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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Sing On
Non classifié
6 906
Piano & claviers
Piano seul
3 310
Piano, Voix
2 101
Piano Facile
1 756
Piano, Voix et Guitare
1 661
Instruments en Do
611
Orgue
406
Accompagnement Piano
171
1 Piano, 4 mains
159
Accordéon
146
Piano grosses notes
54
Piano Trio: piano, violon, violoncelle
43
2 Pianos, 4 mains
38
Piano Quintette: piano, 2 violons, alto, violoncelle
15
Piano Quatuor: piano, violon, alto, violoncelle
14
Piano Quatuor: piano, 2 violons, violoncelle
7
1 Piano, 6 mains
6
Orgue, Piano (duo)
5
Piano (partie séparée)
5
2 Pianos, 8 mains
4
Orgue, Trompette (duo)
4
Clavecin
2
Ensemble de Pianos
1
Accordéon, Voix
1
2 Accordéons
1
Clavier
1
+ 20 instrumentations
Retracter
Guitares
Ukulele
448
Basse electrique
371
Guitare notes et tablatures
367
Guitare
299
Ligne De Mélodie, (Paroles) et Accords
229
Paroles et Accords
25
Dulcimer
23
2 Guitares (duo)
18
4 Guitares (Quatuor)
14
Mandoline
14
Guitare (partie séparée)
9
Piano, Guitare (duo)
9
Banjo
8
3 Guitares (trio)
5
Ensemble de guitares
5
2 Ukuleles
3
2 Dulcimers (duo)
2
Ukulele Baryton
1
Luth
1
Guitare Pedal Steel
1
+ 15 instrumentations
Retracter
Voix
Chorale SATB
2 380
Chorale 3 parties
965
Chorale 2 parties
685
Chorale Unison
416
Chorale TTBB
381
Chorale SSAA
357
Voix seule
223
Voix duo, Piano
129
Voix Soprano, Piano
69
Voix duo
54
Voix Alto, Piano
46
Voix Tenor, Piano
37
Voix Baryton, Piano
37
Voix haute
34
Chorale
20
Voix Tenor
14
Voix moyenne, Piano
14
Voix basse, Piano
10
Chorale SSAATTBB
8
Chorale SSATTB
7
Voix Mezzo-Soprano, Piano
6
Voix Soprano
5
Voix basse
4
Chorale SSATB
3
Pack Instrumental pour Chorale
2
Soli, choeur mixte et accompagnement
2
Voix, Guitare
2
Chorale SSAATB
1
Chorale, Orgue
1
Chorale SATBB
1
Chorale SAATB A Cappella
1
Chorale SSAB, Piano
1
+ 27 instrumentations
Retracter
Vents
Flûte traversière et Piano
407
2 Saxophones (duo)
348
Flûte traversière
342
Saxophone Alto
305
Saxophone Alto et Piano
292
Quatuor de Saxophones: 4 saxophones
280
Clarinette et Piano
254
Hautbois, Piano (duo)
252
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
249
Saxophone Tenor
246
2 Flûtes traversières (duo)
223
Flûte, Hautbois, Clarinette, Basson
214
Saxophone (partie séparée)
195
2 Clarinettes (duo)
192
Clarinette
187
Saxophone Tenor et Piano
145
Quatuor de Clarinettes: 4 clarinettes
141
Quintette de Saxophone: 5 saxophones
129
Flûte, Clarinette (duo)
125
Saxophone, Clarinette (duo)
121
Hautbois (partie séparée)
117
Saxophone Soprano et Piano
106
Clarinette, Violon (duo)
86
Flûte irlandaise
85
2 Hautbois (duo)
80
Quatuor de Flûtes : 4 flûtes
64
Clarinette, Trompette (duo)
63
Saxophone Baryton, Piano
63
Ensemble de Clarinettes
58
Hautbois, Clarinette (duo)
57
Hautbois, Basson (duo)
54
Saxophone Soprano
53
Flûte, Violon
51
Hautbois, Flûte
50
3 Clarinettes (trio)
49
Trio de Flûtes: 3 flûtes
47
Flûte à bec Soprano
45
Ensemble de Flûtes
42
Clarinette et Alto
41
Flûte, Saxophone (duo)
40
3 Saxophones (trio)
39
Cor anglais, Piano
39
Flûte à Bec
38
Hautbois
38
Flûte et Guitare
37
Ensemble de saxophones
37
Quintette de Clarinettes: 5 clarinettes
36
2 Flûte à bec (duo)
33
Ensemble De Flûte à bec
32
Flûte, Trompette (duo)
31
Flûte, Alto (duo)
30
Clarinette Basse, Piano
28
Cor Anglais
26
Saxophone
25
Clarinette, Basson (duo)
23
Quintette de Flûte : 5 flûtes
20
Clarinette (partie séparée)
18
Flûte à bec Alto
18
Clarinette, Guitare (duo)
18
Flûte, Hautbois (duo)
16
Quatuor de Flûtes à bec
14
Saxophone Baryton
13
Flûte à bec Tenor
13
Flûte, Hautbois, Clarinette (trio)
12
Hautbois, Clarinette, Basson (trio d'anches)
12
Flute (partie séparée)
12
Flûte, Violoncelle
12
Flûte, Trombone (duo)
10
Flûte, Violon, Piano
10
2 Flûtes traversières, Piano
9
Clarinette, Violoncelle (duo)
9
Flûte, Clarinette et Basson
8
Flûte, Clarinette, Piano (trio)
8
Harmonica
7
Hautbois, Guitare (duo)
6
Hautbois, Violoncelle
6
Flûte à bec Soprano, Piano
5
Cor anglais, Guitare (duo)
5
Clarinette, Harpe (duo)
5
Flûte, Hautbois, Basson
5
5 Flûtes à bec
5
3 Flûtes à bec (trio)
5
Flute, harpe et violon
3
Saxophone et Guitare
3
Clarinette, Trombone (duo)
3
Ocarina
3
Hautbois, violon (duo)
3
2 Clarinettes, Piano
3
Flûte, Violon et Violoncelle
3
Clarinette Basse
3
Flûte, Hautbois, Piano (trio)
3
Piccolo
3
3 Hautbois
2
Saxophone et Orgue
2
Clarinette, Violoncelle, Piano (trio)
2
Instruments en Mib
2
Hautbois et alto (duo)
2
Piccolo, Piano
2
Hautbois, Harpe
2
Ensemble à vent
2
Flûte, Basson et Piano
2
Flûte à bec Alto, Piano
2
Flûte traversière, Orgue (duo)
2
Hautbois, Violon, Piano
1
2 Saxophones, Piano
1
Flûte à Bec, Piano
1
Saxophone et Piano
1
Clarinette, Basson, Piano (trio)
1
Flûte, Alto et Piano
1
Clarinette, Orgue
1
Flûte, Violoncelle, Piano (trio)
1
Flûte de Pan
1
2 Flûtes à bec, Guitare
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
2 Flûtes traversières, Harpe
1
2 Cors Anglais Et Pianoforte
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Flûte, alto et harpe
1
Flûte, Harpe et Violoncelle
1
Clarinette, Contrebasse (duo)
1
+ 115 instrumentations
Retracter
Cuivres
Trompette
302
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
280
Quatuor de Cuivres : 2 trompettes, trombone, tuba
208
Trompette, Piano
199
Trombone
192
Trombone et Piano
179
Cor et Piano
156
Tuba et Piano
97
Cor
94
2 Trompettes (duo)
91
Trompette, Saxophone (duo)
87
2 Trombones (duo)
81
Trompette (partie séparée)
65
2 Cors (duo)
64
Tuba
60
Trompette, Trombone (duo)
55
Quatuor de Cuivres
50
Trombone (partie séparée)
45
Quatuor de Cuivres: 2 trompettes, Cor, trombone
43
Euphonium, Piano (duo)
42
Quatuor de cuivres: 4 trombones
42
Cor anglais, Piano
39
Cor Anglais
26
Ensemble de Trombones
17
2 Tubas (duo)
16
Euphonium
15
Quatuor de cuivres: 4 cors
14
Ensemble de Trompettes
12
Trompette, Cor (duo)
10
Cor (partie séparée)
10
Trio de Cuivres
9
Tuba (partie séparée)
7
2 Euphoniums et 2 Tubas
6
Ensemble de Cors
6
Trompette, Tuba (duo)
5
Quatuor de cuivres: 4 trompettes
5
Cor anglais, Guitare (duo)
5
Instruments en Sib
4
Tuba et Orgue
4
Trombone, Tuba (duo)
4
4 Tubas
4
3 Trombones (trio)
4
3 Cors (trio)
4
Trombone, Cor (duo)
3
Trompette, violon (duo)
3
Euphonium, Tuba (duo)
3
Trombone, Orgue
3
Bass Clef Instruments
3
Quatuor de cuivres: 2 trompettes, 2 trombones
3
Cor, Tuba (duo)
2
2 Trompettes, Clavier (piano ou orgue)
2
Trompette, Trombone, Piano
2
3 Tubas (trio)
2
Trompette et Guitare
2
Instruments en Fa
1
Cor et Harpe
1
3 Euphoniums
1
Trompette, Euphonium (duo)
1
Trombone et orchestre
1
Trompette, Violoncelle et Piano
1
Trompette, Basson (duo)
1
2 Cors Anglais Et Pianoforte
1
2 Cors, Piano
1
Trombone basse et Piano
1
Ensemble de Tubas
1
Trombone basse
1
Trompette, Violoncelle (duo)
1
2 Euphoniums (duo)
1
Cor, Trompette, Trombone (trio)
1
Cor, Violoncelle (duo)
1
3 Trompettes (trio)
1
+ 66 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
877
Violon
522
Violon et Piano
419
Violoncelle
328
Harpe
286
Violoncelle, Piano
282
Alto, Piano
254
Alto seul
186
Violon, Violoncelle (duo)
179
2 Violons (duo)
168
Trio à Cordes: violon, alto, violoncelle
124
2 Violoncelles (duo)
95
2 Altos (duo)
87
Violon, Alto (duo)
87
Trio à Cordes: 2 violons, violoncelle
85
Contre Basse
79
Contrebasse, Piano (duo)
72
2 Harpes (duo)
53
Quintette à cordes: 2 violons, alto, violoncelle, basse
52
Alto (partie séparée)
49
Violon (partie séparée)
38
Contrebasse (partie séparée)
27
Alto, Violoncelle (duo)
20
Violon, Guitare (duo)
20
Harpe, Flûte (duo)
17
2 Contrebasses (duo)
16
4 Violoncelles
15
Piano Trio: Violon, Alto, Piano
14
Trio à cordes: 3 violins
13
Violoncelle, Contrebasse (duo)
13
Trio à Cordes: 3 violoncelles
11
Violoncelle , Guitare (duo)
11
Harpe, Voix
10
Trio à Cordes: 2 violons, alto
9
Harpe, Violon (duo)
8
Ensemble de Violons
7
Alto, Guitare (duo)
6
Trio à cordes: 3 altos
6
Quintette à cordes : 2 violons, alto et 2 violoncelles
5
Quatuor à cordes: 4 violons
5
Ensemble d'Altos
5
2 Violons, Piano
4
Harpe, Violoncelle (duo)
4
Violoncelle (partie séparée)
4
Harpe, Quatuor à cordes
3
Violon, Clarinette, Piano (trio)
3
Quatuor à cordes : 4 altos
3
Trio à cordes
2
Violon, Basson (duo)
2
3 Harpes
2
4 Contrebasses
2
Alto, Orgue
1
Autoharp
1
2 Altos, Piano
1
Flûte, Contrebasse (duo)
1
Violon, Tuba (duo)
1
Violon, Orgue
1
2 Violoncelles, Piano
1
Alto et Harpe
1
Harpe et mandoline
1
4 Harpes
1
Violoncelle, Orgue
1
+ 57 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
1 634
Cloches
554
Orchestre
419
Orchestre à Cordes
317
Ensemble Jazz
268
Ensemble de cuivres
242
Orchestre de chambre
134
Fanfare
98
Jazz combo
88
Batterie
55
Ensemble de Percussions
35
Percussion (partie séparée)
17
Xylophone, Piano
7
Xylophone
6
Ensemble d'École
5
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
4
2 Xylophones
4
Batterie (partie séparée)
4
Marimba
4
Percussion
3
Vibraphone
3
Instrumentation Flexible
3
Orchestre, Violon
2
Timbales (partie séparée)
2
3 Percussions
1
Marimba et Orgue
1
Piano et Orchestre
1
Quatuor à Vent : 4 instruments à vents
1
2 Marimbas
1
Caisse Claire
1
+ 25 instrumentations
Retracter
Autres
Théorie de la musique
3
Formation musicale - Solfège
2
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
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Vous avez sélectionné:
Sing On
Ensemble de Percussions
Partitions à imprimer
35 partitions trouvées
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1
26
Hark The Herald Angels Sing - Score Only
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Ensemble de Percussions
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DÉBUTANT
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Noël
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Felix Bartholdy Mendelssohn
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Bradley Lithgow
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Hark The Herald Angels Sing -
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Bradley Lithgow
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SheetMusicPlus
Percussion Ensemble - Level 1 - SKU: A0.1316111 By Felix Bartholdy Mendelssohn. By Felix Bartholdy Mendelssohn. Arranged by Bradley Lithgow. 21st Centur...
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Percussion Ensemble - Level 1 - SKU: A0.1316111 By Felix Bartholdy Mendelssohn. By Felix Bartholdy Mendelssohn. Arranged by Bradley Lithgow. 21st Century,Advent,Christian,Christmas,Classical. 5 pages. Bradley Lithgow #904859. Published by Bradley Lithgow (A0.1316111). Arranged for South African Style Marimba Bands, ideally suited for The Marimba Workshop (PTY) Ltd Instruments (see: www.marimbaworkshop.co.za)I would love to hear your version, please drop me an email on bradley@marimbaworkshop.co.za.
$12.99
Clouds on the River
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Ensemble de Percussions
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FACILE
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Contemporain
#
Derek Larson
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Clouds on the River
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Derek Larson
#
SheetMusicPlus
Percussion Ensemble - Level 2 - SKU: A0.1011398 Composed by Derek Larson. 20th Century,Contemporary. Score and parts. 1 pages. Derek Larson #3395773. Pu...
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Percussion Ensemble - Level 2 - SKU: A0.1011398 Composed by Derek Larson. 20th Century,Contemporary. Score and parts. 1 pages. Derek Larson #3395773. Published by Derek Larson (A0.1011398). Clouds on the River is an easy percussion ensemble that is pleasing to the ear and easy to accomplish. The piece requires 12 players but is easier with 13 (dividing up the marimba part between two players). The emphasis is on the mallet instruments, but there is no vibe part. The chimes part can be played on the Vibes with hard mallets if there are no chimes. The instrumentation is: Timpani, Cymbals, Gong, Glockenspiel, Xylophone, Marimba, Chimes, Congas, Snare, Bass Drum, Triangle, Rainstick.
$10.00
Volcano Rising
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Ensemble de Percussions
#
INTERMÉDIAIRE/AVANCÉ
#
Tsoof Baras
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Volcano Rising
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Tsoof Baras
#
SheetMusicPlus
Percussion Ensemble - Level 4 - SKU: A0.1013928 Composed by Tsoof Baras. Contemporary,Holiday,Patriotic,Standards. Score and parts. 37 pages. Tsoof Bara...
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Percussion Ensemble - Level 4 - SKU: A0.1013928 Composed by Tsoof Baras. Contemporary,Holiday,Patriotic,Standards. Score and parts. 37 pages. Tsoof Baras #6663569. Published by Tsoof Baras (A0.1013928). Players - 12Instrumentation - Drums (x12)Volcano Rising is a percussion ensemble drumming piece for 12 drummers. It draws inspiration from The Blue Man Group and aims to challenge the perception of sound. It is recommended that the piece be performed in a circle surrounding the audience or in a line to enhance the effects used.The composition works with and without the visual effect and focuses on groovy polyrhythms and moving lines across the parts. It is a challenging piece for every level of ensemble.
$60.00
Enterprising Young Men from STAR TREK
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Ensemble de Percussions
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INTERMÉDIAIRE
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Film/TV
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Michael Giacchino
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Ryan Jonker
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Enterprising Young Men from ST
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Ryan Jonker
#
SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.870514 Composed by Michael Giacchino. Arranged by Ryan Jonker. Film/TV. Score and parts. 34 pages. Ryan Jonker #...
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Percussion Ensemble - Level 3 - SKU: A0.870514 Composed by Michael Giacchino. Arranged by Ryan Jonker. Film/TV. Score and parts. 34 pages. Ryan Jonker #3662425. Published by Ryan Jonker (A0.870514). See and hear the score: https://youtu.be/Y4gTfBGLZZUSimple and fun arrangement for 2 marimbas, 2 vibraphones, 1 xylophone/glockenspiel, timpani, and 4 auxiliary percussion parts that could be doubled up or split up based on the size of the group. Could also double up on mallets if needed. Please send any questions to the arranger: ryanjonkermusic@gmail.comFor custom percussion music: https://www.patreon.com/ryanjonkermusicFor more like this: https://www.ryanjonkermusic.comSearch Sheet Music Plus for Ryan JonkerThanks for checking it out!
$26.99
Christmas Calypso for Percussion Sextet
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Ensemble de Percussions
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FACILE
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Noël
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Dan Heslink
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Christmas Calypso for Percussi
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Pharaoh Publications
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SheetMusicPlus
Percussion Ensemble - Level 2 - SKU: A0.935389 Arranged by Dan Heslink. Christian,Christmas. Score and parts. 18 pages. Pharaoh Publications #6117159. P...
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Percussion Ensemble - Level 2 - SKU: A0.935389 Arranged by Dan Heslink. Christian,Christmas. Score and parts. 18 pages. Pharaoh Publications #6117159. Published by Pharaoh Publications (A0.935389). Christmas Calypso for Percussion Sextet . . . . . . . . . . . . . . arr. Dan Heslink The calypso style referenced in the title is not the calypso of Afro-Caribbean music from Trinidad and Tobago. Rather, it is the especially toned-down but still rhythmic commercial variant popularized by folk singers. Couched in this style, the arrangement offers Christmas favorites Deck the Halls, Angels We Have Heard On High, God Rest Ye Merry Gentlemen and Good Christian Men, Rejoice. This if one of two versions of the calypso arrangement by Dan Heslink, both of which are available through Sheet Music Plus. The other arrangement, percussion sextet, follows similar musical contours and is available separately. Both versions are intended to elicit one primary response from both performers and audience – fun. It does not tax the players technically, but delivers a satisfying sound with carols that the performers likely know and love. General audiences will be enchanted by the familiar melodies delivered in percussion, especially at Christmas time. The introduction opens with a brisk and rhythmic introduction based on Deck the Halls, and establishes the fun calypso rhythm immediately. Deck the Halls is the much-loved welsh air that was arranged by Haydn, Nos galan (Hob. XXXIb:29, 1803). Then, Angels We Have Heard on High breaks out in double-stops with a continuation of the rhythmic impetus. The birth of Jesus Christ as narrated in the Gospel of Luke is the subject of Angels We Have Heard on High, a traditional French song of unknown origin. The gloria section provides some flowing contrast, portraying the shepherds’ impressions as they encounter a multitude of angels singing and praising. The performers are encouraged to use a relaxed stroke to glide through these passages. Following is God Rest Ye Merry Gentlemen, a 16th century English traditional Christmas carol also known under the title, The old Christmas Carol. It provides a contrast in tonality (minor mode) and texture. The xylophone part likely will lay most comfortably when executed with four mallets, although there are no three or four mallet chords in these passages. Good Christian Men, Rejoice is the closing selection in this Christmas medley. It’s title is an English translation of In dulci jubilo (Latin for In sweet rejoicing). The work ends happily with a summation of the calypso rhythm. This medley will be especially effective programmed on a winter holiday concert. Duration is 2:30. The arranger, Dan Heslink, assigned a difficulty level of medium easy, and can be contacted at dan@dheslink.com.
$4.99
Christmas Calypso for Marimba Quartet
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Ensemble de Percussions
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Noël
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Dan Heslink
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Christmas Calypso for Marimba
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Pharaoh Publications
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SheetMusicPlus
Percussion Ensemble - SKU: A0.935390 Arranged by Dan Heslink. Christian,Christmas. Score and parts. 16 pages. Pharaoh Publications #6117165. Published b...
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Percussion Ensemble - SKU: A0.935390 Arranged by Dan Heslink. Christian,Christmas. Score and parts. 16 pages. Pharaoh Publications #6117165. Published by Pharaoh Publications (A0.935390). Christmas Calypso for Marimba Quartet . . . . . . . . . . . . . . arr. Dan HeslinkThe calypso style referenced in the title is not the calypso of Afro-Caribbean music from Trinidad and Tobago. Rather, it is the especially toned-down but still rhythmic commercial variant popularized by folk singers. Couched in this style, the arrangement offers Christmas favorites Deck the Halls, Angels We Have Heard On High, God Rest Ye Merry Gentlemen and Good Christian Men, Rejoice. This if one of two versions of the calypso arrangement by Dan Heslink, both of which are available through Sheet Music Plus. The other arrangement, for percussion sextet, follows similar musical contours and is available separately. Both versions are intended to elicit one primary response from both performers and audience – fun. It does not tax the players technically, but delivers a satisfying sound with carols that the performers likely know and love. General audiences will be enchanted by the familiar melodies delivered in percussion, especially at Christmas time. The introduction opens with a brisk and rhythmic introduction based on Deck the Halls, and establishes the fun calypso rhythm immediately. Deck the Halls is the much-loved welsh air that was arranged by Haydn, Nos galan (Hob. XXXIb:29, 1803). Then, Angels We Have Heard on High breaks out in double-stops with a continuation of the rhythmic impetus. The birth of Jesus Christ as narrated in the Gospel of Luke is the subject of Angels We Have Heard on High, a traditional French song of unknown origin. The gloria section provides some flowing contrast, portraying the shepherds’ impressions as they encounter a multitude of angels singing and praising. The performers are encouraged to use a relaxed stroke to glide through these passages. Following is God Rest Ye Merry Gentlemen, a 16th century English traditional Christmas carol also known under the title, The old Christmas Carol. It provides a contrast in tonality (minor mode) and texture. The xylophone part likely will lay most comfortably when executed with four mallets, although there are no three or four mallet chords in these passages. Good Christian Men, Rejoice is the closing selection in this Christmas medley. It’s title is an English translation of In dulci jubilo (Latin for In sweet rejoicing). The work ends happily with a summation of the calypso rhythm. This medley will be especially effective programmed on a winter holiday concert. Duration is 2:30. The arranger, Dan Heslink, assigned a difficulty level of medium easy, and can be contacted at dan@dheslink.com.
$4.99
Silent Night Prelude for percussion octet
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Ensemble de Percussions
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FACILE
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Noël
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Franz Xaver Gruber
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Dan Heslink
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Silent Night Prelude for percu
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Pharaoh Publications
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SheetMusicPlus
Percussion Ensemble - Level 2 - SKU: A0.935383 Composed by Franz Xaver Gruber. Arranged by Dan Heslink. Christian,Christmas. Score and parts. 20 pages. ...
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Percussion Ensemble - Level 2 - SKU: A0.935383 Composed by Franz Xaver Gruber. Arranged by Dan Heslink. Christian,Christmas. Score and parts. 20 pages. Pharaoh Publications #5363007. Published by Pharaoh Publications (A0.935383). Silent Night Prelude for Percussion Octet arr. by Dan Heslink This work is based on the well-loved Christmas carol, composed in 1818 by Franz Xaver Gruber. This theme is so popular that it was declared an intangible cultural heritage by UNESCO in 2011. And the version sung by Bing Crosby in 1935 is the fourth best-selling single recording of all-time. It’s sure to motivate your audience close to Christmas. The Prelude begins with a brisk tempo. Although notated in 3, as is customary in more modern renditions (the original theme was notated in 6), the tempo must be fast enough that two measures of 3 create a binary pairing (like 6/4 in two). It may be necessary to slightly slow down the roll speed to avoid a frenetic sound. The difficulty level is easy. There are no changes of key, and the timpani part requires only two drums (Bb, F) with no tuning changes. The vibe part could be played with two mallets, but might execute more comfortably with three. The other keyboard parts use only two mallets each. The expression of this beautiful tune will be greatly enhanced by exaggerating the contrasts of dynamics. Accompaniment and ornamental figures must at all times be sublimated to the familiar theme. At the last strain, players should sing the well-known words in order to lead the audience or congregation in group singing. It would be helpful for the conductor to turn and face the audience at this point. This closing passage may be repeated for any number of sung verses. Use a smooth, relaxed stroke to elicit as much legato as possible. At points a continuous arpeggio accompaniment is divided among the instruments. Care must be taken to keep the sixteenth note speed consistent. The opening runs should be performed half-pedal on the vibes for clarity. Prelude on Silent Night would serve equally well in recital or in a church service. Duration is 3:10. The arranger, Dan Heslink, can be contacted at dan@dheslink.com
$4.99
Two Dreams for solo Trombone and 8-part Percussion Ensemble
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Ensemble de Percussions
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AVANCÉ
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Antonio J
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Two Dreams for solo Trombone a
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Gordon Cherry
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.811252 Composed by Antonio J. Garcia. Contemporary,Jazz,Latin,World. Score and parts. 119 pages. Gordon Cherry #...
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Percussion Ensemble - Level 5 - SKU: A0.811252 Composed by Antonio J. Garcia. Contemporary,Jazz,Latin,World. Score and parts. 119 pages. Gordon Cherry #6549777. Published by Gordon Cherry (A0.811252). Two Dreams for Trombone and Percussion EnsembleDr. Justin Alexander (Director, VCU Percussion Ensemble) invited me to create a piece for trombone and percussion ensemble that had roles for more- and less-experienced players so that they could mix within the performance. I so enjoyed composing and performing this work. He estimates the overall difficulty grade of Movement I to be a three on a five-point scale and Movement II to be a four, with a grade four for the overall piece; but some players’ parts (within the eight total in the percussion ensemble) are indeed easier.The two Movements are approximately five minutes each.The first Movement Bilita Mpash (An Amazing Dream) calls for (1) shekeré/guiro; (2) 5-octave marimba (shared with...); (3) 5-octave marimba (shared with previous); (4) claves/drum set with mounted cowbell; (5) bell/mounted cowbell/congas; (6) hi-hat/suspended cymbal; (7) bass drum; and (8) four toms/maracas.The Second Movement (Running with the Tigers) calls for (1) xylophone; (2) vibraphone/glockenspiel; (3) 5-octave marimba; (4) drum set; (5) shaker/samba whistle/congas (opt. voice); (6) triangle/bell tree/hanging bells/agogo bells (opt. voice); (7) bass drum (opt. voice); and (8) Timpani (opt. voice). Pending difficulty levels, the conga and drum set parts can optionally be split among additional percussionists. The score notes offer a stage plot and many rehearsal tips.Bilita Mpash (An Amazing Dream)The 3-2 Rumba Clave anchors this movement, launched by the shekeré. Rhythmic vamps of multiple bars form the landscape over which the trombone’s melody emerges, followed by a move to double-time 2-3 Rumba Clave (with montuno) and back. The trombone soloist improvises without chordal accompaniment for a while so could reflect on the preceding harmonies or instead freely improvise with no concern as to chord changes, while a later section requires improv over chord changes. After the recap, a surprise tag of the ending phrase in Cha Cha sets up the rubato finish. Bilita Mpash (BILL-it-uh m-POSH) is a Bantu term for an amazing dream, a dream so good that it is the polar opposite of a nightmare-a dream in a blissful state where all is forgiven and forgotten2. Running with the TigersThe opening, written-out marimba solo is somewhat of a nod to vibist Gary Burton’s influence in bringing mallets towards the expression of modern jazz. A 9/8 samba-groove (5+4) transforms to 4/4. None of the percussionists have to have a jazz background, though the drum set player would be more challenged if not already exposed to Latin drumming. The improvised solo section could be all solo trombone or could be divided among various performers, including trading. The recap of the tune begins over 5/8 samba (3+2, later 2+3). The closing arrhythmic drum-set solo crescendos as the optional surprise of percussionists’ (or additional) voices sing at the end. The title of this movement refers to a recurring dream my dad would have, as well as to the active movements of my grandson when sleeping in his earliest years.-Antonio J. GarcÃaInstrumentation is for:Solo Trombone and 8-part Percussion Ensemble:shekeré/guiro, 2 5-octave marimbas, claves/drumset with cowbell, bell, congas, hi-hat, suspended cymbal, bass drum, toms, maracas, xylophone, vibraphone, glockenspiel, shaker, samba whistle, congas, triangle, bell tree, hanging bells, agogo bells, bass drum and timpani.This rhythmic and dramatic work includes improvisation by the Trombonist. Listen to the brilliant live performance featuring Mr. Garcia and the Virginia Commonwealth University Percussion Ensemble directed by Dr. Justin Alexander.
$50.00
Don't Worry, Be Happy
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Ensemble de Percussions
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INTERMÉDIAIRE
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Jazz
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Bobby McFerrin
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Ricardo Matosinhos
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Don't Worry, Be Happy
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Ricardo Matosinhos
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SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.899162 By Bobby McFerrin. By Bobby McFerrin. Arranged by Ricardo Matosinhos. Jazz. Score and parts. 32 pages. Ri...
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Percussion Ensemble - Level 3 - SKU: A0.899162 By Bobby McFerrin. By Bobby McFerrin. Arranged by Ricardo Matosinhos. Jazz. Score and parts. 32 pages. Ricardo Matosinhos #5723941. Published by Ricardo Matosinhos (A0.899162). This is a well known piece by Bobby McFerrin. Here presented on a music arrangement for unconventional music instruments. The arrangement allows flexibility, so this piece can be performed using tuned bottles (25cl, 33cl and 75cl), lip whistle, finger snaps, complemented with xylophones and optionally with voices to sing the lyrics too. This arrangement was made during the 2020 quarantine, when the world was shutdown due to a world virus pandemic. Some of the music students didn’t have their music instruments at home, so this arrangement came up to fill that gap and it is perfect to keep doing music with the available option of instruments.On each rehearsal letter, you can play optional improvisations, while keeping the voices 5-8. These improvisations can be easily done using the C major pentatonic scale or the note ranges presented on the right, that even include Eâ™ and Bâ™. If played using lip whistle, bendings will be possible too. This arrangement presents 8 voices and an alternative solution for voice 8, that makes it easier to be performed as it is the place where bottles are divided between the players. There is also an optional bass line to complement voice eight one octave bellow. In order to keep it simple, neither dynamics or articulations were included and the notes were represented always in the middle octave in G clef. The correct pitch ranges are presented in the performance notes.The amount of water will change the pitch differently depending if you are blowing or doing percussion on a bottle. When blowing, the more water you use, the higher the pitch will be, but while doing percussions more water means lower pitch. A good option, in order to save time during rehearsals, is to fill the bottles with water, marking the level with a pen, and then filling the bottle with the desired amount of hot wax instead of water. This way, when the wax cools down you can have a tuned bottle without requiring to tune it again every single rehearsal. Please note that the bottles should be made of glass and that different aspects change the performance. For percussion, straight bottles are better to tune as the curves in the bottles tend to produce unstable pitches. The extreme notes of the range might not be available in every single bottle, so you might need to try some alternatives. For example the high A is available in some beer bottles, while the low G is available in larger 75cl bottles of champaign. Last but not least, this piece should always be played according to Bobby’s motto: dont worry, be happy!I had lots of fun while doing this arrangement, now it’s your time to have fun while performing it!Ricardo Matosinhoshttp://www.ricardomatosinhos.com
$14.99
Four Minutes - Four Daydreams
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Ensemble de Percussions
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FACILE
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Contemporain
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Paul Burnell
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Four Minutes - Four Daydreams
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Paul Burnell
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SheetMusicPlus
Percussion Ensemble - Level 2 - SKU: A0.835744 Composed by Paul Burnell. 20th Century,Contemporary. Score and parts. 3 pages. Paul Burnell #548979. Publ...
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Percussion Ensemble - Level 2 - SKU: A0.835744 Composed by Paul Burnell. 20th Century,Contemporary. Score and parts. 3 pages. Paul Burnell #548979. Published by Paul Burnell (A0.835744). Composed 2000. Duration: 4:00. For ensemble with instruments in C, Bb, F Eb, voices and percussion as directed in the score. The music is presented as a performing score. Where no clef is given, play with as if with a clef as directed in the score text (see Minute two). Transposing instruments play as written and do not transpose. It is allowed, however, for special transposed parts to be created in order to ensure an even distribution of the intended chordal harmony where this would otherwise be missing. There should be a few seconds silence between each of the four sections. During Minute one players other than the soloist strum their fingers rapidly on the body of their instruments, chairs etc., very quietly - producing an almost imperceptible dull sound (not 'tinny' or 'bright'). Programme Note: 'Four Minutes - Four Daydreams' was composed by Paul Burnell in 2000. It was first performed by the London CoMA Ensemble, conductor Simon Foxley, at Morley College, London on the 29th October 2000. The piece has four distinct sections, each 1 minute long. Like an extended daydream each section is progressively more developed. The piece was included on the 2013 album 'Cabbage Heads'.
$1.99
One Hour to Madness
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Ensemble de Percussions
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AVANCÉ
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Contemporain
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Dan Heslink
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One Hour to Madness
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Pharaoh Publications
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.935385 Composed by Dan Heslink. Contemporary. Score and parts. 36 pages. Pharaoh Publications #5775261. Publishe...
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Percussion Ensemble - Level 5 - SKU: A0.935385 Composed by Dan Heslink. Contemporary. Score and parts. 36 pages. Pharaoh Publications #5775261. Published by Pharaoh Publications (A0.935385). One Hour to Madness for percussion septet. by Dan Heslink From its opening motto to its bold closing summation, One Hour to Madness explores a high degree of musical energy. The title is loosely inspired by Walt Whitman’s marvelous poem, One Hour to Madness and Joy (Leaves of Grass). The music presents a dark and exciting expression couched in pervasive contrapuntal development. A high degree of dissonance is contrasted with the second theme’s clear Bb major tonality. The work’s contrapuntal nature is distilled into a fugato in the second half. Predominantly a mallet ensemble composition, scoring is for orchestra bells (2 mallets), xylophone (2 mallets), vibraphone (4 mallets), 3 marimbas (each with 2 mallets) and timpani. The timpani part is best performed on the standard set of 4 drums (23-24, 25-26, 28-29, 32-30). The marimba 1 part requires the standard range of 3 ½ or 4 octaves; the marimba 2 part can be executed on the standard 4-octave instrument by omitting a few octave doublings, or on a 5-octave instrument if one is available; marimba 3 requires a 5-octave instrument. The composer assigns a difficulty level of advanced. It will serve any concert or recital very well. Audiences and performers alike will enjoy the flashy passage work and musical impetus afforded by One Hour to Madness. Duration is 3:41. The composer, Dan Heslink, can be contacted at dan@dheslink.com.
$4.99
Ojo for percussion quintet
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Ensemble de Percussions
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INTERMÉDIAIRE/AVANCÉ
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Joe W
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Ojo for percussion quintet
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JWMIII Compositions
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SheetMusicPlus
Percussion Ensemble - Level 4 - SKU: A0.1086633 Composed by Joe W. Moore III. 20th Century,Contemporary,Latin,Multicultural,World. Score and parts. 82 p...
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Percussion Ensemble - Level 4 - SKU: A0.1086633 Composed by Joe W. Moore III. 20th Century,Contemporary,Latin,Multicultural,World. Score and parts. 82 pages. JWMIII Compositions #690841. Published by JWMIII Compositions (A0.1086633). Ojo (evil eye) was written in 2018 for the UTRGV Percussion ensemble. The inspiration for the piece comes from Latin American folklore “mal de ojo†which is essentially staring or looking on someone with envy or praising them without touching them. It is believed that your spirit will haunt the person you’ve looked at with a desire to touch but didn’t. This is the goal of the piece; to keep the audience engaged throughout the work with quick passages, rhythmic variety, and timbre changes, giving the performers ojo because there is no other option but to watch and listen intently.
$50.00
The COVID Awakening
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Ensemble de Percussions
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INTERMÉDIAIRE/AVANCÉ
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Adam Grim
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The COVID Awakening
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Adam B. Grim
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SheetMusicPlus
Percussion Ensemble - Level 4 - SKU: A0.939390 Composed by Adam Grim. 20th Century,Concert,Standards. Score and parts. 50 pages. Adam B. Grim #6210963. ...
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Percussion Ensemble - Level 4 - SKU: A0.939390 Composed by Adam Grim. 20th Century,Concert,Standards. Score and parts. 50 pages. Adam B. Grim #6210963. Published by Adam B. Grim (A0.939390). The COVID Awakening is a marimba quartet for two 5.0 octave instruments. This piece is inspired by minimalism and minimalist compositional techniques combined with layering found in West African drumming, though it is not the only source of this specific technique. It was written during the beginning of the summer of 2020, when the Coronavirus, COVID-19, had started its grips on the United States in the forms of illness, death, and economic and emotional distress. This piece reflects on these early feelings of quarantines and sheltering in place, and using the techniques listed above the listeners are pulled in to listen between the notes. These reflections are found not in the music itself, but is different with every listen. The listeners’ ears will venture as they wish, and make this piece new with every performance, even though the notes and rhythms never change. Instrumentation: Two 5.0 octave marimbas, though only one marimba needs to be the full range. Marimba 1 can be a much smaller instrument if necessary. I’d suggest using rubber/latex mallets. Unless the performance is in a reasonably dry hall, this articulation and tone benefit does wonders for this piece. Each player needs only 2 mallets.
$25.00
Rhythm Of Life
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Ensemble de Percussions
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INTERMÉDIAIRE
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Minni K
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Rhythm Of Life
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Dr Minni Ang
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SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.793348 Composed by Minni K. Ang. Concert,Contemporary. Score and parts. 37 pages. Dr Minni Ang #4638453. Publish...
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Percussion Ensemble - Level 3 - SKU: A0.793348 Composed by Minni K. Ang. Concert,Contemporary. Score and parts. 37 pages. Dr Minni Ang #4638453. Published by Dr Minni Ang (A0.793348). Rhythm of Life is built over a five beat pulse, representing the heartbeat of life on planet earth. The two basic pulses are played by different groups of instruments and passed from one group to another, but never ceasing, even as our heartbeats never cease as long as there is life in us. Over these fundamental patterns are built little phrases or solos for the various instruments, including conversations between pairs of instruments - first the timpani and tubular bells, later the marimba and xylophone, and finally the conga drums and the snare drum – these conversations represent various interactions among different groups of life on planet earth. The piece is constructed in theme and variations form.The OrchestrationPlayer One: MarimbaPlayer Two: XylophonePlayer Three: TimpaniPlayer Four: Tubular BellsPlayer Five: Snare Drum & CymbalsPlayer Six: Congas, Bass Drum & Tam-Tam
$8.99
Donut Etudes vol. 3: Don’t Step in the Holes! – Keyboard Percussion (Mallet) Quartet
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Ensemble de Percussions
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INTERMÉDIAIRE
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Methodes
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Joshua Hauser
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Donut Etudes vol. 3: Don&rsquo
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Slide Ride
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SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.784338 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288673. Published by Sl...
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Percussion Ensemble - Level 3 - SKU: A0.784338 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288673. Published by Slide Ride (A0.784338). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
Sweet Dreams (are Made Of This)
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Ensemble de Percussions
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INTERMÉDIAIRE/AVANCÉ
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The Eurythmics
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David R
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Sweet Dreams
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Bluesilhouettes Music
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SheetMusicPlus
Percussion Ensemble - Level 4 - SKU: A0.1324084 By The Eurythmics. By Annie Lennox and David Stewart. Arranged by David R. Peoples. Classical,Contempora...
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Percussion Ensemble - Level 4 - SKU: A0.1324084 By The Eurythmics. By Annie Lennox and David Stewart. Arranged by David R. Peoples. Classical,Contemporary,Pop,Rock. 100 pages. Bluesilhouettes Music #912276. Published by Bluesilhouettes Music (A0.1324084). Annie Lennox and David Stewart had recently ended their relationship and disbanded their band. They still worked together - and built this song in a tiny warehouse using whatever technology they could get their hands on. In a day where most music was produced in the large studios backed by industry money - they pioneered a hit without the big studio. Securing a loan, they procured essential equipment—a compact setup comprising an 8-track tape recorder, mixer, effects processors, synthesizers, a drum computer, and a compact dynamic microphone. Some of the emotions from their lives went into the song - a fresh start on the heels of emotional events. Reflecting on that period, Lennox candidly remarked, “I was feeling very vulnerable. The song was an expression of how I felt: hopeless and nihilistic.â€This version is not a cover. Fragments of musical elements are translated into the ensemble. While occasionally exhibiting moments of dance, the composition evolves into a more profound expression, capitalizing on the musical possibilities of a percussion ensemble. This arrangement was crafted for the University of North Georgia’s percussion ensemble, directed by Dr. Steven Walker.Listen to mockup offsite
$34.99
Zona Centro (Downtown)
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Ensemble de Percussions
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INTERMÉDIAIRE/AVANCÉ
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Reggae
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Luis Carlos Diaz
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Luis Carlos Diaz
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Zona Centro
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azdi
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SheetMusicPlus
Percussion Ensemble - Level 4 - SKU: A0.1029902 Composed by Luis Carlos Diaz. Arranged by Luis Carlos Diaz. 20th Century,Contemporary,Hip-Hop,World. Sco...
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Percussion Ensemble - Level 4 - SKU: A0.1029902 Composed by Luis Carlos Diaz. Arranged by Luis Carlos Diaz. 20th Century,Contemporary,Hip-Hop,World. Score and parts. 119 pages. Azdi #5983083. Published by azdi (A0.1029902). Downtown area Musical work, for chamber orchestra, which recreates the atmospheres experienced when walking through the streets of the downtown area of ​​my city (Tijuana). Using the popular urban rhythms that can be heard live, performed by all the city's musicians, such as: Rap hip hop). The most popular and booming genre among young people in this city in particular and throughout Mexico in general. Jazz, which since the 1960s has been played on the legendary Av. Revolución. Aztec Dance (Mexica) that is still practiced by various circles of the city and the country, preserving ancient cultures. Reggae. Music of conscience and positive message, which is the most listened to and performed by numerous local and independent bands from the northern border. Divided into three parts, it begins with a melody or main theme, such as the bass line used on rap tracks, played first by the trombone, the double bass, and later also by the other instruments, on a rhythmic basis in the section of percussions with a characteristic rhythm of rap music at a speed of 90 bpm.
$33.00
Rude
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Ensemble de Percussions
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INTERMÉDIAIRE
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Contemporain
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MAGIC!
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Aaron Ziegler
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Rude
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Aaron Ziegler
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SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.884302 By MAGIC! By Adam Messinger, Alex Tanas, Ben Spivak, Mark Pellizzer, and Nasri Atweh. Arranged by Aaron Z...
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Percussion Ensemble - Level 3 - SKU: A0.884302 By MAGIC! By Adam Messinger, Alex Tanas, Ben Spivak, Mark Pellizzer, and Nasri Atweh. Arranged by Aaron Ziegler. Contemporary. Score and parts. 19 pages. Aaron Ziegler #3925219. Published by Aaron Ziegler (A0.884302). This arrangement of Magic!'s hit song Rude is a great way to challenge and excite all of the players in your steel band. A video of this arrangement is available on YouTube at: https://www.youtube.com/watch?v=_-C7G3jkTD4 Difficulty: Intermediate For more information about the arranger please visit: www.AaronZieglerPercussion.com
$20.00
Short People
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Ensemble de Percussions
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DÉBUTANT
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Film/TV
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Randy Newman
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Aaron Ziegler
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Short People
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Aaron Ziegler
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SheetMusicPlus
Percussion Ensemble - Level 1 - SKU: A0.884305 By Randy Newman. By Randy Newman. Arranged by Aaron Ziegler. Film/TV,Pop. Score and parts. 19 pages. Aaro...
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Percussion Ensemble - Level 1 - SKU: A0.884305 By Randy Newman. By Randy Newman. Arranged by Aaron Ziegler. Film/TV,Pop. Score and parts. 19 pages. Aaron Ziegler #3925293. Published by Aaron Ziegler (A0.884305). This arrangement of Randy Newman's Short People will have your audience singing along. The pop-y melody and interesting harmonies will keep your band engaged and there is space for optional improvised solos. Difficulty: Easy/BeginnerFor more information on the arranger please visit: www.AaronZieglerPercussion.com .
$20.00
Polytechnic Overture [score only]
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Ensemble de Percussions
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Colin Bayliss
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Polytechnic Overture [score on
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Colin Bayliss
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SheetMusicPlus
Percussion Ensemble - Level 4 - SKU: A0.938480 Composed by Colin Bayliss. 20th Century. Score and parts. 33 pages. Colin Bayliss #24919. Published by Co...
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Percussion Ensemble - Level 4 - SKU: A0.938480 Composed by Colin Bayliss. 20th Century. Score and parts. 33 pages. Colin Bayliss #24919. Published by Colin Bayliss (A0.938480). Using many Techniques of composition. Programme notes on last page.
$10.00
Let's Boogie - For Orff Ensemble
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Ensemble de Percussions
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DÉBUTANT
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Yvonne Johnson
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Let's Boogie - For Orff Ensemb
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Yvonne Johnson
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SheetMusicPlus
Percussion Ensemble - Level 1 - SKU: A0.767900 Composed by Yvonne Johnson. Blues,Instructional,Standards. Score and parts. 18 pages. Yvonne Johnson #289...
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Percussion Ensemble - Level 1 - SKU: A0.767900 Composed by Yvonne Johnson. Blues,Instructional,Standards. Score and parts. 18 pages. Yvonne Johnson #2891253. Published by Yvonne Johnson (A0.767900). A fairly easy boogie arrangement using I IV V chords over a well known walking bass. Woodblocks provide the rhythmic accents on the 2nd and 4th beats, typical in a blues or boogie piece. Alto Met doubles the Bass Xyl in some passages. The eighth notes (quavers) should be slightly swung.
$3.95
Meditation (for Percussion Ensemble)
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Ensemble de Percussions
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DÉBUTANT
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Jeremy Barnet
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Meditation
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Jeremy Barnett
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SheetMusicPlus
Percussion Ensemble - Level 1 - SKU: A0.797629 Composed by Jeremy Barnet. 20th Century,Concert,Contemporary,Instructional,World. Score and parts. 15 pag...
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Percussion Ensemble - Level 1 - SKU: A0.797629 Composed by Jeremy Barnet. 20th Century,Concert,Contemporary,Instructional,World. Score and parts. 15 pages. Jeremy Barnett #3455015. Published by Jeremy Barnett (A0.797629). Meditation for 9 percussionistsA slow, dramatic piece for beginner percussion ensemble, 'Meditation' offers the chance to focus on sound quality, delicacy, and detailed ensemble playing, within a piece that is both simple and profound. This is an opportunity for younger player to experience a type of music making usually reserved for more experienced and mature musicians. Using standard band/orchestral percussion instruments, 'Meditation' is a welcome addition to any percussion concert program.
$14.00
The Hammer & Anvil
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Ensemble de Percussions
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INTERMÉDIAIRE
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Jake Garratt
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The Hammer & Anvil
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J Garratt Composer
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SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.1029072 Composed by Jake Garratt. Contemporary,Folk,Standards,World. Score and parts. 1 pages. J Garratt Compose...
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Percussion Ensemble - Level 3 - SKU: A0.1029072 Composed by Jake Garratt. Contemporary,Folk,Standards,World. Score and parts. 1 pages. J Garratt Composer #4615943. Published by J Garratt Composer (A0.1029072). 'The Hammer & Anvil' is the piece that adorns the balustrade of the band stand in Parade Gardens, Bath, UK. The band stand was forged by the National Heritage Ironwork Group as a gift to the city during their 2018 'BathIron' festival. The piece is written for 2 treble clef parts and a bass clef part and can be performed by any group of instruments. For the original performance it was performed on 2 Bb Clarinets and a Bass Clarinet.About the piece:'The Hammer & Anvil' is derived from the melody of an English folk song about a blacksmith (ironworker) which has been adapted and augmented to be used as a melodic foundation throughout the piece, similar to an isorhythm in medieval compositions. The piece is in two sections: the A section where the folk melody is confined to the bass and the B section where the melody is split between all three parts. A repeated rhythmic motif, representative of an ironworker using his hammer and anvil, is used to accompany and/or decorate this melody.
$2.99
Another Place
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Ensemble de Percussions
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AVANCÉ
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Contemporain
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Adam Grim
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Another Place
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Adam B. Grim
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.939392 Composed by Adam Grim. 20th Century,Contemporary. Score and parts. 65 pages. Adam B. Grim #6862379. Publi...
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Percussion Ensemble - Level 5 - SKU: A0.939392 Composed by Adam Grim. 20th Century,Contemporary. Score and parts. 65 pages. Adam B. Grim #6862379. Published by Adam B. Grim (A0.939392). Another Place is a marimba quartet on two instruments with some accessory items like a mounted bass drum, cymbal, and wind chimes. The work is about 10.5 minutes long, and holds three distinct movements that begin with solemn rolls that slowly become more regimented and rhythmic. The second movement raises the bar and becomes very rhythmic and syncopated with a Reich-like approach of melody vs interlocking harmony. This climax brings a high dynamic level to the forefront of the instruments with interlocking impact points being contrasted to unison hits. The third movement takes this original melody and harmony to the next level by using changing time signatures and motivic ideas to maximize the powerful ending. Throughout there is a deep sense of color and texture that can be maximized by the ensemble in new and exciting ways with each performance. This has plenty of ink, but also leaves a lot to interpret and bring the ensemble’s voice forward. I hope you enjoy! This work won the Audience Award in the Rocky Mountain Music Composition Contest in 2022 as well as Second Prize overall. These international awards were judged by a panel of seven judges from around the world, but with the competition based out of Toronto, Canada.
$35.00
Oh Where, Oh Where Has My Little Dog Gone -For Orff Ensemble
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Ensemble de Percussions
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DÉBUTANT
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Traditional
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Yvonne Johnson
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Oh Where, Oh Where Has My Litt
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Yvonne Johnson
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SheetMusicPlus
Percussion Ensemble - Level 1 - SKU: A0.1047954 Composed by Traditional. Arranged by Yvonne Johnson. Children,Folk,Instructional,Traditional. Score and ...
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Percussion Ensemble - Level 1 - SKU: A0.1047954 Composed by Traditional. Arranged by Yvonne Johnson. Children,Folk,Instructional,Traditional. Score and parts. 9 pages. Yvonne Johnson #652405. Published by Yvonne Johnson (A0.1047954). Score and Full Set of 4 Parts This well known children's song is based on the old German folk tune Lauterbach Hab' Ich Mein Strumpf Verlor'n dating back to 1827 and was first published with lyrics by Septimus Winner in 1864. It has been arranged for the younger Orff Ensemble performers using simple rhythms and basic note values. Sop Glock and Alto Met play the tune throughout. Alto Glock provides some harmony with a simple bass line played by Bass Xylo. Arranged in the key of F Major, players will need their Bb bars. Dynamics and tempo markings are suggested ones only and Marimba makes a nice substitute for the Bass Xylo.
$3.95
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