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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Sing Out!
Non classifié
4 821
Piano & claviers
Piano seul
2 622
Piano, Voix
2 168
Piano, Voix et Guitare
1 543
Piano Facile
1 344
Instruments en Do
546
Accompagnement Piano
222
Orgue
219
1 Piano, 4 mains
93
Piano grosses notes
51
Piano Trio: piano, violon, violoncelle
29
2 Pianos, 4 mains
23
Accordéon
15
Piano Quatuor: piano, violon, alto, violoncelle
10
Piano (partie séparée)
9
Piano Quatuor: piano, 2 violons, violoncelle
6
Piano Quintette: piano, 2 violons, alto, violoncelle
5
Orgue, Piano (duo)
5
Clavecin
4
Accordéon, Voix
3
Orgue, Trompette (duo)
3
Ensemble de Pianos
1
1 Piano, 6 mains
1
Clavier
1
2 Pianos, 8 mains
1
+ 19 instrumentations
Retracter
Guitares
Guitare notes et tablatures
377
Basse electrique
326
Guitare
170
Ukulele
168
Ligne De Mélodie, (Paroles) et Accords
133
Paroles et Accords
22
Guitare (partie séparée)
19
2 Guitares (duo)
13
Piano, Guitare (duo)
10
4 Guitares (Quatuor)
10
Dulcimer
8
3 Guitares (trio)
5
Banjo
5
Mandoline
4
Ensemble de guitares
4
Mandoline, Guitare (duo)
3
2 Ukuleles
2
Basse électrique (partie séparée)
2
Ukulele Baryton
1
+ 14 instrumentations
Retracter
Voix
Chorale SATB
1 734
Chorale 3 parties
782
Chorale 2 parties
706
Chorale Unison
478
Chorale TTBB
327
Chorale SSAA
268
Voix duo, Piano
91
Voix seule
79
Voix Alto, Piano
53
Voix Soprano, Piano
50
Voix duo
45
Voix Tenor, Piano
40
Voix Tenor
35
Voix Baryton, Piano
34
Voix Soprano
30
Voix haute
23
Chorale
21
Voix moyenne, Piano
9
Voix basse, Piano
8
Chorale SSATB
3
Voix basse
3
Chorale SSAATTBB
3
Pack Instrumental pour Chorale
2
Chorale SSATTB
2
Voix Mezzo-Soprano, Piano
2
Chorale SSAB a cappella
2
Chorale SAATB A Cappella
2
Chorale SSAB, Piano
1
Voix duo, Orgue
1
Chorale SSAATB
1
Voix, Guitare
1
Chorale SATBB
1
+ 27 instrumentations
Retracter
Vents
2 Saxophones (duo)
351
Flûte traversière et Piano
306
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
237
Saxophone Alto et Piano
234
Hautbois, Piano (duo)
232
Clarinette et Piano
225
Flûte traversière
222
Clarinette
175
Saxophone Alto
175
2 Flûtes traversières (duo)
168
Quatuor de Saxophones: 4 saxophones
160
Saxophone, Clarinette (duo)
150
Flûte, Hautbois, Clarinette, Basson
149
Saxophone (partie séparée)
139
2 Clarinettes (duo)
135
Quintette de Saxophone: 5 saxophones
133
Saxophone Tenor et Piano
132
Saxophone Tenor
121
Saxophone Soprano et Piano
116
Clarinette, Violon (duo)
98
Quatuor de Clarinettes: 4 clarinettes
92
Hautbois (partie séparée)
90
Flûte irlandaise
81
Clarinette, Trompette (duo)
77
2 Hautbois (duo)
71
Flûte, Clarinette (duo)
70
Saxophone Baryton, Piano
64
Hautbois, Clarinette (duo)
58
Flûte, Violon
55
Hautbois, Basson (duo)
55
Flûte à bec Soprano
53
Hautbois, Flûte
49
Clarinette et Alto
48
Flûte, Saxophone (duo)
45
Ensemble de Clarinettes
44
Flûte à Bec
41
Ensemble de saxophones
40
Ensemble de Flûtes
39
Flûte, Trompette (duo)
39
Flûte, Alto (duo)
36
Flûte et Guitare
31
Hautbois
30
Flûte à bec Alto
30
Ensemble De Flûte à bec
29
Clarinette Basse, Piano
27
3 Saxophones (trio)
27
Quatuor de Flûtes : 4 flûtes
27
Quintette de Clarinettes: 5 clarinettes
24
Flûte à bec Tenor
22
Cor anglais, Piano
22
2 Flûte à bec (duo)
22
3 Clarinettes (trio)
20
Quintette de Flûte : 5 flûtes
18
Cor Anglais
16
Saxophone Soprano
15
Clarinette, Guitare (duo)
14
Flute (partie séparée)
12
Saxophone Baryton
11
Flûte, Trombone (duo)
11
Flûte, Hautbois, Clarinette (trio)
10
Trio de Flûtes: 3 flûtes
10
Clarinette, Violoncelle (duo)
8
Flûte, Clarinette et Basson
8
Hautbois, Clarinette, Basson (trio d'anches)
7
Quatuor de Flûtes à bec
6
Clarinette (partie séparée)
6
Flûte, Violoncelle, Piano (trio)
5
Flûte, Hautbois (duo)
5
Flûte, Violoncelle
4
Clarinette Basse
4
Hautbois, violon (duo)
4
Saxophone
4
Clarinette, Violoncelle, Piano (trio)
4
Ensemble à vent
4
Flûte à bec Soprano, Piano
3
Flûte, Hautbois, Piano (trio)
3
Flûte, Hautbois, Basson
3
Flûte, Violon, Piano
3
Hautbois, Guitare (duo)
3
Saxophone et Orgue
3
3 Flûtes à bec (trio)
3
Clarinette, Trombone (duo)
3
Hautbois, Violoncelle
3
Clarinette, Basson (duo)
3
Saxophone et Guitare
3
Flûte, Clarinette, Cor, Basson (Quartet)
3
Harmonica
3
Hautbois et alto (duo)
2
2 Clarinettes, Piano
2
5 Flûtes à bec
2
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
2
Flûte, alto et harpe
2
Piccolo
2
Flûte, Basson et Piano
2
Flûte, Clarinette, Piano (trio)
2
Flute, Cor (duo)
1
2 Flûtes traversières, Piano
1
Clarinette, Harpe (duo)
1
Flûte de Pan
1
Flûte, Violon, Violoncelle et Piano
1
Hautbois, trombone (duo)
1
Flûte à bec Alto, Piano
1
Flûte à Bec, Piano
1
Clarinette, Contrebasse (duo)
1
Flûte, Violon et Violoncelle
1
Piccolo, Piano
1
Flûte traversière, Orgue (duo)
1
Instruments en Mib
1
Cor anglais, Guitare (duo)
1
Flûte, Harpe et Violoncelle
1
Ocarina
1
2 Cors Anglais Et Pianoforte
1
+ 107 instrumentations
Retracter
Cuivres
Trompette, Piano
229
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
204
Trompette
180
Trombone et Piano
169
Trombone
143
Cor et Piano
141
Quatuor de Cuivres : 2 trompettes, trombone, tuba
115
Cor
112
Trompette, Saxophone (duo)
103
Tuba et Piano
89
2 Trompettes (duo)
75
Tuba
73
Trompette, Trombone (duo)
63
2 Trombones (duo)
59
Trompette (partie séparée)
56
Quatuor de Cuivres: 2 trompettes, Cor, trombone
55
Trombone (partie séparée)
52
Euphonium, Piano (duo)
42
Quatuor de Cuivres
28
Ensemble de Trombones
26
Quatuor de cuivres: 4 trombones
25
Cor anglais, Piano
22
Euphonium
20
Ensemble de Trompettes
18
Cor Anglais
16
2 Cors (duo)
15
2 Tubas (duo)
12
Trio de Cuivres
9
Trompette, Cor (duo)
8
Tuba (partie séparée)
6
Cor (partie séparée)
6
Tuba et Orgue
5
Quatuor de cuivres: 4 cors
5
Instruments en Sib
5
Trompette, violon (duo)
4
4 Tubas
4
Quatuor de cuivres: 4 trompettes
3
Trombone, Orgue
3
2 Euphoniums et 2 Tubas
3
Ensemble de Cors
3
Trombone basse et Piano
2
3 Trombones (trio)
2
Trombone et orchestre
2
3 Euphoniums
2
Quatuor de cuivres: 2 trompettes, 2 trombones
2
Trombone, Tuba (duo)
2
Tuba ou Euphonium ou Saxhorn
1
Trombone, Cor (duo)
1
Trombone basse
1
Trompette, Tuba (duo)
1
Bass Clef Instruments
1
Ensemble de Tubas
1
Trompette, Euphonium (duo)
1
Clarinette, Cor (duo)
1
Cor anglais, Guitare (duo)
1
Trompette, Violoncelle (duo)
1
3 Trompettes (trio)
1
Cor et Orgue
1
Cor, Violoncelle (duo)
1
Cor, Tuba (duo)
1
2 Cors Anglais Et Pianoforte
1
+ 56 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
624
Violon et Piano
366
Violon
277
Violoncelle, Piano
252
Alto, Piano
246
Violoncelle
227
Violon, Violoncelle (duo)
168
Alto seul
139
Harpe
113
2 Violons (duo)
111
Trio à Cordes: violon, alto, violoncelle
104
Trio à Cordes: 2 violons, violoncelle
88
2 Altos (duo)
85
Violon, Alto (duo)
84
2 Violoncelles (duo)
79
Quintette à cordes: 2 violons, alto, violoncelle, basse
75
Contrebasse, Piano (duo)
63
Contre Basse
57
Alto (partie séparée)
28
Contrebasse (partie séparée)
15
Trio à cordes: 3 violins
14
Alto, Violoncelle (duo)
12
Violon, Guitare (duo)
12
Ensemble de Violons
11
Violoncelle , Guitare (duo)
10
Violon (partie séparée)
9
Ensemble d'Altos
9
Harpe, Flûte (duo)
8
2 Harpes (duo)
8
Piano Trio: Violon, Alto, Piano
7
Violoncelle, Contrebasse (duo)
7
Trio à Cordes: 2 violons, alto
6
Trio à Cordes: 3 violoncelles
5
Harpe, Voix
5
Alto, Guitare (duo)
4
Trio à cordes
3
Trio à cordes: 3 altos
3
Quintette à cordes : 2 violons, alto et 2 violoncelles
3
2 Contrebasses (duo)
3
Violon, Basson (duo)
2
Violon, Orgue
2
4 Contrebasses
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Quatuor à cordes: 4 violons
1
Quatuor à cordes : 4 altos
1
Alto et Basson
1
3 Harpes
1
Flûte, Contrebasse (duo)
1
Violoncelle, Basse continue
1
Violon, Clarinette, Piano (trio)
1
4 Violoncelles
1
Violoncelle, Orgue
1
2 Violons, Piano
1
Violon, Tuba (duo)
1
Harpe, Violoncelle (duo)
1
4 Harpes
1
Alto et Harpe
1
+ 52 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
643
Orchestre
271
Ensemble Jazz
266
Orchestre à Cordes
206
Cloches
155
Ensemble de cuivres
144
Orchestre de chambre
111
Fanfare
69
Jazz combo
58
Batterie
31
Ensemble de Percussions
29
Xylophone, Piano
16
Batterie (partie séparée)
11
Marimba
10
Xylophone
6
Percussion (partie séparée)
6
Ensemble d'École
5
Percussion
4
Vibraphone
4
Xylophone ou Marimba ou Vibraphone
3
2 Xylophones
2
Piano et Orchestre
1
2 Marimbas
1
Orchestre, Violon
1
Big band
1
Instrumentation Flexible
1
+ 21 instrumentations
Retracter
Autres
Formation musicale - Solfège
3
Partitions Gratuites
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
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Note4Piano
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Vous avez sélectionné:
Sing Out!
Ensemble de Percussions
Partitions à imprimer
29 partitions trouvées
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1
26
Enterprising Young Men from STAR TREK
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Ensemble de Percussions
#
INTERMÉDIAIRE
#
Film/TV
#
Michael Giacchino
#
Ryan Jonker
#
Enterprising Young Men from ST
#
Ryan Jonker
#
SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.870514 Composed by Michael Giacchino. Arranged by Ryan Jonker. Film/TV. Score and parts. 34 pages. Ryan Jonker #...
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Percussion Ensemble - Level 3 - SKU: A0.870514 Composed by Michael Giacchino. Arranged by Ryan Jonker. Film/TV. Score and parts. 34 pages. Ryan Jonker #3662425. Published by Ryan Jonker (A0.870514). See and hear the score: https://youtu.be/Y4gTfBGLZZUSimple and fun arrangement for 2 marimbas, 2 vibraphones, 1 xylophone/glockenspiel, timpani, and 4 auxiliary percussion parts that could be doubled up or split up based on the size of the group. Could also double up on mallets if needed. Please send any questions to the arranger: ryanjonkermusic@gmail.comFor custom percussion music: https://www.patreon.com/ryanjonkermusicFor more like this: https://www.ryanjonkermusic.comSearch Sheet Music Plus for Ryan JonkerThanks for checking it out!
$26.99
Unsurprisingy Yet Another Body Percussion Piece
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Ensemble de Percussions
#
INTERMÉDIAIRE/AVANCÉ
#
Tsoof Baras
#
Unsurprisingy Yet Another Body
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Tsoof Baras
#
SheetMusicPlus
Percussion Ensemble - Level 4 - SKU: A0.1013936 Composed by Tsoof Baras. Contemporary,Standards. Score and parts. 17 pages. Tsoof Baras #6667779. Publis...
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Percussion Ensemble - Level 4 - SKU: A0.1013936 Composed by Tsoof Baras. Contemporary,Standards. Score and parts. 17 pages. Tsoof Baras #6667779. Published by Tsoof Baras (A0.1013936). Players - 4Instrumentation - Body Percussion‘Unsurprisingly Yet Another Body Percussion Piece’ is…… well….. A body percussion piece for percussion quartet. This piece involves the playing of one’s body as an instrument. Explore the use of a very versatile percussion instrument that you play every day. For musicians, this piece is short, easy to setup, exciting for the crowd, a bit of a workout, fun to play and a challenge.
$45.00
Sing, Sing, Sing
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Ensemble de Percussions
#
FACILE
#
Jazz
#
Benny Goodman
#
Aaron Ziegler
#
Sing, Sing, Sing
#
Aaron Ziegler
#
SheetMusicPlus
Percussion Ensemble - Level 2 - SKU: A0.884312 By Benny Goodman. By Louis Prima. Arranged by Aaron Ziegler. Jazz. Score and parts. 32 pages. Aaron Ziegl...
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Percussion Ensemble - Level 2 - SKU: A0.884312 By Benny Goodman. By Louis Prima. Arranged by Aaron Ziegler. Jazz. Score and parts. 32 pages. Aaron Ziegler #4350391. Published by Aaron Ziegler (A0.884312). This arrangement of Benny Goodman's classic Sing, Sing, Sing will be a blast for the whole band. With the melody spread around the ensemble, and a written soli with the option for improvised solos, everyone gets a chance to shine. For more information about the arranger please visit: www.AaronZieglerPercussion.com .
$20.00
Hark The Herald Angels Sing - Score Only
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Ensemble de Percussions
#
DÉBUTANT
#
Noël
#
Felix Bartholdy Mendelssohn
#
Bradley Lithgow
#
Hark The Herald Angels Sing -
#
Bradley Lithgow
#
SheetMusicPlus
Percussion Ensemble - Level 1 - SKU: A0.1316111 By Felix Bartholdy Mendelssohn. By Felix Bartholdy Mendelssohn. Arranged by Bradley Lithgow. 21st Centur...
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Percussion Ensemble - Level 1 - SKU: A0.1316111 By Felix Bartholdy Mendelssohn. By Felix Bartholdy Mendelssohn. Arranged by Bradley Lithgow. 21st Century,Advent,Christian,Christmas,Classical. 5 pages. Bradley Lithgow #904859. Published by Bradley Lithgow (A0.1316111). Arranged for South African Style Marimba Bands, ideally suited for The Marimba Workshop (PTY) Ltd Instruments (see: www.marimbaworkshop.co.za)I would love to hear your version, please drop me an email on bradley@marimbaworkshop.co.za.
$12.99
Sudhanva Sankirtanam : Kondachiluvaina : Singer : Kanakesh Rathod : Lyrics : Lakshmi Valli Devi Biji
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Ensemble de Percussions
#
INTERMÉDIAIRE
#
Kanakesh Rathod
#
Bijibilla Rama Rao
#
Sudhanva Sankirtanam : Kondach
#
Bijibilla Rama Rao
#
SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.1020318 Composed by Kanakesh Rathod. Arranged by Bijibilla Rama Rao. Holiday,Musical/Show,Sacred,Spiritual,World...
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Percussion Ensemble - Level 3 - SKU: A0.1020318 Composed by Kanakesh Rathod. Arranged by Bijibilla Rama Rao. Holiday,Musical/Show,Sacred,Spiritual,World. Score and parts. 180 pages. Bijibilla Rama Rao #4783375. Published by Bijibilla Rama Rao (A0.1020318). Sudhanva Sankirtanam is a Devotional Album written by Lakshmi Valli Devi Bijibilla. Music composed by Kanakesh Rathod. Recorded at 'S' rec.in Hyderabad, Telangana State, India. Indian Percussions : Kanna : Sitar : Nandu Kumar : Flute : Pramod Umapathi. Singers : Vishnu Priya : Siri : Sarada Sai : Laxmi Gayathri : Tulasi : Vijayalaxmi : Bala Saahithi : Madhavi Bijibilla : Raman Rathod : Neeraj : Kanakesh Rathod. Presented by Bijibilla Foundation.This Devotional Album gives inspiration and relief. It gives pleasure and peace. It fits for all age groups. Children can learn and understand about Hindu Culture.
$1.99
Sudhanva Sankirtanam : Krishna Hare : Singer : Laxmi Gayathri : Lyrics : Lakshmi Valli Devi Bijibil
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Ensemble de Percussions
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INTERMÉDIAIRE
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Kanakesh Rathod
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Bijibilla Rama Rao
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Sudhanva Sankirtanam : Krishna
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Bijibilla Rama Rao
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SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.1020319 Composed by Kanakesh Rathod. Arranged by Bijibilla Rama Rao. Holiday,Musical/Show,Sacred,Spiritual,World...
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Percussion Ensemble - Level 3 - SKU: A0.1020319 Composed by Kanakesh Rathod. Arranged by Bijibilla Rama Rao. Holiday,Musical/Show,Sacred,Spiritual,World. Score and parts. 180 pages. Bijibilla Rama Rao #4783377. Published by Bijibilla Rama Rao (A0.1020319). Sudhanva Sankirtanam is a Devotional Album written by Lakshmi Valli Devi Bijibilla. Music composed by Kanakesh Rathod. Recorded at 'S' rec.in Hyderabad, Telangana State, India. Indian Percussions : Kanna : Sitar : Nandu Kumar : Flute : Pramod Umapathi. Singers : Vishnu Priya : Siri : Sarada Sai : Laxmi Gayathri : Tulasi : Vijayalaxmi : Bala Saahithi : Madhavi Bijibilla : Raman Rathod : Neeraj : Kanakesh Rathod. Presented by Bijibilla Foundation.This Devotional Album gives inspiration and relief. It gives pleasure and peace. It fits for all age groups. Children can learn and update their knowledge about HIndu Culture.
$1.99
Volcano Rising
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Ensemble de Percussions
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INTERMÉDIAIRE/AVANCÉ
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Tsoof Baras
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Volcano Rising
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Tsoof Baras
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SheetMusicPlus
Percussion Ensemble - Level 4 - SKU: A0.1013928 Composed by Tsoof Baras. Contemporary,Holiday,Patriotic,Standards. Score and parts. 37 pages. Tsoof Bara...
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Percussion Ensemble - Level 4 - SKU: A0.1013928 Composed by Tsoof Baras. Contemporary,Holiday,Patriotic,Standards. Score and parts. 37 pages. Tsoof Baras #6663569. Published by Tsoof Baras (A0.1013928). Players - 12Instrumentation - Drums (x12)Volcano Rising is a percussion ensemble drumming piece for 12 drummers. It draws inspiration from The Blue Man Group and aims to challenge the perception of sound. It is recommended that the piece be performed in a circle surrounding the audience or in a line to enhance the effects used.The composition works with and without the visual effect and focuses on groovy polyrhythms and moving lines across the parts. It is a challenging piece for every level of ensemble.
$60.00
Two Dreams for solo Trombone and 8-part Percussion Ensemble
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Ensemble de Percussions
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AVANCÉ
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Antonio J
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Two Dreams for solo Trombone a
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Gordon Cherry
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.811252 Composed by Antonio J. Garcia. Contemporary,Jazz,Latin,World. Score and parts. 119 pages. Gordon Cherry #...
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Percussion Ensemble - Level 5 - SKU: A0.811252 Composed by Antonio J. Garcia. Contemporary,Jazz,Latin,World. Score and parts. 119 pages. Gordon Cherry #6549777. Published by Gordon Cherry (A0.811252). Two Dreams for Trombone and Percussion EnsembleDr. Justin Alexander (Director, VCU Percussion Ensemble) invited me to create a piece for trombone and percussion ensemble that had roles for more- and less-experienced players so that they could mix within the performance. I so enjoyed composing and performing this work. He estimates the overall difficulty grade of Movement I to be a three on a five-point scale and Movement II to be a four, with a grade four for the overall piece; but some players’ parts (within the eight total in the percussion ensemble) are indeed easier.The two Movements are approximately five minutes each.The first Movement Bilita Mpash (An Amazing Dream) calls for (1) shekeré/guiro; (2) 5-octave marimba (shared with...); (3) 5-octave marimba (shared with previous); (4) claves/drum set with mounted cowbell; (5) bell/mounted cowbell/congas; (6) hi-hat/suspended cymbal; (7) bass drum; and (8) four toms/maracas.The Second Movement (Running with the Tigers) calls for (1) xylophone; (2) vibraphone/glockenspiel; (3) 5-octave marimba; (4) drum set; (5) shaker/samba whistle/congas (opt. voice); (6) triangle/bell tree/hanging bells/agogo bells (opt. voice); (7) bass drum (opt. voice); and (8) Timpani (opt. voice). Pending difficulty levels, the conga and drum set parts can optionally be split among additional percussionists. The score notes offer a stage plot and many rehearsal tips.Bilita Mpash (An Amazing Dream)The 3-2 Rumba Clave anchors this movement, launched by the shekeré. Rhythmic vamps of multiple bars form the landscape over which the trombone’s melody emerges, followed by a move to double-time 2-3 Rumba Clave (with montuno) and back. The trombone soloist improvises without chordal accompaniment for a while so could reflect on the preceding harmonies or instead freely improvise with no concern as to chord changes, while a later section requires improv over chord changes. After the recap, a surprise tag of the ending phrase in Cha Cha sets up the rubato finish. Bilita Mpash (BILL-it-uh m-POSH) is a Bantu term for an amazing dream, a dream so good that it is the polar opposite of a nightmare-a dream in a blissful state where all is forgiven and forgotten2. Running with the TigersThe opening, written-out marimba solo is somewhat of a nod to vibist Gary Burton’s influence in bringing mallets towards the expression of modern jazz. A 9/8 samba-groove (5+4) transforms to 4/4. None of the percussionists have to have a jazz background, though the drum set player would be more challenged if not already exposed to Latin drumming. The improvised solo section could be all solo trombone or could be divided among various performers, including trading. The recap of the tune begins over 5/8 samba (3+2, later 2+3). The closing arrhythmic drum-set solo crescendos as the optional surprise of percussionists’ (or additional) voices sing at the end. The title of this movement refers to a recurring dream my dad would have, as well as to the active movements of my grandson when sleeping in his earliest years.-Antonio J. GarcÃaInstrumentation is for:Solo Trombone and 8-part Percussion Ensemble:shekeré/guiro, 2 5-octave marimbas, claves/drumset with cowbell, bell, congas, hi-hat, suspended cymbal, bass drum, toms, maracas, xylophone, vibraphone, glockenspiel, shaker, samba whistle, congas, triangle, bell tree, hanging bells, agogo bells, bass drum and timpani.This rhythmic and dramatic work includes improvisation by the Trombonist. Listen to the brilliant live performance featuring Mr. Garcia and the Virginia Commonwealth University Percussion Ensemble directed by Dr. Justin Alexander.
$50.00
Christmas Calypso for Percussion Sextet
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Ensemble de Percussions
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FACILE
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Noël
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Dan Heslink
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Christmas Calypso for Percussi
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Pharaoh Publications
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SheetMusicPlus
Percussion Ensemble - Level 2 - SKU: A0.935389 Arranged by Dan Heslink. Christian,Christmas. Score and parts. 18 pages. Pharaoh Publications #6117159. P...
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Percussion Ensemble - Level 2 - SKU: A0.935389 Arranged by Dan Heslink. Christian,Christmas. Score and parts. 18 pages. Pharaoh Publications #6117159. Published by Pharaoh Publications (A0.935389). Christmas Calypso for Percussion Sextet . . . . . . . . . . . . . . arr. Dan Heslink The calypso style referenced in the title is not the calypso of Afro-Caribbean music from Trinidad and Tobago. Rather, it is the especially toned-down but still rhythmic commercial variant popularized by folk singers. Couched in this style, the arrangement offers Christmas favorites Deck the Halls, Angels We Have Heard On High, God Rest Ye Merry Gentlemen and Good Christian Men, Rejoice. This if one of two versions of the calypso arrangement by Dan Heslink, both of which are available through Sheet Music Plus. The other arrangement, percussion sextet, follows similar musical contours and is available separately. Both versions are intended to elicit one primary response from both performers and audience – fun. It does not tax the players technically, but delivers a satisfying sound with carols that the performers likely know and love. General audiences will be enchanted by the familiar melodies delivered in percussion, especially at Christmas time. The introduction opens with a brisk and rhythmic introduction based on Deck the Halls, and establishes the fun calypso rhythm immediately. Deck the Halls is the much-loved welsh air that was arranged by Haydn, Nos galan (Hob. XXXIb:29, 1803). Then, Angels We Have Heard on High breaks out in double-stops with a continuation of the rhythmic impetus. The birth of Jesus Christ as narrated in the Gospel of Luke is the subject of Angels We Have Heard on High, a traditional French song of unknown origin. The gloria section provides some flowing contrast, portraying the shepherds’ impressions as they encounter a multitude of angels singing and praising. The performers are encouraged to use a relaxed stroke to glide through these passages. Following is God Rest Ye Merry Gentlemen, a 16th century English traditional Christmas carol also known under the title, The old Christmas Carol. It provides a contrast in tonality (minor mode) and texture. The xylophone part likely will lay most comfortably when executed with four mallets, although there are no three or four mallet chords in these passages. Good Christian Men, Rejoice is the closing selection in this Christmas medley. It’s title is an English translation of In dulci jubilo (Latin for In sweet rejoicing). The work ends happily with a summation of the calypso rhythm. This medley will be especially effective programmed on a winter holiday concert. Duration is 2:30. The arranger, Dan Heslink, assigned a difficulty level of medium easy, and can be contacted at dan@dheslink.com.
$4.99
Christmas Calypso for Marimba Quartet
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Ensemble de Percussions
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Noël
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Dan Heslink
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Christmas Calypso for Marimba
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Pharaoh Publications
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SheetMusicPlus
Percussion Ensemble - SKU: A0.935390 Arranged by Dan Heslink. Christian,Christmas. Score and parts. 16 pages. Pharaoh Publications #6117165. Published b...
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Percussion Ensemble - SKU: A0.935390 Arranged by Dan Heslink. Christian,Christmas. Score and parts. 16 pages. Pharaoh Publications #6117165. Published by Pharaoh Publications (A0.935390). Christmas Calypso for Marimba Quartet . . . . . . . . . . . . . . arr. Dan HeslinkThe calypso style referenced in the title is not the calypso of Afro-Caribbean music from Trinidad and Tobago. Rather, it is the especially toned-down but still rhythmic commercial variant popularized by folk singers. Couched in this style, the arrangement offers Christmas favorites Deck the Halls, Angels We Have Heard On High, God Rest Ye Merry Gentlemen and Good Christian Men, Rejoice. This if one of two versions of the calypso arrangement by Dan Heslink, both of which are available through Sheet Music Plus. The other arrangement, for percussion sextet, follows similar musical contours and is available separately. Both versions are intended to elicit one primary response from both performers and audience – fun. It does not tax the players technically, but delivers a satisfying sound with carols that the performers likely know and love. General audiences will be enchanted by the familiar melodies delivered in percussion, especially at Christmas time. The introduction opens with a brisk and rhythmic introduction based on Deck the Halls, and establishes the fun calypso rhythm immediately. Deck the Halls is the much-loved welsh air that was arranged by Haydn, Nos galan (Hob. XXXIb:29, 1803). Then, Angels We Have Heard on High breaks out in double-stops with a continuation of the rhythmic impetus. The birth of Jesus Christ as narrated in the Gospel of Luke is the subject of Angels We Have Heard on High, a traditional French song of unknown origin. The gloria section provides some flowing contrast, portraying the shepherds’ impressions as they encounter a multitude of angels singing and praising. The performers are encouraged to use a relaxed stroke to glide through these passages. Following is God Rest Ye Merry Gentlemen, a 16th century English traditional Christmas carol also known under the title, The old Christmas Carol. It provides a contrast in tonality (minor mode) and texture. The xylophone part likely will lay most comfortably when executed with four mallets, although there are no three or four mallet chords in these passages. Good Christian Men, Rejoice is the closing selection in this Christmas medley. It’s title is an English translation of In dulci jubilo (Latin for In sweet rejoicing). The work ends happily with a summation of the calypso rhythm. This medley will be especially effective programmed on a winter holiday concert. Duration is 2:30. The arranger, Dan Heslink, assigned a difficulty level of medium easy, and can be contacted at dan@dheslink.com.
$4.99
Don't Worry, Be Happy
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Ensemble de Percussions
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INTERMÉDIAIRE
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Jazz
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Bobby McFerrin
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Ricardo Matosinhos
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Don't Worry, Be Happy
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Ricardo Matosinhos
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SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.899162 By Bobby McFerrin. By Bobby McFerrin. Arranged by Ricardo Matosinhos. Jazz. Score and parts. 32 pages. Ri...
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Percussion Ensemble - Level 3 - SKU: A0.899162 By Bobby McFerrin. By Bobby McFerrin. Arranged by Ricardo Matosinhos. Jazz. Score and parts. 32 pages. Ricardo Matosinhos #5723941. Published by Ricardo Matosinhos (A0.899162). This is a well known piece by Bobby McFerrin. Here presented on a music arrangement for unconventional music instruments. The arrangement allows flexibility, so this piece can be performed using tuned bottles (25cl, 33cl and 75cl), lip whistle, finger snaps, complemented with xylophones and optionally with voices to sing the lyrics too. This arrangement was made during the 2020 quarantine, when the world was shutdown due to a world virus pandemic. Some of the music students didn’t have their music instruments at home, so this arrangement came up to fill that gap and it is perfect to keep doing music with the available option of instruments.On each rehearsal letter, you can play optional improvisations, while keeping the voices 5-8. These improvisations can be easily done using the C major pentatonic scale or the note ranges presented on the right, that even include Eâ™ and Bâ™. If played using lip whistle, bendings will be possible too. This arrangement presents 8 voices and an alternative solution for voice 8, that makes it easier to be performed as it is the place where bottles are divided between the players. There is also an optional bass line to complement voice eight one octave bellow. In order to keep it simple, neither dynamics or articulations were included and the notes were represented always in the middle octave in G clef. The correct pitch ranges are presented in the performance notes.The amount of water will change the pitch differently depending if you are blowing or doing percussion on a bottle. When blowing, the more water you use, the higher the pitch will be, but while doing percussions more water means lower pitch. A good option, in order to save time during rehearsals, is to fill the bottles with water, marking the level with a pen, and then filling the bottle with the desired amount of hot wax instead of water. This way, when the wax cools down you can have a tuned bottle without requiring to tune it again every single rehearsal. Please note that the bottles should be made of glass and that different aspects change the performance. For percussion, straight bottles are better to tune as the curves in the bottles tend to produce unstable pitches. The extreme notes of the range might not be available in every single bottle, so you might need to try some alternatives. For example the high A is available in some beer bottles, while the low G is available in larger 75cl bottles of champaign. Last but not least, this piece should always be played according to Bobby’s motto: dont worry, be happy!I had lots of fun while doing this arrangement, now it’s your time to have fun while performing it!Ricardo Matosinhoshttp://www.ricardomatosinhos.com
$14.99
Up the Body and Down the Page
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Ensemble de Percussions
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INTERMÉDIAIRE/AVANCÉ
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Tsoof Baras
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Up the Body and Down the Page
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Tsoof Baras
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SheetMusicPlus
Percussion Ensemble - Level 4 - SKU: A0.1013929 Composed by Tsoof Baras. Concert,Contemporary,Instructional,Standards. Score and parts. 16 pages. Tsoof ...
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Percussion Ensemble - Level 4 - SKU: A0.1013929 Composed by Tsoof Baras. Concert,Contemporary,Instructional,Standards. Score and parts. 16 pages. Tsoof Baras #6663587. Published by Tsoof Baras (A0.1013929). Players - 4Instrumentation - Body Percussion‘Up the Body and Down the Page’ is a body percussion piece for percussion quartet. This piece involves the playing of one’s body as an instrument. For musicians, this piece is short, easy to setup, exciting for the crowd, a bit of a workout, fun to play and a challenge.My aim for this piece was to emulate the concept of ‘seeing sounds’ by only creating sound in the light. It was a challenge to get the lighting effect that provided us with a sharp difference between light and dark.Because it is such a physical piece, I would encourage the performers to add in choreography and to exercise the power of choice in terms of sticking (‘handings’ and ‘footings’) and the choice between standing and sitting. The performers may also experiment with visual mediums like talcum powder and other sound choices like using toy hammers instead of hands and choosing extremely thick shoes.
$45.00
Night Visions
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Ensemble de Percussions
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INTERMÉDIAIRE/AVANCÉ
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Adam Grim
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Night Visions
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Adam B. Grim
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SheetMusicPlus
Percussion Ensemble - Level 4 - SKU: A0.939383 Composed by Adam Grim. Concert. Score and parts. 12 pages. Adam B. Grim #6200457. Published by Adam B. Gr...
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Percussion Ensemble - Level 4 - SKU: A0.939383 Composed by Adam Grim. Concert. Score and parts. 12 pages. Adam B. Grim #6200457. Published by Adam B. Grim (A0.939383). Night Visions was inspired by the night sky of Ada, Ohio. With very little light pollution, a step into the cool night atmosphere reveals the huge open sky. The piece depicts night falling, and as you step outside and watch the sky, you see the colorful sunset fade away and twinkling stars start to pop up from the darkness. They appear one-by-one, and as more and more collect in the sky they turn from several singularities into constellations, becoming the night visions formed in the cosmos.
$15.00
L'autre Finistere
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Ensemble de Percussions
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INTERMÉDIAIRE
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Contemporain
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Jean-Christophe Urbain, Jean-P
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Stephane ELSINY
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L'autre Finistere
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Stephane Elsiny
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SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.1005298 Composed by Jean-Christophe Urbain, Jean-Philippe Nataf, Michael Rushton, and Richard Ganivet. Arranged ...
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Percussion Ensemble - Level 3 - SKU: A0.1005298 Composed by Jean-Christophe Urbain, Jean-Philippe Nataf, Michael Rushton, and Richard Ganivet. Arranged by Stephane ELSINY. Contemporary. Score and parts. 2 pages. Stephane Elsiny #5720103. Published by Stephane Elsiny (A0.1005298). I am not a singer. When I love a pop rock song, I would like to play it with my instrument. And you ? The original tone is respected. So add karaoke online and go ! Example for this title: https://youtu.be/7eYdwuD7hTM Professors, these titles are ideal for motivating your students. Students, bring these titles to your teacher and have fun. Soon other French songs, pop, variety and also international songs… Do you have a question about your purchase? You can contact me by e-mail: musicaccess.se@gmail.com Be informed of new products by subscribing to my YouTube channel: https://www.youtube.com/user/musicaccessse
$4.99
Tu M'oublieras
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Ensemble de Percussions
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INTERMÉDIAIRE
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Contemporain
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Marc Rene Loy
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Stephane ELSINY
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Tu M'oublieras
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Stephane Elsiny
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SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.1005334 Composed by Marc Rene Loy. Arranged by Stephane ELSINY. Contemporary. Score and parts. 2 pages. Stephane...
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Percussion Ensemble - Level 3 - SKU: A0.1005334 Composed by Marc Rene Loy. Arranged by Stephane ELSINY. Contemporary. Score and parts. 2 pages. Stephane Elsiny #5748815. Published by Stephane Elsiny (A0.1005334). I am not a singer. When I love a pop rock song, I would like to play it with my instrument. And you ? The original tone is respected. So add karaoke online and go ! Example for this title: https://youtu.be/YdEK-ogIsNw Professors, these titles are ideal for motivating your students. Students, bring these titles to your teacher and have fun. Soon other French songs, pop, variety and also international songs… Do you have a question about your purchase? You can contact me by: E-mail: musicaccess.se@gmail.com YouTube channel: https://www.youtube.com/user/musicaccessse Facebook: https://www.facebook.com/PopPartElsTef
$4.99
When The River Meets The Sea
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Ensemble de Percussions
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Andrew Charles Naylor and Roma
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Jilly Cooke
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When The River Meets The Sea
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Jilly Paige Cooke
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SheetMusicPlus
Percussion Ensemble - Level 4 - SKU: A0.984036 Composed by Andrew Charles Naylor and Roma Connie Waterman. Arranged by Jilly Cooke. Contemporary. Score ...
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Percussion Ensemble - Level 4 - SKU: A0.984036 Composed by Andrew Charles Naylor and Roma Connie Waterman. Arranged by Jilly Cooke. Contemporary. Score and parts. 72 pages. Jilly Paige Cooke #5797561. Published by Jilly Paige Cooke (A0.984036). Paul Williams's beloved tune from the Jim Henson Company's timeless Christmas special Emmet Otter's Jug-Band Christmas is now available as an arrangement for percussion ensemble!Originally performed in December 2019 by the University of Iowa School of Music's percussion studio, under the direction of Dr. Dan Moore, this lively, jazzy arrangement was lovingly crafted by Iowa Percussion's own Jilly Cooke, a music education major who was a junior at the time of this arrangement's premiere. As a lifelong fan of the Muppets (and a promising aspiring puppeteer herself), Cooke cleverly weaves in numerous references to various tunes and styles that have influenced her musical preferences and career (with notes in the score to bring out these musical quotes). Beginning with a faithful adaptation of the original gospel-waltz ballad feel from the TV special, the arrangement swiftly transitions into a toe-tapping, New Orleans-style second-line groove with a solo section and a witty trade-off section in the middle.Instrumentation of 8 players includes: Vibraphone 1 (preferably includes E3), Vibraphone 2, Marimba 1/Accordion (optional use of amplified Melodica), Marimba 2 (preferably includes F2), Bass Marimba (premiere performance used Bass MalletKAT, optional use of Bass Guitar and/or Keyboard Patch), Piano, Drum Set, and Auxiliary Percussion (includes Mark Tree, Suspended Cymbal, Triangle, and important gospel-style Tambourine).
$24.99
Another Place
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Ensemble de Percussions
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AVANCÉ
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Contemporain
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Adam Grim
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Another Place
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Adam B. Grim
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.939392 Composed by Adam Grim. 20th Century,Contemporary. Score and parts. 65 pages. Adam B. Grim #6862379. Publi...
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Percussion Ensemble - Level 5 - SKU: A0.939392 Composed by Adam Grim. 20th Century,Contemporary. Score and parts. 65 pages. Adam B. Grim #6862379. Published by Adam B. Grim (A0.939392). Another Place is a marimba quartet on two instruments with some accessory items like a mounted bass drum, cymbal, and wind chimes. The work is about 10.5 minutes long, and holds three distinct movements that begin with solemn rolls that slowly become more regimented and rhythmic. The second movement raises the bar and becomes very rhythmic and syncopated with a Reich-like approach of melody vs interlocking harmony. This climax brings a high dynamic level to the forefront of the instruments with interlocking impact points being contrasted to unison hits. The third movement takes this original melody and harmony to the next level by using changing time signatures and motivic ideas to maximize the powerful ending. Throughout there is a deep sense of color and texture that can be maximized by the ensemble in new and exciting ways with each performance. This has plenty of ink, but also leaves a lot to interpret and bring the ensemble’s voice forward. I hope you enjoy! This work won the Audience Award in the Rocky Mountain Music Composition Contest in 2022 as well as Second Prize overall. These international awards were judged by a panel of seven judges from around the world, but with the competition based out of Toronto, Canada.
$35.00
Gravity for Septet
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Ensemble de Percussions
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AVANCÉ
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Contemporain
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MohammadHadi Ayanbod
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Gravity for Septet
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Rimorarte Edition
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.1027778 Composed by MohammadHadi Ayanbod. 20th Century,Contemporary. Score and parts. 25 pages. Rimorarte Editio...
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Percussion Ensemble - Level 5 - SKU: A0.1027778 Composed by MohammadHadi Ayanbod. 20th Century,Contemporary. Score and parts. 25 pages. Rimorarte Edition #5996957. Published by Rimorarte Edition (A0.1027778). In GRAVITY I explored different gravities as forces we not only feel them in every moments of our lives, but also thinking of living without or escaping from them seems impossible. Likewise, those gravities exist in the music, make us feel the music continuous, desirable, logical and an integrated language of art. The exploration of the path from chaos to unity, and from unity to multiplicity, is where the title came from. GRAVITY consists of two main sections. The first section, which shows the fully-grown and flourished musical ecosystem, and the second part; a flashback to just after big-bang, which tries to musicalize the creation of the gravity! In the first section, I’ve used the concept of horizontal and vertical minimalism. At the very beginning of the piece we have a structure that bring the idea of the vertical minimalism out. In every moment, each instrument plays the same note as others. However, the narrative line is divided into different octaves, so, the melody is not the same in spite of the fact that each instrument plays the same tone. This structure also reminds the paradoxical ladder or optical staircase illusion. The narration is built up until it reaches temporal climax. At the same time, this melody starts again from the beginning with some microscopic differences visible vividly to musicians. This semi reciprocating musical narration, could be observed as a musical example of the staircase illusion. After this part, but still in the first section of the music, I’ve used the horizontal (traditional) minimalism idioms to explore the bounding forces present in the music. Although, what interesting here is the creation of synthetic voices which is the result of different amounts of the nuances and different combinations of the sound. For keen ears, it seems like shades of neon lights, penetrate into one another in the scale of time and create a big picture of micro fluctuating objects. In the second section or just after big-bang, I’ve observed and recreate musically, the very moment of creation of the gravity just after the big-bang. Here, we don’t have melody, rhythm, structure, narration and other aspects of the music in the traditional way, although all of them are present in the music. very single sound or noise is meaningful and showing the assemblage process of the forces in the music to create a melody line. I’ve occupied idioms of contemporary Sonorism genre to create the atmosphere. This highly complex texture shows the virtuosity of interpreters and the capability of the instruments in avant-garde literature and extended techniques. The music is concluded by a fast-tempo finale, with the instruction of fortissimo possiblile (as loud as possible). The piece, in fact, will not be finished as a morendo, but, it opens a space for hypothetically living structure; constantly grows, flourishes, shines and decays.
$16.99
Einmal möcht' Ich so verliebt sein (from Beautiful Galathea)
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Ensemble de Percussions
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Franz von Suppe
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Flávio Régis Cunha
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Einmal möcht' Ich so verl
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Flavio Regis Cunha
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SheetMusicPlus
Percussion Ensemble - SKU: A0.597222 Composed by Franz von Suppe. Arranged by Flávio Régis Cunha. Concert,Opera,Romantic Period,Standards. Score a...
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Percussion Ensemble - SKU: A0.597222 Composed by Franz von Suppe. Arranged by Flávio Régis Cunha. Concert,Opera,Romantic Period,Standards. Score and parts. 16 pages. Flavio Regis Cunha #4593577. Published by Flavio Regis Cunha (A0.597222). Die schöne Galathée (The Beautiful Galatea) is an operetta in two acts by Franz von Suppé to a German libretto by the composer and 'Poly Henrion' (the pseudonym of Leonhard Kohl von Kohlenegg). This arrangement of Einmal möcht' Ich so verliebt sein (one aria of the operetta) for orchestra and soprano voice is a very good Encore or an orchestral piece for your repertoire.Flavio Regis Cunha is a pianist, conductor and composer from São Paulo - Brasil. He is currently finishing his doctorate at Mackenzie Presbyterian University where he works as conductor of the Mackenzie University Orchestra and resident composer. For more arrangements like this, works by commission or for any questions you can contact Flavio Regis Cunha at his facebook page: https://www.facebook.com/flavioregiscunhaIn the early 1860s, French operettas by Jacques Offenbach were first presented in Vienna. Franz von Suppé was obliged to compete with them by taking the time-honored traditions of Vienna and combining it with the new style of Offenbach. Die schöne Galathée was Franz von Suppé's first critical success. The sculptor Pygmalion has fallen madly in love with his statue of Galathée and accordingly does not want to sell it to Mydas, a patron of the arts. Instead he prays to Venus, the goddess of the love, that the statue be brought to life. The wish is granted but Galathée turns out to be a very independent-minded creature. She is unfaithful to Pygmalion with his servant Ganymed (because he is much more pleasing to her than Pygmalion) and does not reject Mydas, who offers her jewelry. When Pygmalion catches Galathée in a compromising situation, he successfully implores Venus to turn her back into stone. The jewelry offered by Mydas is also turned into stone, but the whole statue is sold to him.
$20.00
A Swingin' Safari
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Ensemble de Percussions
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Contemporain
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Billy Vaughn
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JohnBeale
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A Swingin' Safari
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John Beale
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SheetMusicPlus
Percussion Ensemble - SKU: A0.984904 By Billy Vaughn. By Bert Kaempfert. Arranged by JohnBeale. Contemporary. Score and parts. 68 pages. John Beale #644...
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Percussion Ensemble - SKU: A0.984904 By Billy Vaughn. By Bert Kaempfert. Arranged by JohnBeale. Contemporary. Score and parts. 68 pages. John Beale #6442233. Published by John Beale (A0.984904). For over 40 years I have arranged music for my school's musicians to come together and perform in school concerts. They were mostly grades 1-3. I tried to arrange the parts to be meaningful but at the same time maintaining an effective, complete and pleasing sound. I often arranged parts with individuals in mind. The piano part is there for support and filling in. Not a difficult piece and very repetitive and catchy. I have arranged this piece for a school orchestra made up of pupils of grades 1-3. I suggest a solo for the first 4 bars (I did with a recorder). At F there is a ‘jazz’ style solo. Choose your instrument. Once I did with a recorder. A second time with a trumpet. Beware you won’t get the tune out of your head!!
$49.99
Rude
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Ensemble de Percussions
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INTERMÉDIAIRE
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Contemporain
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MAGIC!
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Aaron Ziegler
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Rude
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Aaron Ziegler
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SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.884302 By MAGIC! By Adam Messinger, Alex Tanas, Ben Spivak, Mark Pellizzer, and Nasri Atweh. Arranged by Aaron Z...
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Percussion Ensemble - Level 3 - SKU: A0.884302 By MAGIC! By Adam Messinger, Alex Tanas, Ben Spivak, Mark Pellizzer, and Nasri Atweh. Arranged by Aaron Ziegler. Contemporary. Score and parts. 19 pages. Aaron Ziegler #3925219. Published by Aaron Ziegler (A0.884302). This arrangement of Magic!'s hit song Rude is a great way to challenge and excite all of the players in your steel band. A video of this arrangement is available on YouTube at: https://www.youtube.com/watch?v=_-C7G3jkTD4 Difficulty: Intermediate For more information about the arranger please visit: www.AaronZieglerPercussion.com
$20.00
Ojo for percussion quintet
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Ensemble de Percussions
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INTERMÉDIAIRE/AVANCÉ
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Joe W
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Ojo for percussion quintet
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JWMIII Compositions
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SheetMusicPlus
Percussion Ensemble - Level 4 - SKU: A0.1086633 Composed by Joe W. Moore III. 20th Century,Contemporary,Latin,Multicultural,World. Score and parts. 82 p...
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Percussion Ensemble - Level 4 - SKU: A0.1086633 Composed by Joe W. Moore III. 20th Century,Contemporary,Latin,Multicultural,World. Score and parts. 82 pages. JWMIII Compositions #690841. Published by JWMIII Compositions (A0.1086633). Ojo (evil eye) was written in 2018 for the UTRGV Percussion ensemble. The inspiration for the piece comes from Latin American folklore “mal de ojo†which is essentially staring or looking on someone with envy or praising them without touching them. It is believed that your spirit will haunt the person you’ve looked at with a desire to touch but didn’t. This is the goal of the piece; to keep the audience engaged throughout the work with quick passages, rhythmic variety, and timbre changes, giving the performers ojo because there is no other option but to watch and listen intently.
$50.00
Asian Symmetries
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Ensemble de Percussions
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INTERMÉDIAIRE
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Dan Heslink
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Asian Symmetries
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Pharaoh Publications
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SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.935379 Composed by Dan Heslink. Contemporary,World. Score and parts. 30 pages. Pharaoh Publications #4978359. Pu...
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Percussion Ensemble - Level 3 - SKU: A0.935379 Composed by Dan Heslink. Contemporary,World. Score and parts. 30 pages. Pharaoh Publications #4978359. Published by Pharaoh Publications (A0.935379). Asian Symmetries by Dan Heslink Asian Symmetries is a fanciful work which draws loosely from the musical procedures and sonic preferences of Indonesian and other Asian musical styles. It is scored for three percussionists, each with their own battery of instruments. Gamelan-like impressions might be inferred from the cyclical nature of its rhythm, using metal plates like cymbals and gongs to mark large units of rhythmic time. Also evocative are the faster moving elaborations and a preponderance of metallophones in the instrumentation. The work is medium to difficult in its demands. There are quick changes of instrument, planned to be manageable but requiring some attention to logistics Each player’s performance station must remain stationary, with all instruments in reach without moving the performer’s position. Percussion I and Percussion III players must set up next to each other so that they may share the tenor drum. A selection of mallets that allows different striking surfaces to sound good without undue picking up and setting down of mallets is suggested. Changes of meter and tempo occur, and an odd meter section sporting measures in 12/8, 6/8, 11/8 may require some additional attention. The instrumentation is selected to approximate Asian sounds with common western instruments. Performance time is 6:28. The composer, Dan Heslink, can be reached at dan@dheslink.com.
$4.99
Via Orlando Remake - Score Only
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Ensemble de Percussions
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INTERMÉDIAIRE
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Doctor Malinga, Emmanuel Matsa
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Lungile Nkabinde
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Via Orlando Remake - Score Onl
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Lungile
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SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.1221176 Composed by Doctor Malinga, Emmanuel Matsane, Jotham Mbuyisa, Monoabisi Yekani, Sihle Dlalisa, T. J. Mor...
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Percussion Ensemble - Level 3 - SKU: A0.1221176 Composed by Doctor Malinga, Emmanuel Matsane, Jotham Mbuyisa, Monoabisi Yekani, Sihle Dlalisa, T. J. Moropa, Themba Sekowe, Xelimpilo Simelane, and Zynne Sibika. Arranged by Lungile Nkabinde. Contemporary,Multicultural,Pop,Singer/Songwriter,Traditional,World. 9 pages. Lungile #817528. Published by Lungile (A0.1221176). I hope you have fun learning this arrangment of this legendary South Africa song. I have arranged it in 4 parts for African Marimba Band, in C major. I would love to hear your version of this arrangment please send me an email on nkabindelungile10@gmail.comÂ
$12.99
The Hammer & Anvil
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Ensemble de Percussions
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INTERMÉDIAIRE
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Jake Garratt
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The Hammer & Anvil
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J Garratt Composer
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SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.1029072 Composed by Jake Garratt. Contemporary,Folk,Standards,World. Score and parts. 1 pages. J Garratt Compose...
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Percussion Ensemble - Level 3 - SKU: A0.1029072 Composed by Jake Garratt. Contemporary,Folk,Standards,World. Score and parts. 1 pages. J Garratt Composer #4615943. Published by J Garratt Composer (A0.1029072). 'The Hammer & Anvil' is the piece that adorns the balustrade of the band stand in Parade Gardens, Bath, UK. The band stand was forged by the National Heritage Ironwork Group as a gift to the city during their 2018 'BathIron' festival. The piece is written for 2 treble clef parts and a bass clef part and can be performed by any group of instruments. For the original performance it was performed on 2 Bb Clarinets and a Bass Clarinet.About the piece:'The Hammer & Anvil' is derived from the melody of an English folk song about a blacksmith (ironworker) which has been adapted and augmented to be used as a melodic foundation throughout the piece, similar to an isorhythm in medieval compositions. The piece is in two sections: the A section where the folk melody is confined to the bass and the B section where the melody is split between all three parts. A repeated rhythmic motif, representative of an ironworker using his hammer and anvil, is used to accompany and/or decorate this melody.
$2.99
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