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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
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DEEJAY
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FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
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PIANO & CLAVIERS
Piano seul
377
Piano, Voix
184
Piano Facile
110
Piano, Voix et Guitare
73
Piano grosses notes
64
Orgue
33
Accompagnement Piano
20
Instruments en Do
17
1 Piano, 4 mains
15
Piano Trio: piano, violon, violoncelle
12
Piano Quatuor: piano, violon, alto, violoncelle
6
2 Pianos, 4 mains
4
Piano Quatuor: piano, 2 violons, violoncelle
3
Orgue, Piano (duo)
3
Piano (partie séparée)
3
Piano Quintette: piano, 2 violons, alto, violoncelle
1
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1
Clavecin
1
1 Piano, 6 mains
1
Accordéon
1
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GUITARES
Mandoline
262
Guitare notes et tablatures
98
Guitare
42
Basse electrique
20
Ukulele
8
Guitare (partie séparée)
4
2 Mandolines (duo)
2
2 Ukuleles
1
Banjo
1
Piano, Guitare (duo)
1
Ensemble de guitares
1
Ligne De Mélodie, (Paroles) et Accords
1
Mandoline, Guitare (duo)
1
4 Guitares (Quatuor)
1
2 Guitares (duo)
1
3 Guitares (trio)
1
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VOIX
Chorale SATB
225
Chorale 3 parties
44
Chorale 2 parties
35
Chorale TTBB
20
Chorale Unison
15
Chorale SSAA
13
Voix Soprano, Piano
9
Voix duo, Piano
8
Voix duo
5
Voix Alto, Piano
5
Voix seule
2
Chorale SSATTB
2
Voix Tenor
2
Chorale SSAATTBB
1
Voix haute
1
Voix Tenor, Piano
1
Voix basse
1
Chorale SSATB
1
Chorale
1
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VENTS
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
99
2 Saxophones (duo)
91
Quintette de Saxophone: 5 saxophones
73
Quatuor de Saxophones: 4 saxophones
61
Flûte traversière et Piano
46
Flûte, Hautbois, Clarinette, Basson
45
3 Saxophones (trio)
41
Clarinette et Piano
38
Hautbois, Piano (duo)
34
Saxophone Alto et Piano
31
Quatuor de Clarinettes: 4 clarinettes
30
Clarinette
26
2 Flûtes traversières (duo)
25
2 Clarinettes (duo)
25
Saxophone Tenor et Piano
23
2 Flûte à bec (duo)
23
Saxophone Soprano et Piano
21
Flûte, Hautbois, Clarinette (trio)
18
Flûte traversière
18
Saxophone Baryton, Piano
18
Quatuor de Flûtes : 4 flûtes
17
Saxophone Alto
16
Ensemble de Clarinettes
15
Saxophone (partie séparée)
15
2 Hautbois (duo)
15
Flûte, Clarinette (duo)
15
Hautbois, Clarinette, Basson (trio d'anches)
14
Ensemble de saxophones
11
Flûte à bec Soprano
11
Ensemble de Flûtes
10
Hautbois
10
Cor anglais, Piano
9
Saxophone Tenor
9
Saxophone Baryton
9
Saxophone Soprano
8
Hautbois (partie séparée)
7
Flûte, Clarinette et Basson
6
Piccolo, Piano
6
Saxophone, Clarinette (duo)
6
Hautbois, Clarinette (duo)
5
Quintette de Flûte : 5 flûtes
5
Clarinette, Violon (duo)
5
Ensemble De Flûte à bec
5
Trio de Flûtes: 3 flûtes
4
Flûte à bec Alto, Piano
4
3 Flûtes à bec (trio)
4
Clarinette, Basson (duo)
4
Clarinette, Trompette (duo)
4
Flûte à Bec
4
Hautbois, Basson (duo)
4
Flûte à bec Alto
4
Flûte, Hautbois, Basson
3
3 Clarinettes (trio)
3
Clarinette Basse, Piano
3
Harmonica
3
Quintette de Clarinettes: 5 clarinettes
3
Clarinette et Alto
3
Flûte à bec Tenor
2
Flûte, Alto (duo)
2
Flûte à bec Soprano, Piano
2
Ensemble à vent
2
Flûte, Hautbois (duo)
2
4 Hautbois
2
Flûte, Violon
1
Hautbois, Flûte
1
Flûte, Violon, Piano
1
2 Flûtes traversières, Piano
1
2 Cors Anglais Et Pianoforte
1
Clarinette, Violoncelle, Piano (trio)
1
Clarinette (partie séparée)
1
5 Flûtes à bec
1
Flûte et Trio à cordes
1
Cor Anglais
1
Cor anglais et Harpe (duo)
1
Flute, harpe et violon
1
Flûte et Guitare
1
2 Clarinettes, Piano
1
Clarinette, Violoncelle (duo)
1
Clarinette Basse
1
Quatuor de Flûtes à bec
1
Hautbois, Guitare (duo)
1
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
61
Quatuor de Cuivres: 2 trompettes, Cor, trombone
38
Quatuor de Cuivres : 2 trompettes, trombone, tuba
38
Trombone et Piano
27
Trompette
26
Trompette, Piano
24
Tuba et Piano
22
2 Trombones (duo)
22
Cor et Piano
22
2 Cors (duo)
20
2 Trompettes (duo)
20
Tuba
18
Trombone
17
Quatuor de cuivres: 4 trombones
16
Cor
15
Trompette, Trombone (duo)
14
Trombone (partie séparée)
10
Quatuor de Cuivres
9
Cor anglais, Piano
9
2 Tubas (duo)
8
Trompette, Cor (duo)
7
Euphonium, Piano (duo)
7
Ensemble de Trombones
6
Trompette (partie séparée)
6
Trombone, Tuba (duo)
5
Ensemble de Trompettes
4
Trompette, Saxophone (duo)
4
Trompette, violon (duo)
3
Quatuor de cuivres: 4 cors
3
Ensemble de Cors
2
Cor, Tuba (duo)
2
3 Trombones (trio)
2
Trompette, Tuba (duo)
2
Trombone, Cor (duo)
2
Bass Clef Instruments
1
2 Cors Anglais Et Pianoforte
1
Euphonium, Tuba (duo)
1
4 Tubas
1
Quatuor de cuivres: 4 trompettes
1
Cor Anglais
1
Trompette, Euphonium (duo)
1
Cor anglais et Harpe (duo)
1
3 Cors (trio)
1
3 Tubas (trio)
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
121
Quintette à cordes: 2 violons, alto, violoncelle, basse
45
Violon et Piano
41
Alto, Piano
38
Trio à Cordes: violon, alto, violoncelle
36
Violoncelle, Piano
35
Violon
34
Harpe
28
2 Violoncelles (duo)
21
2 Violons (duo)
21
Violon, Alto (duo)
19
2 Altos (duo)
19
Violon, Violoncelle (duo)
19
Alto seul
18
Contrebasse, Piano (duo)
15
Contre Basse
14
Violoncelle
13
Piano Trio: Violon, Alto, Piano
7
Violoncelle (partie séparée)
6
4 Violoncelles
5
Trio à Cordes: 3 violoncelles
4
Ensemble d'Altos
4
Violoncelle, Contrebasse (duo)
4
Ensemble de Violons
4
Harpe, Voix
4
Alto (partie séparée)
4
Trio à Cordes: 2 violons, violoncelle
4
Alto, Violoncelle (duo)
3
2 Contrebasses (duo)
3
Violoncelle , Guitare (duo)
2
Trio à cordes: 3 violins
2
Quatuor à cordes : 4 altos
2
Harpe, Flûte (duo)
2
4 Contrebasses
2
Contrebasse (partie séparée)
2
2 Violons, Piano
2
Trio à cordes: 3 altos
2
Quatuor à cordes: 4 violons
2
Trio à Cordes: 2 violons, alto
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
2 Violoncelles, Piano
1
Alto et Harpe
1
Harpe, Violon (duo)
1
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
Violon, Violoncelle, Clarinette
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
101
Orchestre
64
Ensemble de cuivres
58
Orchestre à Cordes
56
Ensemble Jazz
23
Cloches
19
Orchestre de chambre
19
Ensemble de Percussions
10
Jazz combo
9
Fanfare
5
Marimba
4
Batterie (partie séparée)
2
Batterie
2
Percussion (partie séparée)
2
Piano et Orchestre
1
2 Marimbas
1
Orchestre, Violon
1
Instrumentations suivantes
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AUTRES
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Not As We
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Gravity for Septet
Ensemble de Percussions
Percussion Ensemble - Level 5 - Digital Download SKU: A0.1027778 Composed by Mohamm…
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.1027778 Composed by MohammadHadi Ayanbod. 20th Century,Contemporary. Score and parts. 25 pages. Rimorarte Edition #5996957. Published by Rimorarte Edition (A0.1027778). In GRAVITY I explored different gravities as forces we not only feel them in every moments of our lives, but also thinking of living without or escaping from them seems impossible. Likewise, those gravities exist in the music, make us feel the music continuous, desirable, logical and an integrated language of art. The exploration of the path from chaos to unity, and from unity to multiplicity, is where the title came from. GRAVITY consists of two main sections. The first section, which shows the fully-grown and flourished musical ecosystem, and the second part; a flashback to just after big-bang, which tries to musicalize the creation of the gravity! In the first section, I’ve used the concept of horizontal and vertical minimalism. At the very beginning of the piece we have a structure that bring the idea of the vertical minimalism out. In every moment, each instrument plays the same note as others. However, the narrative line is divided into different octaves, so, the melody is not the same in spite of the fact that each instrument plays the same tone. This structure also reminds the paradoxical ladder or optical staircase illusion. The narration is built up until it reaches temporal climax. At the same time, this melody starts again from the beginning with some microscopic differences visible vividly to musicians. This semi reciprocating musical narration, could be observed as a musical example of the staircase illusion. After this part, but still in the first section of the music, I’ve used the horizontal (traditional) minimalism idioms to explore the bounding forces present in the music. Although, what interesting here is the creation of synthetic voices which is the result of different amounts of the nuances and different combinations of the sound. For keen ears, it seems like shades of neon lights, penetrate into one another in the scale of time and create a big picture of micro fluctuating objects. In the second section or just after big-bang, I’ve observed and recreate musically, the very moment of creation of the gravity just after the big-bang. Here, we don’t have melody, rhythm, structure, narration and other aspects of the music in the traditional way, although all of them are present in the music. very single sound or noise is meaningful and showing the assemblage process of the forces in the music to create a melody line. I’ve occupied idioms of contemporary Sonorism genre to create the atmosphere. This highly complex texture shows the virtuosity of interpreters and the capability of the instruments in avant-garde literature and extended techniques. The music is concluded by a fast-tempo finale, with the instruction of fortissimo possiblile (as loud as possible). The piece, in fact, will not be finished as a morendo, but, it opens a space for hypothetically living structure; constantly grows, flourishes, shines and decays.
$16.99
15.66 €
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Ensemble de Percussions
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MohammadHadi Ayanbod
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Gravity for Septet
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Rimorarte Edition
#
SheetMusicPlus
Four Forces (First movement) I. Strong Forces
Ensemble de Percussions
Percussion Ensemble - Level 5 - Digital Download SKU: A0.962406 Composed by Salvado…
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.962406 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 173 pages. Salvador Rojo-Gamon #5801913. Published by Salvador Rojo-Gamon (A0.962406). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$300.00
276.47 €
#
Ensemble de Percussions
#
Salvador Rojo Gamón
#
Four Forces
#
Salvador Rojo-Gamon
#
SheetMusicPlus
Four Forces (Second movement) II. Weak Forces
Ensemble de Percussions
Percussion Ensemble - Level 5 - Digital Download SKU: A0.962405 Composed by Salvado…
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.962405 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 255 pages. Salvador Rojo-Gamon #5801921. Published by Salvador Rojo-Gamon (A0.962405). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$150.00
138.24 €
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Ensemble de Percussions
#
Salvador Rojo Gamón
#
Four Forces
#
Salvador Rojo-Gamon
#
SheetMusicPlus
En Rêve for Percussion Ensemble
Ensemble de Percussions
Percussion Ensemble - Level 2 - Digital Download SKU: A0.1028124 Composed by Anders…
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Percussion Ensemble - Level 2 - Digital Download SKU: A0.1028124 Composed by Anders Wall. 20th Century,Contemporary. Score and parts. 23 pages. WallofSound #3374791. Published by WallofSound (A0.1028124). En Rêve, In Dream, was conceived when I studied composition for Tobias Broström. Every day I was commuting from Skurup to Båstad and every day I was struck by Båstads almost continental beauty; I felt like I was in France. Cobble stone roads, houses with towers and that mountain ridge close to the ocean...One day on the train, I ran into three French girls on holiday.Patiently they listened to my ideas and kindly helped me translate the tempo markings to French. The piece begins with us falling to sleep. The marimbas rocks us slowly In Dream.After sudden movements in the vibraphone we are happily strolling on the cobble stones, sun shining and children riding their bikes across the streets not noticing the rocky ride.Bells chime in the distance and the world – or the dream – vanish. As sudden as it started it is gone.The dissonance of the beginning is now gone and our sleep is peaceful and calm - or is it..? Originally a solo piece for Marimba dedicated to Kasper Grøn.Thanks to Camille, Carole, Raphaëlle for the help with the French.
$10.00
9.22 €
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Ensemble de Percussions
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Anders Wall
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I felt like I was in France
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En Rêve for Percussion Ensemble
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WallofSound
#
SheetMusicPlus
Come To Me
Ensemble de Percussions
Percussion Ensemble - Level 4 - Digital Download SKU: A0.1350568 Composed by Bjork …
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Percussion Ensemble - Level 4 - Digital Download SKU: A0.1350568 Composed by Bjork Gudmundsdottir. Arranged by David R. Peoples. Classical,Contemporary,Pop,Rock. 87 pages. Bluesilhouettes Music #935388. Published by Bluesilhouettes Music (A0.1350568). If you had a day, and all you listened to was Björk, you’d have a fascinating day. The experience would be marked by a kaleidoscope of varying styles from pop, avant-garde, or jazz. Is it mainstream - probably not. But, the artist is definitely recognizable (as a name), appearing across multiple genres. As a source of background to her song ‘Come to Me,’ I borrowed a palindromic idea exploited by Radiohead in their ‘Pyramid song...’ if we truly expand a swing feel to a twelve-eight meter and extend the pattern across two measures - the eighth notes would provide a total of twenty-four possibilities - and as in this work you get four, five, six, five, four a palindrome on 45654 that (when added) equals twenty-four.This version is not a cover. Fragments of musical elements are translated into the ensemble. While occasionally exhibiting moments of dance, the composition evolves into a more profound expression, capitalizing on the musical possibilities of a percussion ensemble. This arrangement was crafted for the University of North Georgia’s percussion ensemble, directed by Dr. Steven Walker.Full mock-up digital audio: available here
$34.99
32.25 €
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Ensemble de Percussions
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Bjork Gudmundsdottir
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David R
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Come To Me
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Bluesilhouettes Music
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SheetMusicPlus
Christmas Calypso for Percussion Sextet
Ensemble de Percussions
Percussion Ensemble - Level 2 - Digital Download SKU: A0.935389 Arranged by Dan Hes…
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Percussion Ensemble - Level 2 - Digital Download SKU: A0.935389 Arranged by Dan Heslink. Christian,Christmas. Score and parts. 18 pages. Pharaoh Publications #6117159. Published by Pharaoh Publications (A0.935389). Christmas Calypso for Percussion Sextet . . . . . . . . . . . . . . arr. Dan Heslink The calypso style referenced in the title is not the calypso of Afro-Caribbean music from Trinidad and Tobago. Rather, it is the especially toned-down but still rhythmic commercial variant popularized by folk singers. Couched in this style, the arrangement offers Christmas favorites Deck the Halls, Angels We Have Heard On High, God Rest Ye Merry Gentlemen and Good Christian Men, Rejoice. This if one of two versions of the calypso arrangement by Dan Heslink, both of which are available through Sheet Music Plus. The other arrangement, percussion sextet, follows similar musical contours and is available separately. Both versions are intended to elicit one primary response from both performers and audience – fun. It does not tax the players technically, but delivers a satisfying sound with carols that the performers likely know and love. General audiences will be enchanted by the familiar melodies delivered in percussion, especially at Christmas time. The introduction opens with a brisk and rhythmic introduction based on Deck the Halls, and establishes the fun calypso rhythm immediately. Deck the Halls is the much-loved welsh air that was arranged by Haydn, Nos galan (Hob. XXXIb:29, 1803). Then, Angels We Have Heard on High breaks out in double-stops with a continuation of the rhythmic impetus. The birth of Jesus Christ as narrated in the Gospel of Luke is the subject of Angels We Have Heard on High, a traditional French song of unknown origin. The gloria section provides some flowing contrast, portraying the shepherds’ impressions as they encounter a multitude of angels singing and praising. The performers are encouraged to use a relaxed stroke to glide through these passages. Following is God Rest Ye Merry Gentlemen, a 16th century English traditional Christmas carol also known under the title, The old Christmas Carol. It provides a contrast in tonality (minor mode) and texture. The xylophone part likely will lay most comfortably when executed with four mallets, although there are no three or four mallet chords in these passages. Good Christian Men, Rejoice is the closing selection in this Christmas medley. It’s title is an English translation of In dulci jubilo (Latin for In sweet rejoicing). The work ends happily with a summation of the calypso rhythm. This medley will be especially effective programmed on a winter holiday concert. Duration is 2:30. The arranger, Dan Heslink, assigned a difficulty level of medium easy, and can be contacted at dan@dheslink.com.
$4.99
4.6 €
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Ensemble de Percussions
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Dan Heslink
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Christmas Calypso for Percussion Sextet
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Pharaoh Publications
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SheetMusicPlus
Christmas Calypso for Marimba Quartet
Ensemble de Percussions
Percussion Ensemble - Digital Download SKU: A0.935390 Arranged by Dan Heslink. Chri…
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Percussion Ensemble - Digital Download SKU: A0.935390 Arranged by Dan Heslink. Christian,Christmas. Score and parts. 16 pages. Pharaoh Publications #6117165. Published by Pharaoh Publications (A0.935390). Christmas Calypso for Marimba Quartet . . . . . . . . . . . . . . arr. Dan HeslinkThe calypso style referenced in the title is not the calypso of Afro-Caribbean music from Trinidad and Tobago. Rather, it is the especially toned-down but still rhythmic commercial variant popularized by folk singers. Couched in this style, the arrangement offers Christmas favorites Deck the Halls, Angels We Have Heard On High, God Rest Ye Merry Gentlemen and Good Christian Men, Rejoice. This if one of two versions of the calypso arrangement by Dan Heslink, both of which are available through Sheet Music Plus. The other arrangement, for percussion sextet, follows similar musical contours and is available separately. Both versions are intended to elicit one primary response from both performers and audience – fun. It does not tax the players technically, but delivers a satisfying sound with carols that the performers likely know and love. General audiences will be enchanted by the familiar melodies delivered in percussion, especially at Christmas time. The introduction opens with a brisk and rhythmic introduction based on Deck the Halls, and establishes the fun calypso rhythm immediately. Deck the Halls is the much-loved welsh air that was arranged by Haydn, Nos galan (Hob. XXXIb:29, 1803). Then, Angels We Have Heard on High breaks out in double-stops with a continuation of the rhythmic impetus. The birth of Jesus Christ as narrated in the Gospel of Luke is the subject of Angels We Have Heard on High, a traditional French song of unknown origin. The gloria section provides some flowing contrast, portraying the shepherds’ impressions as they encounter a multitude of angels singing and praising. The performers are encouraged to use a relaxed stroke to glide through these passages. Following is God Rest Ye Merry Gentlemen, a 16th century English traditional Christmas carol also known under the title, The old Christmas Carol. It provides a contrast in tonality (minor mode) and texture. The xylophone part likely will lay most comfortably when executed with four mallets, although there are no three or four mallet chords in these passages. Good Christian Men, Rejoice is the closing selection in this Christmas medley. It’s title is an English translation of In dulci jubilo (Latin for In sweet rejoicing). The work ends happily with a summation of the calypso rhythm. This medley will be especially effective programmed on a winter holiday concert. Duration is 2:30. The arranger, Dan Heslink, assigned a difficulty level of medium easy, and can be contacted at dan@dheslink.com.
$4.99
4.6 €
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Ensemble de Percussions
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Dan Heslink
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Christmas Calypso for Marimba Quartet
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Pharaoh Publications
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SheetMusicPlus
Donut Etudes vol. 3: Don’t Step in the Holes! – Keyboard Percussion (Mallet) Quartet
Ensemble de Percussions
Percussion Ensemble - Level 3 - Digital Download SKU: A0.784338 Composed by Joshua …
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.784338 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288673. Published by Slide Ride (A0.784338). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
4.61 €
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Ensemble de Percussions
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Joshua Hauser
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Donut Etudes vol. 3: Don’t Step in the Holes! – Keyboard Percussion
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Slide Ride
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SheetMusicPlus
Splashed Out
Ensemble de Percussions
Percussion Ensemble - Level 1 - Digital Download SKU: A0.862019 Composed by Jayne G…
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Percussion Ensemble - Level 1 - Digital Download SKU: A0.862019 Composed by Jayne Groves, Matt Moore. Contemporary. Score and parts. 18 pages. M Moore & J Groves #6018647. Published by M Moore & J Groves (A0.862019). Players: 4-20 | Duration: 2:50For some time our students have been requesting that we write a second chair piece. Finally, we have obliged with Splashed Out, a follow up piece to Double Stacked (2011).This splashy performance piece, inspired by the genre and rhythms of Reggaeton can be played by ensembles of 4-20 players and is also suitable as a whole class item.RequirementsChair 1 – two plastic chairs per playerChair 2 – two plastic chairs per playerLow Drum – one low drum per player (floor tom or bass drum)Splash cymbals – 3 contrasting splash cymbals for one player Doubling:Chairs 1 & 2 may be doubled multiple times.The low drum may be doubled at a proportion of 1 low drum to 4 chairsThe splash part is a solo part and should not be doubled.
$35.46
32.68 €
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Ensemble de Percussions
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Jayne Groves, Matt Moore
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Splashed Out
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M Moore & J Groves
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SheetMusicPlus
Ukrainian Bell Carol (But With Extra Percussion)
Ensemble de Percussions
Percussion Ensemble - Level 3 - Digital Download SKU: A0.1024882 Composed by Mykola…
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.1024882 Composed by Mykola Leontovich. Arranged by Aedan McBride. 20th Century,Christmas,Contemporary,Romantic Period. Score and parts. 38 pages. Aedan McBride #4110919. Published by Aedan McBride (A0.1024882). Everyone knows and loves the Christmas tune known as the Ukrainian Bell Carol. Countless times, it's been arranged for various instrumentations, yet I have not seen string orchestra with percussion ensemble together for this particular tune. So I decided to make my own such arrangement, and now we have this piece: a classic tune with plenty of contemporary twists.
$9.99
9.21 €
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Ensemble de Percussions
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Mykola Leontovich
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Aedan McBride
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Ukrainian Bell Carol
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Aedan McBride
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SheetMusicPlus
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