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Over When It's Over
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191
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28
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5
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4
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3
2 Pianos, 8 mains
2
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2
Clavier
1
1 Piano, 4 mains
1
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1
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1
2 Pianos, 4 mains
1
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23
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16
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6
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6
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1
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83
Chorale 3 parties
19
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11
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10
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9
Chorale TTBB
8
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3
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2
Voix moyenne, Piano
2
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2
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1
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1
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1
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1
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24
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20
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16
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14
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14
Clarinette
14
Clarinette et Piano
13
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12
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11
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10
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10
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9
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9
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8
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8
Harmonica
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Saxophone Soprano et Piano
7
Saxophone Alto
7
Ensemble de Flûtes
6
Saxophone Baryton, Piano
5
Cor anglais, Piano
4
Flûte traversière
4
Saxophone Tenor
4
Clarinette, Violon (duo)
4
Quintette de Clarinettes: 5 clarinettes
4
Hautbois, Flûte
3
2 Clarinettes (duo)
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Hautbois, Clarinette (duo)
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3
Flûte, Clarinette (duo)
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2
Flûte, Alto (duo)
2
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Clarinette et Alto
2
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Flûte et Guitare
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1
Cor anglais et Harpe (duo)
1
Clarinette, Basson (duo)
1
Clarinette, Guitare (duo)
1
Flûte, Basson et Piano
1
Clarinette, Violoncelle (duo)
1
Flute (partie séparée)
1
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1
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1
3 Clarinettes (trio)
1
3 Saxophones (trio)
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32
Trompette
9
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9
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9
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6
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6
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5
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4
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Trombone
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1
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59
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14
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13
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10
Violon
9
Violoncelle
8
Violoncelle, Piano
8
Harpe
8
Trio à Cordes: violon, alto, violoncelle
6
4 Violoncelles
4
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4
Contre Basse
4
2 Altos (duo)
3
Harpe, Flûte (duo)
3
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Alto (partie séparée)
3
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1
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Violon, Guitare (duo)
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Quatuor à cordes: 4 violons
1
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1
Quatuor à cordes : 4 altos
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Violoncelle, Contrebasse (duo)
1
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4
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ACCORDEON
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Over When It's Over
Ensemble de Percussions
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1
Two Dreams for solo Trombone and 8-part Percussion Ensemble
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Ensemble de Percussions
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AVANCÉ
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Antonio J
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Two Dreams for solo Trombone a
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Gordon Cherry
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.811252 Composed by Antonio J. Garcia. Contemporary,Jazz,Latin,World. Score and parts. 119 pages. Gordon Cherry #...
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Percussion Ensemble - Level 5 - SKU: A0.811252 Composed by Antonio J. Garcia. Contemporary,Jazz,Latin,World. Score and parts. 119 pages. Gordon Cherry #6549777. Published by Gordon Cherry (A0.811252). Two Dreams for Trombone and Percussion EnsembleDr. Justin Alexander (Director, VCU Percussion Ensemble) invited me to create a piece for trombone and percussion ensemble that had roles for more- and less-experienced players so that they could mix within the performance. I so enjoyed composing and performing this work. He estimates the overall difficulty grade of Movement I to be a three on a five-point scale and Movement II to be a four, with a grade four for the overall piece; but some players’ parts (within the eight total in the percussion ensemble) are indeed easier.The two Movements are approximately five minutes each.The first Movement Bilita Mpash (An Amazing Dream) calls for (1) shekeré/guiro; (2) 5-octave marimba (shared with...); (3) 5-octave marimba (shared with previous); (4) claves/drum set with mounted cowbell; (5) bell/mounted cowbell/congas; (6) hi-hat/suspended cymbal; (7) bass drum; and (8) four toms/maracas.The Second Movement (Running with the Tigers) calls for (1) xylophone; (2) vibraphone/glockenspiel; (3) 5-octave marimba; (4) drum set; (5) shaker/samba whistle/congas (opt. voice); (6) triangle/bell tree/hanging bells/agogo bells (opt. voice); (7) bass drum (opt. voice); and (8) Timpani (opt. voice). Pending difficulty levels, the conga and drum set parts can optionally be split among additional percussionists. The score notes offer a stage plot and many rehearsal tips.Bilita Mpash (An Amazing Dream)The 3-2 Rumba Clave anchors this movement, launched by the shekeré. Rhythmic vamps of multiple bars form the landscape over which the trombone’s melody emerges, followed by a move to double-time 2-3 Rumba Clave (with montuno) and back. The trombone soloist improvises without chordal accompaniment for a while so could reflect on the preceding harmonies or instead freely improvise with no concern as to chord changes, while a later section requires improv over chord changes. After the recap, a surprise tag of the ending phrase in Cha Cha sets up the rubato finish. Bilita Mpash (BILL-it-uh m-POSH) is a Bantu term for an amazing dream, a dream so good that it is the polar opposite of a nightmare-a dream in a blissful state where all is forgiven and forgotten2. Running with the TigersThe opening, written-out marimba solo is somewhat of a nod to vibist Gary Burton’s influence in bringing mallets towards the expression of modern jazz. A 9/8 samba-groove (5+4) transforms to 4/4. None of the percussionists have to have a jazz background, though the drum set player would be more challenged if not already exposed to Latin drumming. The improvised solo section could be all solo trombone or could be divided among various performers, including trading. The recap of the tune begins over 5/8 samba (3+2, later 2+3). The closing arrhythmic drum-set solo crescendos as the optional surprise of percussionists’ (or additional) voices sing at the end. The title of this movement refers to a recurring dream my dad would have, as well as to the active movements of my grandson when sleeping in his earliest years.-Antonio J. GarcÃaInstrumentation is for:Solo Trombone and 8-part Percussion Ensemble:shekeré/guiro, 2 5-octave marimbas, claves/drumset with cowbell, bell, congas, hi-hat, suspended cymbal, bass drum, toms, maracas, xylophone, vibraphone, glockenspiel, shaker, samba whistle, congas, triangle, bell tree, hanging bells, agogo bells, bass drum and timpani.This rhythmic and dramatic work includes improvisation by the Trombonist. Listen to the brilliant live performance featuring Mr. Garcia and the Virginia Commonwealth University Percussion Ensemble directed by Dr. Justin Alexander.
$50.00
Edelweiss
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Ensemble de Percussions
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FACILE
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Comédie Musicale
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Film/TV
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Richard Rodgers
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John M
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Edelweiss
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Music Preparation Services
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SheetMusicPlus
Percussion Ensemble - Level 2 - SKU: A0.908406 Composed by Richard Rodgers. Arranged by John M. Licari. Broadway,Film/TV. Score and parts. 13 pages. Mus...
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Percussion Ensemble - Level 2 - SKU: A0.908406 Composed by Richard Rodgers. Arranged by John M. Licari. Broadway,Film/TV. Score and parts. 13 pages. Music Preparation Services #5196201. Published by Music Preparation Services (A0.908406). Edelweiss - Rodgers & Hammerstein (Percussion Ensemble)Arranged by John M. LicariMusic Preparation Serviceswww.musicprepservices.com Edelweiss is a show tune from the 1959 Rodgers and Hammerstein musical The Sound of Music. It is named after the edelweiss, a white flower found high in the Alps. The song was created for the 1959 Broadway production of The Sound of Music, as a song for the character Captain Georg von Trapp (originated by the performer Theodore Bikel). In the musical, Captain von Trapp and his family sing this song during the concert near the end of Act II, as a statement of Austrian patriotism in the face of the pressure put upon him to join the navy of Nazi Germany following the Anschluss (Nazi annexation of their homeland). It is also Captain von Trapp's subliminal goodbye to his beloved homeland, using the flower as a symbol of his loyalty to Austria. In the 1965 film adaptation, the song is also sung by the Captain earlier in the film when he rediscovers music with his children. It was the last song ever written by Oscar Hammerstein II, prior to his death in August, 1960. This arrangement is written for a percussion ensemble, featuring glockenspiel, marimba, snare, bass, triangle, tambourine, and timpani.
$12.99
Come To Me
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Ensemble de Percussions
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INTERMÉDIAIRE/AVANCÉ
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Bjork Gudmundsdottir
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David R
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Come To Me
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Bluesilhouettes Music
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SheetMusicPlus
Percussion Ensemble - Level 4 - SKU: A0.1350568 Composed by Bjork Gudmundsdottir. Arranged by David R. Peoples. Classical,Contemporary,Pop,Rock. 87 page...
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Percussion Ensemble - Level 4 - SKU: A0.1350568 Composed by Bjork Gudmundsdottir. Arranged by David R. Peoples. Classical,Contemporary,Pop,Rock. 87 pages. Bluesilhouettes Music #935388. Published by Bluesilhouettes Music (A0.1350568). If you had a day, and all you listened to was Björk, you’d have a fascinating day. The experience would be marked by a kaleidoscope of varying styles from pop, avant-garde, or jazz. Is it mainstream - probably not. But, the artist is definitely recognizable (as a name), appearing across multiple genres. As a source of background to her song ‘Come to Me,’ I borrowed a palindromic idea exploited by Radiohead in their ‘Pyramid song...’ if we truly expand a swing feel to a twelve-eight meter and extend the pattern across two measures - the eighth notes would provide a total of twenty-four possibilities - and as in this work you get four, five, six, five, four a palindrome on 45654 that (when added) equals twenty-four.This version is not a cover. Fragments of musical elements are translated into the ensemble. While occasionally exhibiting moments of dance, the composition evolves into a more profound expression, capitalizing on the musical possibilities of a percussion ensemble. This arrangement was crafted for the University of North Georgia’s percussion ensemble, directed by Dr. Steven Walker.Full mock-up digital audio: available here
$34.99
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Over When It's Over
