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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
So What - Bass
Non classifié
309
Piano & claviers
Piano seul
988
Piano Facile
470
Piano, Voix
146
Piano, Voix et Guitare
103
Orgue
18
Instruments en Do
17
1 Piano, 4 mains
11
Accompagnement Piano
5
Piano (partie séparée)
4
Piano Quatuor: piano, violon, alto, violoncelle
4
Piano Trio: piano, violon, violoncelle
3
Orgue, Piano (duo)
2
Piano grosses notes
2
Accordéon
1
Piano Quatuor: piano, 2 violons, violoncelle
1
1 Piano, 6 mains
1
Orgue, Trompette (duo)
1
Clavecin
1
+ 13 instrumentations
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Guitares
Guitare notes et tablatures
35
Ligne De Mélodie, (Paroles) et Accords
25
Guitare
22
Guitare (partie séparée)
8
Ukulele
8
Paroles et Accords
8
Piano, Guitare (duo)
4
2 Guitares (duo)
3
3 Guitares (trio)
2
Banjo
2
Ensemble de guitares
1
+ 6 instrumentations
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Voix
Chorale SATB
98
Chorale 2 parties
35
Chorale 3 parties
33
Chorale Unison
10
Chorale TTBB
9
Voix duo, Piano
4
Voix Baryton, Piano
3
Voix Alto, Piano
3
Voix Soprano, Piano
3
Voix haute
3
Voix duo
3
Voix moyenne, Piano
2
Chorale SSAA
2
Voix Tenor
1
Chorale SSATBB
1
Chorale SSATTB
1
+ 11 instrumentations
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Vents
Quintette de Saxophone: 5 saxophones
66
Quatuor de Saxophones: 4 saxophones
59
Saxophone (partie séparée)
56
2 Saxophones (duo)
43
Clarinette
26
Flûte traversière
25
Saxophone Alto et Piano
24
Flûte traversière et Piano
23
Hautbois, Piano (duo)
23
Hautbois (partie séparée)
20
Saxophone Tenor et Piano
19
Saxophone Alto
19
Saxophone Tenor
18
Clarinette et Piano
17
Saxophone Soprano et Piano
14
Saxophone Baryton, Piano
12
Saxophone
12
Cor Anglais
12
Cor anglais, Piano
8
Quatuor de Clarinettes: 4 clarinettes
6
Clarinette (partie séparée)
6
Flute (partie séparée)
6
Quintette de Flûte : 5 flûtes
5
2 Clarinettes (duo)
4
Ensemble de Clarinettes
4
Trio de Flûtes: 3 flûtes
4
Quatuor de Flûtes : 4 flûtes
4
Flûte irlandaise
3
Ensemble de saxophones
2
Flûte, Clarinette (duo)
2
Instruments en Mib
2
2 Flûtes traversières (duo)
2
Clarinette, Violon (duo)
2
Ocarina
1
Clarinette, Violoncelle, Piano (trio)
1
Flûte et Guitare
1
2 Flûte à bec (duo)
1
Flûte et Trio à cordes
1
Ensemble De Flûte à bec
1
Saxophone et Orgue
1
3 Clarinettes (trio)
1
Harmonica
1
2 Clarinettes, Piano
1
Flûte, Clarinette, Piano (trio)
1
Clarinette, Trompette (duo)
1
Ensemble de Flûtes
1
Flûte, Violon
1
Clarinette, Guitare (duo)
1
Flûte à bec Alto, Piano
1
+ 44 instrumentations
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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
76
Quatuor de Cuivres
62
Trompette
38
Trompette (partie séparée)
26
Trombone (partie séparée)
22
Trombone
22
Trompette, Piano
22
Cor
21
Trombone et Piano
21
Cor et Piano
15
Tuba
15
Cor Anglais
12
Tuba et Piano
12
Quatuor de Cuivres : 2 trompettes, trombone, tuba
11
Cor anglais, Piano
8
Trompette, Saxophone (duo)
8
Quatuor de Cuivres: 2 trompettes, Cor, trombone
7
Cor (partie séparée)
6
Tuba (partie séparée)
5
Quatuor de cuivres: 4 cors
3
Ensemble de Trombones
2
Instruments en Sib
2
Ensemble de Trompettes
2
Quatuor de cuivres: 4 trompettes
1
2 Trompettes (duo)
1
4 Tubas
1
Quatuor de cuivres: 4 trombones
1
Trombone et orchestre
1
Trompette, Trombone (duo)
1
Euphonium
1
3 Trompettes (trio)
1
2 Tubas (duo)
1
Trombone, Orgue
1
Ensemble de Cors
1
+ 29 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
110
Violon et Piano
45
Violon
36
Harpe
36
Alto, Piano
29
Violoncelle, Piano
24
Violoncelle
24
Alto seul
12
Trio à Cordes: violon, alto, violoncelle
10
Alto (partie séparée)
9
2 Violons (duo)
7
Violon, Alto (duo)
5
Violon (partie séparée)
3
Violon, Violoncelle (duo)
3
Ensemble de Violons
2
Harpe, Flûte (duo)
2
Trio à Cordes: 2 violons, violoncelle
2
Trio à cordes: 3 violins
2
2 Violoncelles (duo)
2
2 Harpes (duo)
1
Quatuor à cordes : 4 altos
1
Harpe, Voix
1
Alto, Guitare (duo)
1
Harpe, Violon (duo)
1
2 Altos (duo)
1
+ 20 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
88
Ensemble Jazz
69
Orchestre à Cordes
23
Orchestre
23
Orchestre de chambre
13
Ensemble de cuivres
12
Fanfare
9
Batterie
8
Jazz combo
8
Cloches
6
Batterie (partie séparée)
6
Percussion (partie séparée)
4
Marimba
3
Ensemble de Percussions
2
Vibraphone
1
+ 10 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
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Crtitères actifs :
So What - Bass
Ensemble de Percussions
Partitions à imprimer
2 partitions trouvées
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Donut Etudes vol. 3: Don’t Step in the Holes! – Keyboard Percussion (Mallet) Quartet
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Ensemble de Percussions
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INTERMÉDIAIRE
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Methodes
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Joshua Hauser
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Donut Etudes vol. 3: Don&rsquo
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Slide Ride
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SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.784338 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288673. Published by Sl...
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Percussion Ensemble - Level 3 - SKU: A0.784338 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288673. Published by Slide Ride (A0.784338). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
Gravity for Septet
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Ensemble de Percussions
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AVANCÉ
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Contemporain
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MohammadHadi Ayanbod
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Gravity for Septet
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Rimorarte Edition
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.1027778 Composed by MohammadHadi Ayanbod. 20th Century,Contemporary. Score and parts. 25 pages. Rimorarte Editio...
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Percussion Ensemble - Level 5 - SKU: A0.1027778 Composed by MohammadHadi Ayanbod. 20th Century,Contemporary. Score and parts. 25 pages. Rimorarte Edition #5996957. Published by Rimorarte Edition (A0.1027778). In GRAVITY I explored different gravities as forces we not only feel them in every moments of our lives, but also thinking of living without or escaping from them seems impossible. Likewise, those gravities exist in the music, make us feel the music continuous, desirable, logical and an integrated language of art. The exploration of the path from chaos to unity, and from unity to multiplicity, is where the title came from. GRAVITY consists of two main sections. The first section, which shows the fully-grown and flourished musical ecosystem, and the second part; a flashback to just after big-bang, which tries to musicalize the creation of the gravity! In the first section, I’ve used the concept of horizontal and vertical minimalism. At the very beginning of the piece we have a structure that bring the idea of the vertical minimalism out. In every moment, each instrument plays the same note as others. However, the narrative line is divided into different octaves, so, the melody is not the same in spite of the fact that each instrument plays the same tone. This structure also reminds the paradoxical ladder or optical staircase illusion. The narration is built up until it reaches temporal climax. At the same time, this melody starts again from the beginning with some microscopic differences visible vividly to musicians. This semi reciprocating musical narration, could be observed as a musical example of the staircase illusion. After this part, but still in the first section of the music, I’ve used the horizontal (traditional) minimalism idioms to explore the bounding forces present in the music. Although, what interesting here is the creation of synthetic voices which is the result of different amounts of the nuances and different combinations of the sound. For keen ears, it seems like shades of neon lights, penetrate into one another in the scale of time and create a big picture of micro fluctuating objects. In the second section or just after big-bang, I’ve observed and recreate musically, the very moment of creation of the gravity just after the big-bang. Here, we don’t have melody, rhythm, structure, narration and other aspects of the music in the traditional way, although all of them are present in the music. very single sound or noise is meaningful and showing the assemblage process of the forces in the music to create a melody line. I’ve occupied idioms of contemporary Sonorism genre to create the atmosphere. This highly complex texture shows the virtuosity of interpreters and the capability of the instruments in avant-garde literature and extended techniques. The music is concluded by a fast-tempo finale, with the instruction of fortissimo possiblile (as loud as possible). The piece, in fact, will not be finished as a morendo, but, it opens a space for hypothetically living structure; constantly grows, flourishes, shines and decays.
$16.99
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So What - Bass
