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FLUTE DE PA…
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HARMONICA
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HAUTBOIS
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MANDOLINE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
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AFRICAIN
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ASIE
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CHANSON FRANÇAISE
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CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
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CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
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JEUX VIDEOS
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MEDIEVAL - RENAISSAN…
METAL - HARD
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METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
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POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
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PUNK
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1323
PIANO & CLAVIERS
Piano grosses notes
793
Piano seul
508
Piano, Voix
165
Piano Facile
119
Piano, Voix et Guitare
69
Orgue
39
Piano Trio: piano, violon, violoncelle
15
Instruments en Do
12
1 Piano, 4 mains
11
2 Pianos, 4 mains
8
Accompagnement Piano
6
Piano Quatuor: piano, violon, alto, violoncelle
2
Clavier
2
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Piano (partie séparée)
2
Orgue, Trompette (duo)
1
Clavecin
1
Accordéon
1
Piano Quatuor: piano, 2 violons, violoncelle
1
2 Pianos, 8 mains
1
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GUITARES
Guitare notes et tablatures
54
Basse electrique
29
Guitare
22
2 Guitares (duo)
17
Ukulele
8
3 Guitares (trio)
6
4 Guitares (Quatuor)
6
Ensemble de guitares
5
Ligne De Mélodie, (Paroles) et Accords
4
Mandoline
3
Guitare (partie séparée)
2
Banjo
2
Mandoline, Guitare (duo)
1
2 Mandolines (duo)
1
Paroles et Accords
1
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VOIX
Chorale SATB
64
Chorale 3 parties
17
Chorale TTBB
13
Chorale SSAA
11
Chorale 2 parties
8
Voix seule
6
Voix duo
4
Chorale Unison
2
Voix Soprano, Piano
2
Voix duo, Piano
2
Chorale SSATTB
1
Instrumentations suivantes
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VENTS
Quintette de Saxophone: 5 saxophones
89
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
88
Flûte irlandaise
79
Flûte traversière et Piano
78
2 Saxophones (duo)
64
Ensemble de saxophones
59
Clarinette et Piano
56
Quatuor de Saxophones: 4 saxophones
50
Hautbois, Piano (duo)
45
2 Flûtes traversières (duo)
42
Saxophone Alto et Piano
37
Ensemble de Clarinettes
37
Saxophone Tenor et Piano
33
Quintette de Flûte : 5 flûtes
33
Saxophone Baryton, Piano
32
Saxophone Soprano et Piano
31
2 Clarinettes (duo)
29
Cor anglais, Piano
27
Quatuor de Clarinettes: 4 clarinettes
26
Ensemble de Flûtes
26
Flûte, Hautbois, Clarinette, Basson
25
Clarinette
21
Saxophone, Clarinette (duo)
19
Quatuor de Flûtes : 4 flûtes
17
Clarinette Basse, Piano
16
Clarinette, Violon (duo)
15
Clarinette et Alto
12
Hautbois, Basson (duo)
11
Flûte, Alto (duo)
11
Quintette de Clarinettes: 5 clarinettes
11
Clarinette, Trompette (duo)
10
Flûte et Guitare
10
2 Hautbois (duo)
10
Saxophone (partie séparée)
8
Flûte, Clarinette (duo)
8
Flûte, Violon
7
Hautbois, Clarinette (duo)
7
Flûte traversière
6
3 Saxophones (trio)
5
Flûte, Violoncelle
5
Hautbois, Flûte
5
Flûte, Trompette (duo)
5
Quatuor de Flûtes à bec
5
Flute, harpe et violon
4
Clarinette, Guitare (duo)
4
Flûte, Saxophone (duo)
4
Saxophone
3
Trio de Flûtes: 3 flûtes
3
Flûte à bec Soprano, Piano
3
2 Flûte à bec (duo)
2
Saxophone et Orgue
2
Clarinette, Violoncelle (duo)
2
Harmonica
2
Piccolo, Piano
2
Flûte à bec Tenor
2
2 Clarinettes, Piano
2
Flûte, Clarinette, Piano (trio)
2
Saxophone Alto
2
Hautbois (partie séparée)
2
Flûte à bec Alto, Piano
2
Flûte, Hautbois (duo)
1
Flûte, Basson et Piano
1
Flûte à Bec, Piano
1
Hautbois
1
Saxophone et Guitare
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Flûte, Violoncelle, Guitare
1
Flute (partie séparée)
1
2 Flûtes traversières, Piano
1
Ensemble de Hautbois
1
Saxophone Soprano
1
Ensemble à vent
1
Flûte, Hautbois, Clarinette (trio)
1
Hautbois, Clarinette, Basson (trio d'anches)
1
3 Flûtes à bec (trio)
1
Flûte, Hautbois, Basson
1
3 Clarinettes (trio)
1
Flûte à bec Soprano
1
Flûte, Clarinette et Basson
1
Clarinette, Basson, Piano (trio)
1
Saxophone Tenor
1
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CUIVRES
Quatuor de Cuivres : 2 trompettes, trombone, tuba
97
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
55
Trombone et Piano
37
Ensemble de Trombones
36
Euphonium, Piano (duo)
28
Trompette, Piano
28
Cor anglais, Piano
27
Cor et Piano
27
Trompette, Trombone (duo)
17
Quatuor de Cuivres: 2 trompettes, Cor, trombone
16
Trompette
15
Tuba et Piano
15
Ensemble de Trompettes
12
Quatuor de cuivres: 4 trombones
12
2 Trompettes (duo)
10
Quatuor de Cuivres
10
Trompette, Saxophone (duo)
10
2 Trombones (duo)
5
Trombone (partie séparée)
4
Trombone
4
3 Trombones (trio)
4
Ensemble de Cors
4
Trio de Cuivres
3
Trompette (partie séparée)
2
2 Euphoniums et 2 Tubas
2
Tuba
2
Cor
2
2 Trompettes, Clavier (piano ou orgue)
1
2 Cors (duo)
1
Trombone, Orgue
1
4 Tubas
1
3 Euphoniums
1
Quatuor de cuivres: 4 cors
1
Tuba (partie séparée)
1
Cor (partie séparée)
1
Quatuor de cuivres: 4 trompettes
1
2 Cors, Piano
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
269
Violon, Violoncelle (duo)
165
Trio à Cordes: violon, alto, violoncelle
124
Violon
119
Violon et Piano
63
Harpe
63
Violoncelle, Piano
52
Alto, Piano
46
Quintette à cordes: 2 violons, alto, violoncelle, basse
36
Violon, Alto (duo)
22
2 Violoncelles (duo)
19
2 Altos (duo)
16
2 Violons (duo)
12
Violoncelle (partie séparée)
11
Ensemble d'Altos
10
Ensemble de Violons
10
Quintette à cordes: 2 violons, 2 altos, violoncelle
7
2 Harpes (duo)
7
4 Violoncelles
6
Contrebasse, Piano (duo)
6
Violoncelle, Contrebasse (duo)
5
Trio à Cordes: 2 violons, violoncelle
4
Flûte, Contrebasse (duo)
4
Alto seul
4
Harpe, Flûte (duo)
3
2 Violons, Piano
3
Quatuor à cordes: 4 violons
2
Alto, Violoncelle (duo)
2
Trio à Cordes: 3 violoncelles
2
Violon (partie séparée)
2
Trio à Cordes: 2 violons, alto
2
Ensemble de Violoncelles
2
Violoncelle
2
Contrebasse (partie séparée)
1
Violoncelle , Guitare (duo)
1
4 Contrebasses
1
Harpe, Violon, Violoncelle
1
Contre Basse
1
Quatuor à cordes : 4 altos
1
Violoncelle, Orchestre
1
Violon, Guitare (duo)
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre à Cordes
169
Orchestre d'harmonie
91
Orchestre
85
Ensemble Jazz
59
Ensemble de cuivres
54
Orchestre de chambre
27
Cloches
23
Jazz combo
21
Ensemble de Percussions
17
Fanfare
6
Batterie
5
Ensemble d'École
1
2 Marimbas
1
Batterie (partie séparée)
1
Vibraphone
1
Percussion
1
Piano et Orchestre
1
Instrumentations suivantes
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AUTRES
Vous avez sélectionné:
She\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\'s Not There: Score
Ensemble de Percussions
Partitions à imprimer
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She's Not There
Ensemble de Percussions
Percussion Ensemble - Level 1 - Digital Download SKU: A0.884294 By The Zombies. By …
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Percussion Ensemble - Level 1 - Digital Download SKU: A0.884294 By The Zombies. By Rod Argent. Arranged by Aaron Ziegler. Film/TV. Score and parts. 17 pages. Aaron Ziegler #3916671. Published by Aaron Ziegler (A0.884294). A recording of this arrangement can be heard on YouTube at: https://www.youtube.com/watch?v=l7Wn5QJ8VL4 Difficulty: Easy/BeginnerFor more about the arranger visit: www.AaronZieglerPercussion.com.
$20.00
18.37 €
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Ensemble de Percussions
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The Zombies
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Aaron Ziegler
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She's Not There
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Aaron Ziegler
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SheetMusicPlus
There's Nothing Holdin' Me Back - Score Only
Ensemble de Percussions
Percussion Ensemble - Level 3 - Digital Download SKU: A0.1305745 By Shawn Mendes. B…
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.1305745 By Shawn Mendes. By Geoffrey Warburton, Scott Harris, Shawn Mendes, and Teddy Geiger. Arranged by Josh Ball. 21st Century,Pop,Rock. 1 pages. The BeatCave #895186. Published by The BeatCave (A0.1305745). Color-coded Top 40 chart for use with Boomwhackers, Xylophones, Keyboards, and all pitched percussion instruments.
$4.99
4.58 €
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Ensemble de Percussions
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Shawn Mendes
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Josh Ball
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There's Nothing Holdin' Me Back - Score Only
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The BeatCave
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SheetMusicPlus
Percussion Suite: Dracula's Curse (Full Score)
Ensemble de Percussions
Percussion Ensemble African Percussion,Bass Marimba,Bongos,Boomwhackers,Conga Drum,Drum Se…
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Percussion Ensemble African Percussion,Bass Marimba,Bongos,Boomwhackers,Conga Drum,Drum Set,Snare Drum,Vibraphone - Level 4 - Digital Download SKU: A0.1416844 By JC Croyle. By JC Croyle. Classical,Halloween,Multicultural,World. 75 pages. JC Croyle #998440. Published by JC Croyle (A0.1416844). This is One of Four Percussion suites (Part II) that can either be played with the other three portions or by itself or even each part inside this portion of the suite for performance. Â Included with the score and each instrument part are the entire instrumentation, storyboards, and a character Bio Page. Â Why is there a character Bio page and storyboard you ask? Â This suite combined with the others can also be performed as a contemporary dance piece following the story of the short story (which is in the public domain) written by Bram Stroker as a prelude to Dracula entitled Dracula's Curse. Â Instrumentation for each portion can range from Orchestral Bass Drum, Snare Drum, and Marimba Parts to drum-set to Boom Whackers. Â Note: Most of the Marimba parts and some of the Vibeâ??s parts are written for Grand Marimba, these could also be played on a piano if need be. Â Same with the Vibes. Â Each mallet part could also be split so that 2-3 people play it instead of a more advanced player playing with 4 mallets. Â This would be the same for the Boom Whacker sections as well.
$50.00
45.91 €
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Ensemble de Percussions
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JC Croyle
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Percussion Suite: Dracula's Curse
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JC Croyle
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SheetMusicPlus
Another Place
Ensemble de Percussions
Percussion Ensemble - Level 5 - Digital Download SKU: A0.939392 Composed by Adam Gr…
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.939392 Composed by Adam Grim. 20th Century,Contemporary. Score and parts. 65 pages. Adam B. Grim #6862379. Published by Adam B. Grim (A0.939392). Another Place is a marimba quartet on two instruments with some accessory items like a mounted bass drum, cymbal, and wind chimes. The work is about 10.5 minutes long, and holds three distinct movements that begin with solemn rolls that slowly become more regimented and rhythmic. The second movement raises the bar and becomes very rhythmic and syncopated with a Reich-like approach of melody vs interlocking harmony. This climax brings a high dynamic level to the forefront of the instruments with interlocking impact points being contrasted to unison hits. The third movement takes this original melody and harmony to the next level by using changing time signatures and motivic ideas to maximize the powerful ending. Throughout there is a deep sense of color and texture that can be maximized by the ensemble in new and exciting ways with each performance. This has plenty of ink, but also leaves a lot to interpret and bring the ensemble’s voice forward. I hope you enjoy! This work won the Audience Award in the Rocky Mountain Music Composition Contest in 2022 as well as Second Prize overall. These international awards were judged by a panel of seven judges from around the world, but with the competition based out of Toronto, Canada.
$35.00
32.14 €
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Ensemble de Percussions
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Adam Grim
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Another Place
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Adam B. Grim
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SheetMusicPlus
Vivaldi Medley for Marimba Band - Score Only
Ensemble de Percussions
Percussion Ensemble - Level 4 - Digital Download SKU: A0.1295814 By Joan Lithgow. B…
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Percussion Ensemble - Level 4 - Digital Download SKU: A0.1295814 By Joan Lithgow. By Antonio Vivaldi. Arranged by Joan Lithgow. Baroque,Children,Contemporary,Multicultural,World. 12 pages. Joan Lithgow Music #886140. Published by Joan Lithgow Music (A0.1295814). This piece is ideally suited for the Marimba Workshop (Pty) Ltd marimbas.www.marimbaworkshop.co.za  It was arranged for the Goede Hoop Marimba Band to be performed at the 2016 Education Africa International Marimba & Steelpan Festival in the Strictly Classical Category where the composer for this category for that year was Antonio Vivaldi. This performance has gone viral on YouTube. These young girls were aged between 11 and 13 at the time. It is written for African diatonic marimbas in C with an African feel but can be played on a variety of different instruments. Feel free to roll (measured or unmeasured) on the long notes.Whenever I teach this arrangement my students fall in love with Vivaldi and his music. The medley consists of music from Vivaldi's Four Seasons: Spring and Winter and his famous Gloria. There is a joy and wonder as the harmonies and patterns are revealed to them through my unique methodology I use to teach them.I hope you have fun learning this arrangement.I would love to hear your version of this piece. Please email:  joan@marimbaworkshop.co.za.
$19.99
18.36 €
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Ensemble de Percussions
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Joan Lithgow
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Joan Lithgow
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Vivaldi Medley for Marimba Band - Score Only
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Joan Lithgow Music
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SheetMusicPlus
Sharks' Teeth, a Musical Game for Percussion
Ensemble de Percussions
Percussion Ensemble - Level 3 - Digital Download SKU: A0.935392 Composed by Dan Hes…
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.935392 Composed by Dan Heslink. Contemporary. Score and parts. 23 pages. Pharaoh Publications #6203899. Published by Pharaoh Publications (A0.935392). Sharks’ Teeth, a Game for any Number of Percussionists. . . . . . . . . . . . . . . Dan Heslink Sharks’ Teeth is a musical game, or contest, between two or more percussionists. It is based on rhythm, and can therefore be executed on any combination of indefinitely-pitched percussion instruments. Its execution relies on guided improvisation governed by preconceived thematic material and manners of elaboration. In addition to the two or more contestants, another musician functions as a Game Meister (GM) who controls that game’s progress and evaluation. Enclosed are the game instructions for a contest of guided improvisation, and a notated example for two percussionists and Game Meister, Shark’s Tooth. This score can also be played on recital. After reading the contest instructions, the composer recommends that contestants next play the notated example before attempting the game through improvisation. Besides being fun to play, this game is also an excellent tool for fostering concentration, musicality, memory and an understanding of musical structure. The composer, Dan Heslink, assigned a difficulty level of medium, and can be contacted at dan@dheslink.com.
$9.99
9.17 €
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Ensemble de Percussions
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Dan Heslink
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Sharks' Teeth, a Musical Game for Percussion
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Pharaoh Publications
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SheetMusicPlus
Christmas Calypso for Percussion Sextet
Ensemble de Percussions
Percussion Ensemble - Level 2 - Digital Download SKU: A0.935389 Arranged by Dan Hes…
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Percussion Ensemble - Level 2 - Digital Download SKU: A0.935389 Arranged by Dan Heslink. Christian,Christmas. Score and parts. 18 pages. Pharaoh Publications #6117159. Published by Pharaoh Publications (A0.935389). Christmas Calypso for Percussion Sextet . . . . . . . . . . . . . . arr. Dan Heslink The calypso style referenced in the title is not the calypso of Afro-Caribbean music from Trinidad and Tobago. Rather, it is the especially toned-down but still rhythmic commercial variant popularized by folk singers. Couched in this style, the arrangement offers Christmas favorites Deck the Halls, Angels We Have Heard On High, God Rest Ye Merry Gentlemen and Good Christian Men, Rejoice. This if one of two versions of the calypso arrangement by Dan Heslink, both of which are available through Sheet Music Plus. The other arrangement, percussion sextet, follows similar musical contours and is available separately. Both versions are intended to elicit one primary response from both performers and audience – fun. It does not tax the players technically, but delivers a satisfying sound with carols that the performers likely know and love. General audiences will be enchanted by the familiar melodies delivered in percussion, especially at Christmas time. The introduction opens with a brisk and rhythmic introduction based on Deck the Halls, and establishes the fun calypso rhythm immediately. Deck the Halls is the much-loved welsh air that was arranged by Haydn, Nos galan (Hob. XXXIb:29, 1803). Then, Angels We Have Heard on High breaks out in double-stops with a continuation of the rhythmic impetus. The birth of Jesus Christ as narrated in the Gospel of Luke is the subject of Angels We Have Heard on High, a traditional French song of unknown origin. The gloria section provides some flowing contrast, portraying the shepherds’ impressions as they encounter a multitude of angels singing and praising. The performers are encouraged to use a relaxed stroke to glide through these passages. Following is God Rest Ye Merry Gentlemen, a 16th century English traditional Christmas carol also known under the title, The old Christmas Carol. It provides a contrast in tonality (minor mode) and texture. The xylophone part likely will lay most comfortably when executed with four mallets, although there are no three or four mallet chords in these passages. Good Christian Men, Rejoice is the closing selection in this Christmas medley. It’s title is an English translation of In dulci jubilo (Latin for In sweet rejoicing). The work ends happily with a summation of the calypso rhythm. This medley will be especially effective programmed on a winter holiday concert. Duration is 2:30. The arranger, Dan Heslink, assigned a difficulty level of medium easy, and can be contacted at dan@dheslink.com.
$4.99
4.58 €
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Ensemble de Percussions
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Dan Heslink
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Christmas Calypso for Percussion Sextet
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Pharaoh Publications
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SheetMusicPlus
Christmas Calypso for Marimba Quartet
Ensemble de Percussions
Percussion Ensemble - Digital Download SKU: A0.935390 Arranged by Dan Heslink. Chri…
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Percussion Ensemble - Digital Download SKU: A0.935390 Arranged by Dan Heslink. Christian,Christmas. Score and parts. 16 pages. Pharaoh Publications #6117165. Published by Pharaoh Publications (A0.935390). Christmas Calypso for Marimba Quartet . . . . . . . . . . . . . . arr. Dan HeslinkThe calypso style referenced in the title is not the calypso of Afro-Caribbean music from Trinidad and Tobago. Rather, it is the especially toned-down but still rhythmic commercial variant popularized by folk singers. Couched in this style, the arrangement offers Christmas favorites Deck the Halls, Angels We Have Heard On High, God Rest Ye Merry Gentlemen and Good Christian Men, Rejoice. This if one of two versions of the calypso arrangement by Dan Heslink, both of which are available through Sheet Music Plus. The other arrangement, for percussion sextet, follows similar musical contours and is available separately. Both versions are intended to elicit one primary response from both performers and audience – fun. It does not tax the players technically, but delivers a satisfying sound with carols that the performers likely know and love. General audiences will be enchanted by the familiar melodies delivered in percussion, especially at Christmas time. The introduction opens with a brisk and rhythmic introduction based on Deck the Halls, and establishes the fun calypso rhythm immediately. Deck the Halls is the much-loved welsh air that was arranged by Haydn, Nos galan (Hob. XXXIb:29, 1803). Then, Angels We Have Heard on High breaks out in double-stops with a continuation of the rhythmic impetus. The birth of Jesus Christ as narrated in the Gospel of Luke is the subject of Angels We Have Heard on High, a traditional French song of unknown origin. The gloria section provides some flowing contrast, portraying the shepherds’ impressions as they encounter a multitude of angels singing and praising. The performers are encouraged to use a relaxed stroke to glide through these passages. Following is God Rest Ye Merry Gentlemen, a 16th century English traditional Christmas carol also known under the title, The old Christmas Carol. It provides a contrast in tonality (minor mode) and texture. The xylophone part likely will lay most comfortably when executed with four mallets, although there are no three or four mallet chords in these passages. Good Christian Men, Rejoice is the closing selection in this Christmas medley. It’s title is an English translation of In dulci jubilo (Latin for In sweet rejoicing). The work ends happily with a summation of the calypso rhythm. This medley will be especially effective programmed on a winter holiday concert. Duration is 2:30. The arranger, Dan Heslink, assigned a difficulty level of medium easy, and can be contacted at dan@dheslink.com.
$4.99
4.58 €
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Ensemble de Percussions
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Dan Heslink
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Christmas Calypso for Marimba Quartet
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Pharaoh Publications
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SheetMusicPlus
Don't Worry, Be Happy
Ensemble de Percussions
Percussion Ensemble - Level 3 - Digital Download SKU: A0.899162 By Bobby McFerrin. …
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.899162 By Bobby McFerrin. By Bobby McFerrin. Arranged by Ricardo Matosinhos. Jazz. Score and parts. 32 pages. Ricardo Matosinhos #5723941. Published by Ricardo Matosinhos (A0.899162). This is a well known piece by Bobby McFerrin. Here presented on a music arrangement for unconventional music instruments. The arrangement allows flexibility, so this piece can be performed using tuned bottles (25cl, 33cl and 75cl), lip whistle, finger snaps, complemented with xylophones and optionally with voices to sing the lyrics too. This arrangement was made during the 2020 quarantine, when the world was shutdown due to a world virus pandemic. Some of the music students didn’t have their music instruments at home, so this arrangement came up to fill that gap and it is perfect to keep doing music with the available option of instruments.On each rehearsal letter, you can play optional improvisations, while keeping the voices 5-8. These improvisations can be easily done using the C major pentatonic scale or the note ranges presented on the right, that even include Eâ™ and Bâ™. If played using lip whistle, bendings will be possible too. This arrangement presents 8 voices and an alternative solution for voice 8, that makes it easier to be performed as it is the place where bottles are divided between the players. There is also an optional bass line to complement voice eight one octave bellow. In order to keep it simple, neither dynamics or articulations were included and the notes were represented always in the middle octave in G clef. The correct pitch ranges are presented in the performance notes.The amount of water will change the pitch differently depending if you are blowing or doing percussion on a bottle. When blowing, the more water you use, the higher the pitch will be, but while doing percussions more water means lower pitch. A good option, in order to save time during rehearsals, is to fill the bottles with water, marking the level with a pen, and then filling the bottle with the desired amount of hot wax instead of water. This way, when the wax cools down you can have a tuned bottle without requiring to tune it again every single rehearsal. Please note that the bottles should be made of glass and that different aspects change the performance. For percussion, straight bottles are better to tune as the curves in the bottles tend to produce unstable pitches. The extreme notes of the range might not be available in every single bottle, so you might need to try some alternatives. For example the high A is available in some beer bottles, while the low G is available in larger 75cl bottles of champaign. Last but not least, this piece should always be played according to Bobby’s motto: dont worry, be happy!I had lots of fun while doing this arrangement, now it’s your time to have fun while performing it!Ricardo Matosinhoshttp://www.ricardomatosinhos.com
$14.99
13.76 €
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Ensemble de Percussions
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Bobby McFerrin
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Ricardo Matosinhos
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Don't Worry, Be Happy
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Ricardo Matosinhos
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SheetMusicPlus
Holiday Bolero for Percussion Ensemble
Ensemble de Percussions
Percussion Ensemble - Digital Download SKU: A0.935382 Arranged by Dan Heslink. Chri…
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Percussion Ensemble - Digital Download SKU: A0.935382 Arranged by Dan Heslink. Christian,Christmas,Contemporary. Score and parts. 27 pages. Pharaoh Publications #5212785. Published by Pharaoh Publications (A0.935382). Holiday Bolero for percussion ensemble arr. by Dan Heslink This arrangement is available in two versions, a quintet for xylophone and four marimbas and a percussion ensemble octet for orchestra bells, vibes, 3 marimbas, snare drum, timpani and multiple percussion. These comments refer to the percussion ensemble arrangement. While the term Bolero can be applied to a variety of slow-tempo Latin dances, for most orchestral performers the title will evoke the stirring rhythms of Ravel’s famous Bolero. Similarities include the driving 3/4 bolero rhythm, the building of tension over one long-range crescendo, and the climactic conclusion. The pitch content is based on O Holy Night, the well-known Christmas carol composed by Adolphe Adam in 1847. The difficulty level in terms of executing notes and rhythms is medium-easy. At the same time, the dynamic planning and control of the crescendo requires considerable musical judgment, particularly in the snare drum part. All of the keyboard parts require only two mallets per player, with the exception of the vibe part’s necessity of 3 or 4 mallets. There are no key changes, or mallet and hand independence. Pedaling on the vibes for the most part is suggested by the harmonic rhythm and is not notated. Setup of the general percussion part in the manner of a multiple percussion solo, where all playing surfaces are comfortably accessible. Holiday Bolero is sure to be an audience pleaser during a winter concert, especially close to Christmas. It would serve equally well in a percussion recital or a church service. In church this work would be appropriate as special music or as an offertory. Duration is 2:52. The arranger, Dan Heslink, can be contacted at dan@dheslink.com.
$9.99
9.17 €
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Ensemble de Percussions
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Dan Heslink
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Holiday Bolero for Percussion Ensemble
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Pharaoh Publications
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SheetMusicPlus
The Satyricon, A Balletic Roman Sex Comedy in 3 Acts, Individual Parts 2 (Strings, Harp, Timpani, Pe
Ensemble de Percussions
Percussion Ensemble - Level 5 - Digital Download SKU: A0.730494 Composed by James N…
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.730494 Composed by James Nathaniel Holland. Contemporary,Musical/Show. Score and parts. 326 pages. James Nathaniel Holland #4800780. Published by James Nathaniel Holland (A0.730494). Advisory: Ballet story contains adult situation and themes. Not suitable for audiences or performers under the age of 18. INDIVIDUAL INSTRUMENT PARTS 2 (Strings, Harp, Timpani and Percussion). Piano Score, Full Orchestral Score, Individual Parts (Part 1) Sold Separately. American composer, James Nathaniel Holland, brings a ballet adapted from the first century Roman novel by Gaius Petronius (cir. 50 A.D.) to the stage. An entertaining ballet for adults (not suitable for general audiences under the age of 18), celebrating the male ballet dancer's physique and a laugh at our own human sexuality. The comedy is a romp of three gay protagonists and their adventures and misadventure in ancient Rome and their characters; an ex-gladiator, Enclopius, his young lover, Giton, and an upper class snob, Ascyltos. It should also be said that this ballet is not pure gratuitous vulgarity, there is a interweaving story containing a deeper message of real human relationships, the satire of ancient Roman archetypes, and a humorous glimpse into ancient Roman life that still rings true even 2,000 plus years later. Regardless of the subject matter, Holland's original music is fantastic tapestry of counterpoint, set in a sort of atonal-ism and heavy percussion, evoking a period of history no longer available to us. Although not all cues and counterpoint is contained here, this piano score is extremely useful for either a performance with 2 pianos and percussion and a dance company, a director's/choreographer's score, or a concise conductor's score, or rehearsal score. Measure numbers line up with the full score. An orchestral, performance CD is available for those company's on a budget.
$34.95
32.09 €
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Ensemble de Percussions
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James Nathaniel Holland
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The Satyricon, A Balletic Roman Sex Comedy in 3 Acts, Individual Parts 2
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James Nathaniel Holland
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SheetMusicPlus
Alexandriana for Percussion Ensemble
Ensemble de Percussions
Percussion Ensemble - Level 5 - Digital Download SKU: A0.937755 Composed by Dan Hes…
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.937755 Composed by Dan Heslink. Contemporary,World. Score and parts. 128 pages. Pharaoh Publications #5983475. Published by Pharaoh Publications (A0.937755). Alexandriana for percussion ensemble (12 performers) by Dan Heslink The term Alexandriana is popularly used to reference the Great Library of antiquity in Alexandria, Egypt. Rooted in Alexander the Great’s global military and exploratory exploits (334 - 323 BCE), the library symbolizes the ancient Greek ever expanding worldview, especially under the influence of Alexander and his tutor, Aristotle. Alexander died long before construction of the Ancient Museum and Library of Alexandria, but the concept of a universal library was uniquely his. The mixing of Hellenistic columns with Egyptian architecture and the housing of thousands of scrolls in Greek, Turkish, Babylonian, Egyptian and Hebrew, intensify the division of the library broadly into two large sections, one for eastern knowledge and one for western knowledge. In this musical score, typically western is the thematic concept (expressed most clearly in the chimes), the tonal, triadic-based harmony and sectional concept of form. The music’s sectional nature parallels the library’s different rooms, each containing their own genre of knowledge (history, mathematics, poetry, etc.) Evocative of eastern musical practices are the simultaneous layers of different rhythmic subdivisions, oriental modes, and florid lines in the xylophone and vibe parts. In this score, eastern musical procedures are expressed with instruments commonly found in the Western orchestra or wind band. The performers are encouraged to always emphasize the score’s contrasts. Passages for indefinitely pitched percussion featuring the song within the drums contrast with other passages of purely quantitative rhythm. Complexity in the interaction of parts contrast with simple rhythmic unison. Passages of thick harmony contrast with modal monophonic melodies accompanied only by indefinitely pitched sounds. Overall, there is a wide dynamic range. During long passages of gradually accruing energy, take care to not build dynamics too quickly, and during fortissimo passages, drums should be stroked in a manner that avoids excessive aggression. The rhythmic background of 16th notes must be consistent among all players so that interlocking rhythmic motifs are consistent. Often the tom-toms have melodic passages that imitate the shape of mallet or timpani melodies. Tune the drums for a warm, round sound and select mallets accordingly. Bar percussion players should apply a flowing legato to their passage work. Soft sections are intended to sound mysterious: be sure to use mallets that match that character. The composer assigns a performance level of difficult to this work. Performance time is 9:15. The composer, Dan Heslink, can be reached at dan@dheslink.com.
$9.99
9.17 €
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Ensemble de Percussions
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Dan Heslink
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Alexandriana for Percussion Ensemble
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Pharaoh Publications
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SheetMusicPlus
Silent Night Prelude for percussion octet
Ensemble de Percussions
Percussion Ensemble - Level 2 - Digital Download SKU: A0.935383 Composed by Franz X…
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Percussion Ensemble - Level 2 - Digital Download SKU: A0.935383 Composed by Franz Xaver Gruber. Arranged by Dan Heslink. Christian,Christmas. Score and parts. 20 pages. Pharaoh Publications #5363007. Published by Pharaoh Publications (A0.935383). Silent Night Prelude for Percussion Octet arr. by Dan Heslink This work is based on the well-loved Christmas carol, composed in 1818 by Franz Xaver Gruber. This theme is so popular that it was declared an intangible cultural heritage by UNESCO in 2011. And the version sung by Bing Crosby in 1935 is the fourth best-selling single recording of all-time. It’s sure to motivate your audience close to Christmas. The Prelude begins with a brisk tempo. Although notated in 3, as is customary in more modern renditions (the original theme was notated in 6), the tempo must be fast enough that two measures of 3 create a binary pairing (like 6/4 in two). It may be necessary to slightly slow down the roll speed to avoid a frenetic sound. The difficulty level is easy. There are no changes of key, and the timpani part requires only two drums (Bb, F) with no tuning changes. The vibe part could be played with two mallets, but might execute more comfortably with three. The other keyboard parts use only two mallets each. The expression of this beautiful tune will be greatly enhanced by exaggerating the contrasts of dynamics. Accompaniment and ornamental figures must at all times be sublimated to the familiar theme. At the last strain, players should sing the well-known words in order to lead the audience or congregation in group singing. It would be helpful for the conductor to turn and face the audience at this point. This closing passage may be repeated for any number of sung verses. Use a smooth, relaxed stroke to elicit as much legato as possible. At points a continuous arpeggio accompaniment is divided among the instruments. Care must be taken to keep the sixteenth note speed consistent. The opening runs should be performed half-pedal on the vibes for clarity. Prelude on Silent Night would serve equally well in recital or in a church service. Duration is 3:10. The arranger, Dan Heslink, can be contacted at dan@dheslink.com
$4.99
4.58 €
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Ensemble de Percussions
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Franz Xaver Gruber
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Dan Heslink
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Silent Night Prelude for percussion octet
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Pharaoh Publications
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SheetMusicPlus
Quartet #4
Ensemble de Percussions
Percussion Ensemble - Level 2 - Digital Download SKU: A0.584692 Composed by Jeff Ti…
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Percussion Ensemble - Level 2 - Digital Download SKU: A0.584692 Composed by Jeff Tincher. Contemporary. Score and parts. 8 pages. Jeff Tincher #6019465. Published by Jeff Tincher (A0.584692). I wanted to create an ethereal piece. This composition is completely made up of whole notes with the exception of where a glissando appears. I wanted to make sure the glissando did not occur until the end of the measure. The composition is in 4/4. Try to ensure a smooth performance with no gaps. Hear the full version of composition on Jeff Tincher's For Percussion Quartet CD. Duration = 3:58. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing.
$12.99
11.93 €
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Ensemble de Percussions
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Jeff Tincher
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Quartet #4
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Jeff Tincher
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SheetMusicPlus
A Swingin' Safari
Ensemble de Percussions
Percussion Ensemble - Digital Download SKU: A0.984904 By Billy Vaughn. By Bert Kaem…
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Percussion Ensemble - Digital Download SKU: A0.984904 By Billy Vaughn. By Bert Kaempfert. Arranged by JohnBeale. Contemporary. Score and parts. 68 pages. John Beale #6442233. Published by John Beale (A0.984904). For over 40 years I have arranged music for my school's musicians to come together and perform in school concerts. They were mostly grades 1-3. I tried to arrange the parts to be meaningful but at the same time maintaining an effective, complete and pleasing sound. I often arranged parts with individuals in mind. The piano part is there for support and filling in. Not a difficult piece and very repetitive and catchy. I have arranged this piece for a school orchestra made up of pupils of grades 1-3. I suggest a solo for the first 4 bars (I did with a recorder). At F there is a ‘jazz’ style solo. Choose your instrument. Once I did with a recorder. A second time with a trumpet. Beware you won’t get the tune out of your head!!
$49.99
45.9 €
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Ensemble de Percussions
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Billy Vaughn
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JohnBeale
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A Swingin' Safari
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John Beale
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SheetMusicPlus
Quartet #5
Ensemble de Percussions
Percussion Ensemble - Level 3 - Digital Download SKU: A0.584693 Composed by Jeff Ti…
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.584693 Composed by Jeff Tincher. Contemporary. Score and parts. 45 pages. Jeff Tincher #6019467. Published by Jeff Tincher (A0.584693). This composition begins with a 4/4 March. I wanted to write a composition that started with a simple chord. As the march progresses I added a mote here and there. Each note added continues until a complete musical composition is formed. But it doesn't stop there. Once the composition is formed it progresses to a solemn, smooth 5/4 section. This section then breaks apart to where each instrument has a solo. Then the solos are combined before it returns to the original rhythm with a different chord. Hear the full version of composition on Jeff Tincher's For Percussion Quartet CD. Duration = 6:57. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing.
$12.99
11.93 €
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Ensemble de Percussions
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Jeff Tincher
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Quartet #5
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Jeff Tincher
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SheetMusicPlus
Holiday Bolero for Keyboard Percussion
Ensemble de Percussions
Percussion Ensemble - Level 2 - Digital Download SKU: A0.935380 Arranged by Pharaoh…
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Percussion Ensemble - Level 2 - Digital Download SKU: A0.935380 Arranged by Pharaoh Publications. Christian,Christmas,Contemporary,Spiritual. Score and parts. 14 pages. Pharaoh Publications #5212781. Published by Pharaoh Publications (A0.935380). Holiday Bolero for keyboard percussion arr. by Dan Heslink This arrangement is available in two versions, a quintet for xylophone and four marimbas, and a percussion ensemble octet for orchestra bells, vibes, 3 marimbas, snare drum, timpani and multiple percussion. These comments refer to the mallet quintet arrangement. While the term Bolero can be applied to a variety of slow-tempo Latin dances, for most orchestral performers the title will evoke the stirring rhythms of Ravel’s famous Bolero. Similarities include the driving 3/4 bolero rhythm, the building of tension over one long-range crescendo, and the climactic conclusion. The pitch content is based on O Holy Night, the well-known Christmas carol composed by Adolphe Adam in 1847. The difficulty level in terms of executing notes and rhythms is medium-easy. At the same time, the dynamic planning and control of the crescendo requires considerable musical judgment. All of the keyboard parts require only two mallets; some passages unfold as double stops. Mallets for the marimbas should be chosen to maximize the blend of individual parts into a unified chord. There are no key changes, or mallet and hand independence. Holiday Bolero is sure to be an audience pleaser during a winter concert, especially close to Christmas. It would serve equally well in a percussion recital or a church service. In church this work would be appropriate as special music or as an offertory. Duration is 2:52. The arranger, Dan Heslink, can be contacted at dan@dheslink.com.
$4.99
4.58 €
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Ensemble de Percussions
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Pharaoh Publications
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Holiday Bolero for Keyboard Percussion
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Pharaoh Publications
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SheetMusicPlus
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