This if one of two versions of the calypso arrangement by Dan Heslink, both of which are available through Sheet Music Plus. The other arrangement, percussion sextet, follows similar musical contours and is available separately. Both versions are intended to elicit one primary response from both performers and audience – fun. It does not tax the players technically, but delivers a satisfying sound with carols that the performers likely know and love. General audiences will be enchanted by the familiar melodies delivered in percussion, especially at Christmas time. The introduction opens with a brisk and rhythmic introduction based on Deck the Halls, and establishes the fun calypso rhythm immediately. Deck the Halls is the much-loved welsh air that was arranged by Haydn, Nos galan (Hob. XXXIb:29, 1803). Then, Angels We Have Heard on High breaks out in double-stops with a continuation of the rhythmic impetus. The birth of Jesus Christ as narrated in the Gospel of Luke is the subject of Angels We Have Heard on High, a traditional French song of unknown origin. The gloria section provides some flowing contrast, portraying the shepherds’ impressions as they encounter a multitude of angels singing and praising. The performers are encouraged to use a relaxed stroke to glide through these passages. Following is God Rest Ye Merry Gentlemen, a 16th century English traditional Christmas carol also known under the title, The old Christmas Carol. It provides a contrast in tonality (minor mode) and texture. The xylophone part likely will lay most comfortably when executed with four mallets, although there are no three or four mallet chords in these passages. Good Christian Men, Rejoice is the closing selection in this Christmas medley. It’s title is an English translation of In dulci jubilo (Latin for In sweet rejoicing). The work ends happily with a summation of the calypso rhythm. This medley will be especially effective programmed on a winter holiday concert. Duration is 2:30. The arranger, Dan Heslink, assigned a difficulty level of medium easy, and can be contacted at dan@dheslink.com.
$4.99
Christmas Calypso for Marimba Quartet
#
Ensemble de Percussions
#
Noël
#
Dan Heslink
#
Christmas Calypso for Marimba
#
Pharaoh Publications
#
SheetMusicPlus
Percussion Ensemble - SKU: A0.935390 Arranged by Dan Heslink. Christian,Christmas. Score and parts. 16 pages. Pharaoh Publications #6117165. Published b...
(+)
Percussion Ensemble - SKU: A0.935390 Arranged by Dan Heslink. Christian,Christmas. Score and parts. 16 pages. Pharaoh Publications #6117165. Published by Pharaoh Publications (A0.935390). Christmas Calypso for Marimba Quartet . . . . . . . . . . . . . . arr. Dan HeslinkThe calypso style referenced in the title is not the calypso of Afro-Caribbean music from Trinidad and Tobago. Rather, it is the especially toned-down but still rhythmic commercial variant popularized by folk singers. Couched in this style, the arrangement offers Christmas favorites Deck the Halls, Angels We Have Heard On High, God Rest Ye Merry Gentlemen and Good Christian Men, Rejoice. This if one of two versions of the calypso arrangement by Dan Heslink, both of which are available through Sheet Music Plus. The other arrangement, for percussion sextet, follows similar musical contours and is available separately. Both versions are intended to elicit one primary response from both performers and audience – fun. It does not tax the players technically, but delivers a satisfying sound with carols that the performers likely know and love. General audiences will be enchanted by the familiar melodies delivered in percussion, especially at Christmas time. The introduction opens with a brisk and rhythmic introduction based on Deck the Halls, and establishes the fun calypso rhythm immediately. Deck the Halls is the much-loved welsh air that was arranged by Haydn, Nos galan (Hob. XXXIb:29, 1803). Then, Angels We Have Heard on High breaks out in double-stops with a continuation of the rhythmic impetus. The birth of Jesus Christ as narrated in the Gospel of Luke is the subject of Angels We Have Heard on High, a traditional French song of unknown origin. The gloria section provides some flowing contrast, portraying the shepherds’ impressions as they encounter a multitude of angels singing and praising. The performers are encouraged to use a relaxed stroke to glide through these passages. Following is God Rest Ye Merry Gentlemen, a 16th century English traditional Christmas carol also known under the title, The old Christmas Carol. It provides a contrast in tonality (minor mode) and texture. The xylophone part likely will lay most comfortably when executed with four mallets, although there are no three or four mallet chords in these passages. Good Christian Men, Rejoice is the closing selection in this Christmas medley. It’s title is an English translation of In dulci jubilo (Latin for In sweet rejoicing). The work ends happily with a summation of the calypso rhythm. This medley will be especially effective programmed on a winter holiday concert. Duration is 2:30. The arranger, Dan Heslink, assigned a difficulty level of medium easy, and can be contacted at dan@dheslink.com.
$4.99
Two Dreams for solo Trombone and 8-part Percussion Ensemble
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Ensemble de Percussions
#
AVANCÉ
#
Antonio J
#
Two Dreams for solo Trombone a
#
Gordon Cherry
#
SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.811252 Composed by Antonio J. Garcia. Contemporary,Jazz,Latin,World. Score and parts. 119 pages. Gordon Cherry #...
(+)
Percussion Ensemble - Level 5 - SKU: A0.811252 Composed by Antonio J. Garcia. Contemporary,Jazz,Latin,World. Score and parts. 119 pages. Gordon Cherry #6549777. Published by Gordon Cherry (A0.811252). Two Dreams for Trombone and Percussion EnsembleDr. Justin Alexander (Director, VCU Percussion Ensemble) invited me to create a piece for trombone and percussion ensemble that had roles for more- and less-experienced players so that they could mix within the performance. I so enjoyed composing and performing this work. He estimates the overall difficulty grade of Movement I to be a three on a five-point scale and Movement II to be a four, with a grade four for the overall piece; but some players’ parts (within the eight total in the percussion ensemble) are indeed easier.The two Movements are approximately five minutes each.The first Movement Bilita Mpash (An Amazing Dream) calls for (1) shekeré/guiro; (2) 5-octave marimba (shared with...); (3) 5-octave marimba (shared with previous); (4) claves/drum set with mounted cowbell; (5) bell/mounted cowbell/congas; (6) hi-hat/suspended cymbal; (7) bass drum; and (8) four toms/maracas.The Second Movement (Running with the Tigers) calls for (1) xylophone; (2) vibraphone/glockenspiel; (3) 5-octave marimba; (4) drum set; (5) shaker/samba whistle/congas (opt. voice); (6) triangle/bell tree/hanging bells/agogo bells (opt. voice); (7) bass drum (opt. voice); and (8) Timpani (opt. voice). Pending difficulty levels, the conga and drum set parts can optionally be split among additional percussionists. The score notes offer a stage plot and many rehearsal tips.Bilita Mpash (An Amazing Dream)The 3-2 Rumba Clave anchors this movement, launched by the shekeré. Rhythmic vamps of multiple bars form the landscape over which the trombone’s melody emerges, followed by a move to double-time 2-3 Rumba Clave (with montuno) and back. The trombone soloist improvises without chordal accompaniment for a while so could reflect on the preceding harmonies or instead freely improvise with no concern as to chord changes, while a later section requires improv over chord changes. After the recap, a surprise tag of the ending phrase in Cha Cha sets up the rubato finish. Bilita Mpash (BILL-it-uh m-POSH) is a Bantu term for an amazing dream, a dream so good that it is the polar opposite of a nightmare-a dream in a blissful state where all is forgiven and forgotten2. Running with the TigersThe opening, written-out marimba solo is somewhat of a nod to vibist Gary Burton’s influence in bringing mallets towards the expression of modern jazz. A 9/8 samba-groove (5+4) transforms to 4/4. None of the percussionists have to have a jazz background, though the drum set player would be more challenged if not already exposed to Latin drumming. The improvised solo section could be all solo trombone or could be divided among various performers, including trading. The recap of the tune begins over 5/8 samba (3+2, later 2+3). The closing arrhythmic drum-set solo crescendos as the optional surprise of percussionists’ (or additional) voices sing at the end. The title of this movement refers to a recurring dream my dad would have, as well as to the active movements of my grandson when sleeping in his earliest years.-Antonio J. GarcÃaInstrumentation is for:Solo Trombone and 8-part Percussion Ensemble:shekeré/guiro, 2 5-octave marimbas, claves/drumset with cowbell, bell, congas, hi-hat, suspended cymbal, bass drum, toms, maracas, xylophone, vibraphone, glockenspiel, shaker, samba whistle, congas, triangle, bell tree, hanging bells, agogo bells, bass drum and timpani.This rhythmic and dramatic work includes improvisation by the Trombonist. Listen to the brilliant live performance featuring Mr. Garcia and the Virginia Commonwealth University Percussion Ensemble directed by Dr. Justin Alexander.
$50.00
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