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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Rhythm Parts
Sheetmusicplus
Non classifié
4 132
Piano & claviers
Piano seul
74
1 Piano, 4 mains
62
Accompagnement Piano
48
Piano Facile
45
Instruments en Do
44
Piano (partie séparée)
37
Piano, Voix et Guitare
35
Piano Quatuor: piano, violon, alto, violoncelle
22
Piano Trio: piano, violon, violoncelle
20
Piano, Voix
19
2 Pianos, 4 mains
14
Orgue
12
Piano Quintette: piano, 2 violons, alto, violoncelle
7
Orgue, Trompette (duo)
5
Piano Quatuor: piano, 2 violons, violoncelle
2
Orgue, Piano (duo)
2
Clavier
1
1 Piano, 6 mains
1
+ 13 instrumentations
Retracter
Guitares
Guitare (partie séparée)
67
Guitare notes et tablatures
38
Guitare
28
4 Guitares (Quatuor)
18
2 Guitares (duo)
15
Basse electrique
14
Ensemble de guitares
12
3 Guitares (trio)
9
Ukulele
5
Ligne De Mélodie, (Paroles) et Accords
3
Piano, Guitare (duo)
3
2 Mandolines (duo)
2
2 Dulcimers (duo)
2
Dulcimer
2
Guitare, Quatuor à cordes
1
Guitare, Violon, Violoncelle (trio)
1
Orchestre à Plectres
1
2 Ukuleles
1
Mandoline, Guitare (duo)
1
+ 14 instrumentations
Retracter
Voix
Chorale SATB
408
Chorale 3 parties
172
Chorale 2 parties
77
Chorale TTBB
49
Chorale SSAA
47
Chorale Unison
35
Chorale
5
Voix duo
3
Chorale SSATB
2
Voix duo, Piano
2
Chorale SSATTB
1
Chorale SSAATTBB
1
Voix moyenne, Piano
1
Male Voice
1
Chorale SSAB a cappella
1
Voix Alto, Piano
1
+ 11 instrumentations
Retracter
Vents
2 Saxophones (duo)
290
Saxophone, Clarinette (duo)
252
2 Clarinettes (duo)
186
Clarinette, Violon (duo)
185
Saxophone (partie séparée)
170
Clarinette, Trompette (duo)
165
2 Flûtes traversières (duo)
130
Flûte, Clarinette (duo)
108
Quatuor de Saxophones: 4 saxophones
95
Clarinette et Alto
95
Hautbois, Clarinette (duo)
92
Flûte, Violon
92
Flûte, Saxophone (duo)
91
Hautbois, Basson (duo)
84
Flûte, Alto (duo)
76
Hautbois, Flûte
75
Flûte, Trompette (duo)
71
Quatuor de Clarinettes: 4 clarinettes
66
Quatuor de Flûtes : 4 flûtes
65
Flûte, Hautbois, Clarinette, Basson
52
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
50
2 Flûte à bec (duo)
42
Flûte traversière et Piano
31
Flute (partie séparée)
31
Clarinette et Piano
29
3 Saxophones (trio)
29
Saxophone Alto et Piano
26
Ensemble de Flûtes
25
3 Clarinettes (trio)
25
Hautbois, Piano (duo)
21
Trio de Flûtes: 3 flûtes
21
2 Hautbois (duo)
21
Clarinette (partie séparée)
20
Ensemble de Clarinettes
20
Flûte, Violon, Piano
19
Saxophone Tenor et Piano
18
Flûte et Guitare
18
Quintette de Saxophone: 5 saxophones
18
Ensemble de saxophones
18
Flûte, Hautbois (duo)
17
Clarinette, Trombone (duo)
14
Hautbois, violon (duo)
12
Quintette de Clarinettes: 5 clarinettes
11
Clarinette
10
Hautbois, Clarinette, Basson (trio d'anches)
7
Clarinette, Basson (duo)
6
Quatuor de Flûtes à bec
6
3 Flûtes à bec (trio)
6
Flûte, Clarinette, Piano (trio)
5
Flûte, Violoncelle
5
Flûte traversière, Orgue (duo)
5
Saxophone Soprano et Piano
5
Flûte, Clarinette et Basson
5
Flûte, Hautbois, Clarinette (trio)
4
2 Saxophones, Piano
4
Saxophone Baryton, Piano
4
2 Flûtes traversières, Piano
4
Flûte, Alto et Piano
4
Flûte, Violon, Violoncelle et Piano
3
Clarinette, Harpe (duo)
3
Clarinette, Violoncelle (duo)
3
Clarinette, Violoncelle, Piano (trio)
3
Saxophone et Guitare
3
Flûte, Violon et Violoncelle
3
Piccolo, Piano
2
Hautbois, Harpe
2
Flûte, trombone et piano
2
Flute, harpe et violon
2
3 Hautbois
2
Flûte à bec Alto, Piano
2
Quintette de Flûte : 5 flûtes
2
Ensemble à vent
2
Saxophone Alto
2
Ensemble De Flûte à bec
2
Flûte, Hautbois, Piano (trio)
2
Clarinette, Guitare (duo)
2
Flûte, Basson et Piano
2
Clarinette, trompette et piano
2
Flûte à Bec, Piano
1
Flûte, alto et harpe
1
Flûte, Trombone (duo)
1
Hautbois, trombone (duo)
1
Flûte à bec Soprano
1
Hautbois et alto (duo)
1
Flûte, Hautbois, Basson
1
Flûte à bec Tenor
1
Flûte traversière
1
Cor anglais, Piano
1
2 Clarinettes, Piano
1
Clarinette Basse, Piano
1
Clarinette, Tuba
1
Hautbois, Trompette (duo)
1
Clarinette, Alto et Piano (trio)
1
Hautbois (partie séparée)
1
2 Cors Anglais Et Pianoforte
1
Cor anglais, Guitare (duo)
1
Clarinette, Contrebasse (duo)
1
Flûte, Violoncelle, Piano (trio)
1
Hautbois, Violoncelle
1
2 Flûtes, 2 Clarinettes (Quatuor)
1
Saxophone et Piano
1
Saxophone et Orgue
1
+ 97 instrumentations
Retracter
Cuivres
Trompette, Saxophone (duo)
183
Trombone (partie séparée)
157
Trompette (partie séparée)
123
Quatuor de Cuivres : 2 trompettes, trombone, tuba
111
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
97
Trompette, Trombone (duo)
95
Cor (partie séparée)
30
Quatuor de Cuivres: 2 trompettes, Cor, trombone
29
Trombone et Piano
28
Tuba (partie séparée)
26
2 Trombones (duo)
23
2 Trompettes (duo)
23
Quatuor de cuivres: 4 trombones
21
Trompette, Piano
17
Ensemble de Trombones
16
Euphonium, Piano (duo)
14
Quatuor de Cuivres
12
2 Euphoniums (duo)
11
Quatuor de cuivres: 4 cors
10
Trompette
9
Trombone
9
Trombone, Orgue
8
Tuba et Piano
8
Ensemble de Trompettes
7
Quatuor de cuivres: 2 trompettes, 2 trombones
7
3 Trompettes (trio)
7
2 Tubas (duo)
6
2 Cors (duo)
6
Euphonium, Tuba (duo)
5
Cor et Piano
4
3 Trombones (trio)
4
4 Tubas
3
2 Euphoniums et 2 Tubas
2
Trompette, Tuba (duo)
2
Instruments en Sib
2
Quatuor de cuivres: 4 trompettes
2
Cor
2
Trombone et orchestre
1
Trompette, Cor (duo)
1
Clarinette, Cor (duo)
1
Trombone, Tuba (duo)
1
Cor anglais, Piano
1
Trompette, Violoncelle et Piano
1
Trompette, Harpe
1
2 Cors Anglais Et Pianoforte
1
Trio de Cuivres
1
Cor anglais, Guitare (duo)
1
Cor et Harpe
1
3 Euphoniums
1
+ 44 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
604
Violon, Violoncelle (duo)
176
Violon, Alto (duo)
118
Trio à Cordes: violon, alto, violoncelle
96
Violon et Piano
75
Contrebasse (partie séparée)
50
Trio à Cordes: 2 violons, violoncelle
48
2 Violons (duo)
47
Violoncelle, Piano
35
2 Violoncelles (duo)
35
2 Altos (duo)
35
Harpe
32
Trio à cordes: 3 violins
28
Alto, Piano
28
Violon (partie séparée)
26
Quintette à cordes: 2 violons, alto, violoncelle, basse
22
Violoncelle, Contrebasse (duo)
16
Contrebasse, Piano (duo)
14
Violon
13
2 Harpes (duo)
12
4 Violoncelles
12
Trio à Cordes: 2 violons, alto
12
Violon, Guitare (duo)
11
Quatuor à cordes: 4 violons
9
2 Contrebasses (duo)
8
Alto, Violoncelle (duo)
8
Harpe, Flûte (duo)
7
Alto (partie séparée)
6
Violoncelle
6
Harpe, Violon (duo)
5
Violoncelle (partie séparée)
5
Piano Trio: Violon, Alto, Piano
5
Harpe, Violoncelle (duo)
4
Alto et Harpe
4
Violon, Basson (duo)
3
3 Harpes
3
Ensemble de Violons
3
Trio à cordes: 3 altos
3
Trio à Cordes: 3 violoncelles
3
Ensemble de Violoncelles
3
5 Harpes
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Quatuor à cordes : 4 altos
2
Alto, Guitare (duo)
2
Violoncelle , Guitare (duo)
2
Alto et Basson
1
Harpe, Voix
1
Flûte, Contrebasse (duo)
1
Violon, Trompette et Piano
1
Alto seul
1
Harpe et Piano
1
Harpe et mandoline
1
Violon, Clarinette, Piano (trio)
1
Violon, Orgue
1
2 Violons, Piano
1
4 Harpes
1
Violoncelle, Orgue
1
Harpe, Violon, Violoncelle
1
+ 53 instrumentations
Retracter
Orchestre & Percussions
Ensemble Jazz
753
Orchestre d'harmonie
638
Orchestre à Cordes
478
Orchestre
350
Jazz combo
250
Ensemble de cuivres
191
Ensemble de Percussions
103
Orchestre de chambre
84
Fanfare
49
Cloches
46
Batterie (partie séparée)
34
Batterie
26
Percussion (partie séparée)
11
Ensemble d'École
5
Piano et Orchestre
5
Vibraphone
2
Percussion
2
Marimba
2
Big band
2
Vibraphone et Marimba
2
2 Caisses Claires (duo)
1
Xylophone, Piano
1
Instrumentation Flexible
1
3 Marimbas
1
2 Marimbas
1
+ 20 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
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difficulté (tous)
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Vous avez sélectionné:
Rhythm Parts
SheetMusicPlus
Partitions à imprimer
103 partitions trouvées
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101
Dance Rhythm Is In You, rhythmic rondo: swing, bossa nova, tango
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Ensemble de Percussions
#
FACILE
#
Tango
#
Ivana Tuskan
#
Dance Rhythm Is In You, rhythm
#
Ivana Tuskan
#
SheetMusicPlus
Percussion Ensemble - Level 2 - SKU: A0.793951 Composed by Ivana Tuskan. 20th Century,Instructional,Jazz,Latin. Score and parts. 13 pages. Ivana Tuskan ...
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Percussion Ensemble - Level 2 - SKU: A0.793951 Composed by Ivana Tuskan. 20th Century,Instructional,Jazz,Latin. Score and parts. 13 pages. Ivana Tuskan #4615285. Published by Ivana Tuskan (A0.793951). Dear music teachers! What is the best way to learn music? Let your students use their fingers, foots, cheeks, hands and knees, or use some instruments by playing this fun music pieces. This PDF file contains 3 Rhythmic Rondo's (music form with A B A C A sheme) with Swing, Bossa Nova and Tango rhythmic patterns. You can use whole piece or just a theme, while episodes can be improvised by soloist. Fulfill your music classroom with joy, fun and creativity! Sincerely, Ivana Tuskan The sound sample is an electronic preview of 3 Themes. Level: early intermediate or intermediate.
$6.50
Music Street Rhythm/Percussion Sheet
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Ensemble de Percussions
#
DÉBUTANT
#
Carol Troutman Wiggins
#
Music Street Rhythm/Percussion
#
Carol Troutman Wiggins
#
SheetMusicPlus
Percussion Ensemble - Level 1 - SKU: A0.727109 Composed by Carol Troutman Wiggins. Children,Instructional,Standards. Score and parts. 1 pages. Carol Tro...
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Percussion Ensemble - Level 1 - SKU: A0.727109 Composed by Carol Troutman Wiggins. Children,Instructional,Standards. Score and parts. 1 pages. Carol Troutman Wiggins #2897349. Published by Carol Troutman Wiggins (A0.727109). Percussion instrumentsThis is the rhythm/percussion notation sheet for Music Street.Use bucket drums - plastic or metal buckets turned upside down, or use any container with a lid, such as a coffee can, potato chip container, baby formula can, pots & pans, or garbage can lid to play the rhythms.
$1.99
Rhythm Of Life
#
Ensemble de Percussions
#
INTERMÉDIAIRE
#
Minni K
#
Rhythm Of Life
#
Dr Minni Ang
#
SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.793348 Composed by Minni K. Ang. Concert,Contemporary. Score and parts. 37 pages. Dr Minni Ang #4638453. Publish...
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Percussion Ensemble - Level 3 - SKU: A0.793348 Composed by Minni K. Ang. Concert,Contemporary. Score and parts. 37 pages. Dr Minni Ang #4638453. Published by Dr Minni Ang (A0.793348). Rhythm of Life is built over a five beat pulse, representing the heartbeat of life on planet earth. The two basic pulses are played by different groups of instruments and passed from one group to another, but never ceasing, even as our heartbeats never cease as long as there is life in us. Over these fundamental patterns are built little phrases or solos for the various instruments, including conversations between pairs of instruments - first the timpani and tubular bells, later the marimba and xylophone, and finally the conga drums and the snare drum – these conversations represent various interactions among different groups of life on planet earth. The piece is constructed in theme and variations form.The OrchestrationPlayer One: MarimbaPlayer Two: XylophonePlayer Three: TimpaniPlayer Four: Tubular BellsPlayer Five: Snare Drum & CymbalsPlayer Six: Congas, Bass Drum & Tam-Tam
$8.99
Rhythm
#
Ensemble de Percussions
#
INTERMÉDIAIRE
#
Remco op den Dries
#
Rhythm
#
TmDrums
#
SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.992559 Composed by Remco op den Dries. Standards. Score and parts. 18 pages. TmDrums #6665531. Published by TmDr...
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Percussion Ensemble - Level 3 - SKU: A0.992559 Composed by Remco op den Dries. Standards. Score and parts. 18 pages. TmDrums #6665531. Published by TmDrums (A0.992559).
$3.99
3x3 for Percussion Trio (all parts)
#
Ensemble de Percussions
#
INTERMÉDIAIRE/AVANCÉ
#
Contemporain
#
Jared Rountree
#
3x3 for Percussion Trio
#
Jared Rountree
#
SheetMusicPlus
Percussion Ensemble - Level 4 - SKU: A0.928500 Composed by Jared Rountree. Contemporary. Score and parts. 11 pages. Jared Rountree #6857559. Published b...
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Percussion Ensemble - Level 4 - SKU: A0.928500 Composed by Jared Rountree. Contemporary. Score and parts. 11 pages. Jared Rountree #6857559. Published by Jared Rountree (A0.928500). 3x3 is a trio for snare and bass drums written for the Southern Oregon University Percussion Ensemble. It features numerous sections that contain contrapuntal exchanges and complex rhythmic patterns between groups of 2 or 3 players. There is an open solo section followed by a contrasting soft section played with soft timpani mallets. It ends with a unison section that is restated in increasingly quick tempos that build tension until the final decrescendo into nothing. (approx. 5’30’)
$19.99
M.C. Rhythms
#
Ensemble de Percussions
#
Contemporain
#
Rennard Stafford
#
M.C. Rhythms
#
Tempo X Percussion and Publications
#
SheetMusicPlus
Percussion Ensemble - SKU: A0.1019774 Composed by Rennard Stafford. Contemporary. Score and parts. 9 pages. Tempo X Percussion and Publications #5770947...
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Percussion Ensemble - SKU: A0.1019774 Composed by Rennard Stafford. Contemporary. Score and parts. 9 pages. Tempo X Percussion and Publications #5770947. Published by Tempo X Percussion and Publications (A0.1019774). A high energy battery piece filled with chop action from beginning to the end. Great for carrying a full band through a parade and marching performances. .
$9.99
Deck the Halls
#
Ensemble de Percussions
#
DÉBUTANT
#
Noël
#
Welsh melody
#
Deck the Halls
#
GuarrineMusic
#
SheetMusicPlus
Composed by Welsh melody. Arranged by Arranged by Andrew R. Guarrine. For Percussion Ensemble,Hand Percussion. 21st Century,Christmas. Easy/Beginner. Score,Set ...
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Composed by Welsh melody. Arranged by Arranged by Andrew R. Guarrine. For Percussion Ensemble,Hand Percussion. 21st Century,Christmas. Easy/Beginner. Score,Set of Parts. 7 pages. Published by GuarrineMusic
Another twist on a holiday standard. All percussion, but if you listen carefully you will hear the melody everywhere. Do you need to use the suggested instrumentation? Of course not, try whatever you want. Fun ANY grade level. Hand percussion, rhythm sticks, hand claps and foot stomps. Grade 1.
$6.25
Zona Centro (Downtown)
#
Ensemble de Percussions
#
INTERMÉDIAIRE/AVANCÉ
#
Reggae
#
Luis Carlos Diaz
#
Luis Carlos Diaz
#
Zona Centro
#
azdi
#
SheetMusicPlus
Percussion Ensemble - Level 4 - SKU: A0.1029902 Composed by Luis Carlos Diaz. Arranged by Luis Carlos Diaz. 20th Century,Contemporary,Hip-Hop,World. Sco...
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Percussion Ensemble - Level 4 - SKU: A0.1029902 Composed by Luis Carlos Diaz. Arranged by Luis Carlos Diaz. 20th Century,Contemporary,Hip-Hop,World. Score and parts. 119 pages. Azdi #5983083. Published by azdi (A0.1029902). Downtown area Musical work, for chamber orchestra, which recreates the atmospheres experienced when walking through the streets of the downtown area of ​​my city (Tijuana). Using the popular urban rhythms that can be heard live, performed by all the city's musicians, such as: Rap hip hop). The most popular and booming genre among young people in this city in particular and throughout Mexico in general. Jazz, which since the 1960s has been played on the legendary Av. Revolución. Aztec Dance (Mexica) that is still practiced by various circles of the city and the country, preserving ancient cultures. Reggae. Music of conscience and positive message, which is the most listened to and performed by numerous local and independent bands from the northern border. Divided into three parts, it begins with a melody or main theme, such as the bass line used on rap tracks, played first by the trombone, the double bass, and later also by the other instruments, on a rhythmic basis in the section of percussions with a characteristic rhythm of rap music at a speed of 90 bpm.
$33.00
The Office - Theme (Orff Ensemble) - Easy Version
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Ensemble de Percussions
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FACILE
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Film/TV
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The Office - Theme
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Music Preparation Services
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SheetMusicPlus
Early Intermediate - Digital Download Score, Set of Parts. 15 pages. Published by Music Preparation Services...
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Early Intermediate - Digital Download Score, Set of Parts. 15 pages. Published by Music Preparation Services
Written by band guitarist Matt Slocum, Kiss Me is a delightfully dreamy rock/pop song, which became a staple of the late 90s and early 2000s. Released in August 1998, the song was a worldwide success, also featuring prominently in TV show Dawson?s Creek, and 1999 American teen romantic-comedy film She?s All That (an adaptation of My Fair Lady).
This energetic arrangement in D major would be an excellent addition to any string quartet?s repertoire, especially for weddings and functions. The lead melodies are mainly carried by Violin I and ?Cello, with the syncopated rhythms of the guitar riff maintained within the ensemble, ensuring all members of the quartet can enjoy playing this 90s classic.
$12.99
Holiday Bolero for Percussion Ensemble
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Ensemble de Percussions
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Dan Heslink
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Holiday Bolero for Percussion
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Pharaoh Publications
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SheetMusicPlus
Percussion Ensemble - SKU: A0.935382 Arranged by Dan Heslink. Christian,Christmas,Contemporary. Score and parts. 27 pages. Pharaoh Publications #5212785...
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Percussion Ensemble - SKU: A0.935382 Arranged by Dan Heslink. Christian,Christmas,Contemporary. Score and parts. 27 pages. Pharaoh Publications #5212785. Published by Pharaoh Publications (A0.935382). Holiday Bolero for percussion ensemble arr. by Dan Heslink This arrangement is available in two versions, a quintet for xylophone and four marimbas and a percussion ensemble octet for orchestra bells, vibes, 3 marimbas, snare drum, timpani and multiple percussion. These comments refer to the percussion ensemble arrangement. While the term Bolero can be applied to a variety of slow-tempo Latin dances, for most orchestral performers the title will evoke the stirring rhythms of Ravel’s famous Bolero. Similarities include the driving 3/4 bolero rhythm, the building of tension over one long-range crescendo, and the climactic conclusion. The pitch content is based on O Holy Night, the well-known Christmas carol composed by Adolphe Adam in 1847. The difficulty level in terms of executing notes and rhythms is medium-easy. At the same time, the dynamic planning and control of the crescendo requires considerable musical judgment, particularly in the snare drum part. All of the keyboard parts require only two mallets per player, with the exception of the vibe part’s necessity of 3 or 4 mallets. There are no key changes, or mallet and hand independence. Pedaling on the vibes for the most part is suggested by the harmonic rhythm and is not notated. Setup of the general percussion part in the manner of a multiple percussion solo, where all playing surfaces are comfortably accessible. Holiday Bolero is sure to be an audience pleaser during a winter concert, especially close to Christmas. It would serve equally well in a percussion recital or a church service. In church this work would be appropriate as special music or as an offertory. Duration is 2:52. The arranger, Dan Heslink, can be contacted at dan@dheslink.com.
$9.99
Christmas Calypso for Percussion Sextet
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Ensemble de Percussions
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FACILE
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Noël
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Dan Heslink
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Christmas Calypso for Percussi
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Pharaoh Publications
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SheetMusicPlus
Percussion Ensemble - Level 2 - SKU: A0.935389 Arranged by Dan Heslink. Christian,Christmas. Score and parts. 18 pages. Pharaoh Publications #6117159. P...
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Percussion Ensemble - Level 2 - SKU: A0.935389 Arranged by Dan Heslink. Christian,Christmas. Score and parts. 18 pages. Pharaoh Publications #6117159. Published by Pharaoh Publications (A0.935389). Christmas Calypso for Percussion Sextet . . . . . . . . . . . . . . arr. Dan Heslink The calypso style referenced in the title is not the calypso of Afro-Caribbean music from Trinidad and Tobago. Rather, it is the especially toned-down but still rhythmic commercial variant popularized by folk singers. Couched in this style, the arrangement offers Christmas favorites Deck the Halls, Angels We Have Heard On High, God Rest Ye Merry Gentlemen and Good Christian Men, Rejoice. This if one of two versions of the calypso arrangement by Dan Heslink, both of which are available through Sheet Music Plus. The other arrangement, percussion sextet, follows similar musical contours and is available separately. Both versions are intended to elicit one primary response from both performers and audience – fun. It does not tax the players technically, but delivers a satisfying sound with carols that the performers likely know and love. General audiences will be enchanted by the familiar melodies delivered in percussion, especially at Christmas time. The introduction opens with a brisk and rhythmic introduction based on Deck the Halls, and establishes the fun calypso rhythm immediately. Deck the Halls is the much-loved welsh air that was arranged by Haydn, Nos galan (Hob. XXXIb:29, 1803). Then, Angels We Have Heard on High breaks out in double-stops with a continuation of the rhythmic impetus. The birth of Jesus Christ as narrated in the Gospel of Luke is the subject of Angels We Have Heard on High, a traditional French song of unknown origin. The gloria section provides some flowing contrast, portraying the shepherds’ impressions as they encounter a multitude of angels singing and praising. The performers are encouraged to use a relaxed stroke to glide through these passages. Following is God Rest Ye Merry Gentlemen, a 16th century English traditional Christmas carol also known under the title, The old Christmas Carol. It provides a contrast in tonality (minor mode) and texture. The xylophone part likely will lay most comfortably when executed with four mallets, although there are no three or four mallet chords in these passages. Good Christian Men, Rejoice is the closing selection in this Christmas medley. It’s title is an English translation of In dulci jubilo (Latin for In sweet rejoicing). The work ends happily with a summation of the calypso rhythm. This medley will be especially effective programmed on a winter holiday concert. Duration is 2:30. The arranger, Dan Heslink, assigned a difficulty level of medium easy, and can be contacted at dan@dheslink.com.
$4.99
Christmas Calypso for Marimba Quartet
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Ensemble de Percussions
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Noël
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Dan Heslink
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Christmas Calypso for Marimba
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Pharaoh Publications
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SheetMusicPlus
Percussion Ensemble - SKU: A0.935390 Arranged by Dan Heslink. Christian,Christmas. Score and parts. 16 pages. Pharaoh Publications #6117165. Published b...
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Percussion Ensemble - SKU: A0.935390 Arranged by Dan Heslink. Christian,Christmas. Score and parts. 16 pages. Pharaoh Publications #6117165. Published by Pharaoh Publications (A0.935390). Christmas Calypso for Marimba Quartet . . . . . . . . . . . . . . arr. Dan HeslinkThe calypso style referenced in the title is not the calypso of Afro-Caribbean music from Trinidad and Tobago. Rather, it is the especially toned-down but still rhythmic commercial variant popularized by folk singers. Couched in this style, the arrangement offers Christmas favorites Deck the Halls, Angels We Have Heard On High, God Rest Ye Merry Gentlemen and Good Christian Men, Rejoice. This if one of two versions of the calypso arrangement by Dan Heslink, both of which are available through Sheet Music Plus. The other arrangement, for percussion sextet, follows similar musical contours and is available separately. Both versions are intended to elicit one primary response from both performers and audience – fun. It does not tax the players technically, but delivers a satisfying sound with carols that the performers likely know and love. General audiences will be enchanted by the familiar melodies delivered in percussion, especially at Christmas time. The introduction opens with a brisk and rhythmic introduction based on Deck the Halls, and establishes the fun calypso rhythm immediately. Deck the Halls is the much-loved welsh air that was arranged by Haydn, Nos galan (Hob. XXXIb:29, 1803). Then, Angels We Have Heard on High breaks out in double-stops with a continuation of the rhythmic impetus. The birth of Jesus Christ as narrated in the Gospel of Luke is the subject of Angels We Have Heard on High, a traditional French song of unknown origin. The gloria section provides some flowing contrast, portraying the shepherds’ impressions as they encounter a multitude of angels singing and praising. The performers are encouraged to use a relaxed stroke to glide through these passages. Following is God Rest Ye Merry Gentlemen, a 16th century English traditional Christmas carol also known under the title, The old Christmas Carol. It provides a contrast in tonality (minor mode) and texture. The xylophone part likely will lay most comfortably when executed with four mallets, although there are no three or four mallet chords in these passages. Good Christian Men, Rejoice is the closing selection in this Christmas medley. It’s title is an English translation of In dulci jubilo (Latin for In sweet rejoicing). The work ends happily with a summation of the calypso rhythm. This medley will be especially effective programmed on a winter holiday concert. Duration is 2:30. The arranger, Dan Heslink, assigned a difficulty level of medium easy, and can be contacted at dan@dheslink.com.
$4.99
Alexandriana for Percussion Ensemble
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Ensemble de Percussions
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AVANCÉ
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Dan Heslink
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Alexandriana for Percussion En
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Pharaoh Publications
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.937755 Composed by Dan Heslink. Contemporary,World. Score and parts. 128 pages. Pharaoh Publications #5983475. P...
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Percussion Ensemble - Level 5 - SKU: A0.937755 Composed by Dan Heslink. Contemporary,World. Score and parts. 128 pages. Pharaoh Publications #5983475. Published by Pharaoh Publications (A0.937755). Alexandriana for percussion ensemble (12 performers) by Dan Heslink The term Alexandriana is popularly used to reference the Great Library of antiquity in Alexandria, Egypt. Rooted in Alexander the Great’s global military and exploratory exploits (334 - 323 BCE), the library symbolizes the ancient Greek ever expanding worldview, especially under the influence of Alexander and his tutor, Aristotle. Alexander died long before construction of the Ancient Museum and Library of Alexandria, but the concept of a universal library was uniquely his. The mixing of Hellenistic columns with Egyptian architecture and the housing of thousands of scrolls in Greek, Turkish, Babylonian, Egyptian and Hebrew, intensify the division of the library broadly into two large sections, one for eastern knowledge and one for western knowledge. In this musical score, typically western is the thematic concept (expressed most clearly in the chimes), the tonal, triadic-based harmony and sectional concept of form. The music’s sectional nature parallels the library’s different rooms, each containing their own genre of knowledge (history, mathematics, poetry, etc.) Evocative of eastern musical practices are the simultaneous layers of different rhythmic subdivisions, oriental modes, and florid lines in the xylophone and vibe parts. In this score, eastern musical procedures are expressed with instruments commonly found in the Western orchestra or wind band. The performers are encouraged to always emphasize the score’s contrasts. Passages for indefinitely pitched percussion featuring the song within the drums contrast with other passages of purely quantitative rhythm. Complexity in the interaction of parts contrast with simple rhythmic unison. Passages of thick harmony contrast with modal monophonic melodies accompanied only by indefinitely pitched sounds. Overall, there is a wide dynamic range. During long passages of gradually accruing energy, take care to not build dynamics too quickly, and during fortissimo passages, drums should be stroked in a manner that avoids excessive aggression. The rhythmic background of 16th notes must be consistent among all players so that interlocking rhythmic motifs are consistent. Often the tom-toms have melodic passages that imitate the shape of mallet or timpani melodies. Tune the drums for a warm, round sound and select mallets accordingly. Bar percussion players should apply a flowing legato to their passage work. Soft sections are intended to sound mysterious: be sure to use mallets that match that character. The composer assigns a performance level of difficult to this work. Performance time is 9:15. The composer, Dan Heslink, can be reached at dan@dheslink.com.
$9.99
Holiday Bolero for Keyboard Percussion
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Ensemble de Percussions
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FACILE
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Pharaoh Publications
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Holiday Bolero for Keyboard Pe
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Pharaoh Publications
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SheetMusicPlus
Percussion Ensemble - Level 2 - SKU: A0.935380 Arranged by Pharaoh Publications. Christian,Christmas,Contemporary,Spiritual. Score and parts. 14 pages. ...
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Percussion Ensemble - Level 2 - SKU: A0.935380 Arranged by Pharaoh Publications. Christian,Christmas,Contemporary,Spiritual. Score and parts. 14 pages. Pharaoh Publications #5212781. Published by Pharaoh Publications (A0.935380). Holiday Bolero for keyboard percussion arr. by Dan Heslink This arrangement is available in two versions, a quintet for xylophone and four marimbas, and a percussion ensemble octet for orchestra bells, vibes, 3 marimbas, snare drum, timpani and multiple percussion. These comments refer to the mallet quintet arrangement. While the term Bolero can be applied to a variety of slow-tempo Latin dances, for most orchestral performers the title will evoke the stirring rhythms of Ravel’s famous Bolero. Similarities include the driving 3/4 bolero rhythm, the building of tension over one long-range crescendo, and the climactic conclusion. The pitch content is based on O Holy Night, the well-known Christmas carol composed by Adolphe Adam in 1847. The difficulty level in terms of executing notes and rhythms is medium-easy. At the same time, the dynamic planning and control of the crescendo requires considerable musical judgment. All of the keyboard parts require only two mallets; some passages unfold as double stops. Mallets for the marimbas should be chosen to maximize the blend of individual parts into a unified chord. There are no key changes, or mallet and hand independence. Holiday Bolero is sure to be an audience pleaser during a winter concert, especially close to Christmas. It would serve equally well in a percussion recital or a church service. In church this work would be appropriate as special music or as an offertory. Duration is 2:52. The arranger, Dan Heslink, can be contacted at dan@dheslink.com.
$4.99
Two Dreams for solo Trombone and 8-part Percussion Ensemble
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Ensemble de Percussions
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AVANCÉ
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Antonio J
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Two Dreams for solo Trombone a
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Gordon Cherry
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.811252 Composed by Antonio J. Garcia. Contemporary,Jazz,Latin,World. Score and parts. 119 pages. Gordon Cherry #...
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Percussion Ensemble - Level 5 - SKU: A0.811252 Composed by Antonio J. Garcia. Contemporary,Jazz,Latin,World. Score and parts. 119 pages. Gordon Cherry #6549777. Published by Gordon Cherry (A0.811252). Two Dreams for Trombone and Percussion EnsembleDr. Justin Alexander (Director, VCU Percussion Ensemble) invited me to create a piece for trombone and percussion ensemble that had roles for more- and less-experienced players so that they could mix within the performance. I so enjoyed composing and performing this work. He estimates the overall difficulty grade of Movement I to be a three on a five-point scale and Movement II to be a four, with a grade four for the overall piece; but some players’ parts (within the eight total in the percussion ensemble) are indeed easier.The two Movements are approximately five minutes each.The first Movement Bilita Mpash (An Amazing Dream) calls for (1) shekeré/guiro; (2) 5-octave marimba (shared with...); (3) 5-octave marimba (shared with previous); (4) claves/drum set with mounted cowbell; (5) bell/mounted cowbell/congas; (6) hi-hat/suspended cymbal; (7) bass drum; and (8) four toms/maracas.The Second Movement (Running with the Tigers) calls for (1) xylophone; (2) vibraphone/glockenspiel; (3) 5-octave marimba; (4) drum set; (5) shaker/samba whistle/congas (opt. voice); (6) triangle/bell tree/hanging bells/agogo bells (opt. voice); (7) bass drum (opt. voice); and (8) Timpani (opt. voice). Pending difficulty levels, the conga and drum set parts can optionally be split among additional percussionists. The score notes offer a stage plot and many rehearsal tips.Bilita Mpash (An Amazing Dream)The 3-2 Rumba Clave anchors this movement, launched by the shekeré. Rhythmic vamps of multiple bars form the landscape over which the trombone’s melody emerges, followed by a move to double-time 2-3 Rumba Clave (with montuno) and back. The trombone soloist improvises without chordal accompaniment for a while so could reflect on the preceding harmonies or instead freely improvise with no concern as to chord changes, while a later section requires improv over chord changes. After the recap, a surprise tag of the ending phrase in Cha Cha sets up the rubato finish. Bilita Mpash (BILL-it-uh m-POSH) is a Bantu term for an amazing dream, a dream so good that it is the polar opposite of a nightmare-a dream in a blissful state where all is forgiven and forgotten2. Running with the TigersThe opening, written-out marimba solo is somewhat of a nod to vibist Gary Burton’s influence in bringing mallets towards the expression of modern jazz. A 9/8 samba-groove (5+4) transforms to 4/4. None of the percussionists have to have a jazz background, though the drum set player would be more challenged if not already exposed to Latin drumming. The improvised solo section could be all solo trombone or could be divided among various performers, including trading. The recap of the tune begins over 5/8 samba (3+2, later 2+3). The closing arrhythmic drum-set solo crescendos as the optional surprise of percussionists’ (or additional) voices sing at the end. The title of this movement refers to a recurring dream my dad would have, as well as to the active movements of my grandson when sleeping in his earliest years.-Antonio J. GarcÃaInstrumentation is for:Solo Trombone and 8-part Percussion Ensemble:shekeré/guiro, 2 5-octave marimbas, claves/drumset with cowbell, bell, congas, hi-hat, suspended cymbal, bass drum, toms, maracas, xylophone, vibraphone, glockenspiel, shaker, samba whistle, congas, triangle, bell tree, hanging bells, agogo bells, bass drum and timpani.This rhythmic and dramatic work includes improvisation by the Trombonist. Listen to the brilliant live performance featuring Mr. Garcia and the Virginia Commonwealth University Percussion Ensemble directed by Dr. Justin Alexander.
$50.00
The Hammer & Anvil
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Ensemble de Percussions
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INTERMÉDIAIRE
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Jake Garratt
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The Hammer & Anvil
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J Garratt Composer
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SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.1029072 Composed by Jake Garratt. Contemporary,Folk,Standards,World. Score and parts. 1 pages. J Garratt Compose...
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Percussion Ensemble - Level 3 - SKU: A0.1029072 Composed by Jake Garratt. Contemporary,Folk,Standards,World. Score and parts. 1 pages. J Garratt Composer #4615943. Published by J Garratt Composer (A0.1029072). 'The Hammer & Anvil' is the piece that adorns the balustrade of the band stand in Parade Gardens, Bath, UK. The band stand was forged by the National Heritage Ironwork Group as a gift to the city during their 2018 'BathIron' festival. The piece is written for 2 treble clef parts and a bass clef part and can be performed by any group of instruments. For the original performance it was performed on 2 Bb Clarinets and a Bass Clarinet.About the piece:'The Hammer & Anvil' is derived from the melody of an English folk song about a blacksmith (ironworker) which has been adapted and augmented to be used as a melodic foundation throughout the piece, similar to an isorhythm in medieval compositions. The piece is in two sections: the A section where the folk melody is confined to the bass and the B section where the melody is split between all three parts. A repeated rhythmic motif, representative of an ironworker using his hammer and anvil, is used to accompany and/or decorate this melody.
$2.99
Asian Symmetries
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Ensemble de Percussions
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INTERMÉDIAIRE
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Dan Heslink
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Asian Symmetries
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Pharaoh Publications
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SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.935379 Composed by Dan Heslink. Contemporary,World. Score and parts. 30 pages. Pharaoh Publications #4978359. Pu...
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Percussion Ensemble - Level 3 - SKU: A0.935379 Composed by Dan Heslink. Contemporary,World. Score and parts. 30 pages. Pharaoh Publications #4978359. Published by Pharaoh Publications (A0.935379). Asian Symmetries by Dan Heslink Asian Symmetries is a fanciful work which draws loosely from the musical procedures and sonic preferences of Indonesian and other Asian musical styles. It is scored for three percussionists, each with their own battery of instruments. Gamelan-like impressions might be inferred from the cyclical nature of its rhythm, using metal plates like cymbals and gongs to mark large units of rhythmic time. Also evocative are the faster moving elaborations and a preponderance of metallophones in the instrumentation. The work is medium to difficult in its demands. There are quick changes of instrument, planned to be manageable but requiring some attention to logistics Each player’s performance station must remain stationary, with all instruments in reach without moving the performer’s position. Percussion I and Percussion III players must set up next to each other so that they may share the tenor drum. A selection of mallets that allows different striking surfaces to sound good without undue picking up and setting down of mallets is suggested. Changes of meter and tempo occur, and an odd meter section sporting measures in 12/8, 6/8, 11/8 may require some additional attention. The instrumentation is selected to approximate Asian sounds with common western instruments. Performance time is 6:28. The composer, Dan Heslink, can be reached at dan@dheslink.com.
$4.99
African Village for Marimba
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Ensemble de Percussions
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Wayne Liesching
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African Village for Marimba
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Wayne Liesching
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SheetMusicPlus
Percussion Ensemble - SKU: A0.981000 Composed by Wayne Liesching. African,Folk,World. Score and parts. 21 pages. Wayne Liesching #3878043. Published by ...
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Percussion Ensemble - SKU: A0.981000 Composed by Wayne Liesching. African,Folk,World. Score and parts. 21 pages. Wayne Liesching #3878043. Published by Wayne Liesching (A0.981000). African Village for Marimba - (Duration 2.37) Advanced. School Ensemble. Five marimbas: bass, tenor, alto, 2 sopranos. African marimba style piece where the rhythmic patterns can be challenging - polyrhythms in sections. Definite concert repertoire. SAMRO, CAPASSO https://drooble.com/wayne.liesching/ https://www.facebook.com/thecomposerman/ www.thecomposerman.compsallo.academyofmusic@gmail.com
$15.00
Quartet #9
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Ensemble de Percussions
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INTERMÉDIAIRE
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Contemporain
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Jeff Tincher
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Quartet #9
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Jeff Tincher
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SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.584697 Composed by Jeff Tincher. Contemporary. Score and parts. 52 pages. Jeff Tincher #6019477. Published by Je...
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Percussion Ensemble - Level 3 - SKU: A0.584697 Composed by Jeff Tincher. Contemporary. Score and parts. 52 pages. Jeff Tincher #6019477. Published by Jeff Tincher (A0.584697). This composition is a Bolero in 12/8. It begins with the initial rhythm that is played throughout the piece. The piece begins at ppp and increases in volume as each instrument plays the melody section. As each instrument enters, it forms a round of the same melody. The bridge begins with the continuing rhythm with each instrument adding their own note with the same rhythm until the complete quartet is playing the same rhythm in a chord. The bridge leads to the climax section where the initial rhythm continues with the third instrument imitates a tympani while the upper two instruments play the melody in harmony at fff volume. The finale is a repeat of the layering bridge to a single accented chord. Hear the full version of composition on Jeff Tincher's For Percussion Quartet CD. Duration = 6:43. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing
$12.99
Four Forces (First movement) I. Strong Forces
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Ensemble de Percussions
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AVANCÉ
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Salvador Rojo Gamón
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Four Forces
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Salvador Rojo-Gamon
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.962406 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 173 pa...
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Percussion Ensemble - Level 5 - SKU: A0.962406 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 173 pages. Salvador Rojo-Gamon #5801913. Published by Salvador Rojo-Gamon (A0.962406). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$300.00
Four Forces (Second movement) II. Weak Forces
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Ensemble de Percussions
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AVANCÉ
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Salvador Rojo Gamón
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Four Forces
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Salvador Rojo-Gamon
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.962405 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 255 pa...
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Percussion Ensemble - Level 5 - SKU: A0.962405 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 255 pages. Salvador Rojo-Gamon #5801921. Published by Salvador Rojo-Gamon (A0.962405). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$150.00
Heads, Shoulders, Knees & Blues (for Body Percussion & Bass)
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Ensemble de Percussions
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Blues
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Jazz
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Isabelle Ryder
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Heads, Shoulders, Knees &
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Isabelle Ryder
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SheetMusicPlus
Percussion Ensemble - SKU: A0.1001581 Composed by Isabelle Ryder. Blues,Jazz. Score and parts. 56 pages. Isabelle Ryder #6480345. Published by Isabelle ...
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Percussion Ensemble - SKU: A0.1001581 Composed by Isabelle Ryder. Blues,Jazz. Score and parts. 56 pages. Isabelle Ryder #6480345. Published by Isabelle Ryder (A0.1001581). This piece is the result of a 2020 lockdown commission by Heswall Concert Band, which needed a piece to work on that didn't involve its members playing wind and brass instruments! The instrumentation consists of a Rhythm Core of Hand Brush, Hip Tap, Clap, and Stamp; and 3 Sections: Shoulders, Knees, and Bellies; and a bass (acoustic or electric). Ideally, the Shoulders, Knees and Bellies sections should each have several members; the Rhythm Core should have 1 or 2 members on each part. Some light choreography is suggested in the score, but the bandleader may indulge their own creativity in this regard.Please watch the accompanying video for a demo. You may also contact the composer (https://isabellerydermusic.weebly.com) to request a training video.
$69.99
Chops McGee's Bucket of Chops
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Ensemble de Percussions
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INTERMÉDIAIRE
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Tsoof Baras
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Chops McGee's Bucket of Chops
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Tsoof Baras
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SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.1013933 Composed by Tsoof Baras. Standards. Score and parts. 15 pages. Tsoof Baras #6332949. Published by Tsoof ...
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Percussion Ensemble - Level 3 - SKU: A0.1013933 Composed by Tsoof Baras. Standards. Score and parts. 15 pages. Tsoof Baras #6332949. Published by Tsoof Baras (A0.1013933). Players - 4Instrumentation - Concert Toms.Inspired by the music of Kevin Tuck, this drumming quartet is an introduction to 12/8, soloing and creating melodies across parts.As always, the aim is that the ensemble has fun and enjoys the groove. Coming from a long background of Latin and African drumming styles, this composition places a heavy emphasis on feeling the rhythm and hearing all the parts lock in.
$45.00
Jackman
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Ensemble de Percussions
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Contemporain
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Rennard
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Jackman
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Tempo X Percussion and Publications
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SheetMusicPlus
Percussion Ensemble - SKU: A0.1019772 Composed by Rennard. Contemporary. Score and parts. 5 pages. Tempo X Percussion and Publications #5770937. Publish...
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Percussion Ensemble - SKU: A0.1019772 Composed by Rennard. Contemporary. Score and parts. 5 pages. Tempo X Percussion and Publications #5770937. Published by Tempo X Percussion and Publications (A0.1019772). This crafty snare drum solo is the beginning of a rhythmic story filled with lofty rhythms and syncopation. Enjoy exploring the many stick tricks and rudimental-filled patterns in this advanced snare drum solo. It's great for solo ensembles and competitions. .
$7.99
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