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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
One Way
Non classifié
5 492
Piano & claviers
Piano seul
1 846
Piano, Voix
1 811
Piano, Voix et Guitare
1 136
Piano Facile
754
Instruments en Do
487
Orgue
98
1 Piano, 4 mains
78
Piano grosses notes
52
Accompagnement Piano
49
Piano Trio: piano, violon, violoncelle
25
Piano (partie séparée)
24
Accordéon
20
2 Pianos, 4 mains
18
Piano Quatuor: piano, violon, alto, violoncelle
10
Piano Quatuor: piano, 2 violons, violoncelle
8
Piano Quintette: piano, 2 violons, alto, violoncelle
5
Orgue, Trompette (duo)
3
Clavier
3
1 Piano, 6 mains
3
Clavecin
2
2 Pianos, 8 mains
2
2 Orgues (duo)
1
+ 17 instrumentations
Retracter
Guitares
Guitare notes et tablatures
454
Ligne De Mélodie, (Paroles) et Accords
349
Guitare
206
Ukulele
112
Paroles et Accords
65
Basse electrique
62
Guitare (partie séparée)
38
Ukulele Baryton
18
2 Guitares (duo)
15
Piano, Guitare (duo)
9
Dulcimer
8
Mandoline
5
3 Guitares (trio)
3
4 Guitares (Quatuor)
3
Ensemble de guitares
2
2 Mandolines (duo)
2
2 Dulcimers (duo)
2
Banjo
2
Basse électrique (partie séparée)
1
Partitions De Groupes
1
+ 15 instrumentations
Retracter
Voix
Chorale SATB
1 014
Chorale 3 parties
372
Pack Instrumental pour Chorale
350
Chorale TTBB
255
Chorale 2 parties
233
Chorale SSAA
158
Chorale Unison
98
Voix Soprano, Piano
74
Voix duo, Piano
55
Voix Alto, Piano
45
Voix Baryton, Piano
42
Voix Tenor, Piano
38
Chorale
31
Voix seule
29
Voix haute
29
Voix duo
24
Voix basse, Piano
17
Chorale SSAB a cappella
7
Voix Tenor
6
Voix basse
3
Voix moyenne, Piano
3
Chorale SSATTB
2
Voix Mezzo-Soprano, Piano
2
Chorale SSATB
2
Voix Baryton
1
+ 20 instrumentations
Retracter
Vents
Saxophone (partie séparée)
1 427
Saxophone Alto
1 096
Quatuor de Saxophones: 4 saxophones
1 058
Saxophone Tenor
1 025
2 Saxophones (duo)
770
Saxophone
745
Saxophone Alto et Piano
600
Saxophone Tenor et Piano
496
Quintette de Saxophone: 5 saxophones
316
Saxophone Soprano et Piano
237
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
223
Flûte, Hautbois, Clarinette, Basson
220
Flûte traversière et Piano
201
3 Saxophones (trio)
192
Saxophone, Clarinette (duo)
191
Flûte traversière
185
Clarinette
170
Clarinette et Piano
170
2 Flûtes traversières (duo)
147
Hautbois, Piano (duo)
137
Saxophone Baryton, Piano
136
2 Clarinettes (duo)
129
Saxophone Soprano
128
Clarinette, Violon (duo)
120
Quatuor de Clarinettes: 4 clarinettes
97
Clarinette, Trompette (duo)
94
Ensemble de saxophones
84
Flûte, Clarinette (duo)
81
Hautbois, Basson (duo)
77
Ensemble de Clarinettes
61
Clarinette et Alto
60
Hautbois, Clarinette (duo)
60
Hautbois, Flûte
58
Flûte, Violon
57
Flûte, Saxophone (duo)
56
Hautbois (partie séparée)
55
Quatuor de Flûtes : 4 flûtes
54
Flûte, Trompette (duo)
46
Saxophone Baryton
45
Flûte, Alto (duo)
44
2 Hautbois (duo)
41
Flûte à bec Soprano
36
Ensemble de Flûtes
36
Clarinette (partie séparée)
29
Hautbois
29
Flute (partie séparée)
29
Cor anglais, Piano
28
2 Flûtes traversières, Piano
26
3 Clarinettes (trio)
22
Flûte et Guitare
20
2 Flûte à bec (duo)
20
Clarinette Basse, Piano
19
Quintette de Clarinettes: 5 clarinettes
17
Cor Anglais
17
2 Saxophones, Piano
15
Trio de Flûtes: 3 flûtes
14
Flûte à Bec
14
Instruments en Mib
14
Clarinette, Trombone (duo)
13
Clarinette, Guitare (duo)
12
Flûte, Trombone (duo)
11
Flûte, Clarinette et Basson
9
Flûte, Hautbois, Clarinette (trio)
9
Saxophone, Violon (duo)
9
Clarinette, Violoncelle (duo)
9
Saxophone et Piano
9
Saxophone et Guitare
8
Quatuor de Flûtes à bec
8
Quintette de Flûte : 5 flûtes
8
Flûte, Clarinette, Cor, Basson (Quartet)
8
Hautbois, Clarinette, Basson (trio d'anches)
7
Clarinette, Basson (duo)
7
Flûte, Violon, Piano
6
Ocarina
6
Hautbois, trombone (duo)
5
Flûte, Hautbois (duo)
5
Hautbois, Violoncelle
5
Hautbois, Guitare (duo)
4
5 Flûtes à bec
4
Harmonica
4
Cor anglais, Guitare (duo)
4
Hautbois, violon (duo)
4
Flûte à bec Tenor
4
Flûte, Violoncelle
4
Clarinette Basse
3
Flute, harpe et violon
3
Saxophone et Harpe
3
Ensemble De Flûte à bec
2
Flûte à bec Alto, Piano
2
Ensemble à vent
2
Flûte irlandaise
2
Flûte à bec Alto
2
Flûte, Hautbois, Basson
2
Clarinette, Saxophone, Piano
2
Piccolo, Piano
2
Flûte, Hautbois, Piano (trio)
2
Piccolo
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Saxophone et violoncelle
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Saxophone, Tuba (duo)
1
Hautbois, Harpe
1
2 Clarinettes, Piano
1
Clarinette, Harpe (duo)
1
Hautbois et alto (duo)
1
Flûte à bec Soprano, Piano
1
Clarinette, Violoncelle, Piano (trio)
1
Saxophone et Orgue
1
Flûte, Violoncelle, Piano (trio)
1
Saxophone, Basson (duo)
1
3 Flûtes à bec (trio)
1
Flûte traversière, Basse continue
1
Flûte et Trio à cordes
1
+ 108 instrumentations
Retracter
Cuivres
Trombone
1 131
Trombone (partie séparée)
958
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
771
Trombone et Piano
512
Quatuor de Cuivres : 2 trompettes, trombone, tuba
281
2 Trombones (duo)
257
Quatuor de Cuivres
163
Quatuor de Cuivres: 2 trompettes, Cor, trombone
158
Trompette
153
Trompette, Saxophone (duo)
144
Trompette, Trombone (duo)
132
Trompette, Piano
129
Trompette (partie séparée)
127
Cor et Piano
86
Cor
76
Quatuor de cuivres: 4 trombones
68
2 Trompettes (duo)
60
3 Trombones (trio)
51
Tuba
48
Tuba et Piano
44
Euphonium, Piano (duo)
38
Cor (partie séparée)
31
Cor anglais, Piano
28
Tuba ou Euphonium ou Saxhorn
26
Tuba (partie séparée)
24
Trio de Cuivres
24
Ensemble de Trombones
20
Bass Clef Instruments
18
Cor Anglais
17
Quatuor de cuivres: 4 cors
16
Instruments en Sib
16
2 Cors (duo)
15
Euphonium
15
Trombone, violoncelle (duo)
13
Ensemble de Cors
10
Trompette, Basson (duo)
10
Trombone, Tuba (duo)
9
2 Euphoniums et 2 Tubas
8
Trompette, Cor (duo)
8
Ensemble de Trompettes
7
2 Tubas (duo)
7
Quatuor de cuivres: 2 trompettes, 2 trombones
6
Quatuor de cuivres: 4 trompettes
6
Trombone, Violon (duo)
5
Trompette, Trombone, Piano
5
Trombone basse
4
Cor anglais, Guitare (duo)
4
Trombone basse et Piano
4
Trompette, Violoncelle (duo)
4
2 Trompettes, Clavier (piano ou orgue)
3
Tuba et Orgue
3
Cor, Violoncelle (duo)
3
Cor, Trompette, Trombone (trio)
2
2 Trombones, Piano
2
3 Cors (trio)
2
Trombone, Orgue
2
3 Trompettes (trio)
2
3 Tubas (trio)
2
Trombone, Cor (duo)
2
Trombone, Alto (duo)
1
Cor et Basson (duo)
1
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
1
2 Cors, Piano
1
4 Tubas
1
2 Euphoniums (duo)
1
Ensemble de Tubas
1
Trompette, Harpe
1
3 Euphoniums
1
+ 63 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
690
Violon
313
Violon et Piano
261
Violon, Violoncelle (duo)
240
Violoncelle, Piano
171
Violoncelle
165
Trio à Cordes: violon, alto, violoncelle
163
Alto, Piano
139
Quintette à cordes: 2 violons, alto, violoncelle, basse
114
Alto seul
114
Harpe
100
2 Violons (duo)
99
Violon, Alto (duo)
79
2 Altos (duo)
66
2 Violoncelles (duo)
64
Contrebasse, Piano (duo)
45
Contrebasse (partie séparée)
44
Trio à Cordes: 2 violons, violoncelle
42
Violon (partie séparée)
42
Contre Basse
33
Alto (partie séparée)
23
Piano Trio: Violon, Alto, Piano
13
Alto, Violoncelle (duo)
13
Violon, Guitare (duo)
11
Violoncelle (partie séparée)
10
4 Violoncelles
9
Trio à cordes: 3 violins
9
Quintette à cordes : 2 violons, alto et 2 violoncelles
8
Violoncelle , Guitare (duo)
7
2 Contrebasses (duo)
5
Trio à Cordes: 2 violons, alto
5
2 Harpes (duo)
5
Quatuor à cordes : 4 altos
4
Harpe, Voix
4
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
Alto et Basson
3
Harpe, Flûte (duo)
3
Trio à Cordes: 3 violoncelles
3
Quatuor à cordes: 4 violons
3
Ensemble de Violons
2
Harpe, Violoncelle (duo)
2
2 Violons, Piano
2
Violon, Basson (duo)
2
Ensemble de Violoncelles
2
Harpe, Trombone (duo)
1
Trio à cordes: 3 altos
1
Harpe, Violon, Violoncelle
1
Harpe (partie séparée)
1
Ensemble d'Altos
1
Violoncelle, Contrebasse (duo)
1
Alto, Guitare (duo)
1
Violon, Clarinette, Piano (trio)
1
Harpe, Violon (duo)
1
Violoncelle, Orchestre
1
+ 49 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
2 281
Fanfare
614
Ensemble Jazz
531
Orchestre
445
Orchestre à Cordes
291
Ensemble de cuivres
214
Jazz combo
102
Orchestre de chambre
91
Cloches
78
Ensemble de Percussions
43
Batterie
39
Xylophone
32
Batterie (partie séparée)
28
Xylophone, Piano
17
Percussion (partie séparée)
14
Marimba
11
Vibraphone
8
2 Xylophones
6
Ensemble d'École
6
Percussion
5
Instrumentation Flexible
5
Timbales (partie séparée)
3
Quintette de Cuivres: autres combinaisons
3
Xylophone ou Marimba ou Vibraphone
2
Piano et Orchestre
1
Orchestre, Violon
1
Caisse Claire
1
Xylophone (partie séparée)
1
Timbales
1
+ 24 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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Partitions Gratuites
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Partitions Numériques
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6 285
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
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Vous avez sélectionné:
One Way
Ensemble de Percussions
Partitions à imprimer
43 partitions trouvées
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1
26
Moonlight - Beautiful Insanity (Elijah Jones/ Various)
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Ensemble de Percussions
#
INTERMÉDIAIRE
#
Elijah Jones, Razilee Blackmon
#
Moonlight - Beautiful Insanity
#
Elijah Jones
#
SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.930451 Composed by Elijah Jones, Razilee Blackmon. Contemporary,Dance,Pop. Score and parts. 7 pages. Elijah Jone...
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Percussion Ensemble - Level 3 - SKU: A0.930451 Composed by Elijah Jones, Razilee Blackmon. Contemporary,Dance,Pop. Score and parts. 7 pages. Elijah Jones #6036119. Published by Elijah Jones (A0.930451). Meaning - You feel trapped and alone, you realize there is no way to escape and soon you feel you must give up entirely. Moonlight is about that light you have to hold onto when you know your already lost in the dark. I wrote this song after running around with my best friend in town. There were nights, such as Halloween when we nearly got lost but had to find away to get back home, that was the symbolization to the song.
$7.99
On Our Way, Duet for Two Buckets - or More
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Ensemble de Percussions
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FACILE
#
Contemporain
#
Harvey Minchin
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On Our Way, Duet for Two Bucke
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Harvey Minchin
#
SheetMusicPlus
Percussion Ensemble - Level 2 - SKU: A0.881276 Composed by Harvey Minchin. Contemporary. Score and parts. 6 pages. Harvey Minchin #3448433. Published by...
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Percussion Ensemble - Level 2 - SKU: A0.881276 Composed by Harvey Minchin. Contemporary. Score and parts. 6 pages. Harvey Minchin #3448433. Published by Harvey Minchin (A0.881276). On Our Way is a fun duet for buckets - a small or medium bucket (5 gallon) and a large tub or bucket. It can be played with one player on each part or multiple players. Great for concerts and group lessons.
$7.95
Runaway Baby
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Ensemble de Percussions
#
INTERMÉDIAIRE
#
Rock
#
Pop musique
#
Bruno Mars
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Azrai Norzuki (M
#
B
#
Runaway Baby
#
MOZ'ART MUSIC
#
SheetMusicPlus
Drum Set, Marimba, Percussion, Timpani, Vibraphone, Xylophone, Percussion Ensemble - INTERMEDIATE By Bruno Mars. By Ari Levine, Bruno Mars, Christo...
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Drum Set, Marimba, Percussion, Timpani, Vibraphone, Xylophone, Percussion Ensemble - INTERMEDIATE By Bruno Mars. By Ari Levine, Bruno Mars, Christopher Steven Brown, and Philip Lawrence. Arranged by Azrai Norzuki (M.A.N.). Hip-Hop,Pop,R & B. Score and parts. 12 pages. MOZ'ART MUSIC #5971151. Published by MOZ'ART MUSIC
$16.99
Bouncin' in 3 - Xylophone Solo
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Ensemble de Percussions
#
INTERMÉDIAIRE
#
Ben Garraway
#
Bouncin' in 3 - Xylophone Solo
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Music Lesson Downloads
#
SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.892595 Composed by Ben Garraway. Concert,Contemporary,Instructional,Standards. Score and parts. 1 pages. Music L...
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Percussion Ensemble - Level 3 - SKU: A0.892595 Composed by Ben Garraway. Concert,Contemporary,Instructional,Standards. Score and parts. 1 pages. Music Lesson Downloads #6212909. Published by Music Lesson Downloads (A0.892595). Especially written to show off the character of the instrument this 3/4 dance is perfect for students to play unaccompanied. For Xylophone or Marimba, the melody is played in the right hand and the left hand plays mostly an accompaniment. Lots of arpeggios and scales and constant movement throughout makes this grade 4.
$2.99
Shadows - Xylophone Solo
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Ensemble de Percussions
#
INTERMÉDIAIRE
#
Ben Garraway
#
Shadows - Xylophone Solo
#
Music Lesson Downloads
#
SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.892602 Composed by Ben Garraway. Concert,Contemporary,Instructional. Score and parts. 1 pages. Music Lesson Down...
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Percussion Ensemble - Level 3 - SKU: A0.892602 Composed by Ben Garraway. Concert,Contemporary,Instructional. Score and parts. 1 pages. Music Lesson Downloads #6217047. Published by Music Lesson Downloads (A0.892602). A magical and mysterious solo for xylophone or marimba. This is grade 4 standard using lots of 3rds and could be performed with two mallets in the right hand, to help introduce the technique.
$3.99
Wandering - Xylophone & Vibraphone Duet
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Ensemble de Percussions
#
Ben Garraway
#
Wandering - Xylophone & Vi
#
Music Lesson Downloads
#
SheetMusicPlus
Percussion Ensemble - SKU: A0.892604 Composed by Ben Garraway. African,Concert,Contemporary,Instructional. Score and parts. 4 pages. Music Lesson Downlo...
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Percussion Ensemble - SKU: A0.892604 Composed by Ben Garraway. African,Concert,Contemporary,Instructional. Score and parts. 4 pages. Music Lesson Downloads #6217065. Published by Music Lesson Downloads (A0.892604). A rambling duet in 3/4 for Xylophone and Vibraphone (Marimba & Glockenspiel would also work) with an African vibe. Approx. grade 4 with some 3/4 vs. 6/8 rhythm combinations and lots of double stopping.
$4.99
Bouncin' in 4 - Xylophone Solo
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Ensemble de Percussions
#
INTERMÉDIAIRE
#
Ben Garraway
#
Bouncin' in 4 - Xylophone Solo
#
Music Lesson Downloads
#
SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.892597 Composed by Ben Garraway. Concert,Contemporary,Film/TV,Instructional. Score and parts. 1 pages. Music Les...
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Percussion Ensemble - Level 3 - SKU: A0.892597 Composed by Ben Garraway. Concert,Contemporary,Film/TV,Instructional. Score and parts. 1 pages. Music Lesson Downloads #6212913. Published by Music Lesson Downloads (A0.892597). Especially written to show off the character of the instrument this 3/4 dance is perfect for students to play unaccompanied. For Xylophone or Marimba, the melody is played in the right hand and the left hand plays mostly an accompaniment. Lots of arpeggios and scales and constant movement throughout makes this grade 4. (There is also a 3/4 solo called ‘Bouncin' in 3’ in a similar style.)
$2.99
The Sailors Hornpipe - Xylophone Solo
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Ensemble de Percussions
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Traditional
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Ben Garraway
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The Sailors Hornpipe - Xylopho
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Music Lesson Downloads
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SheetMusicPlus
Percussion Ensemble - SKU: A0.892603 Composed by Traditional. Arranged by Ben Garraway. Children,Concert,Film/TV,Folk,Instructional. Score and parts. 1 ...
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Percussion Ensemble - SKU: A0.892603 Composed by Traditional. Arranged by Ben Garraway. Children,Concert,Film/TV,Folk,Instructional. Score and parts. 1 pages. Music Lesson Downloads #6217049. Published by Music Lesson Downloads (A0.892603). A single page version of this classic jolly folk tune. The first half is slow and the second half is as fast as you can play it. Approx. grade 5 standard. Could be played on any tuned percussion instrument. .
$3.99
Postcards From Far Away
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Ensemble de Percussions
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INTERMÉDIAIRE
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Rock
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Coldplay
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Nico Mendoza
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Postcards From Far Away
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Nico Mendoza
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SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.741272 By Coldplay. By Chris Martin, Guy Berryman, Jon Buckland, and Will Champion. Arranged by Nico Mendoza. Ro...
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Percussion Ensemble - Level 3 - SKU: A0.741272 By Coldplay. By Chris Martin, Guy Berryman, Jon Buckland, and Will Champion. Arranged by Nico Mendoza. Rock. Score and parts. 9 pages. Nico Mendoza #2119303. Published by Nico Mendoza (A0.741272). Coldplay's instrumental Postcards From Far Away arranged for Timpani, Bells, Xylophone, 2 Vibraphones, and Marimba.
$40.00
Donut Etudes vol. 3: Don’t Step in the Holes! – Keyboard Percussion (Mallet) Quartet
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Ensemble de Percussions
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INTERMÉDIAIRE
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Methodes
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Joshua Hauser
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Donut Etudes vol. 3: Don&rsquo
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Slide Ride
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SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.784338 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288673. Published by Sl...
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Percussion Ensemble - Level 3 - SKU: A0.784338 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288673. Published by Slide Ride (A0.784338). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
Morning (SCORE ONLY)
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Ensemble de Percussions
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Ashlee T Busch
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Morning
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Ashlee T Busch
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SheetMusicPlus
Percussion Ensemble - Level 4 - SKU: A0.782626 Composed by Ashlee T Busch. 20th Century,Contemporary. Score and parts. 47 pages. Ashlee T Busch #3629077...
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Percussion Ensemble - Level 4 - SKU: A0.782626 Composed by Ashlee T Busch. 20th Century,Contemporary. Score and parts. 47 pages. Ashlee T Busch #3629077. Published by Ashlee T Busch (A0.782626). Morning is an exercise in musical meditation. Each line should be brought out soloistically but with attention to the atmosphere of the sound world. Like walking down a crowded sidewalk, each face contributes color, expression and individualism. However, as one moves further and further away, the faces begin to blur. Morning is the 9am walk on that crowded street, the swaying of a thousand corn stalks in an endless field, and the drops of water that make up an ocean. Always in a crowd. Always alone.
$15.00
Don't Worry, Be Happy
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Ensemble de Percussions
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INTERMÉDIAIRE
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Jazz
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Bobby McFerrin
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Ricardo Matosinhos
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Don't Worry, Be Happy
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Ricardo Matosinhos
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SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.899162 By Bobby McFerrin. By Bobby McFerrin. Arranged by Ricardo Matosinhos. Jazz. Score and parts. 32 pages. Ri...
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Percussion Ensemble - Level 3 - SKU: A0.899162 By Bobby McFerrin. By Bobby McFerrin. Arranged by Ricardo Matosinhos. Jazz. Score and parts. 32 pages. Ricardo Matosinhos #5723941. Published by Ricardo Matosinhos (A0.899162). This is a well known piece by Bobby McFerrin. Here presented on a music arrangement for unconventional music instruments. The arrangement allows flexibility, so this piece can be performed using tuned bottles (25cl, 33cl and 75cl), lip whistle, finger snaps, complemented with xylophones and optionally with voices to sing the lyrics too. This arrangement was made during the 2020 quarantine, when the world was shutdown due to a world virus pandemic. Some of the music students didn’t have their music instruments at home, so this arrangement came up to fill that gap and it is perfect to keep doing music with the available option of instruments.On each rehearsal letter, you can play optional improvisations, while keeping the voices 5-8. These improvisations can be easily done using the C major pentatonic scale or the note ranges presented on the right, that even include Eâ™ and Bâ™. If played using lip whistle, bendings will be possible too. This arrangement presents 8 voices and an alternative solution for voice 8, that makes it easier to be performed as it is the place where bottles are divided between the players. There is also an optional bass line to complement voice eight one octave bellow. In order to keep it simple, neither dynamics or articulations were included and the notes were represented always in the middle octave in G clef. The correct pitch ranges are presented in the performance notes.The amount of water will change the pitch differently depending if you are blowing or doing percussion on a bottle. When blowing, the more water you use, the higher the pitch will be, but while doing percussions more water means lower pitch. A good option, in order to save time during rehearsals, is to fill the bottles with water, marking the level with a pen, and then filling the bottle with the desired amount of hot wax instead of water. This way, when the wax cools down you can have a tuned bottle without requiring to tune it again every single rehearsal. Please note that the bottles should be made of glass and that different aspects change the performance. For percussion, straight bottles are better to tune as the curves in the bottles tend to produce unstable pitches. The extreme notes of the range might not be available in every single bottle, so you might need to try some alternatives. For example the high A is available in some beer bottles, while the low G is available in larger 75cl bottles of champaign. Last but not least, this piece should always be played according to Bobby’s motto: dont worry, be happy!I had lots of fun while doing this arrangement, now it’s your time to have fun while performing it!Ricardo Matosinhoshttp://www.ricardomatosinhos.com
$14.99
Four Forces (First movement) I. Strong Forces
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Ensemble de Percussions
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AVANCÉ
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Salvador Rojo Gamón
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Four Forces
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Salvador Rojo-Gamon
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.962406 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 173 pa...
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Percussion Ensemble - Level 5 - SKU: A0.962406 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 173 pages. Salvador Rojo-Gamon #5801913. Published by Salvador Rojo-Gamon (A0.962406). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$300.00
Four Forces (Second movement) II. Weak Forces
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Ensemble de Percussions
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AVANCÉ
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Salvador Rojo Gamón
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Four Forces
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Salvador Rojo-Gamon
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.962405 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 255 pa...
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Percussion Ensemble - Level 5 - SKU: A0.962405 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 255 pages. Salvador Rojo-Gamon #5801921. Published by Salvador Rojo-Gamon (A0.962405). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$150.00
March of the Three Kings - Percussion Ensemble
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Ensemble de Percussions
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INTERMÉDIAIRE/AVANCÉ
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Noël
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Traditional French Carol
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Roger K
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March of the Three Kings - Per
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Roger K. Myers
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SheetMusicPlus
Percussion Ensemble - Level 4 - SKU: A0.922116 Composed by Traditional French Carol. Arranged by Roger K. Myers. Christian,Christmas,Instructional,Stand...
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Percussion Ensemble - Level 4 - SKU: A0.922116 Composed by Traditional French Carol. Arranged by Roger K. Myers. Christian,Christmas,Instructional,Standards. Score and parts. 68 pages. Roger K. Myers #4346147. Published by Roger K. Myers (A0.922116). March of the Three Kings incorporates a Janissary Band sound to present this less frequently heard carol in a new and appealing way. A fine choice for High School and College holiday concerts.Requires two 4.3 octave or larger marimbas with one instrument shared by two players.Player 1 - Bells, Player 2 - Xylophone, Player 3 - Vibraphone, Player 4 - Marimba 1, Player 5 - Marimba 2, Player 6 - Marimba 3 (Bass clef), Player 7 - Chimes, Player 8 - Timpani (4), Player 9 - Marching Drum, Player 10 - Bass Drum & Cymbals, Player 11 - Bass Drum, Player 12 - Sistrum, Tambourine, Finger Cymbals, Suspended Cymbal, Player 13 - Triangle & Gong, Player 14 - Piano, Player 15 - Bass
$12.95
The Escape (medium/big percussion ensemble)
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Ensemble de Percussions
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INTERMÉDIAIRE/AVANCÉ
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Film/TV
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Frits Renting
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The Escape
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Frits_Renting
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SheetMusicPlus
Percussion Ensemble Bass Marimba,Chimes,Cymbals,Drum Set,Low Drum,Quad Toms,Shaker,Suspended Cymbal,Tam Tam,Tambourine,Timpani,Tom Tom,Tubular Bells,Vibraphone,...
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Percussion Ensemble Bass Marimba,Chimes,Cymbals,Drum Set,Low Drum,Quad Toms,Shaker,Suspended Cymbal,Tam Tam,Tambourine,Timpani,Tom Tom,Tubular Bells,Vibraphone,Xylophone - Level 4 - SKU: A0.1274188 Composed by Frits Renting. Film/TV. 51 pages. Frits_Renting #866319. Published by Frits_Renting (A0.1274188). Side note: This version is for medium/big percussion ensemblesEN:This composition was written for one of the parts of the D exam by Frits Renting. The starting point of the composition was: film music. Inspired by well-known works by Hans Zimmer, Brian Tyler, John Williams and works by De Efteling. The composition starts in a fairly small composition in which, with the help of crescendos and several instruments, it works towards a strong, but above all open and cheerful part. This is followed by a short untuned percussion solo. After this, theme A is closed in a calm, non-violent manner. Immediately theme B comes in which is built up through crescendos and multiple instruments over time. Theme B also comes to a quiet end afterwards. After this theme A and B return at the same time, which builds up and closes in a grandiose way.NL:Deze compositie is geschreven voor één van de onderdelen van het D examen van Frits Renting. Het uitgangsdoel van de compositie was: filmmuziek. Geïnspireerd door bekende werken van Hans Zimmer, Brian Tyler, John Williams en werken van De Efteling. De compositie begint in een vrij kleine samenstelling waarbij, met behulp van crescendo's en meerdere instrumenten, het zich toewerkt naar een sterk, maar vooral open en vrolijk gedeelte. Dit wordt opgevolgd door een korte ongestemde slagwerk solo. Hierna wordt thema A op een rustige, geweldloze manier afgesloten. Direct komt thema B binnenvallen wat word opgebouwd door middel van crescendo's en meerdere instrumenten in loop van de tijd. Ook komt thema B daarna tot rustig einde. Hierna komen thema A en B tegelijkertijd terug wat zich opbouwt en op een grandioze manier, zich afsluit.
$80.00
Sail
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Ensemble de Percussions
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DÉBUTANT
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Rock
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AWOLNATION
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Adam Grim
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Sail
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Adam B. Grim
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SheetMusicPlus
Percussion Ensemble - Level 1 - SKU: A0.939379 By AWOLNATION. By Aaron Bruno. Arranged by Adam Grim. Rock. Score and parts. 17 pages. Adam B. Grim #6200...
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Percussion Ensemble - Level 1 - SKU: A0.939379 By AWOLNATION. By Aaron Bruno. Arranged by Adam Grim. Rock. Score and parts. 17 pages. Adam B. Grim #6200423. Published by Adam B. Grim (A0.939379). Sail was an impactful electronic rock tune to define an era of mental health issues and struggle in young people of the early 2010's. The song goes through the signs of depression and stress, and connected with the listeners in a way that electronic rock had not done before. This simple arrangement was one of my first for the steel band, (as the copyright shows). Edited in 2020 to be better, but the form and harmony stayed the same, which is original to the song. Very simple lower pan parts, nearly all of the work is on the tenor parts. This would be great for a young band!
$35.00
Gravity for Septet
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Ensemble de Percussions
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AVANCÉ
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Contemporain
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MohammadHadi Ayanbod
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Gravity for Septet
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Rimorarte Edition
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.1027778 Composed by MohammadHadi Ayanbod. 20th Century,Contemporary. Score and parts. 25 pages. Rimorarte Editio...
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Percussion Ensemble - Level 5 - SKU: A0.1027778 Composed by MohammadHadi Ayanbod. 20th Century,Contemporary. Score and parts. 25 pages. Rimorarte Edition #5996957. Published by Rimorarte Edition (A0.1027778). In GRAVITY I explored different gravities as forces we not only feel them in every moments of our lives, but also thinking of living without or escaping from them seems impossible. Likewise, those gravities exist in the music, make us feel the music continuous, desirable, logical and an integrated language of art. The exploration of the path from chaos to unity, and from unity to multiplicity, is where the title came from. GRAVITY consists of two main sections. The first section, which shows the fully-grown and flourished musical ecosystem, and the second part; a flashback to just after big-bang, which tries to musicalize the creation of the gravity! In the first section, I’ve used the concept of horizontal and vertical minimalism. At the very beginning of the piece we have a structure that bring the idea of the vertical minimalism out. In every moment, each instrument plays the same note as others. However, the narrative line is divided into different octaves, so, the melody is not the same in spite of the fact that each instrument plays the same tone. This structure also reminds the paradoxical ladder or optical staircase illusion. The narration is built up until it reaches temporal climax. At the same time, this melody starts again from the beginning with some microscopic differences visible vividly to musicians. This semi reciprocating musical narration, could be observed as a musical example of the staircase illusion. After this part, but still in the first section of the music, I’ve used the horizontal (traditional) minimalism idioms to explore the bounding forces present in the music. Although, what interesting here is the creation of synthetic voices which is the result of different amounts of the nuances and different combinations of the sound. For keen ears, it seems like shades of neon lights, penetrate into one another in the scale of time and create a big picture of micro fluctuating objects. In the second section or just after big-bang, I’ve observed and recreate musically, the very moment of creation of the gravity just after the big-bang. Here, we don’t have melody, rhythm, structure, narration and other aspects of the music in the traditional way, although all of them are present in the music. very single sound or noise is meaningful and showing the assemblage process of the forces in the music to create a melody line. I’ve occupied idioms of contemporary Sonorism genre to create the atmosphere. This highly complex texture shows the virtuosity of interpreters and the capability of the instruments in avant-garde literature and extended techniques. The music is concluded by a fast-tempo finale, with the instruction of fortissimo possiblile (as loud as possible). The piece, in fact, will not be finished as a morendo, but, it opens a space for hypothetically living structure; constantly grows, flourishes, shines and decays.
$16.99
What Universe Lies Within
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Ensemble de Percussions
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INTERMÉDIAIRE/AVANCÉ
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Brandon Nelson
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What Universe Lies Within
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Brandon Nelson
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SheetMusicPlus
Percussion Ensemble - Level 4 - SKU: A0.912929 Composed by Brandon Nelson. Concert,Contemporary. Score and parts. 8 pages. Brandon Nelson #2907437. Publ...
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Percussion Ensemble - Level 4 - SKU: A0.912929 Composed by Brandon Nelson. Concert,Contemporary. Score and parts. 8 pages. Brandon Nelson #2907437. Published by Brandon Nelson (A0.912929). For percussion duo. Required instruments: bells, vibraphone, xylophone, temple blocks, suspended cymbals (3 sizes). General programming. Advanced Intermediate level.Commissioned by Chris Nadeau for CAn-Duo. Premiered at Colorado State University, October 16, 2016.It is common knowledge that the universe we see is composed of tiny particles known as atoms. For much of scientific history, it was thought that atoms were made up of three indivisible particles: protons, neutrons, and electrons.Thanks to contemporary advances in physics, we now know that these particles are, in fact, made up of much smaller particles and that these constituents sometimes behave in ways that confound what we thought we knew of the physical universe.In this piece, I have portrayed one type of these subatomic particles, the quark. There are six types (or flavors) of quark: up, down, charm, strange, top, and bottom. These are differentiated by the type of charge they carry and their masses.The first movement is Strange Quark. This flavor has a negative charge and is relatively light. Much like the particle, this movement often behaves in unusual ways.Top Quark, the second movement, portrays the quark flavor that is by far the heaviest. Slow and massive, this particle allowed for the study of the famous Higgs boson.The final movement, Up Quark, is light and decays quickly, much like this particle that contributes to both protons and neutrons.The universe is indeed a wonder to behold and its scale is hardly comprehensible to the human mind. And yet, it is becoming increasingly apparent that there exists an entire universe yet to uncover in the most infinitesimal pieces of matter. It is my hope that the wonder and mystery this inspires be conveyed through this piece of music.
$9.99
Alexandriana for Percussion Ensemble
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Ensemble de Percussions
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AVANCÉ
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Dan Heslink
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Alexandriana for Percussion En
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Pharaoh Publications
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.937755 Composed by Dan Heslink. Contemporary,World. Score and parts. 128 pages. Pharaoh Publications #5983475. P...
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Percussion Ensemble - Level 5 - SKU: A0.937755 Composed by Dan Heslink. Contemporary,World. Score and parts. 128 pages. Pharaoh Publications #5983475. Published by Pharaoh Publications (A0.937755). Alexandriana for percussion ensemble (12 performers) by Dan Heslink The term Alexandriana is popularly used to reference the Great Library of antiquity in Alexandria, Egypt. Rooted in Alexander the Great’s global military and exploratory exploits (334 - 323 BCE), the library symbolizes the ancient Greek ever expanding worldview, especially under the influence of Alexander and his tutor, Aristotle. Alexander died long before construction of the Ancient Museum and Library of Alexandria, but the concept of a universal library was uniquely his. The mixing of Hellenistic columns with Egyptian architecture and the housing of thousands of scrolls in Greek, Turkish, Babylonian, Egyptian and Hebrew, intensify the division of the library broadly into two large sections, one for eastern knowledge and one for western knowledge. In this musical score, typically western is the thematic concept (expressed most clearly in the chimes), the tonal, triadic-based harmony and sectional concept of form. The music’s sectional nature parallels the library’s different rooms, each containing their own genre of knowledge (history, mathematics, poetry, etc.) Evocative of eastern musical practices are the simultaneous layers of different rhythmic subdivisions, oriental modes, and florid lines in the xylophone and vibe parts. In this score, eastern musical procedures are expressed with instruments commonly found in the Western orchestra or wind band. The performers are encouraged to always emphasize the score’s contrasts. Passages for indefinitely pitched percussion featuring the song within the drums contrast with other passages of purely quantitative rhythm. Complexity in the interaction of parts contrast with simple rhythmic unison. Passages of thick harmony contrast with modal monophonic melodies accompanied only by indefinitely pitched sounds. Overall, there is a wide dynamic range. During long passages of gradually accruing energy, take care to not build dynamics too quickly, and during fortissimo passages, drums should be stroked in a manner that avoids excessive aggression. The rhythmic background of 16th notes must be consistent among all players so that interlocking rhythmic motifs are consistent. Often the tom-toms have melodic passages that imitate the shape of mallet or timpani melodies. Tune the drums for a warm, round sound and select mallets accordingly. Bar percussion players should apply a flowing legato to their passage work. Soft sections are intended to sound mysterious: be sure to use mallets that match that character. The composer assigns a performance level of difficult to this work. Performance time is 9:15. The composer, Dan Heslink, can be reached at dan@dheslink.com.
$9.99
The Luckiest
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Ensemble de Percussions
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FACILE
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Rock
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Ben Folds
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Ryan Jonker
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The Luckiest
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Ryan Jonker
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SheetMusicPlus
Percussion Ensemble - Level 2 - SKU: A0.870509 By Ben Folds. By Ben Folds. Arranged by Ryan Jonker. Pop,Rock. Score and parts. 18 pages. Ryan Jonker #36...
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Percussion Ensemble - Level 2 - SKU: A0.870509 By Ben Folds. By Ben Folds. Arranged by Ryan Jonker. Pop,Rock. Score and parts. 18 pages. Ryan Jonker #3620347. Published by Ryan Jonker (A0.870509). Watch and listen to the full score here: https://youtu.be/RIJkC05B2acSimple and fun percussion ensemble arrangement of Ben Folds' The Luckiest for 2 Marimbas, 2 Vibraphones, Glockenspiel, Xylophone, Synthesizer, Bass Guitar, and 3 Auxiliary percussionists. This arrangement can be adapted for more or less players: simply double up or take away marimba/vibe parts. The aux parts could be consolidated into one.Please send any questions of comments about the score to ryanjonkermusic@gmail.comSign up for custom percussion music: https://www.patreon.com/RyanJonkerMusicVisit my website: https://www.RyanJonkerMusic.comThanks!
$24.99
Happy
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Ensemble de Percussions
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INTERMÉDIAIRE
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Soul/R&B
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Pharrell
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Aaron G
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Happy
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Aaron G. Railey
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SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.891824 By Pharrell. By Pharrell. Arranged by Aaron G. Railey. Hip-Hop,R & B,Soul. Score and parts. 15 pages. Aar...
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Percussion Ensemble - Level 3 - SKU: A0.891824 By Pharrell. By Pharrell. Arranged by Aaron G. Railey. Hip-Hop,R & B,Soul. Score and parts. 15 pages. Aaron G. Railey #4851981. Published by Aaron G. Railey (A0.891824). Happy by Pharrell Williams was originally composed for the Despicable Me 2 film soundtrack. The song was the Billboard number one single for the year 2014 and reached number one in over twenty countries worldwide. This arrangement for steel band is repetitive and simplistic to learn but is voiced in a way that sounds perfect on the instruments. From young bands to community ensembles, this will be a performer and crowd favorite! .
$39.99
Titanium
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Ensemble de Percussions
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Pop musique
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David Guetta Featuring Sia
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Blake P
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Titanium
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Blake P. McCabe
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SheetMusicPlus
Percussion Ensemble - SKU: A0.1023357 By David Guetta Featuring Sia. By David Guetta, Giorgio Tuinfort, Nick Van De Wall, and Sia. Arranged by Blake P. ...
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Percussion Ensemble - SKU: A0.1023357 By David Guetta Featuring Sia. By David Guetta, Giorgio Tuinfort, Nick Van De Wall, and Sia. Arranged by Blake P. McCabe. Pop. Score and parts. 25 pages. Blake P. McCabe #6491375. Published by Blake P. McCabe (A0.1023357). This is an arrangement for 7 player handbells. Note that the song is played one octave above written. By writing it this way, it removes the need to read a lot of ledger lines of the top parts. The first measure is the notes for the bells. They should choose bells one octave above those. The rhythms are simplified to make it possible to play on handbells. The parts with 3 and 4 bells can be split between 2 players each if needed. Tempo should be Electro Pop, which is around 126.
$7.99
The Man Who Laughs
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Ensemble de Percussions
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AVANCÉ
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the end of this section, the a
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Jehad Choate
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The Man Who Laughs
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Jehad Choate
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.1025413 Composed by Jehad Choate. 20th Century,Contemporary,Film/TV. Score and parts. 67 pages. Jehad Choate #47...
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Percussion Ensemble - Level 5 - SKU: A0.1025413 Composed by Jehad Choate. 20th Century,Contemporary,Film/TV. Score and parts. 67 pages. Jehad Choate #4781401. Published by Jehad Choate (A0.1025413). The Man Who Laughs is a musical portrait of Batman’s greatest adversary, the Joker (Detective Comics). This piece draws inspiration from both comic book sources and live-action performances on film and television. It features five continuous sections:One Bad Day: (Page 1) A prelude showcasing a lush melodic theme that ascribes the derangement of a normal man to the dramatic events of one bad day.How I Got These Scars: (Page 10) Introduces additional thematic material at a frantically energized pace to contrive an identity from a mind fragmented by hitting rock bottom.Why So Serious: (Page 17) Punctuates the Joker’s aggressive resolutions with a reoccurring two note motif.A Dance with the Devil: (Page 33) A fleshed-out unity of previous materials in a romantic waltz-like style.Giggling in a Corner and Bleeding: (Page 47) A dynamic and provocative bout of hysteria that challenges the speed and dexterity of a player in the same way the Joker challenges the ideological resolve of Batman. By the end of this section, the audience might feel like they have been attacked by the Joker, influenced by him, or may have actually been the Joker all along.
$10.00
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