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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Red Pen Music
Non classifié
1 739
Piano & claviers
Piano seul
742
Piano, Voix
338
Orgue
135
Piano, Voix et Guitare
134
Piano Facile
119
Instruments en Do
77
Accompagnement Piano
37
Piano (partie séparée)
26
2 Pianos, 4 mains
24
1 Piano, 4 mains
19
Piano Trio: piano, violon, violoncelle
12
Orgue, Trompette (duo)
7
Piano Quatuor: piano, violon, alto, violoncelle
5
Clavier
3
Orgue, Piano (duo)
3
Piano Quintette: piano, 2 violons, alto, violoncelle
3
Piano grosses notes
3
Piano Quatuor: piano, 2 violons, violoncelle
2
Fake Book
1
Accordéon
1
2 Pianos, 8 mains
1
+ 16 instrumentations
Retracter
Guitares
Guitare notes et tablatures
99
Guitare
72
Guitare (partie séparée)
50
Ligne De Mélodie, (Paroles) et Accords
35
Basse electrique
12
Piano, Guitare (duo)
7
Ukulele
6
Paroles et Accords
4
Mandoline
4
2 Guitares (duo)
3
4 Guitares (Quatuor)
3
Banjo
2
Ensemble de guitares
1
Dulcimer
1
+ 9 instrumentations
Retracter
Voix
Chorale SATB
853
Chorale 3 parties
242
Chorale 2 parties
173
Chorale Unison
87
Voix duo, Piano
56
Chorale TTBB
45
Voix Soprano, Piano
36
Voix Baryton, Piano
32
Chorale SSAA
31
Voix Alto, Piano
29
Voix Tenor, Piano
28
Voix duo
23
Voix basse, Piano
10
Voix seule
9
Voix haute
8
Chorale
8
Voix moyenne, Piano
3
Voix basse
2
Voix Tenor
2
Chorale SSAATTBB
2
Voix, Guitare
1
Voix Mezzo-Soprano, Piano
1
Soli, choeur mixte et accompagnement
1
Chorale SSATB
1
Voix Soprano
1
+ 20 instrumentations
Retracter
Vents
Saxophone (partie séparée)
188
Clarinette (partie séparée)
74
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
74
Quatuor de Saxophones: 4 saxophones
73
Flûte traversière et Piano
66
Flûte, Hautbois, Clarinette, Basson
52
Hautbois, Piano (duo)
47
Clarinette et Piano
47
Saxophone Alto et Piano
45
Quintette de Saxophone: 5 saxophones
43
Quatuor de Clarinettes: 4 clarinettes
43
Flûte traversière
40
Flute (partie séparée)
38
Flûte, Violon, Piano
35
Saxophone Tenor et Piano
33
Hautbois (partie séparée)
32
Clarinette
31
2 Saxophones (duo)
29
Ensemble de saxophones
26
Saxophone Alto
25
Saxophone Tenor
24
Ensemble de Clarinettes
24
Quatuor de Flûtes : 4 flûtes
18
Saxophone Soprano et Piano
17
2 Flûtes traversières (duo)
16
Quintette de Clarinettes: 5 clarinettes
15
Ensemble de Flûtes
14
3 Saxophones (trio)
13
Saxophone Soprano
11
Trio de Flûtes: 3 flûtes
10
2 Clarinettes (duo)
10
Saxophone Baryton, Piano
9
Quintette de Flûte : 5 flûtes
9
3 Clarinettes (trio)
8
Ocarina
8
Hautbois
8
Cor anglais, Piano
7
Clarinette Basse, Piano
7
Flûte à bec Soprano
7
2 Flûte à bec (duo)
6
Saxophone, Clarinette (duo)
6
Flûte, Clarinette (duo)
6
Flûte à bec Alto
6
Hautbois, Clarinette, Basson (trio d'anches)
6
Flûte, Clarinette et Basson
5
Flûte, Hautbois, Clarinette (trio)
4
Clarinette, Violon (duo)
4
Flûte et Guitare
3
3 Flûtes à bec (trio)
3
Harmonica
3
Saxophone et Orgue
2
Flûte, Violon, Violoncelle et Piano
2
Flûte à Bec
2
Ensemble à vent
2
Flûte, Clarinette, Piano (trio)
2
Clarinette, Guitare (duo)
2
Ensemble De Flûte à bec
2
Saxophone et Harpe
2
Flûte irlandaise
2
Flûte, Saxophone (duo)
2
Clarinette, Basson (duo)
2
Flute, harpe et violon
2
Flûte, Violon
2
2 Clarinettes, Piano
2
Flûte, Violoncelle
2
Clarinette, Trompette (duo)
2
Flûte à bec Soprano, Piano
1
Flûte, Trompette (duo)
1
Piccolo, Piano
1
Flûte, Harpe et Violoncelle
1
Saxophone
1
Quatuor de Flûtes à bec
1
Hautbois, Clarinette (duo)
1
2 Clarinettes, Basson
1
Flûte à Bec, Piano
1
Hautbois, Basson (duo)
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
Clarinette et Alto
1
Flûte traversière, Orgue (duo)
1
Flûte à bec Alto, Piano
1
Flûte, Violoncelle, Piano (trio)
1
Clarinette, Harpe (duo)
1
Hautbois, Guitare (duo)
1
5 Flûtes à bec
1
Clarinette, Violoncelle, Piano (trio)
1
Flûte à bec Tenor
1
Clarinette, Orgue
1
2 Hautbois (duo)
1
+ 83 instrumentations
Retracter
Cuivres
Trombone (partie séparée)
195
Trompette (partie séparée)
161
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
107
Quatuor de Cuivres : 2 trompettes, trombone, tuba
80
Trompette
55
Cor (partie séparée)
53
Trombone et Piano
44
Tuba (partie séparée)
41
Trompette, Piano
36
Cor et Piano
31
Trombone
21
Quatuor de Cuivres: 2 trompettes, Cor, trombone
19
Quatuor de cuivres: 4 trombones
19
Cor
14
Ensemble de Trompettes
12
Tuba et Piano
12
Ensemble de Trombones
11
2 Trompettes (duo)
10
Cor anglais, Piano
7
Euphonium, Piano (duo)
7
Tuba
7
Quatuor de Cuivres
6
4 Tubas
5
2 Trombones (duo)
5
Ensemble de Cors
4
2 Tubas (duo)
3
Quatuor de cuivres: 4 trompettes
3
3 Trombones (trio)
2
Trombone, Cor (duo)
2
Trompette, Trombone, Piano
2
2 Cors (duo)
2
Cor et Harpe
2
Trompette, Trombone (duo)
2
Quatuor de cuivres: 4 cors
2
Trombone basse et Piano
1
3 Tubas (trio)
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
2 Euphoniums et 2 Tubas
1
Trompette, Harpe
1
Trombone, Orgue
1
2 Cors, Piano
1
Trompette, Euphonium (duo)
1
Trompette, Cor (duo)
1
Trompette, Saxophone (duo)
1
+ 39 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
168
Violon et Piano
104
Violon (partie séparée)
95
Alto, Piano
70
Contrebasse (partie séparée)
67
Violon
60
Violoncelle, Piano
53
Violoncelle
43
Alto (partie séparée)
26
Trio à Cordes: violon, alto, violoncelle
23
Violon, Violoncelle (duo)
22
Alto seul
22
Harpe
22
Violoncelle (partie séparée)
20
2 Violons (duo)
20
Violon, Alto (duo)
13
Contre Basse
11
2 Violoncelles (duo)
11
Contrebasse, Piano (duo)
11
Trio à Cordes: 2 violons, violoncelle
10
2 Harpes (duo)
6
2 Altos (duo)
6
Ensemble de Violons
6
Harpe, Flûte (duo)
5
Quintette à cordes: 2 violons, alto, violoncelle, basse
4
Ensemble d'Altos
4
Trio à cordes: 3 violins
3
Harpe, Voix
3
4 Violoncelles
3
Trio à Cordes: 3 violoncelles
3
Violoncelle, Orgue
2
Alto, Orgue
2
Quatuor à cordes : 4 altos
2
Alto, Violoncelle (duo)
2
Trio à cordes: 3 altos
2
Quatuor à cordes: 4 violons
2
Alto et Harpe
2
Piano Trio: Violon, Alto, Piano
2
Harpe, Violoncelle (duo)
1
Trio à Cordes: 2 violons, alto
1
Violoncelle, Orchestre
1
Harpe et Piano
1
Alto et orchestre
1
Harpe, Violon (duo)
1
4 Contrebasses
1
+ 40 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
3 354
Fanfare
359
Orchestre
279
Orchestre à Cordes
228
Ensemble Jazz
127
Cloches
60
Orchestre de chambre
59
Percussion (partie séparée)
56
Ensemble de cuivres
47
Jazz combo
29
Batterie (partie séparée)
28
Ensemble de Percussions
11
Batterie
7
Timbales (partie séparée)
6
Vibraphone
4
Percussion
4
Marimba
4
Instrumentation Flexible
3
Ensemble d'École
3
Piano et Orchestre
2
Vibraphone et Marimba
1
Orchestre, Violon
1
Quintette de Cuivres: autres combinaisons
1
Caisse Claire
1
+ 19 instrumentations
Retracter
Autres
Formation musicale - Solfège
1
Partitions Gratuites
Instruments
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BASSON
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CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
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Vous avez sélectionné:
Red Pen Music
Ensemble de Percussions
Partitions à imprimer
11 partitions trouvées
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1
The Entertaining Carpenter
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Ensemble de Percussions
#
INTERMÉDIAIRE
#
Adam Grim
#
The Entertaining Carpenter
#
Adam B. Grim
#
SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.939384 Composed by Adam Grim. Concert. Score and parts. 7 pages. Adam B. Grim #6200465. Published by Adam B. Gri...
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Percussion Ensemble - Level 3 - SKU: A0.939384 Composed by Adam Grim. Concert. Score and parts. 7 pages. Adam B. Grim #6200465. Published by Adam B. Grim (A0.939384). The Entertaining Carpenter is a humorous percussion duo which uses a combination of a snare drum with carpentry tools and materials. The players say jokes, provide visual humor, and play in a rudimental style on both the traditional instrument and the non-traditional instruments. This is a fun piece to put together, and is very visual. Perfect for the students who are into a mix of theater and percussion chamber music! The video performance is of myself and Noah Floyd (premiered at Ohio Northern University in 2019). .
$10.00
Star Wars Medley: Score
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Ensemble de Percussions
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Film/TV
#
John Williams
#
Eric Kalver
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Star Wars Medley: Score
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Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Percussion Ensemble - Digital Download Score. Composed by John Williams. Arranged by Eric Kalver. Instructional. Score. 16 pages. Alfred Music - Digi...
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Percussion Ensemble - Digital Download Score. Composed by John Williams. Arranged by Eric Kalver. Instructional. Score. 16 pages. Alfred Music - Digital Sheet Music #00-PR- 0004348. Published by Alfred Music - Digital Sheet Music
ISBN 9780739094761.
This medley consists of three of the most popular Star Wars themes from the original trilogy by the great film composer, John Williams: Star Wars Main Theme, May the Force Be with You, and Darth Vader's Theme (The Imperial March). Williams' compositions are instrumental to director George Lucas's trilogy, but even when heard outside of the films, his music is beloved and instantly recognizable by all generations. This arrangement, for nine players, is sure to be a crowd-pleaser. Instrumentation: orchestra bells, xylophone, vibraphone, marimba 1, marimba 2, chimes, suspended cymbal, snare drum, bass drum.
$8.00
Gravity for Septet
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Ensemble de Percussions
#
AVANCÉ
#
Contemporain
#
MohammadHadi Ayanbod
#
Gravity for Septet
#
Rimorarte Edition
#
SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.1027778 Composed by MohammadHadi Ayanbod. 20th Century,Contemporary. Score and parts. 25 pages. Rimorarte Editio...
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Percussion Ensemble - Level 5 - SKU: A0.1027778 Composed by MohammadHadi Ayanbod. 20th Century,Contemporary. Score and parts. 25 pages. Rimorarte Edition #5996957. Published by Rimorarte Edition (A0.1027778). In GRAVITY I explored different gravities as forces we not only feel them in every moments of our lives, but also thinking of living without or escaping from them seems impossible. Likewise, those gravities exist in the music, make us feel the music continuous, desirable, logical and an integrated language of art. The exploration of the path from chaos to unity, and from unity to multiplicity, is where the title came from. GRAVITY consists of two main sections. The first section, which shows the fully-grown and flourished musical ecosystem, and the second part; a flashback to just after big-bang, which tries to musicalize the creation of the gravity! In the first section, I’ve used the concept of horizontal and vertical minimalism. At the very beginning of the piece we have a structure that bring the idea of the vertical minimalism out. In every moment, each instrument plays the same note as others. However, the narrative line is divided into different octaves, so, the melody is not the same in spite of the fact that each instrument plays the same tone. This structure also reminds the paradoxical ladder or optical staircase illusion. The narration is built up until it reaches temporal climax. At the same time, this melody starts again from the beginning with some microscopic differences visible vividly to musicians. This semi reciprocating musical narration, could be observed as a musical example of the staircase illusion. After this part, but still in the first section of the music, I’ve used the horizontal (traditional) minimalism idioms to explore the bounding forces present in the music. Although, what interesting here is the creation of synthetic voices which is the result of different amounts of the nuances and different combinations of the sound. For keen ears, it seems like shades of neon lights, penetrate into one another in the scale of time and create a big picture of micro fluctuating objects. In the second section or just after big-bang, I’ve observed and recreate musically, the very moment of creation of the gravity just after the big-bang. Here, we don’t have melody, rhythm, structure, narration and other aspects of the music in the traditional way, although all of them are present in the music. very single sound or noise is meaningful and showing the assemblage process of the forces in the music to create a melody line. I’ve occupied idioms of contemporary Sonorism genre to create the atmosphere. This highly complex texture shows the virtuosity of interpreters and the capability of the instruments in avant-garde literature and extended techniques. The music is concluded by a fast-tempo finale, with the instruction of fortissimo possiblile (as loud as possible). The piece, in fact, will not be finished as a morendo, but, it opens a space for hypothetically living structure; constantly grows, flourishes, shines and decays.
$16.99
Don't Worry, Be Happy
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Ensemble de Percussions
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INTERMÉDIAIRE
#
Jazz
#
Bobby McFerrin
#
Ricardo Matosinhos
#
Don't Worry, Be Happy
#
Ricardo Matosinhos
#
SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.899162 By Bobby McFerrin. By Bobby McFerrin. Arranged by Ricardo Matosinhos. Jazz. Score and parts. 32 pages. Ri...
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Percussion Ensemble - Level 3 - SKU: A0.899162 By Bobby McFerrin. By Bobby McFerrin. Arranged by Ricardo Matosinhos. Jazz. Score and parts. 32 pages. Ricardo Matosinhos #5723941. Published by Ricardo Matosinhos (A0.899162). This is a well known piece by Bobby McFerrin. Here presented on a music arrangement for unconventional music instruments. The arrangement allows flexibility, so this piece can be performed using tuned bottles (25cl, 33cl and 75cl), lip whistle, finger snaps, complemented with xylophones and optionally with voices to sing the lyrics too. This arrangement was made during the 2020 quarantine, when the world was shutdown due to a world virus pandemic. Some of the music students didn’t have their music instruments at home, so this arrangement came up to fill that gap and it is perfect to keep doing music with the available option of instruments.On each rehearsal letter, you can play optional improvisations, while keeping the voices 5-8. These improvisations can be easily done using the C major pentatonic scale or the note ranges presented on the right, that even include Eâ™ and Bâ™. If played using lip whistle, bendings will be possible too. This arrangement presents 8 voices and an alternative solution for voice 8, that makes it easier to be performed as it is the place where bottles are divided between the players. There is also an optional bass line to complement voice eight one octave bellow. In order to keep it simple, neither dynamics or articulations were included and the notes were represented always in the middle octave in G clef. The correct pitch ranges are presented in the performance notes.The amount of water will change the pitch differently depending if you are blowing or doing percussion on a bottle. When blowing, the more water you use, the higher the pitch will be, but while doing percussions more water means lower pitch. A good option, in order to save time during rehearsals, is to fill the bottles with water, marking the level with a pen, and then filling the bottle with the desired amount of hot wax instead of water. This way, when the wax cools down you can have a tuned bottle without requiring to tune it again every single rehearsal. Please note that the bottles should be made of glass and that different aspects change the performance. For percussion, straight bottles are better to tune as the curves in the bottles tend to produce unstable pitches. The extreme notes of the range might not be available in every single bottle, so you might need to try some alternatives. For example the high A is available in some beer bottles, while the low G is available in larger 75cl bottles of champaign. Last but not least, this piece should always be played according to Bobby’s motto: dont worry, be happy!I had lots of fun while doing this arrangement, now it’s your time to have fun while performing it!Ricardo Matosinhoshttp://www.ricardomatosinhos.com
$14.99
Retracements for percussion quartet
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Ensemble de Percussions
#
INTERMÉDIAIRE/AVANCÉ
#
Contemporain
#
Mark Zanter
#
Retracements for percussion qu
#
MJIC Music Publishing
#
SheetMusicPlus
Percussion Ensemble - Level 4 - SKU: A0.934216 Composed by Mark Zanter. Contemporary. Score and parts. 22 pages. MJIC Music Publishing (ASCAP) #6735411....
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Percussion Ensemble - Level 4 - SKU: A0.934216 Composed by Mark Zanter. Contemporary. Score and parts. 22 pages. MJIC Music Publishing (ASCAP) #6735411. Published by MJIC Music Publishing (ASCAP) (A0.934216). Retracements (2021)This performance proposal features a performance of Retracements (2021) for percussion quartet commissioned by Kevin von Kampen, at the University of South Florida (USF) percussion ensemble. Retracements uses Fibonacci numbers and Phi proportions that mirror percentages used by stock market traders to predict corrections of trends in the market. Fib. numbers used in Retracements dictate the length of short sections in the work, while larger sections emerge organically and less predictably with regard to Phi (GS). In short, the work unfolds structurally through the impetus of determinate decisions combined with intuitive and indeterminate factors. In this light, the work is a musical realization of the retracement principle. I am indebted to Kevin von Kampen, assistant professor of Music at the University of South Florida, and members of the Percussion Ensemble at USF: Katie McCarty, Jacob Barber, David Grullon, and Wyatt Hatch for their careful preparation of the work (performance materials available from the publisher-MJICMusicPublishing@gmail.com).
$12.00
What Universe Lies Within
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Ensemble de Percussions
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INTERMÉDIAIRE/AVANCÉ
#
Brandon Nelson
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What Universe Lies Within
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Brandon Nelson
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SheetMusicPlus
Percussion Ensemble - Level 4 - SKU: A0.912929 Composed by Brandon Nelson. Concert,Contemporary. Score and parts. 8 pages. Brandon Nelson #2907437. Publ...
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Percussion Ensemble - Level 4 - SKU: A0.912929 Composed by Brandon Nelson. Concert,Contemporary. Score and parts. 8 pages. Brandon Nelson #2907437. Published by Brandon Nelson (A0.912929). For percussion duo. Required instruments: bells, vibraphone, xylophone, temple blocks, suspended cymbals (3 sizes). General programming. Advanced Intermediate level.Commissioned by Chris Nadeau for CAn-Duo. Premiered at Colorado State University, October 16, 2016.It is common knowledge that the universe we see is composed of tiny particles known as atoms. For much of scientific history, it was thought that atoms were made up of three indivisible particles: protons, neutrons, and electrons.Thanks to contemporary advances in physics, we now know that these particles are, in fact, made up of much smaller particles and that these constituents sometimes behave in ways that confound what we thought we knew of the physical universe.In this piece, I have portrayed one type of these subatomic particles, the quark. There are six types (or flavors) of quark: up, down, charm, strange, top, and bottom. These are differentiated by the type of charge they carry and their masses.The first movement is Strange Quark. This flavor has a negative charge and is relatively light. Much like the particle, this movement often behaves in unusual ways.Top Quark, the second movement, portrays the quark flavor that is by far the heaviest. Slow and massive, this particle allowed for the study of the famous Higgs boson.The final movement, Up Quark, is light and decays quickly, much like this particle that contributes to both protons and neutrons.The universe is indeed a wonder to behold and its scale is hardly comprehensible to the human mind. And yet, it is becoming increasingly apparent that there exists an entire universe yet to uncover in the most infinitesimal pieces of matter. It is my hope that the wonder and mystery this inspires be conveyed through this piece of music.
$9.99
Judex (from Mors et Vita)
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Ensemble de Percussions
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INTERMÉDIAIRE
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Charles Francois Gounod
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Flávio Régis Cunha
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Judex
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Flavio Regis Cunha
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SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.597224 Composed by Charles Francois Gounod. Arranged by Flávio Régis Cunha. Concert,Contemporary,Romantic ...
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Percussion Ensemble - Level 3 - SKU: A0.597224 Composed by Charles Francois Gounod. Arranged by Flávio Régis Cunha. Concert,Contemporary,Romantic Period,Sacred,Standards. Score and parts. 47 pages. Flavio Regis Cunha #4595365. Published by Flavio Regis Cunha (A0.597224). Mors et vita is an oratorio in three parts by Charles Gounod premiered at the Birmingham Festival in 1885. It was conceived as a sequel to La rédemption (1882). The 1886 Paris premiere again featured Jean Baptiste Faure. Gounod considered this oratorio, and its predecessor La rédemption (1882) as his greatest achievements. JUDEX is a part of this important work and now you have it in a friendlier tonality (G) than the original written by Gounod (the key of Gb). The music remains unchanged. It is a beautiful work, very accessible and suitable for concerts openings, service preludes, recitals. It is an important work of the orchestral repertoire and your orchestra needs to play it at some point along the way. You and your orchestra will enjoy playing this work of unique beauty.Flavio Regis Cunha is a pianist, conductor and composer from São Paulo - Brasil. He is currently finishing his doctorate at Mackenzie Presbyterian University where he works as conductor of the Mackenzie University Orchestra and resident composer. For more arrangements like this, works by commission or for any questions you can contact Flavio Regis Cunha at his facebook page: https://www.facebook.com/flavioregiscunha
$40.00
Christmas Calypso for Percussion Sextet
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Ensemble de Percussions
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FACILE
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Noël
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Dan Heslink
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Christmas Calypso for Percussi
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Pharaoh Publications
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SheetMusicPlus
Percussion Ensemble - Level 2 - SKU: A0.935389 Arranged by Dan Heslink. Christian,Christmas. Score and parts. 18 pages. Pharaoh Publications #6117159. P...
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Percussion Ensemble - Level 2 - SKU: A0.935389 Arranged by Dan Heslink. Christian,Christmas. Score and parts. 18 pages. Pharaoh Publications #6117159. Published by Pharaoh Publications (A0.935389). Christmas Calypso for Percussion Sextet . . . . . . . . . . . . . . arr. Dan Heslink The calypso style referenced in the title is not the calypso of Afro-Caribbean music from Trinidad and Tobago. Rather, it is the especially toned-down but still rhythmic commercial variant popularized by folk singers. Couched in this style, the arrangement offers Christmas favorites Deck the Halls, Angels We Have Heard On High, God Rest Ye Merry Gentlemen and Good Christian Men, Rejoice. This if one of two versions of the calypso arrangement by Dan Heslink, both of which are available through Sheet Music Plus. The other arrangement, percussion sextet, follows similar musical contours and is available separately. Both versions are intended to elicit one primary response from both performers and audience – fun. It does not tax the players technically, but delivers a satisfying sound with carols that the performers likely know and love. General audiences will be enchanted by the familiar melodies delivered in percussion, especially at Christmas time. The introduction opens with a brisk and rhythmic introduction based on Deck the Halls, and establishes the fun calypso rhythm immediately. Deck the Halls is the much-loved welsh air that was arranged by Haydn, Nos galan (Hob. XXXIb:29, 1803). Then, Angels We Have Heard on High breaks out in double-stops with a continuation of the rhythmic impetus. The birth of Jesus Christ as narrated in the Gospel of Luke is the subject of Angels We Have Heard on High, a traditional French song of unknown origin. The gloria section provides some flowing contrast, portraying the shepherds’ impressions as they encounter a multitude of angels singing and praising. The performers are encouraged to use a relaxed stroke to glide through these passages. Following is God Rest Ye Merry Gentlemen, a 16th century English traditional Christmas carol also known under the title, The old Christmas Carol. It provides a contrast in tonality (minor mode) and texture. The xylophone part likely will lay most comfortably when executed with four mallets, although there are no three or four mallet chords in these passages. Good Christian Men, Rejoice is the closing selection in this Christmas medley. It’s title is an English translation of In dulci jubilo (Latin for In sweet rejoicing). The work ends happily with a summation of the calypso rhythm. This medley will be especially effective programmed on a winter holiday concert. Duration is 2:30. The arranger, Dan Heslink, assigned a difficulty level of medium easy, and can be contacted at dan@dheslink.com.
$4.99
Christmas Calypso for Marimba Quartet
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Ensemble de Percussions
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Noël
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Dan Heslink
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Christmas Calypso for Marimba
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Pharaoh Publications
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SheetMusicPlus
Percussion Ensemble - SKU: A0.935390 Arranged by Dan Heslink. Christian,Christmas. Score and parts. 16 pages. Pharaoh Publications #6117165. Published b...
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Percussion Ensemble - SKU: A0.935390 Arranged by Dan Heslink. Christian,Christmas. Score and parts. 16 pages. Pharaoh Publications #6117165. Published by Pharaoh Publications (A0.935390). Christmas Calypso for Marimba Quartet . . . . . . . . . . . . . . arr. Dan HeslinkThe calypso style referenced in the title is not the calypso of Afro-Caribbean music from Trinidad and Tobago. Rather, it is the especially toned-down but still rhythmic commercial variant popularized by folk singers. Couched in this style, the arrangement offers Christmas favorites Deck the Halls, Angels We Have Heard On High, God Rest Ye Merry Gentlemen and Good Christian Men, Rejoice. This if one of two versions of the calypso arrangement by Dan Heslink, both of which are available through Sheet Music Plus. The other arrangement, for percussion sextet, follows similar musical contours and is available separately. Both versions are intended to elicit one primary response from both performers and audience – fun. It does not tax the players technically, but delivers a satisfying sound with carols that the performers likely know and love. General audiences will be enchanted by the familiar melodies delivered in percussion, especially at Christmas time. The introduction opens with a brisk and rhythmic introduction based on Deck the Halls, and establishes the fun calypso rhythm immediately. Deck the Halls is the much-loved welsh air that was arranged by Haydn, Nos galan (Hob. XXXIb:29, 1803). Then, Angels We Have Heard on High breaks out in double-stops with a continuation of the rhythmic impetus. The birth of Jesus Christ as narrated in the Gospel of Luke is the subject of Angels We Have Heard on High, a traditional French song of unknown origin. The gloria section provides some flowing contrast, portraying the shepherds’ impressions as they encounter a multitude of angels singing and praising. The performers are encouraged to use a relaxed stroke to glide through these passages. Following is God Rest Ye Merry Gentlemen, a 16th century English traditional Christmas carol also known under the title, The old Christmas Carol. It provides a contrast in tonality (minor mode) and texture. The xylophone part likely will lay most comfortably when executed with four mallets, although there are no three or four mallet chords in these passages. Good Christian Men, Rejoice is the closing selection in this Christmas medley. It’s title is an English translation of In dulci jubilo (Latin for In sweet rejoicing). The work ends happily with a summation of the calypso rhythm. This medley will be especially effective programmed on a winter holiday concert. Duration is 2:30. The arranger, Dan Heslink, assigned a difficulty level of medium easy, and can be contacted at dan@dheslink.com.
$4.99
The Escape (medium/big percussion ensemble)
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Ensemble de Percussions
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INTERMÉDIAIRE/AVANCÉ
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Film/TV
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Frits Renting
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The Escape
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Frits_Renting
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SheetMusicPlus
Percussion Ensemble Bass Marimba,Chimes,Cymbals,Drum Set,Low Drum,Quad Toms,Shaker,Suspended Cymbal,Tam Tam,Tambourine,Timpani,Tom Tom,Tubular Bells,Vibraphone,...
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Percussion Ensemble Bass Marimba,Chimes,Cymbals,Drum Set,Low Drum,Quad Toms,Shaker,Suspended Cymbal,Tam Tam,Tambourine,Timpani,Tom Tom,Tubular Bells,Vibraphone,Xylophone - Level 4 - SKU: A0.1274188 Composed by Frits Renting. Film/TV. 51 pages. Frits_Renting #866319. Published by Frits_Renting (A0.1274188). Side note: This version is for medium/big percussion ensemblesEN:This composition was written for one of the parts of the D exam by Frits Renting. The starting point of the composition was: film music. Inspired by well-known works by Hans Zimmer, Brian Tyler, John Williams and works by De Efteling. The composition starts in a fairly small composition in which, with the help of crescendos and several instruments, it works towards a strong, but above all open and cheerful part. This is followed by a short untuned percussion solo. After this, theme A is closed in a calm, non-violent manner. Immediately theme B comes in which is built up through crescendos and multiple instruments over time. Theme B also comes to a quiet end afterwards. After this theme A and B return at the same time, which builds up and closes in a grandiose way.NL:Deze compositie is geschreven voor één van de onderdelen van het D examen van Frits Renting. Het uitgangsdoel van de compositie was: filmmuziek. Geïnspireerd door bekende werken van Hans Zimmer, Brian Tyler, John Williams en werken van De Efteling. De compositie begint in een vrij kleine samenstelling waarbij, met behulp van crescendo's en meerdere instrumenten, het zich toewerkt naar een sterk, maar vooral open en vrolijk gedeelte. Dit wordt opgevolgd door een korte ongestemde slagwerk solo. Hierna wordt thema A op een rustige, geweldloze manier afgesloten. Direct komt thema B binnenvallen wat word opgebouwd door middel van crescendo's en meerdere instrumenten in loop van de tijd. Ook komt thema B daarna tot rustig einde. Hierna komen thema A en B tegelijkertijd terug wat zich opbouwt en op een grandioze manier, zich afsluit.
$80.00
One Hour to Madness
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Ensemble de Percussions
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AVANCÉ
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Contemporain
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Dan Heslink
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One Hour to Madness
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Pharaoh Publications
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.935385 Composed by Dan Heslink. Contemporary. Score and parts. 36 pages. Pharaoh Publications #5775261. Publishe...
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Percussion Ensemble - Level 5 - SKU: A0.935385 Composed by Dan Heslink. Contemporary. Score and parts. 36 pages. Pharaoh Publications #5775261. Published by Pharaoh Publications (A0.935385). One Hour to Madness for percussion septet. by Dan Heslink From its opening motto to its bold closing summation, One Hour to Madness explores a high degree of musical energy. The title is loosely inspired by Walt Whitman’s marvelous poem, One Hour to Madness and Joy (Leaves of Grass). The music presents a dark and exciting expression couched in pervasive contrapuntal development. A high degree of dissonance is contrasted with the second theme’s clear Bb major tonality. The work’s contrapuntal nature is distilled into a fugato in the second half. Predominantly a mallet ensemble composition, scoring is for orchestra bells (2 mallets), xylophone (2 mallets), vibraphone (4 mallets), 3 marimbas (each with 2 mallets) and timpani. The timpani part is best performed on the standard set of 4 drums (23-24, 25-26, 28-29, 32-30). The marimba 1 part requires the standard range of 3 ½ or 4 octaves; the marimba 2 part can be executed on the standard 4-octave instrument by omitting a few octave doublings, or on a 5-octave instrument if one is available; marimba 3 requires a 5-octave instrument. The composer assigns a difficulty level of advanced. It will serve any concert or recital very well. Audiences and performers alike will enjoy the flashy passage work and musical impetus afforded by One Hour to Madness. Duration is 3:41. The composer, Dan Heslink, can be contacted at dan@dheslink.com.
$4.99
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