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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Sequence
Non classifié
454
Piano & claviers
Piano seul
222
Piano, Voix
70
Piano Facile
39
Orgue
25
Piano, Voix et Guitare
23
1 Piano, 4 mains
9
Instruments en Do
5
2 Pianos, 4 mains
3
Piano Quatuor: piano, violon, alto, violoncelle
2
Clavecin
1
Piano Trio: piano, violon, violoncelle
1
Orgue, Piano (duo)
1
Piano grosses notes
1
+ 8 instrumentations
Retracter
Guitares
Guitare notes et tablatures
53
Guitare
25
Basse électrique (partie séparée)
5
Ukulele
4
Basse electrique
4
Dulcimer
2
Mandoline
2
Paroles et Accords
1
4 Guitares (Quatuor)
1
Banjo
1
Ligne De Mélodie, (Paroles) et Accords
1
Ensemble de guitares
1
+ 7 instrumentations
Retracter
Voix
Chorale SATB
107
Chorale Unison
40
Chorale TTBB
17
Chorale 3 parties
12
Voix seule
9
Chorale SSAA
6
Voix moyenne, Piano
5
Chorale 2 parties
4
Voix basse
4
Voix haute
3
Voix Soprano, Piano
2
Voix duo
2
Voix Tenor, Piano
1
Chorale SAATB A Cappella
1
Voix Alto, Piano
1
Chorale SSAATTBB
1
+ 11 instrumentations
Retracter
Vents
Flûte traversière et Piano
32
Saxophone (partie séparée)
24
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
21
Clarinette (partie séparée)
18
Quatuor de Saxophones: 4 saxophones
14
Flûte traversière
12
Clarinette et Piano
12
Ensemble de saxophones
11
Hautbois, Piano (duo)
11
Flûte, Hautbois, Clarinette, Basson
10
Ensemble de Clarinettes
10
2 Saxophones (duo)
10
2 Flûtes traversières (duo)
8
Flute (partie séparée)
8
Quatuor de Clarinettes: 4 clarinettes
7
Saxophone Tenor et Piano
7
Saxophone Tenor
7
Quatuor de Flûtes : 4 flûtes
7
2 Clarinettes (duo)
6
Saxophone Alto et Piano
6
Clarinette
5
Quintette de Saxophone: 5 saxophones
5
Hautbois (partie séparée)
5
Flûte et Guitare
4
Clarinette, Violoncelle, Piano (trio)
4
Saxophone Alto
4
2 Flûte à bec (duo)
4
Saxophone, Clarinette (duo)
3
Trio de Flûtes: 3 flûtes
3
Flûte, Alto et Piano
3
2 Hautbois (duo)
3
Clarinette, Guitare (duo)
3
Hautbois, Basson (duo)
2
Quintette de Clarinettes: 5 clarinettes
2
Ensemble de Flûtes
2
Hautbois
2
Clarinette, Violon (duo)
2
Ensemble De Flûte à bec
2
Quintette de Flûte : 5 flûtes
2
Flûte, Hautbois, Clarinette (trio)
2
Flûte, Violoncelle, Piano (trio)
2
Quatuor de Flûtes à bec
1
3 Clarinettes (trio)
1
Hautbois, Clarinette (duo)
1
Flûte, Violon
1
Flûte, Trompette (duo)
1
Saxophone
1
Clarinette, Alto et Piano (trio)
1
Ocarina
1
Piccolo, Piano
1
Hautbois, Flûte
1
Saxophone Soprano et Piano
1
Clarinette, Trompette (duo)
1
2 Flûtes traversières, Piano
1
2 Clarinettes, Piano
1
Flûte, Saxophone (duo)
1
Hautbois, Basson et Piano
1
Flûte, Clarinette (duo)
1
+ 53 instrumentations
Retracter
Cuivres
Trompette (partie séparée)
20
Quatuor de Cuivres : 2 trompettes, trombone, tuba
17
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
14
Trombone (partie séparée)
12
Trompette, Piano
9
Tuba
9
Trombone
9
Cor
9
Tuba (partie séparée)
8
Trompette
7
Tuba ou Euphonium ou Saxhorn
7
Cor (partie séparée)
6
2 Trompettes (duo)
5
Ensemble de Trombones
4
Trombone et Piano
4
Cor et Piano
3
2 Trombones (duo)
3
Tuba et Orgue
3
Trompette, Trombone (duo)
2
2 Cors (duo)
2
Quatuor de cuivres: 4 trombones
2
Ensemble de Trompettes
2
2 Tubas (duo)
2
Trompette, Saxophone (duo)
2
Trompette, Euphonium (duo)
1
Ensemble de Cors
1
Ensemble de Tubas
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
+ 23 instrumentations
Retracter
Cordes
Violon et Piano
41
Quatuor à cordes: 2 violons, alto, violoncelle
35
Violon
25
Violoncelle
15
Alto, Piano
13
Violoncelle, Piano
12
Trio à Cordes: violon, alto, violoncelle
9
Alto seul
7
Violon, Violoncelle (duo)
5
2 Violoncelles (duo)
5
2 Violons (duo)
5
Alto (partie séparée)
4
Violon, Alto (duo)
4
2 Altos (duo)
3
Contre Basse
3
Violon, Guitare (duo)
2
Ensemble d'Altos
2
Violoncelle , Guitare (duo)
2
Ensemble de Violons
2
4 Contrebasses
2
4 Violoncelles
1
Alto, Guitare (duo)
1
Harpe
1
Alto, Violoncelle (duo)
1
Trio à Cordes: 2 violons, violoncelle
1
+ 20 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
53
Fanfare
41
Orchestre
34
Orchestre à Cordes
25
Percussion
18
Cloches
8
Percussion (partie séparée)
6
Xylophone
5
Ensemble Jazz
4
Ensemble de Percussions
4
Jazz combo
4
Ensemble de cuivres
3
Batterie (partie séparée)
3
Orchestre de chambre
3
Timbales (partie séparée)
3
Quintette de Cuivres: autres combinaisons
1
Batterie
1
+ 12 instrumentations
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FLUTE A BEC
FLUTE A DIX…
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LUTH, THEOR…
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
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UKULELE
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Ensemble de Percussions
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Four Forces (First movement) I. Strong Forces
#
Ensemble de Percussions
#
AVANCÉ
#
Salvador Rojo Gamón
#
Four Forces
#
Salvador Rojo-Gamon
#
SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.962406 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 173 pa...
(+)
Percussion Ensemble - Level 5 - SKU: A0.962406 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 173 pages. Salvador Rojo-Gamon #5801913. Published by Salvador Rojo-Gamon (A0.962406). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$300.00
Four Forces (Second movement) II. Weak Forces
#
Ensemble de Percussions
#
AVANCÉ
#
Salvador Rojo Gamón
#
Four Forces
#
Salvador Rojo-Gamon
#
SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.962405 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 255 pa...
(+)
Percussion Ensemble - Level 5 - SKU: A0.962405 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 255 pages. Salvador Rojo-Gamon #5801921. Published by Salvador Rojo-Gamon (A0.962405). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$150.00
Magna
#
Ensemble de Percussions
#
FACILE
#
Andreas Losiewicz
#
Magna
#
Andreas Losiewicz
#
SheetMusicPlus
Percussion Ensemble - Level 2 - SKU: A0.992410 Composed by Andreas Losiewicz. Contemporary,Standards. Score and parts. 16 pages. Andreas Losiewicz #3621...
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Percussion Ensemble - Level 2 - SKU: A0.992410 Composed by Andreas Losiewicz. Contemporary,Standards. Score and parts. 16 pages. Andreas Losiewicz #3621691. Published by Andreas Losiewicz (A0.992410). MagnaThis piece has the most focus on the timpanist and the snare drum player. The Adagio mid sequence is an short and soft timpani solo. The last Allegro part of the piece is an explosive finale with all parts in focus and it requires a lot of cooperation from the musicians.Durata: 3:00 min
$5.99
Russian Dance Trepak - For Orff Ensemble (Full Version)
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Ensemble de Percussions
#
INTERMÉDIAIRE
#
P
#
Yvonne Johnson
#
Russian Dance Trepak - For Orf
#
Yvonne Johnson
#
SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.839123 Composed by P. Tchaikovsky. Arranged by Yvonne Johnson. Classical,Instructional,Romantic Period. Score an...
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Percussion Ensemble - Level 3 - SKU: A0.839123 Composed by P. Tchaikovsky. Arranged by Yvonne Johnson. Classical,Instructional,Romantic Period. Score and parts. 33 pages. Yvonne Johnson #445847. Published by Yvonne Johnson (A0.839123). An 8 part, full version arrangement of this well known dance by Tchaikovsky. Scored for Sop Glock, Alto Glock, Sop Xyl, Alto Xyl, Alto Met, Bass Xyl, Woodblock and Tambourine. Arranged for more advanced players, the B section has some tricky rising sequences for Sop Xly, Alto Xyl and Bass Xyl. Players will need additional bars for these passages. Alto Glock adds some fun and panache with the Glissandi bars at the start of each of the main themes. Suitable for Intermediate - Advanced performers. Tempo and dynamic markings are suggested ones only. If preferred, an easier arrangement with only the main theme and stringendo end section is available for less advanced players.
$3.95
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