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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Sing, Sing, Sing: Drums
Non classifié
818
Piano & claviers
Piano, Voix et Guitare
45
Piano seul
33
Instruments en Do
11
Piano, Voix
9
Piano Facile
8
Accompagnement Piano
6
1 Piano, 4 mains
5
Orgue
3
Piano (partie séparée)
2
Accordéon
1
Piano Trio: piano, violon, violoncelle
1
2 Pianos, 4 mains
1
+ 7 instrumentations
Retracter
Guitares
Guitare notes et tablatures
10
Guitare
5
Basse electrique
5
Guitare (partie séparée)
4
Ligne De Mélodie, (Paroles) et Accords
2
Voix
Chorale SATB
79
Pack Instrumental pour Chorale
60
Chorale 3 parties
26
Chorale 2 parties
23
Chorale TTBB
21
Chorale Unison
19
Chorale SSAA
5
Voix duo, Piano
3
Voix duo
1
Chorale SSATTB
1
Voix haute
1
Voix seule
1
+ 7 instrumentations
Retracter
Vents
Saxophone (partie séparée)
12
Ensemble de saxophones
7
Saxophone Alto
6
Flute (partie séparée)
4
Clarinette (partie séparée)
4
Saxophone Tenor
4
Saxophone Tenor et Piano
4
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
3
Ensemble de Flûtes
3
Quatuor de Saxophones: 4 saxophones
3
Saxophone Alto et Piano
3
Quatuor de Flûtes : 4 flûtes
2
Clarinette et Piano
2
Quatuor de Clarinettes: 4 clarinettes
2
Saxophone Soprano et Piano
1
Ensemble de Clarinettes
1
Quintette de Clarinettes: 5 clarinettes
1
Flûte traversière et Piano
1
Flûte, Hautbois, Clarinette, Basson
1
+ 14 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
11
Trombone (partie séparée)
5
Trompette
3
Quatuor de Cuivres : 2 trompettes, trombone, tuba
3
Trompette (partie séparée)
3
Tuba (partie séparée)
2
4 Tubas
2
Cor (partie séparée)
2
2 Trompettes (duo)
1
Trombone
1
3 Trombones (trio)
1
2 Trombones (duo)
1
+ 7 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
11
Violon
7
Contrebasse (partie séparée)
2
Harpe
2
Violoncelle
2
Trio à Cordes: violon, alto, violoncelle
1
Trio à Cordes: 2 violons, violoncelle
1
Violon, Alto (duo)
1
Violon et Piano
1
+ 4 instrumentations
Retracter
Orchestre & Percussions
Batterie
279
Ensemble Jazz
110
Orchestre d'harmonie
78
Orchestre
64
Jazz combo
59
Batterie (partie séparée)
51
Fanfare
41
Orchestre à Cordes
16
Ensemble de Percussions
10
Ensemble de cuivres
9
Orchestre de chambre
6
Cloches
4
Caisse Claire
3
Big band
2
Percussion (partie séparée)
2
Vibraphone
1
Voix Mezzo-Soprano, Orchestre
1
+ 12 instrumentations
Retracter
Autres
Formation musicale - Solfège
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Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
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CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
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FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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Vous avez sélectionné:
Sing, Sing, Sing: Drums
Ensemble de Percussions
Partitions à imprimer
10 partitions trouvées
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Volcano Rising
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Ensemble de Percussions
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INTERMÉDIAIRE/AVANCÉ
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Tsoof Baras
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Volcano Rising
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Tsoof Baras
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SheetMusicPlus
Percussion Ensemble - Level 4 - SKU: A0.1013928 Composed by Tsoof Baras. Contemporary,Holiday,Patriotic,Standards. Score and parts. 37 pages. Tsoof Bara...
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Percussion Ensemble - Level 4 - SKU: A0.1013928 Composed by Tsoof Baras. Contemporary,Holiday,Patriotic,Standards. Score and parts. 37 pages. Tsoof Baras #6663569. Published by Tsoof Baras (A0.1013928). Players - 12Instrumentation - Drums (x12)Volcano Rising is a percussion ensemble drumming piece for 12 drummers. It draws inspiration from The Blue Man Group and aims to challenge the perception of sound. It is recommended that the piece be performed in a circle surrounding the audience or in a line to enhance the effects used.The composition works with and without the visual effect and focuses on groovy polyrhythms and moving lines across the parts. It is a challenging piece for every level of ensemble.
$60.00
Silent Night Prelude for percussion octet
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Ensemble de Percussions
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FACILE
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Noël
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Franz Xaver Gruber
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Dan Heslink
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Silent Night Prelude for percu
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Pharaoh Publications
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SheetMusicPlus
Percussion Ensemble - Level 2 - SKU: A0.935383 Composed by Franz Xaver Gruber. Arranged by Dan Heslink. Christian,Christmas. Score and parts. 20 pages. ...
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Percussion Ensemble - Level 2 - SKU: A0.935383 Composed by Franz Xaver Gruber. Arranged by Dan Heslink. Christian,Christmas. Score and parts. 20 pages. Pharaoh Publications #5363007. Published by Pharaoh Publications (A0.935383). Silent Night Prelude for Percussion Octet arr. by Dan Heslink This work is based on the well-loved Christmas carol, composed in 1818 by Franz Xaver Gruber. This theme is so popular that it was declared an intangible cultural heritage by UNESCO in 2011. And the version sung by Bing Crosby in 1935 is the fourth best-selling single recording of all-time. It’s sure to motivate your audience close to Christmas. The Prelude begins with a brisk tempo. Although notated in 3, as is customary in more modern renditions (the original theme was notated in 6), the tempo must be fast enough that two measures of 3 create a binary pairing (like 6/4 in two). It may be necessary to slightly slow down the roll speed to avoid a frenetic sound. The difficulty level is easy. There are no changes of key, and the timpani part requires only two drums (Bb, F) with no tuning changes. The vibe part could be played with two mallets, but might execute more comfortably with three. The other keyboard parts use only two mallets each. The expression of this beautiful tune will be greatly enhanced by exaggerating the contrasts of dynamics. Accompaniment and ornamental figures must at all times be sublimated to the familiar theme. At the last strain, players should sing the well-known words in order to lead the audience or congregation in group singing. It would be helpful for the conductor to turn and face the audience at this point. This closing passage may be repeated for any number of sung verses. Use a smooth, relaxed stroke to elicit as much legato as possible. At points a continuous arpeggio accompaniment is divided among the instruments. Care must be taken to keep the sixteenth note speed consistent. The opening runs should be performed half-pedal on the vibes for clarity. Prelude on Silent Night would serve equally well in recital or in a church service. Duration is 3:10. The arranger, Dan Heslink, can be contacted at dan@dheslink.com
$4.99
Two Dreams for solo Trombone and 8-part Percussion Ensemble
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Ensemble de Percussions
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AVANCÉ
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Antonio J
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Two Dreams for solo Trombone a
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Gordon Cherry
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.811252 Composed by Antonio J. Garcia. Contemporary,Jazz,Latin,World. Score and parts. 119 pages. Gordon Cherry #...
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Percussion Ensemble - Level 5 - SKU: A0.811252 Composed by Antonio J. Garcia. Contemporary,Jazz,Latin,World. Score and parts. 119 pages. Gordon Cherry #6549777. Published by Gordon Cherry (A0.811252). Two Dreams for Trombone and Percussion EnsembleDr. Justin Alexander (Director, VCU Percussion Ensemble) invited me to create a piece for trombone and percussion ensemble that had roles for more- and less-experienced players so that they could mix within the performance. I so enjoyed composing and performing this work. He estimates the overall difficulty grade of Movement I to be a three on a five-point scale and Movement II to be a four, with a grade four for the overall piece; but some players’ parts (within the eight total in the percussion ensemble) are indeed easier.The two Movements are approximately five minutes each.The first Movement Bilita Mpash (An Amazing Dream) calls for (1) shekeré/guiro; (2) 5-octave marimba (shared with...); (3) 5-octave marimba (shared with previous); (4) claves/drum set with mounted cowbell; (5) bell/mounted cowbell/congas; (6) hi-hat/suspended cymbal; (7) bass drum; and (8) four toms/maracas.The Second Movement (Running with the Tigers) calls for (1) xylophone; (2) vibraphone/glockenspiel; (3) 5-octave marimba; (4) drum set; (5) shaker/samba whistle/congas (opt. voice); (6) triangle/bell tree/hanging bells/agogo bells (opt. voice); (7) bass drum (opt. voice); and (8) Timpani (opt. voice). Pending difficulty levels, the conga and drum set parts can optionally be split among additional percussionists. The score notes offer a stage plot and many rehearsal tips.Bilita Mpash (An Amazing Dream)The 3-2 Rumba Clave anchors this movement, launched by the shekeré. Rhythmic vamps of multiple bars form the landscape over which the trombone’s melody emerges, followed by a move to double-time 2-3 Rumba Clave (with montuno) and back. The trombone soloist improvises without chordal accompaniment for a while so could reflect on the preceding harmonies or instead freely improvise with no concern as to chord changes, while a later section requires improv over chord changes. After the recap, a surprise tag of the ending phrase in Cha Cha sets up the rubato finish. Bilita Mpash (BILL-it-uh m-POSH) is a Bantu term for an amazing dream, a dream so good that it is the polar opposite of a nightmare-a dream in a blissful state where all is forgiven and forgotten2. Running with the TigersThe opening, written-out marimba solo is somewhat of a nod to vibist Gary Burton’s influence in bringing mallets towards the expression of modern jazz. A 9/8 samba-groove (5+4) transforms to 4/4. None of the percussionists have to have a jazz background, though the drum set player would be more challenged if not already exposed to Latin drumming. The improvised solo section could be all solo trombone or could be divided among various performers, including trading. The recap of the tune begins over 5/8 samba (3+2, later 2+3). The closing arrhythmic drum-set solo crescendos as the optional surprise of percussionists’ (or additional) voices sing at the end. The title of this movement refers to a recurring dream my dad would have, as well as to the active movements of my grandson when sleeping in his earliest years.-Antonio J. GarcÃaInstrumentation is for:Solo Trombone and 8-part Percussion Ensemble:shekeré/guiro, 2 5-octave marimbas, claves/drumset with cowbell, bell, congas, hi-hat, suspended cymbal, bass drum, toms, maracas, xylophone, vibraphone, glockenspiel, shaker, samba whistle, congas, triangle, bell tree, hanging bells, agogo bells, bass drum and timpani.This rhythmic and dramatic work includes improvisation by the Trombonist. Listen to the brilliant live performance featuring Mr. Garcia and the Virginia Commonwealth University Percussion Ensemble directed by Dr. Justin Alexander.
$50.00
Alexandriana for Percussion Ensemble
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Ensemble de Percussions
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AVANCÉ
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Dan Heslink
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Alexandriana for Percussion En
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Pharaoh Publications
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.937755 Composed by Dan Heslink. Contemporary,World. Score and parts. 128 pages. Pharaoh Publications #5983475. P...
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Percussion Ensemble - Level 5 - SKU: A0.937755 Composed by Dan Heslink. Contemporary,World. Score and parts. 128 pages. Pharaoh Publications #5983475. Published by Pharaoh Publications (A0.937755). Alexandriana for percussion ensemble (12 performers) by Dan Heslink The term Alexandriana is popularly used to reference the Great Library of antiquity in Alexandria, Egypt. Rooted in Alexander the Great’s global military and exploratory exploits (334 - 323 BCE), the library symbolizes the ancient Greek ever expanding worldview, especially under the influence of Alexander and his tutor, Aristotle. Alexander died long before construction of the Ancient Museum and Library of Alexandria, but the concept of a universal library was uniquely his. The mixing of Hellenistic columns with Egyptian architecture and the housing of thousands of scrolls in Greek, Turkish, Babylonian, Egyptian and Hebrew, intensify the division of the library broadly into two large sections, one for eastern knowledge and one for western knowledge. In this musical score, typically western is the thematic concept (expressed most clearly in the chimes), the tonal, triadic-based harmony and sectional concept of form. The music’s sectional nature parallels the library’s different rooms, each containing their own genre of knowledge (history, mathematics, poetry, etc.) Evocative of eastern musical practices are the simultaneous layers of different rhythmic subdivisions, oriental modes, and florid lines in the xylophone and vibe parts. In this score, eastern musical procedures are expressed with instruments commonly found in the Western orchestra or wind band. The performers are encouraged to always emphasize the score’s contrasts. Passages for indefinitely pitched percussion featuring the song within the drums contrast with other passages of purely quantitative rhythm. Complexity in the interaction of parts contrast with simple rhythmic unison. Passages of thick harmony contrast with modal monophonic melodies accompanied only by indefinitely pitched sounds. Overall, there is a wide dynamic range. During long passages of gradually accruing energy, take care to not build dynamics too quickly, and during fortissimo passages, drums should be stroked in a manner that avoids excessive aggression. The rhythmic background of 16th notes must be consistent among all players so that interlocking rhythmic motifs are consistent. Often the tom-toms have melodic passages that imitate the shape of mallet or timpani melodies. Tune the drums for a warm, round sound and select mallets accordingly. Bar percussion players should apply a flowing legato to their passage work. Soft sections are intended to sound mysterious: be sure to use mallets that match that character. The composer assigns a performance level of difficult to this work. Performance time is 9:15. The composer, Dan Heslink, can be reached at dan@dheslink.com.
$9.99
Rhythm Of Life
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Ensemble de Percussions
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INTERMÉDIAIRE
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Minni K
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Rhythm Of Life
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Dr Minni Ang
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SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.793348 Composed by Minni K. Ang. Concert,Contemporary. Score and parts. 37 pages. Dr Minni Ang #4638453. Publish...
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Percussion Ensemble - Level 3 - SKU: A0.793348 Composed by Minni K. Ang. Concert,Contemporary. Score and parts. 37 pages. Dr Minni Ang #4638453. Published by Dr Minni Ang (A0.793348). Rhythm of Life is built over a five beat pulse, representing the heartbeat of life on planet earth. The two basic pulses are played by different groups of instruments and passed from one group to another, but never ceasing, even as our heartbeats never cease as long as there is life in us. Over these fundamental patterns are built little phrases or solos for the various instruments, including conversations between pairs of instruments - first the timpani and tubular bells, later the marimba and xylophone, and finally the conga drums and the snare drum – these conversations represent various interactions among different groups of life on planet earth. The piece is constructed in theme and variations form.The OrchestrationPlayer One: MarimbaPlayer Two: XylophonePlayer Three: TimpaniPlayer Four: Tubular BellsPlayer Five: Snare Drum & CymbalsPlayer Six: Congas, Bass Drum & Tam-Tam
$8.99
One Hour to Madness
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Ensemble de Percussions
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AVANCÉ
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Contemporain
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Dan Heslink
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One Hour to Madness
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Pharaoh Publications
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.935385 Composed by Dan Heslink. Contemporary. Score and parts. 36 pages. Pharaoh Publications #5775261. Publishe...
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Percussion Ensemble - Level 5 - SKU: A0.935385 Composed by Dan Heslink. Contemporary. Score and parts. 36 pages. Pharaoh Publications #5775261. Published by Pharaoh Publications (A0.935385). One Hour to Madness for percussion septet. by Dan Heslink From its opening motto to its bold closing summation, One Hour to Madness explores a high degree of musical energy. The title is loosely inspired by Walt Whitman’s marvelous poem, One Hour to Madness and Joy (Leaves of Grass). The music presents a dark and exciting expression couched in pervasive contrapuntal development. A high degree of dissonance is contrasted with the second theme’s clear Bb major tonality. The work’s contrapuntal nature is distilled into a fugato in the second half. Predominantly a mallet ensemble composition, scoring is for orchestra bells (2 mallets), xylophone (2 mallets), vibraphone (4 mallets), 3 marimbas (each with 2 mallets) and timpani. The timpani part is best performed on the standard set of 4 drums (23-24, 25-26, 28-29, 32-30). The marimba 1 part requires the standard range of 3 ½ or 4 octaves; the marimba 2 part can be executed on the standard 4-octave instrument by omitting a few octave doublings, or on a 5-octave instrument if one is available; marimba 3 requires a 5-octave instrument. The composer assigns a difficulty level of advanced. It will serve any concert or recital very well. Audiences and performers alike will enjoy the flashy passage work and musical impetus afforded by One Hour to Madness. Duration is 3:41. The composer, Dan Heslink, can be contacted at dan@dheslink.com.
$4.99
The Little Drummer Boy - Score Only
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Ensemble de Percussions
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FACILE
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Kathrine Kennicott Davis
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William R Parker III
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The Little Drummer Boy - Score
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William Parker
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SheetMusicPlus
Percussion Ensemble - Level 2 - SKU: A0.1321460 Composed by Kathrine Kennicott Davis. Arranged by William R Parker III. Children,Christmas,Holiday. 3 pa...
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Percussion Ensemble - Level 2 - SKU: A0.1321460 Composed by Kathrine Kennicott Davis. Arranged by William R Parker III. Children,Christmas,Holiday. 3 pages. William Parker #909919. Published by William Parker (A0.1321460). This is a fun piece for Elementary School drums. Using the glockenspiel, resonance bells, boom whackers, hand drums, tambourine, and triangle, students will be able to work together to play a holiday classic at an acheiveable level! The piece is only 32 bars but can be easily modified to fit your needs. If you want it longer... repeat. If not, than play it as is. There is a spark in the eyes of students when they realize that they are working as a team to make a song come to life. Please enjoy!!
$5.99
Shape Of You
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Ensemble de Percussions
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FACILE
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Pop musique
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Ed Sheeran
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Nicola Lee
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Shape Of You
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Radiance Music
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SheetMusicPlus
Percussion Ensemble - Level 2 - SKU: A0.997240 By Ed Sheeran. By Ed Sheeran, Johnny McDaid, Kandi Burruss, Kevin Briggs, Steve Mac, and Tameka Cottle. A...
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Percussion Ensemble - Level 2 - SKU: A0.997240 By Ed Sheeran. By Ed Sheeran, Johnny McDaid, Kandi Burruss, Kevin Briggs, Steve Mac, and Tameka Cottle. Arranged by Nicola Lee. Pop. Score and parts. 46 pages. Radiance Music #5214753. Published by Radiance Music (A0.997240). Shape Of You is the perfect crowd-pleasing piece arranged for percussion ensemble that features a little Xylophone and Vibraphone solo along with rhythmic accompaniments. The simple handclap part allows players to interact with the audience while indulging themselves in the infinitely catchy tunes!Full Score and individual parts are included.Instrumentation:- Glockenspiel- Xylophone- Vibraphone x 2- 4.3 oct Marimba (shared)- 5 octave Marimba- Timpani (set of four)- Drumset- Bongos- Handclap- Shaker.
$12.99
Incompatibilidade De Genios
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Ensemble de Percussions
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Contemporain
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Caetano Veloso
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André Serrano
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Incompatibilidade De Genios
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Andre Serrano
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SheetMusicPlus
Percussion Ensemble - SKU: A0.1016440 By Caetano Veloso. By Aldir Blanc Mendes and Joao Bosco De Freitas Mucci. Arranged by André Serrano. Contempora...
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Percussion Ensemble - SKU: A0.1016440 By Caetano Veloso. By Aldir Blanc Mendes and Joao Bosco De Freitas Mucci. Arranged by André Serrano. Contemporary. Score and parts. 18 pages. Andre Serrano #5709971. Published by Andre Serrano (A0.1016440). Arrangement for small wind orchestra + guitar, drums, bass and percussion. arrangement to follow a singer.
$12.99
Rolling In The Deep - Score Only
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Ensemble de Percussions
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DÉBUTANT
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Pop musique
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Adele
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Iryna Martynova
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Rolling In The Deep - Score On
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Iryna Martynova
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SheetMusicPlus
Percussion Ensemble - Level 1 - SKU: A0.1286272 By Adele. By Adele Adkins and Paul Epworth. Arranged by Iryna Martynova. 21st Century,Children,Jazz,Pop,...
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Percussion Ensemble - Level 1 - SKU: A0.1286272 By Adele. By Adele Adkins and Paul Epworth. Arranged by Iryna Martynova. 21st Century,Children,Jazz,Pop,Singer/Songwriter. 4 pages. Iryna Martynova #877348. Published by Iryna Martynova (A0.1286272). This version is for 3 xylophones, piano and drums.
$10.00
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Sing, Sing, Sing: Drums
