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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
On High
Non classifié
4 294
Piano & claviers
Piano seul
1 381
Piano, Voix
686
Piano Facile
519
Piano, Voix et Guitare
315
Instruments en Do
299
Orgue
160
Accordéon
121
1 Piano, 4 mains
112
Accompagnement Piano
48
2 Pianos, 4 mains
38
Piano grosses notes
33
Piano (partie séparée)
28
Piano Trio: piano, violon, violoncelle
19
Piano Quatuor: piano, violon, alto, violoncelle
14
Orgue, Piano (duo)
12
Orgue, Trompette (duo)
5
Piano Quatuor: piano, 2 violons, violoncelle
5
Clavecin
4
Piano Quintette: piano, 2 violons, alto, violoncelle
4
Instrument seul et Orgue
3
Accordéon, Voix
2
1 Piano, 6 mains
1
2 Pianos, 8 mains
1
Ensemble de Pianos
1
+ 19 instrumentations
Retracter
Guitares
Guitare notes et tablatures
200
Guitare
155
Ligne De Mélodie, (Paroles) et Accords
101
Ukulele
85
Basse electrique
64
Guitare (partie séparée)
54
2 Guitares (duo)
13
Paroles et Accords
11
4 Guitares (Quatuor)
9
Mandoline
8
Banjo
8
Piano, Guitare (duo)
8
Ukulele Baryton
7
2 Ukuleles
3
Ensemble de guitares
3
2 Dulcimers (duo)
2
Dulcimer
2
3 Guitares (trio)
2
Mandoline, Piano (duo)
1
Mandoline, Guitare (duo)
1
Partitions De Groupes
1
+ 16 instrumentations
Retracter
Voix
Chorale SATB
920
Chorale 2 parties
484
Chorale 3 parties
324
Voix haute
203
Chorale SSAA
183
Chorale TTBB
141
Chorale Unison
122
Voix duo, Piano
41
Voix Soprano, Piano
34
Voix moyenne, Piano
29
Voix Alto, Piano
26
Voix Tenor, Piano
23
Voix seule
23
Voix Baryton, Piano
20
Voix duo
19
Chorale
18
Pack Instrumental pour Chorale
13
Voix basse, Piano
9
Chorale SSAATTBB
4
Chorale SSATTB
3
Chorale SSATB
2
Chorale SSAB, Piano
1
Voix Soprano
1
Voix basse
1
Voix Tenor
1
Chorale SATBB
1
Chorale, Orgue
1
Chorale SSATBB
1
Soli, choeur mixte et accompagnement
1
Voix haute, Piano
1
+ 25 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
284
Saxophone (partie séparée)
258
2 Saxophones (duo)
249
Quintette de Saxophone: 5 saxophones
243
Quatuor de Saxophones: 4 saxophones
204
Flûte traversière et Piano
197
Clarinette et Piano
181
Flûte, Hautbois, Clarinette, Basson
172
Flûte traversière
162
2 Flûtes traversières (duo)
161
Hautbois, Piano (duo)
155
Clarinette
151
2 Clarinettes (duo)
143
Saxophone Alto et Piano
130
Saxophone Tenor et Piano
109
Ensemble de saxophones
108
Saxophone Alto
105
Hautbois (partie séparée)
88
Quatuor de Clarinettes: 4 clarinettes
88
Saxophone Tenor
86
Saxophone Soprano et Piano
82
Flûte, Clarinette (duo)
71
Flûte irlandaise
66
Saxophone Baryton, Piano
63
3 Saxophones (trio)
60
Trio de Flûtes: 3 flûtes
58
Quatuor de Flûtes : 4 flûtes
54
Clarinette (partie séparée)
54
3 Clarinettes (trio)
47
Ensemble de Clarinettes
45
2 Hautbois (duo)
38
Flûte à bec Soprano
34
Flûte à Bec
32
Ensemble de Flûtes
31
Hautbois
29
Saxophone
27
Cor anglais, Piano
27
Ensemble De Flûte à bec
27
Flute (partie séparée)
25
Quintette de Clarinettes: 5 clarinettes
25
2 Flûte à bec (duo)
23
Clarinette Basse, Piano
21
Saxophone Soprano
21
Flûte, Hautbois, Clarinette (trio)
20
Saxophone, Clarinette (duo)
20
Quintette de Flûte : 5 flûtes
20
Hautbois, Clarinette (duo)
20
Hautbois, Basson (duo)
20
Clarinette, Violon (duo)
18
Flûte à bec Alto
17
Saxophone Baryton
16
Hautbois, Flûte
14
Flûte et Guitare
14
Flûte, Violon, Piano
14
Clarinette, Trompette (duo)
12
Cor Anglais
12
Flûte, Violon
12
Flûte, Clarinette et Basson
12
Flûte, Clarinette, Piano (trio)
11
Clarinette, Basson (duo)
11
Flûte à bec Tenor
10
Flûte, Violoncelle
9
Quatuor de Flûtes à bec
9
Flûte, Clarinette, Cor, Basson (Quartet)
8
Clarinette et Alto
8
2 Flûtes traversières, Piano
8
Flûte, Hautbois (duo)
7
Hautbois, Clarinette, Basson (trio d'anches)
7
2 Saxophones, Piano
6
Clarinette, Guitare (duo)
6
Flûte, Alto (duo)
6
Flûte, Trompette (duo)
5
Flûte, Saxophone (duo)
5
Clarinette, Violoncelle (duo)
5
Flûte, Trombone (duo)
4
Flûte, Violon et Violoncelle
4
Clarinette, Harpe (duo)
4
Flute, harpe et violon
4
Flûte, Violoncelle, Piano (trio)
4
Flûte, Harpe et Violoncelle
4
Saxophone et Guitare
4
Harmonica
4
Piccolo, Piano
4
Saxophone et Piano
3
2 Clarinettes, Piano
3
Clarinette Basse
3
Flûte, Clarinette, Violon (trio)
3
Flûte, Hautbois, Violon
3
5 Flûtes à bec
3
Flûte à bec Soprano, Piano
3
Flûte à bec Alto, Piano
3
Ocarina
3
Piccolo
3
Flûte, Hautbois, Basson
3
Cor anglais, Guitare (duo)
3
Flûte à Bec, Piano
3
2 Cors Anglais Et Pianoforte
2
Hautbois, Violin, Alto et Violoncelle (Quatuor)
2
Cornemuse
2
3 Flûtes à bec (trio)
2
Flûte, Basson et Piano
2
Saxophone, Violon (duo)
1
Cor anglais et Harpe (duo)
1
Flûte et Trio à cordes
1
Saxophone et Orgue
1
Flûte, alto et harpe
1
Hautbois, Violoncelle
1
Clarinette, Orgue
1
Flûte traversière, Orgue (duo)
1
Flûte, Alto et Piano
1
Ensemble à vent
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Flûte, Violoncelle, Guitare
1
Flûte, trombone et piano
1
Flûte, Hautbois, Piano (trio)
1
Hautbois, Guitare (duo)
1
Saxophone et violoncelle
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Hautbois, Harpe
1
2 Clarinettes, Basson
1
Clarinette, Violoncelle, Piano (trio)
1
Saxophone, Tuba (duo)
1
Ensemble de Hautbois
1
Flûte, Violon, Violoncelle et Piano
1
+ 119 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
324
Trombone (partie séparée)
165
Trompette (partie séparée)
156
Quatuor de Cuivres : 2 trompettes, trombone, tuba
151
Trompette, Piano
146
Trompette
142
Trombone et Piano
126
Quatuor de Cuivres
106
Trombone
97
Cor et Piano
92
2 Trombones (duo)
88
Quatuor de Cuivres: 2 trompettes, Cor, trombone
82
2 Trompettes (duo)
72
Cor
71
Tuba et Piano
71
Ensemble de Trompettes
56
Tuba
49
Quatuor de cuivres: 4 trombones
45
Ensemble de Trombones
40
2 Cors (duo)
39
Cor (partie séparée)
27
Cor anglais, Piano
27
Tuba (partie séparée)
24
Euphonium, Piano (duo)
23
Trompette, Trombone (duo)
22
Trompette, Saxophone (duo)
20
2 Tubas (duo)
19
Euphonium
14
Trio de Cuivres
13
2 Euphoniums (duo)
13
Quatuor de cuivres: 4 cors
12
Cor Anglais
12
Trompette, Cor (duo)
12
3 Trombones (trio)
11
3 Trompettes (trio)
8
Ensemble de Cors
7
Quatuor de cuivres: 4 trompettes
6
2 Trompettes, Clavier (piano ou orgue)
6
Euphonium, Tuba (duo)
6
Quatuor de cuivres: 2 trompettes, 2 trombones
5
Trombone, Tuba (duo)
3
Trombone basse
3
Trompette, Violoncelle (duo)
3
2 Euphoniums et 2 Tubas
3
Cor anglais, Guitare (duo)
3
Cor, Tuba (duo)
3
Bass Clef Instruments
2
2 Cors Anglais Et Pianoforte
2
Trompette, violon (duo)
2
Cor et Harpe
2
Trompette, Trombone, Piano
2
3 Cors (trio)
2
Trombone basse et Piano
2
Trompette, Tuba (duo)
2
3 Tubas (trio)
2
Cor anglais et Harpe (duo)
1
Tuba ou Euphonium ou Saxhorn
1
Trompette et Guitare
1
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
1
Trombone, Orgue
1
Trombone, Violon (duo)
1
Trompette, Harpe
1
Cor et Orgue
1
Tuba et Orgue
1
Cor et Basson (duo)
1
4 Tubas
1
Trompette, Basson (duo)
1
Cor, Violoncelle et Piano
1
Trombone et orchestre
1
+ 64 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
669
Violon et Piano
241
Violon
196
Violoncelle, Piano
188
Violoncelle
162
Alto, Piano
147
2 Violons (duo)
133
Harpe
129
Violon, Violoncelle (duo)
129
Trio à Cordes: violon, alto, violoncelle
114
Alto seul
113
Quintette à cordes: 2 violons, alto, violoncelle, basse
111
2 Violoncelles (duo)
76
Contre Basse
72
Contrebasse, Piano (duo)
60
2 Altos (duo)
59
Violon, Alto (duo)
54
Violon (partie séparée)
48
Contrebasse (partie séparée)
45
Alto (partie séparée)
35
Trio à Cordes: 2 violons, violoncelle
30
Trio à cordes: 3 violins
22
Alto, Violoncelle (duo)
17
4 Violoncelles
17
2 Contrebasses (duo)
16
Piano Trio: Violon, Alto, Piano
16
Ensemble de Violons
16
Violoncelle (partie séparée)
15
Trio à Cordes: 3 violoncelles
13
2 Harpes (duo)
13
Violoncelle, Contrebasse (duo)
13
Ensemble d'Altos
12
Harpe, Flûte (duo)
12
Quatuor à cordes: 4 violons
10
Trio à cordes
9
2 Violons, Piano
9
Harpe, Violon (duo)
6
Quatuor à cordes : 4 altos
6
Harpe, Voix
5
Violoncelle , Guitare (duo)
5
Violon, Guitare (duo)
5
Harpe, Violoncelle (duo)
4
Trio à Cordes: 2 violons, alto
4
Ensemble de Violoncelles
3
Trio à cordes: 3 altos
2
2 Violoncelles, Piano
2
Harpe et Piano
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Harpe et mandoline
2
Quintette à cordes : 2 violons, alto et 2 violoncelles
2
4 Contrebasses
1
Violon, Orgue
1
Violon, Trompette et Piano
1
Flûte, Contrebasse (duo)
1
Autoharp
1
Alto et Harpe
1
4 Harpes
1
Violon, Violoncelle, Clarinette
1
Violon, Basson (duo)
1
Alto, Guitare (duo)
1
+ 55 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
986
Orchestre
325
Ensemble Jazz
293
Orchestre à Cordes
263
Ensemble de cuivres
128
Cloches
112
Jazz combo
80
Fanfare
56
Orchestre de chambre
49
Batterie
39
Percussion (partie séparée)
31
Batterie (partie séparée)
27
Ensemble de Percussions
27
Marimba
13
Xylophone, Piano
11
Timbales (partie séparée)
10
Vibraphone
7
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
6
Percussion
6
2 Xylophones
4
Orchestre, Violon
4
Ensemble d'École
3
Piano et Orchestre
3
Instrumentation Flexible
1
3 Percussions
1
Xylophone
1
Quatuor à Vent : 4 instruments à vents
1
Vibraphone et Marimba
1
Timbales
1
Big band
1
Quintette de Cuivres: autres combinaisons
1
+ 26 instrumentations
Retracter
Autres
Formation musicale - Solfège
2
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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ASIE
BLUEGRASS
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CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
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SOUL - R&B - HIP HOP…
TANGO
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Crtitères actifs :
On High
Ensemble de Percussions
Partitions à imprimer
27 partitions trouvées
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1
26
ANGELS WE HAVE HEARD ON HIGH - MALLET QUARTET
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Ensemble de Percussions
#
INTERMÉDIAIRE/AVANCÉ
#
Noël
#
Noël
#
Glen Poehlmann
#
#
ANGELS WE HAVE HEARD ON HIGH -
#
arrangements by GPoehlmann
#
SheetMusicPlus
Percussion Ensemble - Level 4 - SKU: A0.806873 Arranged by Glen Poehlmann. Christian,Christmas,Sacred. Score and parts. 7 pages. Arrangements by GPoehlm...
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Percussion Ensemble - Level 4 - SKU: A0.806873 Arranged by Glen Poehlmann. Christian,Christmas,Sacred. Score and parts. 7 pages. Arrangements by GPoehlmann #6103035. Published by arrangements by GPoehlmann (A0.806873). ANGELS WE HAVE HEARD ON HIGH - MALLET QUARTETSuggested instrumentation: 1. Bells 2. Bells 3. Marimba 4. Vibraphone29 measures. Performance Time approx. 2:00. Medium Difficult (Grade 3+)Key: F - G - Ab - A. Meter: 12/8 - 9/8 - 15/8.PDF parts included: Score, Mallet 1, Mallet 2, Mallet 3, Mallet 4.
$4.95
Angels We Have Heard on High
#
Ensemble de Percussions
#
DÉBUTANT
#
Noël
#
Traditional Christmas
#
Kevin A
#
Angels We Have Heard on High
#
Kevin Worley
#
SheetMusicPlus
Percussion Ensemble - Level 1 - SKU: A0.923871 Composed by Traditional Christmas. Arranged by Kevin A. Worley. Christmas. Score and parts. 12 pages. Kev...
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Percussion Ensemble - Level 1 - SKU: A0.923871 Composed by Traditional Christmas. Arranged by Kevin A. Worley. Christmas. Score and parts. 12 pages. Kevin Worley #3436539. Published by Kevin Worley (A0.923871). Quartet for Percussion Ensemble (2:20). Glockenspiel, Vibraphone, Marimba, Trap Kit. Part of Quad Christmas Quarts - Four Christmas Percussion Quartets. Beginner level ensemble. A slightly different take on a favorite Christmas carol.
$3.99
Dialogue On An Urgent Journey
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Ensemble de Percussions
#
INTERMÉDIAIRE/AVANCÉ
#
Contemporain
#
Mark G
#
Dialogue On An Urgent Journey
#
M.G.Turner
#
SheetMusicPlus
Percussion Ensemble - Level 4 - SKU: A0.938558 Composed by Mark G. Turner. Contemporary. Score and parts. 59 pages. M.G.Turner #546155. Published by M.G...
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Percussion Ensemble - Level 4 - SKU: A0.938558 Composed by Mark G. Turner. Contemporary. Score and parts. 59 pages. M.G.Turner #546155. Published by M.G.Turner (A0.938558). This original nonete (Flute, 1st Bb Clarinet, 2nd Bb Clarinet, Alto Sax, Baritone Sax, Bb Trumpet, Tuba, Timpani & Percussion) was first premiered at the University of Leeds in the UK. As a composer I utilized melodic serialism, consonant whole tone harmonies, intriguing chromatics, frequent syncopation, and a jazz flavour in several sections. Solos are presented by: Flute, Bb Trumpet, Baritone Sax and Tuba. The timpani and percussion (suspended cymbal being used in a high hat style and a woodblock keep things moving well. A number of my other original ensemble pieces are listed under my full name: Mark G. Turner.
$1.99
Christmas Calypso for Percussion Sextet
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Ensemble de Percussions
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FACILE
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Noël
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Dan Heslink
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Christmas Calypso for Percussi
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Pharaoh Publications
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SheetMusicPlus
Percussion Ensemble - Level 2 - SKU: A0.935389 Arranged by Dan Heslink. Christian,Christmas. Score and parts. 18 pages. Pharaoh Publications #6117159. P...
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Percussion Ensemble - Level 2 - SKU: A0.935389 Arranged by Dan Heslink. Christian,Christmas. Score and parts. 18 pages. Pharaoh Publications #6117159. Published by Pharaoh Publications (A0.935389). Christmas Calypso for Percussion Sextet . . . . . . . . . . . . . . arr. Dan Heslink The calypso style referenced in the title is not the calypso of Afro-Caribbean music from Trinidad and Tobago. Rather, it is the especially toned-down but still rhythmic commercial variant popularized by folk singers. Couched in this style, the arrangement offers Christmas favorites Deck the Halls, Angels We Have Heard On High, God Rest Ye Merry Gentlemen and Good Christian Men, Rejoice. This if one of two versions of the calypso arrangement by Dan Heslink, both of which are available through Sheet Music Plus. The other arrangement, percussion sextet, follows similar musical contours and is available separately. Both versions are intended to elicit one primary response from both performers and audience – fun. It does not tax the players technically, but delivers a satisfying sound with carols that the performers likely know and love. General audiences will be enchanted by the familiar melodies delivered in percussion, especially at Christmas time. The introduction opens with a brisk and rhythmic introduction based on Deck the Halls, and establishes the fun calypso rhythm immediately. Deck the Halls is the much-loved welsh air that was arranged by Haydn, Nos galan (Hob. XXXIb:29, 1803). Then, Angels We Have Heard on High breaks out in double-stops with a continuation of the rhythmic impetus. The birth of Jesus Christ as narrated in the Gospel of Luke is the subject of Angels We Have Heard on High, a traditional French song of unknown origin. The gloria section provides some flowing contrast, portraying the shepherds’ impressions as they encounter a multitude of angels singing and praising. The performers are encouraged to use a relaxed stroke to glide through these passages. Following is God Rest Ye Merry Gentlemen, a 16th century English traditional Christmas carol also known under the title, The old Christmas Carol. It provides a contrast in tonality (minor mode) and texture. The xylophone part likely will lay most comfortably when executed with four mallets, although there are no three or four mallet chords in these passages. Good Christian Men, Rejoice is the closing selection in this Christmas medley. It’s title is an English translation of In dulci jubilo (Latin for In sweet rejoicing). The work ends happily with a summation of the calypso rhythm. This medley will be especially effective programmed on a winter holiday concert. Duration is 2:30. The arranger, Dan Heslink, assigned a difficulty level of medium easy, and can be contacted at dan@dheslink.com.
$4.99
Christmas Calypso for Marimba Quartet
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Ensemble de Percussions
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Noël
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Dan Heslink
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Christmas Calypso for Marimba
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Pharaoh Publications
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SheetMusicPlus
Percussion Ensemble - SKU: A0.935390 Arranged by Dan Heslink. Christian,Christmas. Score and parts. 16 pages. Pharaoh Publications #6117165. Published b...
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Percussion Ensemble - SKU: A0.935390 Arranged by Dan Heslink. Christian,Christmas. Score and parts. 16 pages. Pharaoh Publications #6117165. Published by Pharaoh Publications (A0.935390). Christmas Calypso for Marimba Quartet . . . . . . . . . . . . . . arr. Dan HeslinkThe calypso style referenced in the title is not the calypso of Afro-Caribbean music from Trinidad and Tobago. Rather, it is the especially toned-down but still rhythmic commercial variant popularized by folk singers. Couched in this style, the arrangement offers Christmas favorites Deck the Halls, Angels We Have Heard On High, God Rest Ye Merry Gentlemen and Good Christian Men, Rejoice. This if one of two versions of the calypso arrangement by Dan Heslink, both of which are available through Sheet Music Plus. The other arrangement, for percussion sextet, follows similar musical contours and is available separately. Both versions are intended to elicit one primary response from both performers and audience – fun. It does not tax the players technically, but delivers a satisfying sound with carols that the performers likely know and love. General audiences will be enchanted by the familiar melodies delivered in percussion, especially at Christmas time. The introduction opens with a brisk and rhythmic introduction based on Deck the Halls, and establishes the fun calypso rhythm immediately. Deck the Halls is the much-loved welsh air that was arranged by Haydn, Nos galan (Hob. XXXIb:29, 1803). Then, Angels We Have Heard on High breaks out in double-stops with a continuation of the rhythmic impetus. The birth of Jesus Christ as narrated in the Gospel of Luke is the subject of Angels We Have Heard on High, a traditional French song of unknown origin. The gloria section provides some flowing contrast, portraying the shepherds’ impressions as they encounter a multitude of angels singing and praising. The performers are encouraged to use a relaxed stroke to glide through these passages. Following is God Rest Ye Merry Gentlemen, a 16th century English traditional Christmas carol also known under the title, The old Christmas Carol. It provides a contrast in tonality (minor mode) and texture. The xylophone part likely will lay most comfortably when executed with four mallets, although there are no three or four mallet chords in these passages. Good Christian Men, Rejoice is the closing selection in this Christmas medley. It’s title is an English translation of In dulci jubilo (Latin for In sweet rejoicing). The work ends happily with a summation of the calypso rhythm. This medley will be especially effective programmed on a winter holiday concert. Duration is 2:30. The arranger, Dan Heslink, assigned a difficulty level of medium easy, and can be contacted at dan@dheslink.com.
$4.99
The Holly And The Ivy (Bells, Xylophone, Marimba, Vibraphone)
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Ensemble de Percussions
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INTERMÉDIAIRE
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Noël
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Traditional
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Clark Cothern
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The Holly And The Ivy
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Clark Cothern
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SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.823104 Composed by Traditional. Arranged by Clark Cothern. Christmas. Score and parts. 11 pages. Clark Cothern #...
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Percussion Ensemble - Level 3 - SKU: A0.823104 Composed by Traditional. Arranged by Clark Cothern. Christmas. Score and parts. 11 pages. Clark Cothern #3038949. Published by Clark Cothern (A0.823104). As heard on the album, A Small Ensemble Christmas, by DDT Brahms. This music box-like arrangement of The Holly And The Ivy for Bells, Xylophone, Marimba and Vibraphone is accessible to intermediate players on up. There are several of these music box arrangements for percussion ensemble. You might consider putting three or four of them together as a suite. (Other titles from DDT Brahms' album with the music box style include: Frosty the Snowman, Jingle Bells, Ding Dong Merrily On High, and I Saw Three Ships.)
$12.00
Quad Christmas Quarts - Four Christmas Percussion Quartets
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Ensemble de Percussions
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FACILE
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Noël
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Traditional Christmas
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Kevin A
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Quad Christmas Quarts - Four C
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Kevin Worley
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SheetMusicPlus
Percussion Ensemble - Level 2 - SKU: A0.923869 Composed by Traditional Christmas. Arranged by Kevin A. Worley. Christmas. Score and parts. 50 pages. Kev...
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Percussion Ensemble - Level 2 - SKU: A0.923869 Composed by Traditional Christmas. Arranged by Kevin A. Worley. Christmas. Score and parts. 50 pages. Kevin Worley #3436521. Published by Kevin Worley (A0.923869). 1-God Rest Ye Merry, Gentlemen (2:10). 2-Away in a Manger (2:00). 3-Angels We Have Heard on High (2:20). 4-Deck the Halls (2:10). One of my favorite music school memories is, at Christmas Time, the percussion ensemble loading up the university truck and heading to the local shopping center to play Christmas carols for the shoppers. The arrangements we played were rarely meant for percussion ensemble, so it was often a challenging and interesting experience. With that in mind, I arranged these four carols with the same instrumentation and similar percussion toy sets to help smooth things. 1 Glockenspiel, 1 Vibraphone, 1 Marimba, 1 trap kit. Arrangements and parts vary from beginner to early intermediate.
$11.99
Don't Worry, Be Happy
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Ensemble de Percussions
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INTERMÉDIAIRE
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Jazz
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Bobby McFerrin
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Ricardo Matosinhos
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Don't Worry, Be Happy
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Ricardo Matosinhos
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SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.899162 By Bobby McFerrin. By Bobby McFerrin. Arranged by Ricardo Matosinhos. Jazz. Score and parts. 32 pages. Ri...
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Percussion Ensemble - Level 3 - SKU: A0.899162 By Bobby McFerrin. By Bobby McFerrin. Arranged by Ricardo Matosinhos. Jazz. Score and parts. 32 pages. Ricardo Matosinhos #5723941. Published by Ricardo Matosinhos (A0.899162). This is a well known piece by Bobby McFerrin. Here presented on a music arrangement for unconventional music instruments. The arrangement allows flexibility, so this piece can be performed using tuned bottles (25cl, 33cl and 75cl), lip whistle, finger snaps, complemented with xylophones and optionally with voices to sing the lyrics too. This arrangement was made during the 2020 quarantine, when the world was shutdown due to a world virus pandemic. Some of the music students didn’t have their music instruments at home, so this arrangement came up to fill that gap and it is perfect to keep doing music with the available option of instruments.On each rehearsal letter, you can play optional improvisations, while keeping the voices 5-8. These improvisations can be easily done using the C major pentatonic scale or the note ranges presented on the right, that even include Eâ™ and Bâ™. If played using lip whistle, bendings will be possible too. This arrangement presents 8 voices and an alternative solution for voice 8, that makes it easier to be performed as it is the place where bottles are divided between the players. There is also an optional bass line to complement voice eight one octave bellow. In order to keep it simple, neither dynamics or articulations were included and the notes were represented always in the middle octave in G clef. The correct pitch ranges are presented in the performance notes.The amount of water will change the pitch differently depending if you are blowing or doing percussion on a bottle. When blowing, the more water you use, the higher the pitch will be, but while doing percussions more water means lower pitch. A good option, in order to save time during rehearsals, is to fill the bottles with water, marking the level with a pen, and then filling the bottle with the desired amount of hot wax instead of water. This way, when the wax cools down you can have a tuned bottle without requiring to tune it again every single rehearsal. Please note that the bottles should be made of glass and that different aspects change the performance. For percussion, straight bottles are better to tune as the curves in the bottles tend to produce unstable pitches. The extreme notes of the range might not be available in every single bottle, so you might need to try some alternatives. For example the high A is available in some beer bottles, while the low G is available in larger 75cl bottles of champaign. Last but not least, this piece should always be played according to Bobby’s motto: dont worry, be happy!I had lots of fun while doing this arrangement, now it’s your time to have fun while performing it!Ricardo Matosinhoshttp://www.ricardomatosinhos.com
$14.99
Four Forces (First movement) I. Strong Forces
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Ensemble de Percussions
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AVANCÉ
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Salvador Rojo Gamón
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Four Forces
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Salvador Rojo-Gamon
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.962406 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 173 pa...
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Percussion Ensemble - Level 5 - SKU: A0.962406 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 173 pages. Salvador Rojo-Gamon #5801913. Published by Salvador Rojo-Gamon (A0.962406). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$300.00
Four Forces (Second movement) II. Weak Forces
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Ensemble de Percussions
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AVANCÉ
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Salvador Rojo Gamón
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Four Forces
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Salvador Rojo-Gamon
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.962405 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 255 pa...
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Percussion Ensemble - Level 5 - SKU: A0.962405 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 255 pages. Salvador Rojo-Gamon #5801921. Published by Salvador Rojo-Gamon (A0.962405). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$150.00
One Hour to Madness
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Ensemble de Percussions
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AVANCÉ
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Contemporain
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Dan Heslink
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One Hour to Madness
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Pharaoh Publications
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.935385 Composed by Dan Heslink. Contemporary. Score and parts. 36 pages. Pharaoh Publications #5775261. Publishe...
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Percussion Ensemble - Level 5 - SKU: A0.935385 Composed by Dan Heslink. Contemporary. Score and parts. 36 pages. Pharaoh Publications #5775261. Published by Pharaoh Publications (A0.935385). One Hour to Madness for percussion septet. by Dan Heslink From its opening motto to its bold closing summation, One Hour to Madness explores a high degree of musical energy. The title is loosely inspired by Walt Whitman’s marvelous poem, One Hour to Madness and Joy (Leaves of Grass). The music presents a dark and exciting expression couched in pervasive contrapuntal development. A high degree of dissonance is contrasted with the second theme’s clear Bb major tonality. The work’s contrapuntal nature is distilled into a fugato in the second half. Predominantly a mallet ensemble composition, scoring is for orchestra bells (2 mallets), xylophone (2 mallets), vibraphone (4 mallets), 3 marimbas (each with 2 mallets) and timpani. The timpani part is best performed on the standard set of 4 drums (23-24, 25-26, 28-29, 32-30). The marimba 1 part requires the standard range of 3 ½ or 4 octaves; the marimba 2 part can be executed on the standard 4-octave instrument by omitting a few octave doublings, or on a 5-octave instrument if one is available; marimba 3 requires a 5-octave instrument. The composer assigns a difficulty level of advanced. It will serve any concert or recital very well. Audiences and performers alike will enjoy the flashy passage work and musical impetus afforded by One Hour to Madness. Duration is 3:41. The composer, Dan Heslink, can be contacted at dan@dheslink.com.
$4.99
7 Bucket Series - Back To The Basics
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Ensemble de Percussions
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DÉBUTANT
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Harvey Minchin
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7 Bucket Series - Back To The
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Harvey Minchin
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SheetMusicPlus
Percussion Ensemble - Level 1 - SKU: A0.881289 Composed by Harvey Minchin. Instructional,Standards. Score and parts. 9 pages. Harvey Minchin #3506323. P...
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Percussion Ensemble - Level 1 - SKU: A0.881289 Composed by Harvey Minchin. Instructional,Standards. Score and parts. 9 pages. Harvey Minchin #3506323. Published by Harvey Minchin (A0.881289). The 7 Bucket Series contains percussion pieces written for groups playing on a variety of plastic buckets. Back To The Basics was written for two levels of beginner players and is perfect for concerts and group lessons. The high and medium bucket parts include quarter and eighth notes and rests while the low and bass bucket parts include only quarter notes and rests. Players experience performing as part of an ensemble and learn how to concentrate on their part while listening to the other players. Along with ensemble playing, players gain experience with stick accuracy on multiple buckets (or drums) and playing at a variety of dynamic levels.
$9.95
Excerpts from Grande Tarantelle
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Ensemble de Percussions
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FACILE
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Classique
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Louis Moreau Gottschalk
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Ross Birdsall
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Excerpts from Grande Tarantell
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Ross Birdsall
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SheetMusicPlus
Percussion Ensemble - Level 2 - SKU: A0.921977 Composed by Louis Moreau Gottschalk. Arranged by Ross Birdsall. Romantic Period. Score and parts. 20 page...
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Percussion Ensemble - Level 2 - SKU: A0.921977 Composed by Louis Moreau Gottschalk. Arranged by Ross Birdsall. Romantic Period. Score and parts. 20 pages. Ross Birdsall #6069539. Published by Ross Birdsall (A0.921977). Louis Moreau Gottschalk's Grande Tarantelle - arranged for five players on two 4.3 octave (low A) marimbas. This piece is a fun, fast-paced journey exploring ideas in 6/8 time with a few quick position changes to keep your performers and audience on their toes.Originally premiered by the Coleman middle school percussion ensemble at the 2019 University of South Florida Marimba Festival, this piece is perfect for an advanced middle school ensemble or an early high school group.
$14.99
fourteen
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Ensemble de Percussions
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INTERMÉDIAIRE
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Adam Scott Neal
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fourteen
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Adam Scott Neal
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SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.954269 Composed by Adam Scott Neal. 20th Century,Contemporary,Pop. Score and parts. 41 pages. Adam Scott Neal #2...
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Percussion Ensemble - Level 3 - SKU: A0.954269 Composed by Adam Scott Neal. 20th Century,Contemporary,Pop. Score and parts. 41 pages. Adam Scott Neal #2807645. Published by Adam Scott Neal (A0.954269). Program note:fourteen, for percussion ensemble, is a mellow piece for a rainy day.Performance note:fourteen is written for early high school level percussion ensemble. While rhythmically simple, the players are encouraged to focus on the small details and changes in their parts, as well as the ways in which their parts work together. Seven players: glock/chimes, vibraphone, marimba, woodblock/cowbell, snare/tom, cymbals, cymbals.
$17.99
Mad World
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Ensemble de Percussions
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INTERMÉDIAIRE
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Pop musique
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Adam Lambert
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Luke Henson
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Mad World
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Luke Henson
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SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.942612 By Adam Lambert. By Roland Orzabal. Arranged by Luke Henson. Pop. Score and parts. 31 pages. Luke Henson ...
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Percussion Ensemble - Level 3 - SKU: A0.942612 By Adam Lambert. By Roland Orzabal. Arranged by Luke Henson. Pop. Score and parts. 31 pages. Luke Henson #3564273. Published by Luke Henson (A0.942612). This Tears For Fears classic sounds GREAT on steelpan! Your band will enjoy the cool harmonies, ska/punk groove, and infectious pop melody. It's perfect for high school bands and is sure to please any crowd!
$29.99
Too Good To Say Goodbye
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Ensemble de Percussions
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INTERMÉDIAIRE/AVANCÉ
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Pop musique
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Soul/R&B
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Bruno Mars
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Deborah Becker
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Too Good To Say Goodbye
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Deborah Becker
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SheetMusicPlus
Percussion Ensemble - Level 4 - SKU: A0.1032629 By Bruno Mars. By Bruno Mars, Christopher Brody Brown, Jeff Bhasker, Kenneth Edmonds, and Philip Lawrenc...
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Percussion Ensemble - Level 4 - SKU: A0.1032629 By Bruno Mars. By Bruno Mars, Christopher Brody Brown, Jeff Bhasker, Kenneth Edmonds, and Philip Lawrence. Arranged by Deborah Becker. Pop,R & B. Score and parts. 21 pages. Deborah Becker #5303609. Published by Deborah Becker (A0.1032629). This challenging arrangement is a fun ballad tune for a high school steel band. The Double Second 1 part can be played on Double Tenors if desired. Rehearsal E is especially difficult due to syncopated sixteenth-note rhythms and may be left out if players continue to struggle. Suggested form without Rehearsal E: Intro A B C D B F Outro.
$15.00
Duel for 2 Marching Percussionists
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Ensemble de Percussions
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INTERMÉDIAIRE
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Contemporain
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Adam Grim
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Duel for 2 Marching Percussion
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Adam B. Grim
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SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.939385 Composed by Adam Grim. Contemporary. Score and parts. 17 pages. Adam B. Grim #6200499. Published by Adam ...
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Percussion Ensemble - Level 3 - SKU: A0.939385 Composed by Adam Grim. Contemporary. Score and parts. 17 pages. Adam B. Grim #6200499. Published by Adam B. Grim (A0.939385). The Duel for 2 Marching Percussionists was written in 2015 and premiered at Ohio Northern University. It features two players, each with a number of marching percussion (drumline) instruments in front of them. Both players use a snare drum and mounted cymbal while one player plays 5 tonal bass drums and the other plays the tenors (for 5 drums). It is for advanced high school or college level players, and is very entertaining to watch. It includes stick tricks and moves that are neat to see and do. All the tricks are fairly well known, so you could easily see them on YouTube. If not, then contact me directly and I would be happy to explain!
$15.00
For Ben
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Ensemble de Percussions
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INTERMÉDIAIRE
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Contemporain
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Adam Grim
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For Ben
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Adam B. Grim
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SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.939386 Composed by Adam Grim. Contemporary. Score and parts. 49 pages. Adam B. Grim #6200515. Published by Adam ...
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Percussion Ensemble - Level 3 - SKU: A0.939386 Composed by Adam Grim. Contemporary. Score and parts. 49 pages. Adam B. Grim #6200515. Published by Adam B. Grim (A0.939386). This piece is a diaspora-music inspired piece with a combination of high life (from Ghana) and soca (from Trinidad and Tobago). Written as an encore for the Ohio Northern University West African Drumming and Dancing Ensemble for their final performance with the Ghana Dance Ensemble's Ben Ayettey. Written and performed in 2016 for marimba, lead (tenor) pan, cello pans, electric guitar (finger picking style), bass guitar (tab included), and drum set. Quite a fun piece to play, and it will definitely get your audience on their feet!
$15.00
Chicken and a Biscuit
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Ensemble de Percussions
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FACILE
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Tsoof Baras
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Chicken and a Biscuit
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Tsoof Baras
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SheetMusicPlus
Percussion Ensemble - Level 2 - SKU: A0.1013921 Composed by Tsoof Baras. Standards. Score and parts. 42 pages. Tsoof Baras #6332907. Published by Tsoof ...
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Percussion Ensemble - Level 2 - SKU: A0.1013921 Composed by Tsoof Baras. Standards. Score and parts. 42 pages. Tsoof Baras #6332907. Published by Tsoof Baras (A0.1013921). Players - 6Instrumentation - Snare Drum, 4 Concert Toms, Kick DrumChicken and a Biscuit is a phrase used as a teaching tool for one of the most common drum fills in funk and reggae music. The piece draws inspiration from traditional drumming styles such as Samba and West African Djembe drumming. It also pays homage to great percussion composers, John Parker and Tania Savage, who have created drumming pieces that are the staple of high school percussion music in Brisbane, Australia.As always, the aim is that the ensemble has fun and enjoys the groove. Coming from a long background of Latin and African drumming styles, the piece was written with heavy emphasis on feeling the rhythm and hearing all the parts lock in.
$45.00
CANON IN D (Pachelbel) - PERCUSSION ENSEMBLE
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Ensemble de Percussions
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INTERMÉDIAIRE
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Classique
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Johann Pachelbel
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Glen Poehlmann
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CANON IN D
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arrangements by GPoehlmann
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SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.807171 Composed by Johann Pachelbel. Arranged by Glen Poehlmann. Baroque,Graduation,Standards,Wedding. Score and...
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Percussion Ensemble - Level 3 - SKU: A0.807171 Composed by Johann Pachelbel. Arranged by Glen Poehlmann. Baroque,Graduation,Standards,Wedding. Score and parts. 14 pages. Arrangements by GPoehlmann #6473761. Published by arrangements by GPoehlmann (A0.807171). CANON IN D - PERCUSSION ENSEMBLEJohann Pachelbel's famous Canon arranged for a Percussion Ensemble. Originally written for a beginning High School ensemble, it could be used with other groups as well. All of the parts participate in the Canon! All 4 Mallet parts have double stops. Mallet 4 is Bass Clef.. The Percussion Parts are printed on one page (Percussion) and 2 pages (Percussion 1 & Percussion 2) for your convenience.61 measures. Performance Time approx 2:40. Medium in Difficulty (Grade 3-).Key: D. Meter: 4/4.PDF parts included: Score, Mallet 1, Mallet 2, Mallet 3, Mallet 4, Timpani (G - A - D), Percussion (Snare Drum, Bass Drum, Cymbal, Triangle), Percussion 1 (Snare Drum, Bass Drum), Percussion 2 (Cymbal, Triangle).
$5.00
Soar
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Ensemble de Percussions
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INTERMÉDIAIRE
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Tsoof Baras
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Soar
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Tsoof Baras
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SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.1018156 Composed by Tsoof Baras. Christmas,Contemporary,Holiday,Spiritual,Standards. Score and parts. 20 pages. ...
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Percussion Ensemble - Level 3 - SKU: A0.1018156 Composed by Tsoof Baras. Christmas,Contemporary,Holiday,Spiritual,Standards. Score and parts. 20 pages. Tsoof Baras #6663533. Published by Tsoof Baras (A0.1018156). Players: 12Instrumentation: Harmonic Whirlies or whippy tubes with the following harmonic series:Low C, D, E, F, G, A and High C, D, E, F, G and A. See - Sarah Hopkins' Harmonic Whirlies.‘Soar’ is a chorale for Harmonic Whirlies. This piece, like some of my others, focuses on teamwork and the idea of ‘the whole is greater than the sum of its parts’. It was composed in 2015 and performed by BaDaBoom Percussion.In this composition, each player represents a set of notes in a specific harmonic series associated with their whirlies. Together, the ensemble creates harmony and resonates within the space. This piece is beautiful when performed in large auditoriums, churches or halls.
$85.00
The Emperor and The Nightingale Percussion Octet
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Ensemble de Percussions
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INTERMÉDIAIRE/AVANCÉ
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Mark Attebery
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The Emperor and The Nightingal
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Mark Attebery Studio
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SheetMusicPlus
Percussion Ensemble - Level 4 - SKU: A0.933463 Composed by Mark Attebery. Children,Contemporary,World. Score and parts. 47 pages. Mark Attebery Studio #...
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Percussion Ensemble - Level 4 - SKU: A0.933463 Composed by Mark Attebery. Children,Contemporary,World. Score and parts. 47 pages. Mark Attebery Studio #6722015. Published by Mark Attebery Studio (A0.933463). The Emperor and the Nightingale for Percussion Octet is adapted from my ballet score for Oakland Ballet, based on Hans Christian Andersen's The Nightingale.This nine-minute percussion arrangement features the following scenes: Prologue, Emperor, Tai-Chi, Kitchen Maid, Nightingale, Mechanical Bird & Epilogue.This is a moderately advanced piece for high school or college. http://markattebery.com/music.htmlSearch Mark Attebery at Sheet Music Plus for more percussion music. Percussion 1 Orchestra BellsPercussion 2 Bird Call, Congas, Xylophone, Temple BlocksPercussion 3 Bird Call, Vibraphone, Crash Cymbal, RachetPercussion 4 Vibraphone, ChimesPercussion 5 4.0 Marimba Percussion 6 4.5 Marimba, Guiro Percussion 7 Bird Call, Small Bass Drum (or Large Tom), Large Bass Drum, Snare Drum Percussion 8 Bird Call, Tam-Tam, Suspended Cymbal
$20.00
Another Place
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Ensemble de Percussions
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AVANCÉ
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Contemporain
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Adam Grim
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Another Place
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Adam B. Grim
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.939392 Composed by Adam Grim. 20th Century,Contemporary. Score and parts. 65 pages. Adam B. Grim #6862379. Publi...
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Percussion Ensemble - Level 5 - SKU: A0.939392 Composed by Adam Grim. 20th Century,Contemporary. Score and parts. 65 pages. Adam B. Grim #6862379. Published by Adam B. Grim (A0.939392). Another Place is a marimba quartet on two instruments with some accessory items like a mounted bass drum, cymbal, and wind chimes. The work is about 10.5 minutes long, and holds three distinct movements that begin with solemn rolls that slowly become more regimented and rhythmic. The second movement raises the bar and becomes very rhythmic and syncopated with a Reich-like approach of melody vs interlocking harmony. This climax brings a high dynamic level to the forefront of the instruments with interlocking impact points being contrasted to unison hits. The third movement takes this original melody and harmony to the next level by using changing time signatures and motivic ideas to maximize the powerful ending. Throughout there is a deep sense of color and texture that can be maximized by the ensemble in new and exciting ways with each performance. This has plenty of ink, but also leaves a lot to interpret and bring the ensemble’s voice forward. I hope you enjoy! This work won the Audience Award in the Rocky Mountain Music Composition Contest in 2022 as well as Second Prize overall. These international awards were judged by a panel of seven judges from around the world, but with the competition based out of Toronto, Canada.
$35.00
Deck the Halls with Percussion
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Ensemble de Percussions
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INTERMÉDIAIRE
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Contemporain
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16h Century
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Brian Monroe
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Deck the Halls with Percussion
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BLM Music Publications
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SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.1012681 Composed by 16h Century. Arranged by Brian Monroe. Contemporary. Score and parts. 21 pages. BLM Music Pu...
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Percussion Ensemble - Level 3 - SKU: A0.1012681 Composed by 16h Century. Arranged by Brian Monroe. Contemporary. Score and parts. 21 pages. BLM Music Publications (https://brianmonroemusic.com) #6871551. Published by BLM Music Publications (https://brianmonroemusic.com) (A0.1012681). Scored for 9 piece percussion ensemble, Deck the Halls is a great intermediate piece for the holiday percussion ensemble. Scored for Bells, Xylophone, 2 Marimbas (played on 1 instrument) Chimes, Snare Drum (w/Triangle), Bass Drum, Tambourine Sleighbells and Timpani (w/temple blocks) this is a great piece for your junior high level percussionists. Grade 2 .
$10.00
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