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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
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Sonata a 3
Non classifié
423
Piano & claviers
Piano seul
417
Piano Facile
37
Orgue
15
Accompagnement Piano
13
Piano, Voix
9
Piano Trio: piano, violon, violoncelle
6
2 Pianos, 4 mains
5
Instruments en Do
4
Clavecin
3
1 Piano, 4 mains
2
Piano Quatuor: piano, 2 violons, violoncelle
1
Piano Quatuor: piano, violon, alto, violoncelle
1
Orgue, Piano (duo)
1
Orgue, Trompette (duo)
1
+ 9 instrumentations
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Guitares
Guitare
110
2 Guitares (duo)
51
Guitare notes et tablatures
27
Piano, Guitare (duo)
7
3 Guitares (trio)
5
Ukulele
2
4 Guitares (Quatuor)
1
Banjo
1
Ligne De Mélodie, (Paroles) et Accords
1
+ 4 instrumentations
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Voix
Chorale SATB
5
Chorale 3 parties
3
Chorale 2 parties
2
Voix Baryton, Piano
1
Voix Mezzo-Soprano, Piano
1
Vents
Flûte traversière et Piano
79
Flûte et Guitare
71
3 Clarinettes (trio)
50
2 Flûtes traversières (duo)
46
Clarinette et Piano
46
3 Saxophones (trio)
38
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
36
Saxophone Alto et Piano
35
Flûte, Hautbois, Clarinette (trio)
34
Hautbois, Piano (duo)
34
Trio de Flûtes: 3 flûtes
30
Saxophone Tenor et Piano
26
Flûte, Hautbois, Basson
23
Flûte, Hautbois, Clarinette, Basson
20
2 Saxophones (duo)
19
Quatuor de Saxophones: 4 saxophones
19
2 Clarinettes (duo)
18
Saxophone Baryton, Piano
16
Flûte, Violon et Violoncelle
16
Saxophone Soprano et Piano
15
Quatuor de Clarinettes: 4 clarinettes
15
Flûte, Clarinette et Basson
14
Clarinette
13
2 Clarinettes, Basson
11
Flûte traversière
10
Hautbois, Clarinette, Basson (trio d'anches)
9
Clarinette Basse, Piano
9
Ensemble de Clarinettes
9
Quintette de Saxophone: 5 saxophones
8
Cor anglais, Piano
7
Flûte, Alto (duo)
6
Hautbois, Basson (duo)
6
Quintette de Clarinettes: 5 clarinettes
6
Flûte, Clarinette (duo)
6
Flûte, Violoncelle
6
Clarinette et Alto
6
Quatuor de Flûtes : 4 flûtes
6
Ensemble de saxophones
5
Flûte, Violon
4
2 Hautbois (duo)
4
Ensemble de Flûtes
4
Quatuor de Flûtes à bec
4
2 Flûte à bec (duo)
4
Quintette de Clarinette: Clarinette, Quatuor à Cordes
3
3 Flûtes à bec (trio)
3
Saxophone, Clarinette (duo)
3
Quintette de Flûte : 5 flûtes
2
Saxophone Alto
2
Hautbois (partie séparée)
2
Clarinette, Guitare (duo)
2
Clarinette, Trompette (duo)
2
Clarinette, Violon (duo)
2
Flûte, Saxophone (duo)
2
Piccolo, Piano
2
Clarinette, Violoncelle (duo)
1
Flûte à bec Soprano, Piano
1
Flûte traversière, Basse continue
1
5 Flûtes à bec
1
Hautbois, Clarinette (duo)
1
Hautbois, Flûte
1
Flûte, Trompette (duo)
1
2 Hautbois et Basson
1
Clarinette, Violoncelle, Piano (trio)
1
Hautbois
1
Flûte à bec Alto, Basse continue
1
Saxophone et Orgue
1
Flûte, Violon, Piano
1
2 Cors Anglais Et Pianoforte
1
+ 63 instrumentations
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Cuivres
Trombone et Piano
27
Cor et Piano
22
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
20
Quatuor de Cuivres : 2 trompettes, trombone, tuba
17
Euphonium, Piano (duo)
16
Trompette, Piano
16
Trompette
12
2 Trompettes (duo)
7
Cor anglais, Piano
7
Cor
6
2 Trombones (duo)
6
Quatuor de cuivres: 4 cors
5
Tuba et Piano
5
2 Cors (duo)
5
3 Trombones (trio)
4
Quatuor de cuivres: 4 trombones
4
Trompette, Trombone (duo)
4
2 Tubas (duo)
3
Ensemble de Cors
3
Quatuor de Cuivres: 2 trompettes, Cor, trombone
3
3 Euphoniums
2
Trompette, Saxophone (duo)
2
Quatuor de cuivres: 4 trompettes
2
4 Tubas
2
3 Cors (trio)
2
3 Trompettes (trio)
2
Tuba
1
3 Tubas (trio)
1
Euphonium, Tuba (duo)
1
Ensemble de Trombones
1
Trombone
1
Euphonium
1
Trompette, Cor (duo)
1
2 Euphoniums (duo)
1
Trio de Cuivres
1
2 Cors Anglais Et Pianoforte
1
Ensemble de Trompettes
1
+ 32 instrumentations
Retracter
Cordes
Violon et Piano
113
Quatuor à cordes: 2 violons, alto, violoncelle
68
Violoncelle, Piano
43
Alto, Piano
43
Violon
34
Trio à Cordes: violon, alto, violoncelle
32
2 Violons (duo)
27
Trio à cordes: 3 violins
21
Violon, Violoncelle (duo)
14
Violoncelle
14
Violon, Alto (duo)
14
Alto seul
12
Harpe
11
2 Violoncelles (duo)
9
2 Altos (duo)
9
Violoncelle, Contrebasse (duo)
8
Trio à Cordes: 2 violons, violoncelle
7
Contrebasse, Piano (duo)
6
Trio à Cordes: 3 violoncelles
6
Contre Basse
5
Flûte, Contrebasse (duo)
5
Quintette à cordes: 2 violons, alto, violoncelle, basse
4
Violoncelle, Basse continue
3
Alto (partie séparée)
3
Alto, Guitare (duo)
2
Trio à cordes: 3 altos
2
4 Violoncelles
2
Violon, Basse continue
2
Trio à Cordes: 2 violons, alto
2
2 Contrebasses (duo)
2
Quatuor à cordes: 4 violons
1
Piano Trio: Violon, Alto, Piano
1
Harpe, Flûte (duo)
1
Violon (partie séparée)
1
2 Violons, Piano
1
Violoncelle (partie séparée)
1
Alto, Violoncelle (duo)
1
+ 32 instrumentations
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Orchestre & Percussions
Orchestre à Cordes
34
Orchestre de chambre
20
Orchestre
17
Orchestre d'harmonie
16
Ensemble Jazz
4
Ensemble de cuivres
3
Ensemble de Percussions
2
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
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Sonata a 3
Ensemble de Percussions
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1
Four Forces (First movement) I. Strong Forces
#
Ensemble de Percussions
#
AVANCÉ
#
Salvador Rojo Gamón
#
Four Forces
#
Salvador Rojo-Gamon
#
SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.962406 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 173 pa...
(+)
Percussion Ensemble - Level 5 - SKU: A0.962406 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 173 pages. Salvador Rojo-Gamon #5801913. Published by Salvador Rojo-Gamon (A0.962406). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$300.00
Four Forces (Second movement) II. Weak Forces
#
Ensemble de Percussions
#
AVANCÉ
#
Salvador Rojo Gamón
#
Four Forces
#
Salvador Rojo-Gamon
#
SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.962405 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 255 pa...
(+)
Percussion Ensemble - Level 5 - SKU: A0.962405 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 255 pages. Salvador Rojo-Gamon #5801921. Published by Salvador Rojo-Gamon (A0.962405). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$150.00
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Sonata a 3
