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1861
PIANO & CLAVIERS
Piano seul
5790
Piano, Voix
2540
Piano Facile
198
Orgue
168
Piano, Voix et Guitare
102
1 Piano, 4 mains
60
Accordéon
34
Piano Trio: piano, violon, violoncelle
17
Accompagnement Piano
17
Instruments en Do
13
Piano grosses notes
13
2 Pianos, 4 mains
12
Piano Quatuor: piano, 2 violons, violoncelle
5
Piano Quintette: piano, 2 violons, alto, violoncelle
4
Piano Quatuor: piano, violon, alto, violoncelle
3
Orgue, Piano (duo)
2
Piano (partie séparée)
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GUITARES
Guitare
60
Guitare notes et tablatures
58
Ligne De Mélodie, (Paroles) et Accords
13
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10
Ukulele
7
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5
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4
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4
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3
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2
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1
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1
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1
Banjo
1
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VOIX
Chorale SATB
795
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350
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178
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151
Voix Soprano, Piano
60
Voix duo, Piano
50
Chorale SSAA
34
Chorale TTBB
32
Voix duo
13
Voix Alto, Piano
10
Voix Tenor, Piano
8
Voix seule
6
Chorale SSAATTBB
4
Voix haute
4
Voix moyenne, Piano
4
Voix Baryton, Piano
3
Chorale SSATTB
3
Voix Tenor
2
Voix basse
2
Chorale
2
Voix Mezzo-Soprano, Piano
2
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1
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1
Voix Soprano
1
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VENTS
Flûte traversière et Piano
196
Hautbois, Piano (duo)
149
Quatuor de Saxophones: 4 saxophones
49
Saxophone Alto et Piano
43
2 Saxophones (duo)
37
Flûte traversière
31
Saxophone Tenor et Piano
30
Quatuor de Flûtes : 4 flûtes
25
Saxophone Soprano et Piano
23
Saxophone Alto
23
Saxophone (partie séparée)
22
Quintette de Saxophone: 5 saxophones
19
2 Flûtes traversières (duo)
19
Cor anglais, Piano
15
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14
Hautbois (partie séparée)
13
Flûte à Bec
12
Hautbois
12
Saxophone
11
2 Hautbois (duo)
9
Flûte, Violoncelle
8
Saxophone Tenor
8
Flûte, Violoncelle, Piano (trio)
8
Trio de Flûtes: 3 flûtes
7
3 Saxophones (trio)
7
Saxophone Soprano
6
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6
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6
Flute (partie séparée)
5
Hautbois, Violoncelle
4
Ensemble de saxophones
4
Saxophone Baryton
4
Hautbois, Basson (duo)
4
Hautbois, Flûte
4
Flûte, Hautbois, Basson
3
Flûte, Hautbois, Piano (trio)
3
Quintette de Flûte : 5 flûtes
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Flûte, Alto et Piano
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2
Flûte, Violon, Violoncelle et Piano
2
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2
Hautbois, Orgue
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Ocarina
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2
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Cornemuse
1
2 Flûtes traversières, Harpe
1
Hautbois, violon (duo)
1
Flûte, Hautbois (duo)
1
Saxophone et Orgue
1
Flûte, Saxophone (duo)
1
Saxophone et Guitare
1
2 Harmonicas
1
5 Flûtes à bec
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CUIVRES
Trompette, Piano
51
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
50
Trombone et Piano
44
Cor et Piano
34
Trompette
31
Trombone
25
Quatuor de Cuivres : 2 trompettes, trombone, tuba
23
Trombone (partie séparée)
22
Cor
20
Quatuor de Cuivres: 2 trompettes, Cor, trombone
19
Tuba et Piano
18
Cor anglais, Piano
15
Tuba
14
2 Trompettes (duo)
13
Quatuor de Cuivres
12
2 Trombones (duo)
12
Trompette (partie séparée)
12
Euphonium, Piano (duo)
11
Cor (partie séparée)
9
Tuba (partie séparée)
9
2 Cors (duo)
9
Quatuor de cuivres: 4 trombones
6
Trompette, Cor (duo)
6
Cor, Violoncelle (duo)
5
Quatuor de cuivres: 4 cors
4
2 Euphoniums et 2 Tubas
4
Trio de Cuivres
4
Trompette, Trombone (duo)
3
Ensemble de Trombones
3
Quatuor de cuivres: 4 trompettes
3
Euphonium
3
Trompette, Saxophone (duo)
2
2 Tubas (duo)
2
Trompette, Violoncelle et Piano
2
Trombone basse et Piano
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Trombone, Tuba (duo)
1
Bass Clef Instruments
1
Trombone, Orgue
1
Trompette, violon (duo)
1
Ensemble de Cors
1
Cor et Harpe
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Trombone basse
1
3 Trombones (trio)
1
Tuba et Orgue
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CORDES
Violon et Piano
234
Quatuor à cordes: 2 violons, alto, violoncelle
157
Violoncelle, Piano
109
Harpe
72
Alto, Piano
64
Violon
43
2 Violons (duo)
26
Alto seul
21
Violoncelle (partie séparée)
21
Trio à Cordes: violon, alto, violoncelle
20
Violon, Violoncelle (duo)
17
Quintette à cordes: 2 violons, alto, violoncelle, basse
16
Violoncelle
16
2 Violoncelles (duo)
13
Harpe, Flûte (duo)
12
Violon (partie séparée)
12
Alto (partie séparée)
12
2 Harpes (duo)
10
Piano Trio: Violon, Alto, Piano
9
Contrebasse, Piano (duo)
9
Contre Basse
9
2 Altos (duo)
7
Alto, Violoncelle (duo)
6
Violon, Alto (duo)
6
4 Violoncelles
5
Harpe, Violoncelle (duo)
5
Quatuor à cordes: 4 violons
4
Trio à Cordes: 2 violons, violoncelle
4
Harpe, Violon (duo)
4
Violon, Basson (duo)
3
Contrebasse (partie séparée)
3
Alto et Basson
3
Violon, Guitare (duo)
3
2 Contrebasses (duo)
2
Trio à cordes: 3 violins
2
Harpe, Trombone (duo)
2
Alto et Harpe
2
Violoncelle, Orchestre
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Trio à Cordes: 3 violoncelles
1
4 Contrebasses
1
3 Harpes
1
Quatuor à cordes : 4 altos
1
Violoncelle, Contrebasse (duo)
1
Alto, Guitare (duo)
1
Violoncelle , Guitare (duo)
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
593
Cloches
113
Orchestre
90
Orchestre à Cordes
78
Orchestre de chambre
38
Ensemble de cuivres
31
Ensemble Jazz
16
Percussion (partie séparée)
12
Jazz combo
5
Timbales (partie séparée)
4
Ensemble de Percussions
4
Marimba
3
Percussion
2
Fanfare
2
Batterie
2
Xylophone, Piano
2
Conga
1
Vibraphone et Marimba
1
Vibraphone
1
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AUTRES
Vous avez sélectionné:
Reflections - Clarinet
Ensemble de Percussions
Partitions à imprimer
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The COVID Awakening
Ensemble de Percussions
Percussion Ensemble - Level 4 - Digital Download SKU: A0.939390 Composed by Adam Gr…
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Percussion Ensemble - Level 4 - Digital Download SKU: A0.939390 Composed by Adam Grim. 20th Century,Concert,Standards. Score and parts. 50 pages. Adam B. Grim #6210963. Published by Adam B. Grim (A0.939390). The COVID Awakening is a marimba quartet for two 5.0 octave instruments. This piece is inspired by minimalism and minimalist compositional techniques combined with layering found in West African drumming, though it is not the only source of this specific technique. It was written during the beginning of the summer of 2020, when the Coronavirus, COVID-19, had started its grips on the United States in the forms of illness, death, and economic and emotional distress. This piece reflects on these early feelings of quarantines and sheltering in place, and using the techniques listed above the listeners are pulled in to listen between the notes. These reflections are found not in the music itself, but is different with every listen. The listeners’ ears will venture as they wish, and make this piece new with every performance, even though the notes and rhythms never change. Instrumentation: Two 5.0 octave marimbas, though only one marimba needs to be the full range. Marimba 1 can be a much smaller instrument if necessary. I’d suggest using rubber/latex mallets. Unless the performance is in a reasonably dry hall, this articulation and tone benefit does wonders for this piece. Each player needs only 2 mallets.
$25.00
22.86 €
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Ensemble de Percussions
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Adam Grim
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The COVID Awakening
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Adam B. Grim
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SheetMusicPlus
Resolution - Duet for Vibraphone or Marimba
Ensemble de Percussions
Percussion Ensemble - Level 2 - Digital Download SKU: A0.892601 Composed by Ben Gar…
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Percussion Ensemble - Level 2 - Digital Download SKU: A0.892601 Composed by Ben Garraway. Concert,Contemporary,Instructional,Standards. Score and parts. 4 pages. Music Lesson Downloads #6217009. Published by Music Lesson Downloads (A0.892601). A very reflective and relaxing duet for tuned percussion which resolves in various places throughout. The ‘Accompaniment’ part, which is approx. grade 4 could be played as a solo without the easier melody part which is approx grade 2/3. Ideal for 2 students to perform who are at different levels.Suits the sustain of a vibraphone or marimba but could be played on any tuned instrument. Glockenspiel and Xylophone would be fine.
$3.99
3.65 €
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Ensemble de Percussions
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Ben Garraway
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Resolution - Duet for Vibraphone or Marimba
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Music Lesson Downloads
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SheetMusicPlus
Two Dreams for solo Trombone and 8-part Percussion Ensemble
Ensemble de Percussions
Percussion Ensemble - Level 5 - Digital Download SKU: A0.811252 Composed by Antonio…
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.811252 Composed by Antonio J. Garcia. Contemporary,Jazz,Latin,World. Score and parts. 119 pages. Gordon Cherry #6549777. Published by Gordon Cherry (A0.811252). Two Dreams for Trombone and Percussion EnsembleDr. Justin Alexander (Director, VCU Percussion Ensemble) invited me to create a piece for trombone and percussion ensemble that had roles for more- and less-experienced players so that they could mix within the performance. I so enjoyed composing and performing this work. He estimates the overall difficulty grade of Movement I to be a three on a five-point scale and Movement II to be a four, with a grade four for the overall piece; but some players’ parts (within the eight total in the percussion ensemble) are indeed easier.The two Movements are approximately five minutes each.The first Movement Bilita Mpash (An Amazing Dream) calls for (1) shekeré/guiro; (2) 5-octave marimba (shared with...); (3) 5-octave marimba (shared with previous); (4) claves/drum set with mounted cowbell; (5) bell/mounted cowbell/congas; (6) hi-hat/suspended cymbal; (7) bass drum; and (8) four toms/maracas.The Second Movement (Running with the Tigers) calls for (1) xylophone; (2) vibraphone/glockenspiel; (3) 5-octave marimba; (4) drum set; (5) shaker/samba whistle/congas (opt. voice); (6) triangle/bell tree/hanging bells/agogo bells (opt. voice); (7) bass drum (opt. voice); and (8) Timpani (opt. voice). Pending difficulty levels, the conga and drum set parts can optionally be split among additional percussionists. The score notes offer a stage plot and many rehearsal tips.Bilita Mpash (An Amazing Dream)The 3-2 Rumba Clave anchors this movement, launched by the shekeré. Rhythmic vamps of multiple bars form the landscape over which the trombone’s melody emerges, followed by a move to double-time 2-3 Rumba Clave (with montuno) and back. The trombone soloist improvises without chordal accompaniment for a while so could reflect on the preceding harmonies or instead freely improvise with no concern as to chord changes, while a later section requires improv over chord changes. After the recap, a surprise tag of the ending phrase in Cha Cha sets up the rubato finish. Bilita Mpash (BILL-it-uh m-POSH) is a Bantu term for an amazing dream, a dream so good that it is the polar opposite of a nightmare-a dream in a blissful state where all is forgiven and forgotten2. Running with the TigersThe opening, written-out marimba solo is somewhat of a nod to vibist Gary Burton’s influence in bringing mallets towards the expression of modern jazz. A 9/8 samba-groove (5+4) transforms to 4/4. None of the percussionists have to have a jazz background, though the drum set player would be more challenged if not already exposed to Latin drumming. The improvised solo section could be all solo trombone or could be divided among various performers, including trading. The recap of the tune begins over 5/8 samba (3+2, later 2+3). The closing arrhythmic drum-set solo crescendos as the optional surprise of percussionists’ (or additional) voices sing at the end. The title of this movement refers to a recurring dream my dad would have, as well as to the active movements of my grandson when sleeping in his earliest years.-Antonio J. GarcÃaInstrumentation is for:Solo Trombone and 8-part Percussion Ensemble:shekeré/guiro, 2 5-octave marimbas, claves/drumset with cowbell, bell, congas, hi-hat, suspended cymbal, bass drum, toms, maracas, xylophone, vibraphone, glockenspiel, shaker, samba whistle, congas, triangle, bell tree, hanging bells, agogo bells, bass drum and timpani.This rhythmic and dramatic work includes improvisation by the Trombonist. Listen to the brilliant live performance featuring Mr. Garcia and the Virginia Commonwealth University Percussion Ensemble directed by Dr. Justin Alexander.
$50.00
45.73 €
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Ensemble de Percussions
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Antonio J
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Two Dreams for solo Trombone and 8-part Percussion Ensemble
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Gordon Cherry
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SheetMusicPlus
Sweet Dreams (are Made Of This)
Ensemble de Percussions
Percussion Ensemble - Level 4 - Digital Download SKU: A0.1324084 By The Eurythmics.…
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Percussion Ensemble - Level 4 - Digital Download SKU: A0.1324084 By The Eurythmics. By Annie Lennox and David Stewart. Arranged by David R. Peoples. Classical,Contemporary,Pop,Rock. 100 pages. Bluesilhouettes Music #912276. Published by Bluesilhouettes Music (A0.1324084). Annie Lennox and David Stewart had recently ended their relationship and disbanded their band. They still worked together - and built this song in a tiny warehouse using whatever technology they could get their hands on. In a day where most music was produced in the large studios backed by industry money - they pioneered a hit without the big studio. Securing a loan, they procured essential equipment—a compact setup comprising an 8-track tape recorder, mixer, effects processors, synthesizers, a drum computer, and a compact dynamic microphone. Some of the emotions from their lives went into the song - a fresh start on the heels of emotional events. Reflecting on that period, Lennox candidly remarked, “I was feeling very vulnerable. The song was an expression of how I felt: hopeless and nihilistic.â€This version is not a cover. Fragments of musical elements are translated into the ensemble. While occasionally exhibiting moments of dance, the composition evolves into a more profound expression, capitalizing on the musical possibilities of a percussion ensemble. This arrangement was crafted for the University of North Georgia’s percussion ensemble, directed by Dr. Steven Walker.Listen to mockup offsite
$34.99
32 €
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Ensemble de Percussions
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The Eurythmics
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David R
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Sweet Dreams
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Bluesilhouettes Music
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SheetMusicPlus
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