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ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
So What - Full Score
Non classifié
210
Piano & claviers
Piano seul
883
Piano Facile
458
Piano, Voix
107
Piano, Voix et Guitare
52
Orgue
14
1 Piano, 4 mains
7
Instruments en Do
3
Orgue, Piano (duo)
2
Accompagnement Piano
2
Piano Quatuor: piano, violon, alto, violoncelle
2
2 Pianos, 8 mains
1
Piano Trio: piano, violon, violoncelle
1
1 Piano, 6 mains
1
Piano Quatuor: piano, 2 violons, violoncelle
1
+ 9 instrumentations
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Guitares
Basse electrique
12
Guitare notes et tablatures
9
Ukulele
6
Ligne De Mélodie, (Paroles) et Accords
5
Guitare
5
Piano, Guitare (duo)
4
Paroles et Accords
1
Banjo
1
Ensemble de guitares
1
2 Guitares (duo)
1
+ 5 instrumentations
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Voix
Chorale SATB
13
Chorale 2 parties
5
Chorale Unison
3
Chorale 3 parties
3
Voix haute
2
Voix duo, Piano
2
Voix moyenne, Piano
1
Chorale SSAATTBB
1
Chorale SSATTB
1
Voix basse, Piano
1
+ 5 instrumentations
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Vents
2 Saxophones (duo)
43
Saxophone (partie séparée)
25
Saxophone Alto et Piano
23
Hautbois, Piano (duo)
22
Saxophone Tenor et Piano
22
Flûte traversière et Piano
21
Clarinette
19
Flûte traversière
18
Clarinette et Piano
17
Hautbois (partie séparée)
15
Saxophone Soprano et Piano
14
Saxophone Alto
13
Saxophone
12
Saxophone Baryton, Piano
12
Cor Anglais
12
Saxophone Tenor
11
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
10
Cor anglais, Piano
8
Quintette de Saxophone: 5 saxophones
8
Quatuor de Clarinettes: 4 clarinettes
7
Quatuor de Saxophones: 4 saxophones
4
Flûte irlandaise
3
2 Clarinettes (duo)
3
2 Flûtes traversières (duo)
3
Trio de Flûtes: 3 flûtes
3
Quintette de Flûte : 5 flûtes
2
Ensemble de Clarinettes
2
Clarinette, Guitare (duo)
2
Clarinette, Violon (duo)
2
Flûte, Clarinette (duo)
2
3 Clarinettes (trio)
2
Flûte, Hautbois, Clarinette, Basson
2
Flûte, Violon
1
Clarinette, Violoncelle, Piano (trio)
1
2 Clarinettes, Piano
1
Ensemble de saxophones
1
Clarinette, Trompette (duo)
1
Ensemble De Flûte à bec
1
3 Saxophones (trio)
1
Ensemble de Flûtes
1
Instruments en Mib
1
Quatuor de Flûtes : 4 flûtes
1
Flûte, Clarinette, Piano (trio)
1
Flûte à bec Alto, Piano
1
Ocarina
1
Saxophone et Orgue
1
Quintette de Clarinettes: 5 clarinettes
1
2 Flûte à bec (duo)
1
+ 43 instrumentations
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Cuivres
Trompette
23
Trombone et Piano
21
Trompette, Piano
20
Trombone
16
Cor et Piano
15
Cor
13
Tuba
12
Tuba et Piano
12
Cor Anglais
12
Quatuor de Cuivres : 2 trompettes, trombone, tuba
11
Cor anglais, Piano
8
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
8
Trompette, Saxophone (duo)
8
Trompette (partie séparée)
4
Ensemble de Trombones
3
2 Trombones (duo)
2
Ensemble de Trompettes
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Trombone, Orgue
1
Trompette, Trombone (duo)
1
3 Trompettes (trio)
1
Instruments en Sib
1
2 Tubas (duo)
1
Euphonium, Piano (duo)
1
2 Trompettes (duo)
1
Bass Clef Instruments
1
2 Cors (duo)
1
4 Tubas
1
Trombone et orchestre
1
+ 24 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
35
Violon et Piano
29
Harpe
28
Alto, Piano
28
Violoncelle, Piano
23
Violon
20
Violoncelle
16
Contrebasse, Piano (duo)
16
Contre Basse
12
Trio à Cordes: violon, alto, violoncelle
7
Alto (partie séparée)
7
Alto seul
6
Violon, Alto (duo)
5
Trio à cordes: 3 violins
2
Ensemble de Violons
2
Harpe, Flûte (duo)
2
Violoncelle, Contrebasse (duo)
2
2 Violons (duo)
2
4 Contrebasses
1
2 Violoncelles (duo)
1
Harpe, Violon (duo)
1
Quatuor à cordes : 4 altos
1
Alto, Guitare (duo)
1
2 Altos (duo)
1
+ 19 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
67
Ensemble Jazz
52
Orchestre à Cordes
18
Ensemble de cuivres
13
Orchestre de chambre
11
Batterie
6
Jazz combo
6
Fanfare
5
Cloches
3
Ensemble de Percussions
2
Marimba
1
Piano et Orchestre
1
+ 7 instrumentations
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ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
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CORNET
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Vous avez sélectionné:
So What - Full Score
Ensemble de Percussions
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Donut Etudes vol. 3: Don’t Step in the Holes! – Keyboard Percussion (Mallet) Quartet
Ensemble de Percussions
Percussion Ensemble - Level 3 - Digital Download SKU: A0.784338 Composed by Joshua …
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.784338 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288673. Published by Slide Ride (A0.784338). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
4.59 €
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Ensemble de Percussions
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Joshua Hauser
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Donut Etudes vol. 3: Don’t Step in the Holes! – Keyboard Percussion
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Slide Ride
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SheetMusicPlus
Two Dreams for solo Trombone and 8-part Percussion Ensemble
Ensemble de Percussions
Percussion Ensemble - Level 5 - Digital Download SKU: A0.811252 Composed by Antonio…
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.811252 Composed by Antonio J. Garcia. Contemporary,Jazz,Latin,World. Score and parts. 119 pages. Gordon Cherry #6549777. Published by Gordon Cherry (A0.811252). Two Dreams for Trombone and Percussion EnsembleDr. Justin Alexander (Director, VCU Percussion Ensemble) invited me to create a piece for trombone and percussion ensemble that had roles for more- and less-experienced players so that they could mix within the performance. I so enjoyed composing and performing this work. He estimates the overall difficulty grade of Movement I to be a three on a five-point scale and Movement II to be a four, with a grade four for the overall piece; but some players’ parts (within the eight total in the percussion ensemble) are indeed easier.The two Movements are approximately five minutes each.The first Movement Bilita Mpash (An Amazing Dream) calls for (1) shekeré/guiro; (2) 5-octave marimba (shared with...); (3) 5-octave marimba (shared with previous); (4) claves/drum set with mounted cowbell; (5) bell/mounted cowbell/congas; (6) hi-hat/suspended cymbal; (7) bass drum; and (8) four toms/maracas.The Second Movement (Running with the Tigers) calls for (1) xylophone; (2) vibraphone/glockenspiel; (3) 5-octave marimba; (4) drum set; (5) shaker/samba whistle/congas (opt. voice); (6) triangle/bell tree/hanging bells/agogo bells (opt. voice); (7) bass drum (opt. voice); and (8) Timpani (opt. voice). Pending difficulty levels, the conga and drum set parts can optionally be split among additional percussionists. The score notes offer a stage plot and many rehearsal tips.Bilita Mpash (An Amazing Dream)The 3-2 Rumba Clave anchors this movement, launched by the shekeré. Rhythmic vamps of multiple bars form the landscape over which the trombone’s melody emerges, followed by a move to double-time 2-3 Rumba Clave (with montuno) and back. The trombone soloist improvises without chordal accompaniment for a while so could reflect on the preceding harmonies or instead freely improvise with no concern as to chord changes, while a later section requires improv over chord changes. After the recap, a surprise tag of the ending phrase in Cha Cha sets up the rubato finish. Bilita Mpash (BILL-it-uh m-POSH) is a Bantu term for an amazing dream, a dream so good that it is the polar opposite of a nightmare-a dream in a blissful state where all is forgiven and forgotten2. Running with the TigersThe opening, written-out marimba solo is somewhat of a nod to vibist Gary Burton’s influence in bringing mallets towards the expression of modern jazz. A 9/8 samba-groove (5+4) transforms to 4/4. None of the percussionists have to have a jazz background, though the drum set player would be more challenged if not already exposed to Latin drumming. The improvised solo section could be all solo trombone or could be divided among various performers, including trading. The recap of the tune begins over 5/8 samba (3+2, later 2+3). The closing arrhythmic drum-set solo crescendos as the optional surprise of percussionists’ (or additional) voices sing at the end. The title of this movement refers to a recurring dream my dad would have, as well as to the active movements of my grandson when sleeping in his earliest years.-Antonio J. GarcÃaInstrumentation is for:Solo Trombone and 8-part Percussion Ensemble:shekeré/guiro, 2 5-octave marimbas, claves/drumset with cowbell, bell, congas, hi-hat, suspended cymbal, bass drum, toms, maracas, xylophone, vibraphone, glockenspiel, shaker, samba whistle, congas, triangle, bell tree, hanging bells, agogo bells, bass drum and timpani.This rhythmic and dramatic work includes improvisation by the Trombonist. Listen to the brilliant live performance featuring Mr. Garcia and the Virginia Commonwealth University Percussion Ensemble directed by Dr. Justin Alexander.
$50.00
45.86 €
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Ensemble de Percussions
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Antonio J
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Two Dreams for solo Trombone and 8-part Percussion Ensemble
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Gordon Cherry
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SheetMusicPlus
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