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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Once Again
Non classifié
467
Piano & claviers
Piano seul
232
Piano, Voix
111
Piano, Voix et Guitare
38
Piano Facile
23
Orgue
21
Instruments en Do
14
1 Piano, 4 mains
9
Piano Trio: piano, violon, violoncelle
6
2 Pianos, 4 mains
5
Accompagnement Piano
3
Piano Quatuor: piano, 2 violons, violoncelle
3
Piano Quatuor: piano, violon, alto, violoncelle
2
Piano grosses notes
1
+ 8 instrumentations
Retracter
Guitares
Guitare notes et tablatures
20
Ligne De Mélodie, (Paroles) et Accords
14
Guitare
13
Paroles et Accords
6
Basse electrique
3
Ukulele
3
Mandoline
1
Guitare, Orchestre
1
2 Guitares (duo)
1
4 Guitares (Quatuor)
1
+ 5 instrumentations
Retracter
Voix
Chorale SATB
160
Chorale 3 parties
55
Chorale 2 parties
27
Pack Instrumental pour Chorale
19
Chorale TTBB
18
Chorale Unison
8
Voix duo, Piano
7
Chorale SSAA
6
Voix duo
6
Chorale
6
Voix haute
5
Voix Alto, Piano
3
Voix Soprano, Piano
3
Voix basse, Piano
2
Voix Tenor, Piano
1
Voix moyenne, Piano
1
Voix seule
1
Voix Tenor
1
Voix Mezzo-Soprano, Piano
1
+ 14 instrumentations
Retracter
Vents
Quatuor de Saxophones: 4 saxophones
34
Flûte traversière et Piano
33
Clarinette et Piano
29
Saxophone Alto et Piano
27
Flûte, Hautbois, Clarinette, Basson
26
Hautbois, Piano (duo)
24
Saxophone (partie séparée)
21
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
21
Saxophone Soprano et Piano
20
Saxophone Tenor et Piano
20
Clarinette
19
Clarinette (partie séparée)
19
2 Flûtes traversières (duo)
17
2 Saxophones (duo)
16
Saxophone Baryton, Piano
14
Quatuor de Clarinettes: 4 clarinettes
13
Ensemble de saxophones
13
Hautbois (partie séparée)
12
2 Clarinettes (duo)
10
Cor anglais, Piano
10
Ensemble de Flûtes
10
Ensemble de Clarinettes
9
Flute (partie séparée)
8
Clarinette Basse, Piano
8
Quatuor de Flûtes : 4 flûtes
7
3 Clarinettes (trio)
7
Flûte traversière
5
Quintette de Saxophone: 5 saxophones
5
Saxophone Alto
5
Flûte, Clarinette et Basson
4
Flûte, Hautbois, Basson
4
Flûte, Hautbois, Clarinette (trio)
4
2 Hautbois (duo)
3
Quintette de Clarinettes: 5 clarinettes
3
3 Saxophones (trio)
3
Harmonica
2
Flûte, Hautbois, Piano (trio)
2
Hautbois
2
Flûte, Clarinette (duo)
2
Quatuor de Flûtes à bec
2
Hautbois, Flûte
2
Ocarina
1
2 Clarinettes, Piano
1
Piccolo, Piano
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Clarinette et Alto
1
Cor Anglais
1
Saxophone Soprano
1
Flûte traversière, Orgue (duo)
1
Flûte, Violoncelle, Piano (trio)
1
Hautbois, Clarinette (duo)
1
Saxophone Tenor
1
Clarinette, Harpe (duo)
1
Flûte, Trombone (duo)
1
Flûte, Hautbois (duo)
1
Hautbois, Harpe
1
Quintette de Flûte : 5 flûtes
1
+ 52 instrumentations
Retracter
Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
33
Trombone et Piano
21
Euphonium, Piano (duo)
20
Trompette, Piano
20
Cor et Piano
17
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
16
Trompette (partie séparée)
14
Trompette
10
Cor anglais, Piano
10
Cor (partie séparée)
8
Trombone (partie séparée)
8
Tuba et Piano
8
Ensemble de Trombones
7
Cor
6
Quatuor de Cuivres
5
Tuba
5
Tuba (partie séparée)
5
Trombone
5
2 Trompettes (duo)
4
2 Trombones (duo)
3
Quatuor de Cuivres: 2 trompettes, Cor, trombone
3
Euphonium
2
Trompette, Cor (duo)
1
Cor Anglais
1
Quatuor de cuivres: 4 trombones
1
2 Trompettes, Clavier (piano ou orgue)
1
Trombone basse
1
Euphonium (partie séparée)
1
Trio de Cuivres
1
Ensemble de Trompettes
1
Trombone, Orgue
1
Quatuor de cuivres: 4 cors
1
+ 27 instrumentations
Retracter
Cordes
Violon et Piano
47
Quatuor à cordes: 2 violons, alto, violoncelle
47
2 Violoncelles (duo)
29
Alto, Piano
27
Violoncelle, Piano
25
Violon
16
Violon (partie séparée)
12
Harpe
11
2 Violons (duo)
11
Violon, Violoncelle (duo)
10
Violoncelle
9
Alto seul
7
Contrebasse, Piano (duo)
7
Trio à Cordes: 2 violons, violoncelle
7
Contre Basse
7
Alto (partie séparée)
6
Trio à Cordes: violon, alto, violoncelle
6
Violon, Alto (duo)
5
Contrebasse (partie séparée)
5
Alto, Violoncelle (duo)
4
Violoncelle (partie séparée)
4
Trio à Cordes: 2 violons, alto
3
2 Altos (duo)
3
Piano Trio: Violon, Alto, Piano
2
Ensemble de Violons
1
Violoncelle, Orgue
1
Harpe, Voix
1
Ensemble de Violoncelles
1
Ensemble d'Altos
1
Harpe, Flûte (duo)
1
+ 25 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
513
Orchestre
56
Orchestre à Cordes
46
Ensemble de cuivres
26
Cloches
20
Orchestre de chambre
19
Ensemble Jazz
12
Percussion (partie séparée)
10
Ensemble de Percussions
6
Batterie
3
Xylophone, Piano
3
Fanfare
2
Quintette de Cuivres: autres combinaisons
1
Timbales (partie séparée)
1
Percussion
1
+ 10 instrumentations
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Autres
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CONTREBASSE
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CORNEMUSE
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DOBRO - GUI…
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FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
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débutant
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expert
avec audio
avec vidéo
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Crtitères actifs :
Once Again
Ensemble de Percussions
Partitions à imprimer
6 partitions trouvées
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1
Quartet #7
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Ensemble de Percussions
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INTERMÉDIAIRE
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Jeff Tincher
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Quartet #7
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Jeff Tincher
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SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.584695 Composed by Jeff Tincher. Blues,Contemporary. Score and parts. 25 pages. Jeff Tincher #6019473. Published...
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Percussion Ensemble - Level 3 - SKU: A0.584695 Composed by Jeff Tincher. Blues,Contemporary. Score and parts. 25 pages. Jeff Tincher #6019473. Published by Jeff Tincher (A0.584695). This composition shows how triads and quad chords work as melody. The prelude of this composition is a slow 4/4 pop feel before it moves into the main body of the song, a 12/8 blues motif. The quad chord bridge moves into a different melody with the 12/8 signature. The second bridge is two measures reminiscent of the opening slow section before it goes into a musical accented war between the instruments. The song, once again, moves into the remembrance of the slow 4 section remaining in the 12/8 time. A three measure battle returns back to the original 12/8 section. Hear the full version of composition on Jeff Tincher's For Percussion Quartet CD. Duration = 6:39. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing.
$12.99
Judex (From Mors et Vita)
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Ensemble de Percussions
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INTERMÉDIAIRE
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Charles Francois Gounod
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Flávio Régis Cunha
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Judex
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Flavio Regis Cunha
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SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.597220 Composed by Charles Francois Gounod. Arranged by Flávio Régis Cunha. Concert,Contemporary,Romantic ...
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Percussion Ensemble - Level 3 - SKU: A0.597220 Composed by Charles Francois Gounod. Arranged by Flávio Régis Cunha. Concert,Contemporary,Romantic Period,Sacred,Standards. Score and parts. 43 pages. Flavio Regis Cunha #4592917. Published by Flavio Regis Cunha (A0.597220). Mors et vita is an oratorio in three parts by Charles Gounod premiered at the Birmingham Festival in 1885. It was conceived as a sequel to La rédemption (1882). The 1886 Paris premiere again featured Jean Baptiste Faure. Gounod considered this oratorio, and its predecessor La rédemption (1882) as his greatest achievements. This arrangement is designed for a double string orchestra, harp and percussion. The sonority obtained from this arrangement is unique in its conception and can be very well received by the public. Lacking original woodwinds and brasses from Gounod's score, the string orchestra will be an excellent choice for performing in concerts, recitals, funerals and church preludes.Flavio Regis Cunha is a pianist, conductor and composer from São Paulo - Brasil. He is currently finishing his doctorate at Mackenzie Presbyterian University where he works as conductor of the Mackenzie University Orchestra and resident composer. For more arrangements like this, works by commission or for any questions you can contact Flavio Regis Cunha at his facebook page: https://www.facebook.com/flavioregiscunha
$40.00
Judex (from Mors et Vita)
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Ensemble de Percussions
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INTERMÉDIAIRE
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Charles Francois Gounod
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Flávio Régis Cunha
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Judex
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Flavio Regis Cunha
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SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.597224 Composed by Charles Francois Gounod. Arranged by Flávio Régis Cunha. Concert,Contemporary,Romantic ...
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Percussion Ensemble - Level 3 - SKU: A0.597224 Composed by Charles Francois Gounod. Arranged by Flávio Régis Cunha. Concert,Contemporary,Romantic Period,Sacred,Standards. Score and parts. 47 pages. Flavio Regis Cunha #4595365. Published by Flavio Regis Cunha (A0.597224). Mors et vita is an oratorio in three parts by Charles Gounod premiered at the Birmingham Festival in 1885. It was conceived as a sequel to La rédemption (1882). The 1886 Paris premiere again featured Jean Baptiste Faure. Gounod considered this oratorio, and its predecessor La rédemption (1882) as his greatest achievements. JUDEX is a part of this important work and now you have it in a friendlier tonality (G) than the original written by Gounod (the key of Gb). The music remains unchanged. It is a beautiful work, very accessible and suitable for concerts openings, service preludes, recitals. It is an important work of the orchestral repertoire and your orchestra needs to play it at some point along the way. You and your orchestra will enjoy playing this work of unique beauty.Flavio Regis Cunha is a pianist, conductor and composer from São Paulo - Brasil. He is currently finishing his doctorate at Mackenzie Presbyterian University where he works as conductor of the Mackenzie University Orchestra and resident composer. For more arrangements like this, works by commission or for any questions you can contact Flavio Regis Cunha at his facebook page: https://www.facebook.com/flavioregiscunha
$40.00
Donut Etudes vol. 3: Don’t Step in the Holes! – Keyboard Percussion (Mallet) Quartet
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Ensemble de Percussions
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INTERMÉDIAIRE
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Methodes
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Joshua Hauser
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Donut Etudes vol. 3: Don&rsquo
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Slide Ride
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SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.784338 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288673. Published by Sl...
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Percussion Ensemble - Level 3 - SKU: A0.784338 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288673. Published by Slide Ride (A0.784338). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
Gravity for Septet
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Ensemble de Percussions
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AVANCÉ
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Contemporain
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MohammadHadi Ayanbod
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Gravity for Septet
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Rimorarte Edition
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.1027778 Composed by MohammadHadi Ayanbod. 20th Century,Contemporary. Score and parts. 25 pages. Rimorarte Editio...
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Percussion Ensemble - Level 5 - SKU: A0.1027778 Composed by MohammadHadi Ayanbod. 20th Century,Contemporary. Score and parts. 25 pages. Rimorarte Edition #5996957. Published by Rimorarte Edition (A0.1027778). In GRAVITY I explored different gravities as forces we not only feel them in every moments of our lives, but also thinking of living without or escaping from them seems impossible. Likewise, those gravities exist in the music, make us feel the music continuous, desirable, logical and an integrated language of art. The exploration of the path from chaos to unity, and from unity to multiplicity, is where the title came from. GRAVITY consists of two main sections. The first section, which shows the fully-grown and flourished musical ecosystem, and the second part; a flashback to just after big-bang, which tries to musicalize the creation of the gravity! In the first section, I’ve used the concept of horizontal and vertical minimalism. At the very beginning of the piece we have a structure that bring the idea of the vertical minimalism out. In every moment, each instrument plays the same note as others. However, the narrative line is divided into different octaves, so, the melody is not the same in spite of the fact that each instrument plays the same tone. This structure also reminds the paradoxical ladder or optical staircase illusion. The narration is built up until it reaches temporal climax. At the same time, this melody starts again from the beginning with some microscopic differences visible vividly to musicians. This semi reciprocating musical narration, could be observed as a musical example of the staircase illusion. After this part, but still in the first section of the music, I’ve used the horizontal (traditional) minimalism idioms to explore the bounding forces present in the music. Although, what interesting here is the creation of synthetic voices which is the result of different amounts of the nuances and different combinations of the sound. For keen ears, it seems like shades of neon lights, penetrate into one another in the scale of time and create a big picture of micro fluctuating objects. In the second section or just after big-bang, I’ve observed and recreate musically, the very moment of creation of the gravity just after the big-bang. Here, we don’t have melody, rhythm, structure, narration and other aspects of the music in the traditional way, although all of them are present in the music. very single sound or noise is meaningful and showing the assemblage process of the forces in the music to create a melody line. I’ve occupied idioms of contemporary Sonorism genre to create the atmosphere. This highly complex texture shows the virtuosity of interpreters and the capability of the instruments in avant-garde literature and extended techniques. The music is concluded by a fast-tempo finale, with the instruction of fortissimo possiblile (as loud as possible). The piece, in fact, will not be finished as a morendo, but, it opens a space for hypothetically living structure; constantly grows, flourishes, shines and decays.
$16.99
Start Over Soca
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Ensemble de Percussions
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FACILE
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Adam Grim
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Start Over Soca
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Adam B. Grim
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SheetMusicPlus
Percussion Ensemble - Level 2 - SKU: A0.939357 Composed by Adam Grim. Concert,World. Score and parts. 15 pages. Adam B. Grim #2885497. Published by Adam...
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Percussion Ensemble - Level 2 - SKU: A0.939357 Composed by Adam Grim. Concert,World. Score and parts. 15 pages. Adam B. Grim #2885497. Published by Adam B. Grim (A0.939357). Start Over Soca is a soca that features the quick hands of the lead players. Many notes are repeated to create a falling or rising effect. The moving bass line will surely sound solid and the cellos and double seconds will have a fun time with the short features they get in the transition sections of the piece. In the middle, there is a false ending, which starts the beginning over again and plays a modified finale (Hence the Start Over Soca).
$35.00
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1
Once Again
