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CHARANGO
CITHARE
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CONTREBASSE
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COR ANGLAIS
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DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
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ORGUE
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PARTITIONS …
PAS DE PART…
PERCU. ORCH…
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TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
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AFRICAIN
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ASIE
BLUEGRASS
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CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
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JEUX VIDEOS
KLEZMER - JUIVE
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MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
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METHODE : ETUDES
METHODE : TECHNIQUES
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OPERA
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POLKA
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Non classifié
1042
PIANO & CLAVIERS
Piano seul
523
Piano, Voix
522
Piano grosses notes
299
Piano Facile
248
Piano, Voix et Guitare
184
Accompagnement Piano
69
Instruments en Do
64
Orgue
31
Piano Trio: piano, violon, violoncelle
26
1 Piano, 4 mains
15
2 Pianos, 4 mains
9
Piano Quatuor: piano, violon, alto, violoncelle
3
Piano (partie séparée)
3
Piano Quatuor: piano, 2 violons, violoncelle
1
Orgue, Piano (duo)
1
Accordéon
1
Instrumentations suivantes
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GUITARES
Guitare notes et tablatures
157
Guitare
43
Ukulele
17
Basse electrique
16
Ligne De Mélodie, (Paroles) et Accords
9
2 Guitares (duo)
6
Dulcimer
6
Guitare (partie séparée)
6
4 Guitares (Quatuor)
3
Mandoline
2
Paroles et Accords
2
Piano, Guitare (duo)
2
3 Guitares (trio)
2
2 Mandolines (duo)
2
Instrumentations suivantes
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VOIX
Chorale SATB
313
Chorale 3 parties
59
Chorale 2 parties
54
Chorale TTBB
52
Chorale SSAA
44
Chorale Unison
41
Voix Soprano, Piano
22
Voix Tenor, Piano
18
Voix Alto, Piano
11
Voix Tenor
6
Voix duo, Piano
6
Voix duo
3
Voix haute
3
Voix basse, Piano
2
Voix moyenne, Piano
2
Chorale SSATTB
1
Voix Soprano
1
Voix Mezzo-Soprano, Piano
1
Chorale SSATB
1
Voix seule
1
Voix basse
1
Chorale SATBB
1
Instrumentations suivantes
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VENTS
Clarinette et Piano
73
Flûte traversière et Piano
68
Clarinette
67
Hautbois, Piano (duo)
66
Quatuor de Saxophones: 4 saxophones
56
Hautbois (partie séparée)
48
Saxophone (partie séparée)
45
Flûte traversière
43
2 Saxophones (duo)
41
Saxophone Alto et Piano
37
2 Flûtes traversières (duo)
36
Flûte, Hautbois, Clarinette, Basson
33
Saxophone Soprano et Piano
31
Saxophone Tenor et Piano
30
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
29
Saxophone Alto
28
Saxophone Baryton, Piano
27
Hautbois
24
Saxophone Tenor
23
Cor anglais, Piano
17
Saxophone, Clarinette (duo)
17
2 Clarinettes (duo)
16
Flûte, Clarinette (duo)
14
Clarinette (partie séparée)
14
3 Saxophones (trio)
14
Clarinette, Violon (duo)
14
Quatuor de Clarinettes: 4 clarinettes
14
2 Hautbois (duo)
12
Quintette de Saxophone: 5 saxophones
11
3 Clarinettes (trio)
10
Hautbois, Clarinette (duo)
9
2 Flûte à bec (duo)
9
Clarinette, Trompette (duo)
8
Ensemble de Flûtes
8
Clarinette et Alto
8
Hautbois, Basson (duo)
8
Quatuor de Flûtes : 4 flûtes
8
Saxophone Soprano
7
Flûte, Hautbois, Clarinette (trio)
7
Flûte et Guitare
7
Quintette de Clarinettes: 5 clarinettes
7
Ensemble de Clarinettes
7
Clarinette Basse, Piano
6
Saxophone Baryton
5
Flûte, Alto (duo)
5
Flûte à bec Soprano
5
Hautbois, Clarinette, Basson (trio d'anches)
4
Harmonica
4
Flûte, Violoncelle
4
Trio de Flûtes: 3 flûtes
4
Hautbois, Flûte
4
Clarinette, Basson (duo)
4
Flûte irlandaise
4
Flûte à bec Soprano, Piano
4
Clarinette, Violoncelle (duo)
4
Flute (partie séparée)
4
Quatuor de Flûtes à bec
4
Flûte, Saxophone (duo)
3
Flûte, Clarinette et Basson
3
Quintette de Flûte : 5 flûtes
3
Flûte à Bec
3
Ensemble de saxophones
3
Flûte, Trompette (duo)
3
Flûte, Hautbois, Basson
3
Hautbois, Violoncelle
3
Flûte à bec Alto, Piano
3
Flûte à bec Alto
3
Flûte, Violon, Piano
2
Flûte à bec Tenor
2
Cor Anglais
2
Flûte, Hautbois (duo)
2
Clarinette, Guitare (duo)
2
Flûte, Violon
2
Piccolo, Piano
1
Saxophone et Orgue
1
Flute, harpe et violon
1
Hautbois, Guitare (duo)
1
2 Flûtes à bec, Guitare
1
Flûte, Clarinette, Piano (trio)
1
Flûte à bec Alto, Basse continue
1
3 Flûtes à bec (trio)
1
2 Clarinettes, Piano
1
Hautbois, violon (duo)
1
2 Cors Anglais Et Pianoforte
1
Clarinette, Harpe (duo)
1
Ensemble De Flûte à bec
1
Hautbois et alto (duo)
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Instrumentations suivantes
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CUIVRES
Trompette
56
Trombone et Piano
54
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
41
Cor et Piano
37
Trompette, Piano
31
Trompette (partie séparée)
29
Trombone
29
Cor
29
Trombone (partie séparée)
24
Quatuor de Cuivres : 2 trompettes, trombone, tuba
24
Tuba
23
Tuba et Piano
21
Cor anglais, Piano
17
Quatuor de Cuivres: 2 trompettes, Cor, trombone
14
2 Trompettes (duo)
12
Cor (partie séparée)
12
Trompette, Trombone (duo)
9
Trompette, Saxophone (duo)
9
Euphonium, Piano (duo)
9
Quatuor de cuivres: 4 trombones
6
Tuba (partie séparée)
5
2 Trombones (duo)
5
2 Cors (duo)
4
Quatuor de Cuivres
3
2 Tubas (duo)
3
3 Trombones (trio)
3
Ensemble de Trompettes
2
Cor Anglais
2
Quatuor de cuivres: 4 cors
2
3 Euphoniums
1
Trompette, Cor (duo)
1
Ensemble de Trombones
1
Trompette, Violoncelle (duo)
1
Trompette, Tuba (duo)
1
2 Cors Anglais Et Pianoforte
1
Quatuor de cuivres: 4 trompettes
1
Trompette, Euphonium (duo)
1
Euphonium
1
2 Euphoniums et 2 Tubas
1
Trio de Cuivres
1
Ensemble de Tubas
1
Cor, Violoncelle (duo)
1
Trombone, Tuba (duo)
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
179
Violon et Piano
119
Violon
69
Violon, Violoncelle (duo)
66
Harpe
65
Violoncelle
63
Alto, Piano
61
Violoncelle, Piano
60
Trio à Cordes: violon, alto, violoncelle
34
Alto seul
29
2 Violons (duo)
28
Trio à Cordes: 2 violons, violoncelle
24
Violon (partie séparée)
21
2 Violoncelles (duo)
21
Contrebasse, Piano (duo)
21
Quintette à cordes: 2 violons, alto, violoncelle, basse
21
Contre Basse
20
Alto (partie séparée)
18
Violon, Alto (duo)
17
2 Harpes (duo)
14
2 Altos (duo)
13
Contrebasse (partie séparée)
9
Harpe, Voix
8
Trio à Cordes: 3 violoncelles
5
Alto, Violoncelle (duo)
4
2 Contrebasses (duo)
3
4 Violoncelles
3
Violon, Basson (duo)
2
Violoncelle (partie séparée)
2
2 Violons, Piano
2
Violon, Clarinette, Piano (trio)
1
Harpe, Violon (duo)
1
Quatuor à cordes : 4 altos
1
Alto et Basson
1
Violon, Guitare (duo)
1
Trio à Cordes: 2 violons, alto
1
Piano Trio: Violon, Alto, Piano
1
Trio à cordes: 3 violins
1
Harpe, Violon, Violoncelle
1
Violoncelle , Guitare (duo)
1
Harpe, Flûte (duo)
1
Violoncelle, Contrebasse (duo)
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
178
Orchestre
92
Orchestre à Cordes
53
Ensemble de cuivres
34
Ensemble Jazz
29
Cloches
22
Orchestre de chambre
19
Percussion (partie séparée)
14
Ensemble de Percussions
8
Fanfare
7
Jazz combo
7
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
4
Batterie (partie séparée)
3
Marimba
3
Batterie
2
Xylophone
1
Orchestre, Violon
1
Percussion
1
Instrumentations suivantes
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AUTRES
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Ensemble de Percussions
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1
Germain, An Opera in 4 Acts, INSTRUMENT PARTS 2 (STRINGS, HARP, TIMPANI and PERCUSSION)
Ensemble de Percussions
Percussion Ensemble - Level 5 - Digital Download SKU: A0.730497 Composed by James N…
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.730497 Composed by James Nathaniel Holland. Contemporary,Musical/Show,Opera. Score and parts. 368 pages. James Nathaniel Holland #5021025. Published by James Nathaniel Holland (A0.730497). INDIVIDUAL INSTRUMENT PARTS 2 (2 of 2) STRINGS, HARP, TIMPANI, PERCUSSIONFull Orchestral Score (Concert Pitch), Vocal Score, Instrument Parts 1 (Woodwinds and Brass) all sold separatelyINDIVIDUAL INSTRUMENT PARTS 2 (2 of 2) STRINGS, HARP, TIMPANI, AND PERCUSSION Full Orchestral Score (Concert Pitch), Vocal Score, Instrument Parts 2 (Strings, Harp, and Percussion)OPERA SYNOPSIS:A mythical country, somewhere lost in time and space; two factions, the minority have and the majority have-not’s, are in constant violent conflict to rule the country. Germain, a young man with mysterious origins, and for neither side,by fate meets the the prime minister and hopes for personal love. But this is not to be a happy ending. The leader of the have-not’s takes this perfect opportunity to assassinate the PM.When the attempt fails, the blame falls on Germain and leads him to his imprisonment and eventual death.GERMAIN, A Dreamer (Lyric Baritone)CHERYL, A tavern owner and girlfriend to Talleyrand (Soprano, Coloratura)TALLEYRAND, Minister of District Thirteen, Secret leader of the Dissidents (Bass)ALEXANDER, The newly elected Prime Minister of Timbaksha (Tenor)TAMINA, Alexander’s wife (Soprano)NADINE, Minister of District Five (Alto)URCHIN, A Young Teen (Male or Female Voice)WALLACE, Minister of District Nine (Baritone)OFFICER (Baritone)CHORUS: DISSIDENT, GUESTS, SERVANTS, CROWD, OFFICERSComplete Instrumentation: picc, fl12, ob, eh, cl12, tensax, bsn, hrn12, tpt12, trm12, tba, timpani, perc, hrp, strgs
$75.95
69.57 €
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Ensemble de Percussions
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James Nathaniel Holland
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Germain, An Opera in 4 Acts, INSTRUMENT PARTS 2
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James Nathaniel Holland
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SheetMusicPlus
The Satyricon, A Balletic Roman Sex Comedy in 3 Acts, Individual Parts 2 (Strings, Harp, Timpani, Pe
Ensemble de Percussions
Percussion Ensemble - Level 5 - Digital Download SKU: A0.730494 Composed by James N…
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.730494 Composed by James Nathaniel Holland. Contemporary,Musical/Show. Score and parts. 326 pages. James Nathaniel Holland #4800780. Published by James Nathaniel Holland (A0.730494). Advisory: Ballet story contains adult situation and themes. Not suitable for audiences or performers under the age of 18. INDIVIDUAL INSTRUMENT PARTS 2 (Strings, Harp, Timpani and Percussion). Piano Score, Full Orchestral Score, Individual Parts (Part 1) Sold Separately. American composer, James Nathaniel Holland, brings a ballet adapted from the first century Roman novel by Gaius Petronius (cir. 50 A.D.) to the stage. An entertaining ballet for adults (not suitable for general audiences under the age of 18), celebrating the male ballet dancer's physique and a laugh at our own human sexuality. The comedy is a romp of three gay protagonists and their adventures and misadventure in ancient Rome and their characters; an ex-gladiator, Enclopius, his young lover, Giton, and an upper class snob, Ascyltos. It should also be said that this ballet is not pure gratuitous vulgarity, there is a interweaving story containing a deeper message of real human relationships, the satire of ancient Roman archetypes, and a humorous glimpse into ancient Roman life that still rings true even 2,000 plus years later. Regardless of the subject matter, Holland's original music is fantastic tapestry of counterpoint, set in a sort of atonal-ism and heavy percussion, evoking a period of history no longer available to us. Although not all cues and counterpoint is contained here, this piano score is extremely useful for either a performance with 2 pianos and percussion and a dance company, a director's/choreographer's score, or a concise conductor's score, or rehearsal score. Measure numbers line up with the full score. An orchestral, performance CD is available for those company's on a budget.
$34.95
32.01 €
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Ensemble de Percussions
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James Nathaniel Holland
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The Satyricon, A Balletic Roman Sex Comedy in 3 Acts, Individual Parts 2
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James Nathaniel Holland
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SheetMusicPlus
Einmal möcht' Ich so verliebt sein (from Beautiful Galathea)
Ensemble de Percussions
Percussion Ensemble - Digital Download SKU: A0.597222 Composed by Franz von Suppe. …
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Percussion Ensemble - Digital Download SKU: A0.597222 Composed by Franz von Suppe. Arranged by Flávio Régis Cunha. Concert,Opera,Romantic Period,Standards. Score and parts. 16 pages. Flavio Regis Cunha #4593577. Published by Flavio Regis Cunha (A0.597222). Die schöne Galathée (The Beautiful Galatea) is an operetta in two acts by Franz von Suppé to a German libretto by the composer and 'Poly Henrion' (the pseudonym of Leonhard Kohl von Kohlenegg). This arrangement of Einmal möcht' Ich so verliebt sein (one aria of the operetta) for orchestra and soprano voice is a very good Encore or an orchestral piece for your repertoire.Flavio Regis Cunha is a pianist, conductor and composer from São Paulo - Brasil. He is currently finishing his doctorate at Mackenzie Presbyterian University where he works as conductor of the Mackenzie University Orchestra and resident composer. For more arrangements like this, works by commission or for any questions you can contact Flavio Regis Cunha at his facebook page: https://www.facebook.com/flavioregiscunhaIn the early 1860s, French operettas by Jacques Offenbach were first presented in Vienna. Franz von Suppé was obliged to compete with them by taking the time-honored traditions of Vienna and combining it with the new style of Offenbach. Die schöne Galathée was Franz von Suppé's first critical success. The sculptor Pygmalion has fallen madly in love with his statue of Galathée and accordingly does not want to sell it to Mydas, a patron of the arts. Instead he prays to Venus, the goddess of the love, that the statue be brought to life. The wish is granted but Galathée turns out to be a very independent-minded creature. She is unfaithful to Pygmalion with his servant Ganymed (because he is much more pleasing to her than Pygmalion) and does not reject Mydas, who offers her jewelry. When Pygmalion catches Galathée in a compromising situation, he successfully implores Venus to turn her back into stone. The jewelry offered by Mydas is also turned into stone, but the whole statue is sold to him.
$20.00
18.32 €
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Ensemble de Percussions
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Franz von Suppe
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Flávio Régis Cunha
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Einmal möcht' Ich so verliebt sein
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Flavio Regis Cunha
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SheetMusicPlus
Christmas Calypso for Percussion Sextet
Ensemble de Percussions
Percussion Ensemble - Level 2 - Digital Download SKU: A0.935389 Arranged by Dan Hes…
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Percussion Ensemble - Level 2 - Digital Download SKU: A0.935389 Arranged by Dan Heslink. Christian,Christmas. Score and parts. 18 pages. Pharaoh Publications #6117159. Published by Pharaoh Publications (A0.935389). Christmas Calypso for Percussion Sextet . . . . . . . . . . . . . . arr. Dan Heslink The calypso style referenced in the title is not the calypso of Afro-Caribbean music from Trinidad and Tobago. Rather, it is the especially toned-down but still rhythmic commercial variant popularized by folk singers. Couched in this style, the arrangement offers Christmas favorites Deck the Halls, Angels We Have Heard On High, God Rest Ye Merry Gentlemen and Good Christian Men, Rejoice. This if one of two versions of the calypso arrangement by Dan Heslink, both of which are available through Sheet Music Plus. The other arrangement, percussion sextet, follows similar musical contours and is available separately. Both versions are intended to elicit one primary response from both performers and audience – fun. It does not tax the players technically, but delivers a satisfying sound with carols that the performers likely know and love. General audiences will be enchanted by the familiar melodies delivered in percussion, especially at Christmas time. The introduction opens with a brisk and rhythmic introduction based on Deck the Halls, and establishes the fun calypso rhythm immediately. Deck the Halls is the much-loved welsh air that was arranged by Haydn, Nos galan (Hob. XXXIb:29, 1803). Then, Angels We Have Heard on High breaks out in double-stops with a continuation of the rhythmic impetus. The birth of Jesus Christ as narrated in the Gospel of Luke is the subject of Angels We Have Heard on High, a traditional French song of unknown origin. The gloria section provides some flowing contrast, portraying the shepherds’ impressions as they encounter a multitude of angels singing and praising. The performers are encouraged to use a relaxed stroke to glide through these passages. Following is God Rest Ye Merry Gentlemen, a 16th century English traditional Christmas carol also known under the title, The old Christmas Carol. It provides a contrast in tonality (minor mode) and texture. The xylophone part likely will lay most comfortably when executed with four mallets, although there are no three or four mallet chords in these passages. Good Christian Men, Rejoice is the closing selection in this Christmas medley. It’s title is an English translation of In dulci jubilo (Latin for In sweet rejoicing). The work ends happily with a summation of the calypso rhythm. This medley will be especially effective programmed on a winter holiday concert. Duration is 2:30. The arranger, Dan Heslink, assigned a difficulty level of medium easy, and can be contacted at dan@dheslink.com.
$4.99
4.57 €
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Ensemble de Percussions
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Dan Heslink
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Christmas Calypso for Percussion Sextet
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Pharaoh Publications
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SheetMusicPlus
Christmas Calypso for Marimba Quartet
Ensemble de Percussions
Percussion Ensemble - Digital Download SKU: A0.935390 Arranged by Dan Heslink. Chri…
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Percussion Ensemble - Digital Download SKU: A0.935390 Arranged by Dan Heslink. Christian,Christmas. Score and parts. 16 pages. Pharaoh Publications #6117165. Published by Pharaoh Publications (A0.935390). Christmas Calypso for Marimba Quartet . . . . . . . . . . . . . . arr. Dan HeslinkThe calypso style referenced in the title is not the calypso of Afro-Caribbean music from Trinidad and Tobago. Rather, it is the especially toned-down but still rhythmic commercial variant popularized by folk singers. Couched in this style, the arrangement offers Christmas favorites Deck the Halls, Angels We Have Heard On High, God Rest Ye Merry Gentlemen and Good Christian Men, Rejoice. This if one of two versions of the calypso arrangement by Dan Heslink, both of which are available through Sheet Music Plus. The other arrangement, for percussion sextet, follows similar musical contours and is available separately. Both versions are intended to elicit one primary response from both performers and audience – fun. It does not tax the players technically, but delivers a satisfying sound with carols that the performers likely know and love. General audiences will be enchanted by the familiar melodies delivered in percussion, especially at Christmas time. The introduction opens with a brisk and rhythmic introduction based on Deck the Halls, and establishes the fun calypso rhythm immediately. Deck the Halls is the much-loved welsh air that was arranged by Haydn, Nos galan (Hob. XXXIb:29, 1803). Then, Angels We Have Heard on High breaks out in double-stops with a continuation of the rhythmic impetus. The birth of Jesus Christ as narrated in the Gospel of Luke is the subject of Angels We Have Heard on High, a traditional French song of unknown origin. The gloria section provides some flowing contrast, portraying the shepherds’ impressions as they encounter a multitude of angels singing and praising. The performers are encouraged to use a relaxed stroke to glide through these passages. Following is God Rest Ye Merry Gentlemen, a 16th century English traditional Christmas carol also known under the title, The old Christmas Carol. It provides a contrast in tonality (minor mode) and texture. The xylophone part likely will lay most comfortably when executed with four mallets, although there are no three or four mallet chords in these passages. Good Christian Men, Rejoice is the closing selection in this Christmas medley. It’s title is an English translation of In dulci jubilo (Latin for In sweet rejoicing). The work ends happily with a summation of the calypso rhythm. This medley will be especially effective programmed on a winter holiday concert. Duration is 2:30. The arranger, Dan Heslink, assigned a difficulty level of medium easy, and can be contacted at dan@dheslink.com.
$4.99
4.57 €
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Ensemble de Percussions
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Dan Heslink
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Christmas Calypso for Marimba Quartet
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Pharaoh Publications
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SheetMusicPlus
Silent Night Prelude for percussion octet
Ensemble de Percussions
Percussion Ensemble - Level 2 - Digital Download SKU: A0.935383 Composed by Franz X…
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Percussion Ensemble - Level 2 - Digital Download SKU: A0.935383 Composed by Franz Xaver Gruber. Arranged by Dan Heslink. Christian,Christmas. Score and parts. 20 pages. Pharaoh Publications #5363007. Published by Pharaoh Publications (A0.935383). Silent Night Prelude for Percussion Octet arr. by Dan Heslink This work is based on the well-loved Christmas carol, composed in 1818 by Franz Xaver Gruber. This theme is so popular that it was declared an intangible cultural heritage by UNESCO in 2011. And the version sung by Bing Crosby in 1935 is the fourth best-selling single recording of all-time. It’s sure to motivate your audience close to Christmas. The Prelude begins with a brisk tempo. Although notated in 3, as is customary in more modern renditions (the original theme was notated in 6), the tempo must be fast enough that two measures of 3 create a binary pairing (like 6/4 in two). It may be necessary to slightly slow down the roll speed to avoid a frenetic sound. The difficulty level is easy. There are no changes of key, and the timpani part requires only two drums (Bb, F) with no tuning changes. The vibe part could be played with two mallets, but might execute more comfortably with three. The other keyboard parts use only two mallets each. The expression of this beautiful tune will be greatly enhanced by exaggerating the contrasts of dynamics. Accompaniment and ornamental figures must at all times be sublimated to the familiar theme. At the last strain, players should sing the well-known words in order to lead the audience or congregation in group singing. It would be helpful for the conductor to turn and face the audience at this point. This closing passage may be repeated for any number of sung verses. Use a smooth, relaxed stroke to elicit as much legato as possible. At points a continuous arpeggio accompaniment is divided among the instruments. Care must be taken to keep the sixteenth note speed consistent. The opening runs should be performed half-pedal on the vibes for clarity. Prelude on Silent Night would serve equally well in recital or in a church service. Duration is 3:10. The arranger, Dan Heslink, can be contacted at dan@dheslink.com
$4.99
4.57 €
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Ensemble de Percussions
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Franz Xaver Gruber
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Dan Heslink
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Silent Night Prelude for percussion octet
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Pharaoh Publications
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SheetMusicPlus
Vivaldi Medley for Marimba Band - Score Only
Ensemble de Percussions
Percussion Ensemble - Level 4 - Digital Download SKU: A0.1295814 By Joan Lithgow. B…
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Percussion Ensemble - Level 4 - Digital Download SKU: A0.1295814 By Joan Lithgow. By Antonio Vivaldi. Arranged by Joan Lithgow. Baroque,Children,Contemporary,Multicultural,World. 12 pages. Joan Lithgow Music #886140. Published by Joan Lithgow Music (A0.1295814). This piece is ideally suited for the Marimba Workshop (Pty) Ltd marimbas.www.marimbaworkshop.co.za  It was arranged for the Goede Hoop Marimba Band to be performed at the 2016 Education Africa International Marimba & Steelpan Festival in the Strictly Classical Category where the composer for this category for that year was Antonio Vivaldi. This performance has gone viral on YouTube. These young girls were aged between 11 and 13 at the time. It is written for African diatonic marimbas in C with an African feel but can be played on a variety of different instruments. Feel free to roll (measured or unmeasured) on the long notes.Whenever I teach this arrangement my students fall in love with Vivaldi and his music. The medley consists of music from Vivaldi's Four Seasons: Spring and Winter and his famous Gloria. There is a joy and wonder as the harmonies and patterns are revealed to them through my unique methodology I use to teach them.I hope you have fun learning this arrangement.I would love to hear your version of this piece. Please email:  joan@marimbaworkshop.co.za.
$19.99
18.31 €
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Ensemble de Percussions
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Joan Lithgow
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Joan Lithgow
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Vivaldi Medley for Marimba Band - Score Only
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Joan Lithgow Music
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SheetMusicPlus
When The River Meets The Sea
Ensemble de Percussions
Percussion Ensemble - Level 4 - Digital Download SKU: A0.984036 Composed by Andrew …
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Percussion Ensemble - Level 4 - Digital Download SKU: A0.984036 Composed by Andrew Charles Naylor and Roma Connie Waterman. Arranged by Jilly Cooke. Contemporary. Score and parts. 72 pages. Jilly Paige Cooke #5797561. Published by Jilly Paige Cooke (A0.984036). Paul Williams's beloved tune from the Jim Henson Company's timeless Christmas special Emmet Otter's Jug-Band Christmas is now available as an arrangement for percussion ensemble!Originally performed in December 2019 by the University of Iowa School of Music's percussion studio, under the direction of Dr. Dan Moore, this lively, jazzy arrangement was lovingly crafted by Iowa Percussion's own Jilly Cooke, a music education major who was a junior at the time of this arrangement's premiere. As a lifelong fan of the Muppets (and a promising aspiring puppeteer herself), Cooke cleverly weaves in numerous references to various tunes and styles that have influenced her musical preferences and career (with notes in the score to bring out these musical quotes). Beginning with a faithful adaptation of the original gospel-waltz ballad feel from the TV special, the arrangement swiftly transitions into a toe-tapping, New Orleans-style second-line groove with a solo section and a witty trade-off section in the middle.Instrumentation of 8 players includes: Vibraphone 1 (preferably includes E3), Vibraphone 2, Marimba 1/Accordion (optional use of amplified Melodica), Marimba 2 (preferably includes F2), Bass Marimba (premiere performance used Bass MalletKAT, optional use of Bass Guitar and/or Keyboard Patch), Piano, Drum Set, and Auxiliary Percussion (includes Mark Tree, Suspended Cymbal, Triangle, and important gospel-style Tambourine).
$24.99
22.89 €
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Ensemble de Percussions
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Andrew Charles Naylor and Roma Connie Waterman
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Jilly Cooke
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When The River Meets The Sea
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Jilly Paige Cooke
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SheetMusicPlus
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