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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Stro\\\\
Non classifié
2 385
Piano & claviers
Piano seul
3 400
Piano, Voix
3 025
Piano, Voix et Guitare
956
Piano Facile
515
Instruments en Do
146
Orgue
117
Accordéon
81
1 Piano, 4 mains
75
Piano grosses notes
44
Piano (partie séparée)
38
2 Pianos, 4 mains
23
Accompagnement Piano
21
Piano Trio: piano, violon, violoncelle
16
Piano Quatuor: piano, 2 violons, violoncelle
6
Piano Quintette: piano, 2 violons, alto, violoncelle
6
Orgue, Trompette (duo)
4
Piano Quatuor: piano, violon, alto, violoncelle
4
Ligne De Mélodie, Piano
3
Clavecin
3
Orgue, Piano (duo)
3
Clavier
2
Instrument seul et Orgue
1
2 Accordéons
1
+ 18 instrumentations
Retracter
Guitares
Guitare notes et tablatures
381
Ligne De Mélodie, (Paroles) et Accords
252
Guitare
214
Paroles et Accords
82
Basse electrique
79
Ukulele
74
Guitare (partie séparée)
47
2 Guitares (duo)
18
4 Guitares (Quatuor)
10
Banjo
9
Mandoline
9
Dulcimer
8
3 Guitares (trio)
7
Piano, Guitare (duo)
3
Ensemble de guitares
2
Ukulele Baryton
1
Ensemble de Ukulélés
1
Orchestre à Plectres
1
+ 13 instrumentations
Retracter
Voix
Chorale SATB
1 754
Chorale 3 parties
381
Voix haute
218
Chorale TTBB
188
Chorale 2 parties
171
Pack Instrumental pour Chorale
110
Chorale SSAA
108
Chorale Unison
78
Chorale
59
Voix seule
57
Voix duo, Piano
23
Voix duo
19
Voix Soprano, Piano
10
Voix Alto, Piano
10
Voix Baryton, Piano
9
Voix moyenne, Piano
8
Chorale SSAATTBB
6
Voix basse, Piano
5
Chorale SSATTB
4
Voix Soprano
3
Voix Tenor, Piano
3
Voix basse
2
Chorale SSAB a cappella
2
Voix, Guitare
2
Chorale SSAATB
1
Chorale SSATBB
1
Voix Tenor
1
+ 22 instrumentations
Retracter
Vents
Saxophone (partie séparée)
312
Flûte traversière
176
Clarinette (partie séparée)
164
Clarinette
141
Quatuor de Saxophones: 4 saxophones
126
Flûte traversière et Piano
109
Saxophone
105
Saxophone Alto
95
Clarinette et Piano
92
2 Saxophones (duo)
89
Saxophone Tenor
88
Hautbois, Piano (duo)
85
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
71
Flute (partie séparée)
69
Quatuor de Clarinettes: 4 clarinettes
68
Flûte, Hautbois, Clarinette, Basson
66
Hautbois (partie séparée)
64
Saxophone Alto et Piano
63
2 Clarinettes (duo)
51
Quatuor de Flûtes : 4 flûtes
49
2 Flûtes traversières (duo)
41
Saxophone Soprano et Piano
40
Saxophone Tenor et Piano
39
Quintette de Saxophone: 5 saxophones
36
Saxophone, Clarinette (duo)
34
Flûte à Bec
31
Hautbois
26
Clarinette, Violon (duo)
25
3 Clarinettes (trio)
23
Flûte, Clarinette (duo)
21
Saxophone Baryton, Piano
19
Instruments en Mib
19
Cor anglais, Piano
18
Ensemble de Clarinettes
18
2 Hautbois (duo)
18
Quintette de Clarinettes: 5 clarinettes
17
Clarinette, Trompette (duo)
17
Ensemble de saxophones
17
Trio de Flûtes: 3 flûtes
16
Flûte, Violon
15
Flûte, Trompette (duo)
15
Ensemble de Flûtes
15
Hautbois, Clarinette (duo)
13
Hautbois, Basson (duo)
12
Flûte, Saxophone (duo)
12
Flûte et Guitare
11
Hautbois, Flûte
10
Clarinette et Alto
10
3 Saxophones (trio)
9
Quatuor de Flûtes à bec
9
Saxophone Soprano
8
Clarinette Basse, Piano
7
Harmonica
6
Flûte, Alto (duo)
6
Flûte, Hautbois (duo)
5
2 Flûte à bec (duo)
5
Ocarina
4
Saxophone, Violon (duo)
4
Clarinette, Violoncelle (duo)
4
Hautbois, Trompette (duo)
4
Clarinette, Basson (duo)
4
Hautbois, violon (duo)
4
Quintette de Flûte : 5 flûtes
3
Flûte, Violon, Piano
3
Piccolo
3
Saxophone Baryton
3
Flûte à bec Soprano, Piano
3
Clarinette, Violoncelle, Piano (trio)
3
Flûte, Clarinette, Piano (trio)
3
3 Hautbois
2
Flûte, Violoncelle
2
Flûte, Clarinette et Basson
2
Clarinette, Trombone (duo)
2
Flute, harpe et violon
2
Cor Anglais
2
Flûte, Hautbois, Clarinette (trio)
2
Clarinette Basse
2
2 Saxophones, Piano
2
Flûte à bec Soprano
1
2 Flûtes traversières, Piano
1
Flûte à bec Alto, Piano
1
Flûte, Hautbois, Piano (trio)
1
Hautbois, Basson et Piano
1
Clarinette, Orgue
1
Flûte à bec, Guitare (duo)
1
Flûte, Trombone (duo)
1
Flûte irlandaise
1
Flûte, Hautbois, Violon
1
Saxophone et Guitare
1
Cornemuse
1
2 Clarinettes, Basson
1
5 Flûtes à bec
1
Cor anglais, Guitare (duo)
1
Hautbois, Clarinette, Basson (trio d'anches)
1
2 Clarinettes, Piano
1
Clarinette, Basson, Piano (trio)
1
Flûte, Violon, Violoncelle et Piano
1
Flûte, Hautbois, Basson
1
Hautbois, Violoncelle
1
Clarinette, Harpe (duo)
1
Clarinette, Guitare (duo)
1
Flûte, Clarinette, Violon (trio)
1
+ 97 instrumentations
Retracter
Cuivres
Trombone (partie séparée)
293
Trompette (partie séparée)
242
Trompette
236
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
144
Cor (partie séparée)
99
Trombone
93
Quatuor de Cuivres : 2 trompettes, trombone, tuba
87
Trombone et Piano
75
Trompette, Piano
69
Tuba (partie séparée)
65
Cor
62
Tuba
51
Cor et Piano
43
Ensemble de Trombones
42
2 Trombones (duo)
29
2 Trompettes (duo)
29
Trompette, Saxophone (duo)
26
Quatuor de Cuivres: 2 trompettes, Cor, trombone
23
Quatuor de Cuivres
19
Instruments en Sib
19
Euphonium
18
Cor anglais, Piano
18
Bass Clef Instruments
16
Quatuor de cuivres: 4 trombones
16
Tuba et Piano
15
Euphonium, Piano (duo)
14
2 Cors (duo)
13
Trompette, Trombone (duo)
12
Quatuor de cuivres: 4 cors
10
3 Trombones (trio)
9
Trombone, violoncelle (duo)
4
Trompette, violon (duo)
4
Quatuor de cuivres: 4 trompettes
4
3 Trompettes (trio)
4
2 Euphoniums et 2 Tubas
4
Trompette, Cor (duo)
3
2 Tubas (duo)
3
Trombone basse
3
Tuba et Orgue
2
Trio de Cuivres
2
Cor, Violoncelle (duo)
2
Cor Anglais
2
Quatuor de cuivres: 2 trompettes, 2 trombones
2
Trombone basse et Piano
2
Tuba ou Euphonium ou Saxhorn
2
Trombone, Orgue
1
2 Cors, Piano
1
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
1
Cor, Violoncelle et Piano
1
2 Euphoniums (duo)
1
Cor anglais, Guitare (duo)
1
Trompette, Tuba (duo)
1
Ensemble de Tubas
1
Instruments en Fa
1
Cornet et orchestre
1
3 Euphoniums
1
3 Cors (trio)
1
Ensemble de Cors
1
+ 53 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
417
Violon
191
Violon et Piano
143
Violoncelle
140
Alto seul
106
Violon (partie séparée)
98
Violoncelle, Piano
88
Alto, Piano
88
Contrebasse (partie séparée)
80
Violon, Violoncelle (duo)
80
Trio à Cordes: violon, alto, violoncelle
68
Harpe
56
Alto (partie séparée)
51
2 Violons (duo)
47
2 Violoncelles (duo)
28
Violoncelle (partie séparée)
27
Violon, Alto (duo)
27
2 Altos (duo)
21
Quintette à cordes: 2 violons, alto, violoncelle, basse
20
Contre Basse
18
Trio à Cordes: 2 violons, violoncelle
15
Contrebasse, Piano (duo)
13
4 Violoncelles
11
Piano Trio: Violon, Alto, Piano
10
Alto, Violoncelle (duo)
9
Trio à cordes: 3 violins
8
Trio à Cordes: 3 violoncelles
8
Trio à cordes
5
Violon, Guitare (duo)
4
Trio à Cordes: 2 violons, alto
4
Quatuor à cordes: 4 violons
3
Harpe, Flûte (duo)
3
Violoncelle , Guitare (duo)
3
2 Violons, Piano
2
Harpe, Voix
2
Violon, Clarinette, Piano (trio)
2
Alto, Guitare (duo)
2
Harpe, Violon (duo)
2
Violon, Basson (duo)
1
Violoncelle, Orgue
1
Violoncelle, Orchestre
1
Violoncelle, Contrebasse (duo)
1
Ensemble d'Altos
1
2 Harpes (duo)
1
Quatuor à cordes : 4 altos
1
Alto et Basson
1
Ensemble de Violons
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
2 Violons et Basse continue
1
Harpe, Trombone (duo)
1
+ 45 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
1 733
Orchestre
241
Orchestre à Cordes
215
Ensemble Jazz
214
Fanfare
182
Batterie
107
Ensemble de cuivres
99
Percussion (partie séparée)
89
Orchestre de chambre
71
Cloches
63
Jazz combo
40
Timbales (partie séparée)
31
Batterie (partie séparée)
29
Ensemble de Percussions
23
Percussion
20
Marimba
8
Caisse Claire
6
Instrumentation Flexible
3
Vibraphone
3
Big band
2
Vibraphone et Marimba
1
Quintette de Cuivres: autres combinaisons
1
Piano et Orchestre
1
Bongos
1
2 Xylophones
1
3 Percussions
1
Xylophone
1
Bodhran
1
Ensemble d'École
1
Conga
1
+ 25 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
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CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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Ensemble de Percussions
Partitions à imprimer
23 partitions trouvées
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1
Our Dream - Nuestro Sueño
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Ensemble de Percussions
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FACILE
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Iván Mena Ortega
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Our Dream - Nuestro Sueñ
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Publicado por Iván Mena Ortega
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SheetMusicPlus
Percussion Ensemble - SKU: A0.1028837 Composed by Iván Mena Ortega. Contemporary,Standards,World. Score and parts. 45 pages. Publicado por Iván Me...
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Percussion Ensemble - SKU: A0.1028837 Composed by Iván Mena Ortega. Contemporary,Standards,World. Score and parts. 45 pages. Publicado por Iván Mena Ortega #4319625. Published by Publicado por Iván Mena Ortega (A0.1028837). Our Dream, is a work for small symphonic orchestra, multilevel, where the winds oscillate between a level 2 to 3 and the strings between 1 and 3. The emotion of seeing an orchestral movement born in the municipality of Piendamó, in the department of Cauca , Colombia, gave foot to the creation of this work, commissioned to be released on the day that the Piendamó Symphony Orchestra offered its first public concert.Nuestro Sueño, es una obra para pequeña orquesta sinfónica, multinivel, donde los vientos oscilan entre un nivel 2 a 3 y las cuerdas entre 1 y 3. La emoción de ver nacer un movimiento orquestal en el municipio de Piendamó, en el departamento del Cauca, Colombia, dio pié a la creación de esta obra, encargada para ser estrenada el dÃa que la Orquesta Sinfónica de Piendamó ofreció su primer concierto público.
$35.00
Four Forces (First movement) I. Strong Forces
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Ensemble de Percussions
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AVANCÉ
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Salvador Rojo Gamón
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Four Forces
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Salvador Rojo-Gamon
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.962406 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 173 pa...
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Percussion Ensemble - Level 5 - SKU: A0.962406 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 173 pages. Salvador Rojo-Gamon #5801913. Published by Salvador Rojo-Gamon (A0.962406). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$300.00
Navy Hymn (Eternal Father Strong To Save)- Easy Pitched Percussion
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Ensemble de Percussions
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DÉBUTANT
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Michael Arell
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Michael Arell
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Navy Hymn
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Michael Arell
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SheetMusicPlus
Percussion Ensemble - Level 1 - SKU: A0.951714 Composed by Michael Arell. Arranged by Michael Arell. Folk,Holiday,Patriotic. Score and parts. 3 pages. M...
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Percussion Ensemble - Level 1 - SKU: A0.951714 Composed by Michael Arell. Arranged by Michael Arell. Folk,Holiday,Patriotic. Score and parts. 3 pages. Michael Arell #6273955. Published by Michael Arell (A0.951714). Thank you for your interest in learning this music! I have designed the piece so that it will be approachable to musicians after about a year of playing, while still enjoyable for more advanced players. Included is a version in traditional Western notation and a second version with letter names to support learning. Please visit my website www.MichaelArell.com to access a sample recording. Great fit for schools, students, and churches.Learn more about me on my website: www.MichaelArell.com
$1.99
En Rêve for Percussion Ensemble
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Ensemble de Percussions
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FACILE
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Contemporain
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Anders Wall
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I felt like I was in France
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En Rêve for Percussion En
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WallofSound
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SheetMusicPlus
Percussion Ensemble - Level 2 - SKU: A0.1028124 Composed by Anders Wall. 20th Century,Contemporary. Score and parts. 23 pages. WallofSound #3374791. Pub...
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Percussion Ensemble - Level 2 - SKU: A0.1028124 Composed by Anders Wall. 20th Century,Contemporary. Score and parts. 23 pages. WallofSound #3374791. Published by WallofSound (A0.1028124). En Rêve, In Dream, was conceived when I studied composition for Tobias Broström. Every day I was commuting from Skurup to Båstad and every day I was struck by Båstads almost continental beauty; I felt like I was in France. Cobble stone roads, houses with towers and that mountain ridge close to the ocean...One day on the train, I ran into three French girls on holiday.Patiently they listened to my ideas and kindly helped me translate the tempo markings to French. The piece begins with us falling to sleep. The marimbas rocks us slowly In Dream.After sudden movements in the vibraphone we are happily strolling on the cobble stones, sun shining and children riding their bikes across the streets not noticing the rocky ride.Bells chime in the distance and the world – or the dream – vanish. As sudden as it started it is gone.The dissonance of the beginning is now gone and our sleep is peaceful and calm - or is it..? Originally a solo piece for Marimba dedicated to Kasper Grøn.Thanks to Camille, Carole, Raphaëlle for the help with the French.
$10.00
Creep
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Ensemble de Percussions
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DÉBUTANT
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Rock
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Radiohead
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Silvestro Sabatelli
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Creep
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Silvestro Sabatelli
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SheetMusicPlus
Percussion Ensemble - Level 1 - SKU: A0.925477 By Radiohead. By Albert Hammond, Colin Greenwood, Edward O'Brien, Jonathan Greenwood, Mike Hazlewood, Phi...
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Percussion Ensemble - Level 1 - SKU: A0.925477 By Radiohead. By Albert Hammond, Colin Greenwood, Edward O'Brien, Jonathan Greenwood, Mike Hazlewood, Philip Selway, and Thomas Yorke. Arranged by Silvestro Sabatelli. Rock. Score and parts. 30 pages. Silvestro Sabatelli #5359725. Published by Silvestro Sabatelli (A0.925477). Arrangement for percussion ensemble school.
$15.00
Cuatro
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Ensemble de Percussions
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INTERMÉDIAIRE
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Rock
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Rick Barclay
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Cuatro
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Barclasion Music
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SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.904378 Composed by Rick Barclay. Pop,Rock. Score and parts. 17 pages. Barclasion Music #2838025. Published by Ba...
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Percussion Ensemble - Level 3 - SKU: A0.904378 Composed by Rick Barclay. Pop,Rock. Score and parts. 17 pages. Barclasion Music #2838025. Published by Barclasion Music (A0.904378). A percussion ensemble piece written for 4 drum sets at the intermediate level. Tempo is 112 and requires knowledge of reading drum set notation, 16th notes and 5 stroke rolls. Ideas to engage other percussionist in the ensemble is to add hand percussion parts such as cowbell, tambourine, etc. similar to the demo recording.
$20.00
Silent Night Prelude for percussion octet
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Ensemble de Percussions
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FACILE
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Noël
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Franz Xaver Gruber
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Dan Heslink
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Silent Night Prelude for percu
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Pharaoh Publications
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SheetMusicPlus
Percussion Ensemble - Level 2 - SKU: A0.935383 Composed by Franz Xaver Gruber. Arranged by Dan Heslink. Christian,Christmas. Score and parts. 20 pages. ...
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Percussion Ensemble - Level 2 - SKU: A0.935383 Composed by Franz Xaver Gruber. Arranged by Dan Heslink. Christian,Christmas. Score and parts. 20 pages. Pharaoh Publications #5363007. Published by Pharaoh Publications (A0.935383). Silent Night Prelude for Percussion Octet arr. by Dan Heslink This work is based on the well-loved Christmas carol, composed in 1818 by Franz Xaver Gruber. This theme is so popular that it was declared an intangible cultural heritage by UNESCO in 2011. And the version sung by Bing Crosby in 1935 is the fourth best-selling single recording of all-time. It’s sure to motivate your audience close to Christmas. The Prelude begins with a brisk tempo. Although notated in 3, as is customary in more modern renditions (the original theme was notated in 6), the tempo must be fast enough that two measures of 3 create a binary pairing (like 6/4 in two). It may be necessary to slightly slow down the roll speed to avoid a frenetic sound. The difficulty level is easy. There are no changes of key, and the timpani part requires only two drums (Bb, F) with no tuning changes. The vibe part could be played with two mallets, but might execute more comfortably with three. The other keyboard parts use only two mallets each. The expression of this beautiful tune will be greatly enhanced by exaggerating the contrasts of dynamics. Accompaniment and ornamental figures must at all times be sublimated to the familiar theme. At the last strain, players should sing the well-known words in order to lead the audience or congregation in group singing. It would be helpful for the conductor to turn and face the audience at this point. This closing passage may be repeated for any number of sung verses. Use a smooth, relaxed stroke to elicit as much legato as possible. At points a continuous arpeggio accompaniment is divided among the instruments. Care must be taken to keep the sixteenth note speed consistent. The opening runs should be performed half-pedal on the vibes for clarity. Prelude on Silent Night would serve equally well in recital or in a church service. Duration is 3:10. The arranger, Dan Heslink, can be contacted at dan@dheslink.com
$4.99
Christmas Calypso for Percussion Sextet
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Ensemble de Percussions
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FACILE
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Noël
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Dan Heslink
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Christmas Calypso for Percussi
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Pharaoh Publications
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SheetMusicPlus
Percussion Ensemble - Level 2 - SKU: A0.935389 Arranged by Dan Heslink. Christian,Christmas. Score and parts. 18 pages. Pharaoh Publications #6117159. P...
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Percussion Ensemble - Level 2 - SKU: A0.935389 Arranged by Dan Heslink. Christian,Christmas. Score and parts. 18 pages. Pharaoh Publications #6117159. Published by Pharaoh Publications (A0.935389). Christmas Calypso for Percussion Sextet . . . . . . . . . . . . . . arr. Dan Heslink The calypso style referenced in the title is not the calypso of Afro-Caribbean music from Trinidad and Tobago. Rather, it is the especially toned-down but still rhythmic commercial variant popularized by folk singers. Couched in this style, the arrangement offers Christmas favorites Deck the Halls, Angels We Have Heard On High, God Rest Ye Merry Gentlemen and Good Christian Men, Rejoice. This if one of two versions of the calypso arrangement by Dan Heslink, both of which are available through Sheet Music Plus. The other arrangement, percussion sextet, follows similar musical contours and is available separately. Both versions are intended to elicit one primary response from both performers and audience – fun. It does not tax the players technically, but delivers a satisfying sound with carols that the performers likely know and love. General audiences will be enchanted by the familiar melodies delivered in percussion, especially at Christmas time. The introduction opens with a brisk and rhythmic introduction based on Deck the Halls, and establishes the fun calypso rhythm immediately. Deck the Halls is the much-loved welsh air that was arranged by Haydn, Nos galan (Hob. XXXIb:29, 1803). Then, Angels We Have Heard on High breaks out in double-stops with a continuation of the rhythmic impetus. The birth of Jesus Christ as narrated in the Gospel of Luke is the subject of Angels We Have Heard on High, a traditional French song of unknown origin. The gloria section provides some flowing contrast, portraying the shepherds’ impressions as they encounter a multitude of angels singing and praising. The performers are encouraged to use a relaxed stroke to glide through these passages. Following is God Rest Ye Merry Gentlemen, a 16th century English traditional Christmas carol also known under the title, The old Christmas Carol. It provides a contrast in tonality (minor mode) and texture. The xylophone part likely will lay most comfortably when executed with four mallets, although there are no three or four mallet chords in these passages. Good Christian Men, Rejoice is the closing selection in this Christmas medley. It’s title is an English translation of In dulci jubilo (Latin for In sweet rejoicing). The work ends happily with a summation of the calypso rhythm. This medley will be especially effective programmed on a winter holiday concert. Duration is 2:30. The arranger, Dan Heslink, assigned a difficulty level of medium easy, and can be contacted at dan@dheslink.com.
$4.99
Christmas Calypso for Marimba Quartet
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Ensemble de Percussions
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Noël
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Dan Heslink
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Christmas Calypso for Marimba
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Pharaoh Publications
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SheetMusicPlus
Percussion Ensemble - SKU: A0.935390 Arranged by Dan Heslink. Christian,Christmas. Score and parts. 16 pages. Pharaoh Publications #6117165. Published b...
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Percussion Ensemble - SKU: A0.935390 Arranged by Dan Heslink. Christian,Christmas. Score and parts. 16 pages. Pharaoh Publications #6117165. Published by Pharaoh Publications (A0.935390). Christmas Calypso for Marimba Quartet . . . . . . . . . . . . . . arr. Dan HeslinkThe calypso style referenced in the title is not the calypso of Afro-Caribbean music from Trinidad and Tobago. Rather, it is the especially toned-down but still rhythmic commercial variant popularized by folk singers. Couched in this style, the arrangement offers Christmas favorites Deck the Halls, Angels We Have Heard On High, God Rest Ye Merry Gentlemen and Good Christian Men, Rejoice. This if one of two versions of the calypso arrangement by Dan Heslink, both of which are available through Sheet Music Plus. The other arrangement, for percussion sextet, follows similar musical contours and is available separately. Both versions are intended to elicit one primary response from both performers and audience – fun. It does not tax the players technically, but delivers a satisfying sound with carols that the performers likely know and love. General audiences will be enchanted by the familiar melodies delivered in percussion, especially at Christmas time. The introduction opens with a brisk and rhythmic introduction based on Deck the Halls, and establishes the fun calypso rhythm immediately. Deck the Halls is the much-loved welsh air that was arranged by Haydn, Nos galan (Hob. XXXIb:29, 1803). Then, Angels We Have Heard on High breaks out in double-stops with a continuation of the rhythmic impetus. The birth of Jesus Christ as narrated in the Gospel of Luke is the subject of Angels We Have Heard on High, a traditional French song of unknown origin. The gloria section provides some flowing contrast, portraying the shepherds’ impressions as they encounter a multitude of angels singing and praising. The performers are encouraged to use a relaxed stroke to glide through these passages. Following is God Rest Ye Merry Gentlemen, a 16th century English traditional Christmas carol also known under the title, The old Christmas Carol. It provides a contrast in tonality (minor mode) and texture. The xylophone part likely will lay most comfortably when executed with four mallets, although there are no three or four mallet chords in these passages. Good Christian Men, Rejoice is the closing selection in this Christmas medley. It’s title is an English translation of In dulci jubilo (Latin for In sweet rejoicing). The work ends happily with a summation of the calypso rhythm. This medley will be especially effective programmed on a winter holiday concert. Duration is 2:30. The arranger, Dan Heslink, assigned a difficulty level of medium easy, and can be contacted at dan@dheslink.com.
$4.99
Han River Fantasy Suite (2011), a chamber concerto for horn and percussion ensemble
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Ensemble de Percussions
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INTERMÉDIAIRE/AVANCÉ
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Gary Powell Nash
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Han River Fantasy Suite
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Gary Powell Nash
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SheetMusicPlus
Percussion Ensemble - Level 4 - SKU: A0.881252 Composed by Gary Powell Nash. African,Contemporary,World. Score and parts. 122 pages. Gary Powell Nash #3...
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Percussion Ensemble - Level 4 - SKU: A0.881252 Composed by Gary Powell Nash. African,Contemporary,World. Score and parts. 122 pages. Gary Powell Nash #3553601. Published by Gary Powell Nash (A0.881252). Han River Fantasy Suite is based on and inspired by Nash’s first trip to Vietnam in 2007. Commissioned by a percussion and horn duo, it is a five movement chamber concerto with mvts 1 and 2 performed continuously, as are mvts 4 and 5, giving the aural perception of 3 movements. Mvt. 1, Dawning and mvt. 2, Morning Power Walks stem from Nash’s morning routine during that particular journey as he walked along the Han River in Danang, Vietnam every morning. Mvt 1 is a slow and lyrical prelude, with vibraphone and chimes serving as melodic and colorful supporting lines for the horn solo and that immediately proceeds to Mvt. 2, a fast and somewhat fiery movement, alluding to a fast power walk. Mvt. 3. Moonlight Stroll is slow and lyrical, highlighted by bowed vibes and triangle being struck while placed on a timpani during a glissando in the middle section. Mvt. 4, Boat Ride is a fast and dance-like, composed in compound duple meter and transitions to mvt. 5, Going Home, in a slightly faster simple quadruple meter.
$50.00
Bin There
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Ensemble de Percussions
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DÉBUTANT
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Contemporain
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Pam Smith
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Bin There
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P Smith
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SheetMusicPlus
Percussion Ensemble - Level 1 - SKU: A0.919377 Composed by Pam Smith. Contemporary. Score and parts. 25 pages. P Smith #3585363. Published by P Smith (A...
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Percussion Ensemble - Level 1 - SKU: A0.919377 Composed by Pam Smith. Contemporary. Score and parts. 25 pages. P Smith #3585363. Published by P Smith (A0.919377). Inspired by Drum Line, I wrote this piece to be played on Buckets. (i went to my local supermarket to get some of their flower buckets, they are stronger than ordinary plastic buckets). It is a visual piece as well as rhythmic and lasts for around 3 minutes.
$12.99
Percussion Suite: Dracula's Curse (Full Score)
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Ensemble de Percussions
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INTERMÉDIAIRE/AVANCÉ
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Halloween
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JC Croyle
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Percussion Suite: Dracula's Cu
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JC Croyle
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SheetMusicPlus
Percussion Ensemble African Percussion,Bass Marimba,Bongos,Boomwhackers,Conga Drum,Drum Set,Snare Drum,Vibraphone - Level 4 - SKU: A0.1416844 By JC Croy...
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Percussion Ensemble African Percussion,Bass Marimba,Bongos,Boomwhackers,Conga Drum,Drum Set,Snare Drum,Vibraphone - Level 4 - SKU: A0.1416844 By JC Croyle. By JC Croyle. Classical,Halloween,Multicultural,World. 75 pages. JC Croyle #998440. Published by JC Croyle (A0.1416844). This is One of Four Percussion suites (Part II) that can either be played with the other three portions or by itself or even each part inside this portion of the suite for performance. Â Included with the score and each instrument part are the entire instrumentation, storyboards, and a character Bio Page. Â Why is there a character Bio page and storyboard you ask? Â This suite combined with the others can also be performed as a contemporary dance piece following the story of the short story (which is in the public domain) written by Bram Stroker as a prelude to Dracula entitled Dracula's Curse. Â Instrumentation for each portion can range from Orchestral Bass Drum, Snare Drum, and Marimba Parts to drum-set to Boom Whackers. Â Note: Most of the Marimba parts and some of the Vibeâ??s parts are written for Grand Marimba, these could also be played on a piano if need be. Â Same with the Vibes. Â Each mallet part could also be split so that 2-3 people play it instead of a more advanced player playing with 4 mallets. Â This would be the same for the Boom Whacker sections as well.
$50.00
Alexandriana for Percussion Ensemble
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Ensemble de Percussions
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AVANCÉ
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Dan Heslink
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Alexandriana for Percussion En
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Pharaoh Publications
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.937755 Composed by Dan Heslink. Contemporary,World. Score and parts. 128 pages. Pharaoh Publications #5983475. P...
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Percussion Ensemble - Level 5 - SKU: A0.937755 Composed by Dan Heslink. Contemporary,World. Score and parts. 128 pages. Pharaoh Publications #5983475. Published by Pharaoh Publications (A0.937755). Alexandriana for percussion ensemble (12 performers) by Dan Heslink The term Alexandriana is popularly used to reference the Great Library of antiquity in Alexandria, Egypt. Rooted in Alexander the Great’s global military and exploratory exploits (334 - 323 BCE), the library symbolizes the ancient Greek ever expanding worldview, especially under the influence of Alexander and his tutor, Aristotle. Alexander died long before construction of the Ancient Museum and Library of Alexandria, but the concept of a universal library was uniquely his. The mixing of Hellenistic columns with Egyptian architecture and the housing of thousands of scrolls in Greek, Turkish, Babylonian, Egyptian and Hebrew, intensify the division of the library broadly into two large sections, one for eastern knowledge and one for western knowledge. In this musical score, typically western is the thematic concept (expressed most clearly in the chimes), the tonal, triadic-based harmony and sectional concept of form. The music’s sectional nature parallels the library’s different rooms, each containing their own genre of knowledge (history, mathematics, poetry, etc.) Evocative of eastern musical practices are the simultaneous layers of different rhythmic subdivisions, oriental modes, and florid lines in the xylophone and vibe parts. In this score, eastern musical procedures are expressed with instruments commonly found in the Western orchestra or wind band. The performers are encouraged to always emphasize the score’s contrasts. Passages for indefinitely pitched percussion featuring the song within the drums contrast with other passages of purely quantitative rhythm. Complexity in the interaction of parts contrast with simple rhythmic unison. Passages of thick harmony contrast with modal monophonic melodies accompanied only by indefinitely pitched sounds. Overall, there is a wide dynamic range. During long passages of gradually accruing energy, take care to not build dynamics too quickly, and during fortissimo passages, drums should be stroked in a manner that avoids excessive aggression. The rhythmic background of 16th notes must be consistent among all players so that interlocking rhythmic motifs are consistent. Often the tom-toms have melodic passages that imitate the shape of mallet or timpani melodies. Tune the drums for a warm, round sound and select mallets accordingly. Bar percussion players should apply a flowing legato to their passage work. Soft sections are intended to sound mysterious: be sure to use mallets that match that character. The composer assigns a performance level of difficult to this work. Performance time is 9:15. The composer, Dan Heslink, can be reached at dan@dheslink.com.
$9.99
Sacrifice - Score Only
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Ensemble de Percussions
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INTERMÉDIAIRE
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The Weeknd
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Josh Ball
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Sacrifice - Score Only
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The BeatCave
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SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.1305656 By The Weeknd. By Abel Tesfaye, Axel Hedfors, Carl Nordstrom, Kevin McCord, Max Martin, Oscar Holter, Se...
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Percussion Ensemble - Level 3 - SKU: A0.1305656 By The Weeknd. By Abel Tesfaye, Axel Hedfors, Carl Nordstrom, Kevin McCord, Max Martin, Oscar Holter, Sebastian Ingrosso, and Steve Josefsson Fragogiannis. Arranged by Josh Ball. 21st Century,Hip-Hop,Pop. 1 pages. The BeatCave #895112. Published by The BeatCave (A0.1305656). Color-coded Top 40 chart for use with Boomwhackers, Xylophones, Keyboards, and all pitched percussion instruments.
$4.99
The Peanut Vendor (el Manisero)
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Ensemble de Percussions
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INTERMÉDIAIRE
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Contemporain
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Louis Armstrong & His Orchestr
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Idalmo Santos
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The Peanut Vendor
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Idalmo Santos
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SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.978096 By Louis Armstrong & His Orchestra. By Moises Simons. Arranged by Idalmo Santos. Contemporary. Score and ...
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Percussion Ensemble - Level 3 - SKU: A0.978096 By Louis Armstrong & His Orchestra. By Moises Simons. Arranged by Idalmo Santos. Contemporary. Score and parts. 15 pages. Idalmo Santos #5803133. Published by Idalmo Santos (A0.978096). Arreglo para 3 trombones y 1 tuba o trombón bajo y percusión. Incluye una parte para suelos de improvisación. Diviértete jugando con tus amigos.Arrangement for 3 trombones and 1 tuba or bass trombone and percussion. Includes a part for improvisational soils. Have fun playing with your friends.
$12.99
The Peanut Vendor (el Manisero)
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Ensemble de Percussions
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FACILE
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Contemporain
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Louis Armstrong & His Or
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Idalmo Santos
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The Peanut Vendor
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Idalmo Santos
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SheetMusicPlus
By Louis Armstrong & His Orchestra. By Moises Simons (1888-1945). Arranged by Idalmo Santos. Contemporary. Score and parts. 24 pages. Idalmo Santo...
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By Louis Armstrong & His Orchestra. By Moises Simons (1888-1945). Arranged by Idalmo Santos. Contemporary. Score and parts. 24 pages. Idalmo Santos #5866117. Published by Idalmo Santos
$12.99
The Lament of Tou-Her 竇娥冤
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Ensemble de Percussions
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Contemporain
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Ma Shui Long 馬水é¾
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The Lament of Tou-Her 竇
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SpringAutumnmusic
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SheetMusicPlus
Percussion Ensemble - SKU: A0.961994 Composed by Ma Shui Long 馬水é¾. 20th Century,Contemporary. Score and parts. 20 pages. SpringAutumnmusi...
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Percussion Ensemble - SKU: A0.961994 Composed by Ma Shui Long 馬水é¾. 20th Century,Contemporary. Score and parts. 20 pages. SpringAutumnmusic #48525. Published by SpringAutumnmusic (A0.961994). Introduction:The Lament of Tou-Ehr, for Suona, Timpani, Percussion, and Chorus 　　This work was composed for a Chinese dance drama Snow Festival. The drama was based on an extremely touching story about a lady named Doue E, and was written by the author Guan Hanqing during the Yuan Dynasty. It is divided into three sections in a cyclic form, with one theme. The instrumentation includes voices for male and female, suona (Chinese cornet), there are more than ten traditional Chinese percussions are used, such as the wind gong, large and small luo (as used in Beijing opera), and the Chinese clapper, Paiban. The sound of suona indicates the lady Dou E with her battle cry and strong faith. The music begins after lady Dou E’s faint narrative. ※The Lament of Tou-Ehr was commissioned by the Neo Classical Music Group. The dance was arranged by Fon-xuei Liu, with orchestra and chorus conducted by the composer, Shui-long Ma himself. It was recorded by the Yun-de Company, and premiered at the Taiwan National Dr. Sun Yat-sen Memorial Hall in April 1981. 《竇娥冤》本曲改編自「舞劇雪ç¥ã€ï¼Œå–æ自ä¸åœ‹å…ƒä»£æˆ²æ›²ä¸é—œæ¼¢å¿çš„作å“-「感天動地竇娥冤ã€ã€‚æœ¬æ›²ç•¥åˆ†ä¸‰æ®µï¼Œé€£æ¨‚ç« å½¢å¼ï¼Œæ¨‚曲çµæ§‹ç‚ºä¸€è²«æ€§çš„主題延展。作曲者在編制上使用人è²(男女混è²)ã€å—©å¶ï¼Œä»¥åŠå多件傳統擊樂器，如風鑼ã€å¹³åŠ‡å¤§å°é‘¼ã€æ‹æ¿ç‰ç‰ã€‚在整曲進行ä¸ï¼Œå‡¡æ˜¯æœ‰ç«‡å¨¥å‡ºç¾ä¹‹è™•ï¼Œå—©å¶ä¹Ÿå°‡éš¨ä¹‹å¥å‡ºï¼Œé‚£æ˜¯å¤©ç†çš„å¶å–Šã€ç²¾ç¥žä¿¡å¿µä¹‹æ‰€åœ¨ã€‚全曲在一段竇娥幽幽的é“白之後，å¾å¾å±•é–‹ã€‚※本曲為新å¤å…¸æ¨‚團委託創作之作å“，由舞蹈家劉鳳å¸ç·¨èˆžã€é¦¬æ°´é¾æŒ‡æ®æ¨‚團與人è²ã€éŸ»å¾·éŒ„音公å¸éŒ„音，於1980å¹´4月在å°åŒ—國父紀念館舉行世界首演。 .
$14.99
Dandelion Wind
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Ensemble de Percussions
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INTERMÉDIAIRE
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Celtique/Irlandais
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Frank Pugh
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Dandelion Wind
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Frank Pugh
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SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.942719 Composed by Frank Pugh. Celtic,Contemporary,Standards. Score and parts. 8 pages. Frank Pugh #3550781. Pub...
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Percussion Ensemble - Level 3 - SKU: A0.942719 Composed by Frank Pugh. Celtic,Contemporary,Standards. Score and parts. 8 pages. Frank Pugh #3550781. Published by Frank Pugh (A0.942719). The title of Dandelion Wind comes from watching the white seeds blow off of a dandelion head in a strong breeze. Once in motion, the seeds travel with the wind until they come to a final resting place on the ground below. This piece flows along in that vein of a seedling's windblown journey.Although two marimbas were used in the sound file, the piece works equally well with vibraphones, xylophones, or a vibe/xylo/marimba mix. It has a slight Celtic feel to it, and it comes in at just over 1:30 if played at the minimum suggested tempo. It's a great choice for your percussion ensemble or to showcase a pair of mallet players in your program. The piece only requires one mallet per hand.If you would like to know more about me and what I do, you may locate me on LinkedIn at Frank Pugh Independent Composer / Arranger . You may also find me on Facebook at @fpughmusic . I would love to know where my music is being performed if you care to share it. Thanks!
$4.99
Four Forces (Second movement) II. Weak Forces
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Ensemble de Percussions
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AVANCÉ
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Salvador Rojo Gamón
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Four Forces
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Salvador Rojo-Gamon
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.962405 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 255 pa...
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Percussion Ensemble - Level 5 - SKU: A0.962405 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 255 pages. Salvador Rojo-Gamon #5801921. Published by Salvador Rojo-Gamon (A0.962405). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$150.00
The Escape (medium/big percussion ensemble)
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Ensemble de Percussions
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INTERMÉDIAIRE/AVANCÉ
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Film/TV
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Frits Renting
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The Escape
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Frits_Renting
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SheetMusicPlus
Percussion Ensemble Bass Marimba,Chimes,Cymbals,Drum Set,Low Drum,Quad Toms,Shaker,Suspended Cymbal,Tam Tam,Tambourine,Timpani,Tom Tom,Tubular Bells,Vibraphone,...
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Percussion Ensemble Bass Marimba,Chimes,Cymbals,Drum Set,Low Drum,Quad Toms,Shaker,Suspended Cymbal,Tam Tam,Tambourine,Timpani,Tom Tom,Tubular Bells,Vibraphone,Xylophone - Level 4 - SKU: A0.1274188 Composed by Frits Renting. Film/TV. 51 pages. Frits_Renting #866319. Published by Frits_Renting (A0.1274188). Side note: This version is for medium/big percussion ensemblesEN:This composition was written for one of the parts of the D exam by Frits Renting. The starting point of the composition was: film music. Inspired by well-known works by Hans Zimmer, Brian Tyler, John Williams and works by De Efteling. The composition starts in a fairly small composition in which, with the help of crescendos and several instruments, it works towards a strong, but above all open and cheerful part. This is followed by a short untuned percussion solo. After this, theme A is closed in a calm, non-violent manner. Immediately theme B comes in which is built up through crescendos and multiple instruments over time. Theme B also comes to a quiet end afterwards. After this theme A and B return at the same time, which builds up and closes in a grandiose way.NL:Deze compositie is geschreven voor één van de onderdelen van het D examen van Frits Renting. Het uitgangsdoel van de compositie was: filmmuziek. Geïnspireerd door bekende werken van Hans Zimmer, Brian Tyler, John Williams en werken van De Efteling. De compositie begint in een vrij kleine samenstelling waarbij, met behulp van crescendo's en meerdere instrumenten, het zich toewerkt naar een sterk, maar vooral open en vrolijk gedeelte. Dit wordt opgevolgd door een korte ongestemde slagwerk solo. Hierna wordt thema A op een rustige, geweldloze manier afgesloten. Direct komt thema B binnenvallen wat word opgebouwd door middel van crescendo's en meerdere instrumenten in loop van de tijd. Ook komt thema B daarna tot rustig einde. Hierna komen thema A en B tegelijkertijd terug wat zich opbouwt en op een grandioze manier, zich afsluit.
$80.00
Wake Me Up
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Ensemble de Percussions
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INTERMÉDIAIRE
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Rock
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Pop musique
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Avicii
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Doug Edwards
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Wake Me Up
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Doug Edwards
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SheetMusicPlus
Percussion Ensemble Mallet Percussion - Level 3 - Digital Download By Avicii. By Michael Einziger, Avicii, and Aloe Blacc. Arranged by Doug Edwards. ...
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Percussion Ensemble Mallet Percussion - Level 3 - Digital Download By Avicii. By Michael Einziger, Avicii, and Aloe Blacc. Arranged by Doug Edwards. Contemporary, Pop. Score and parts. 20 pages. Doug Edwards #5358067. Published by Doug Edwards
Wake Me Up as performed by Avicii, arranged for Orff/marimba ensemble and vocal/instrumental lead by Doug Edwards. This arrangement is intended for school Orff and marimba ensembles and vocal/instrumental lead. It comes with score and parts. The Orff parts are in alphanote format to help young musicians who may not have strong enough skills to read standard notation. Lead sheets are provided for transposing instruments as well.
Suggested grade level: 3 and up.
$14.99
Beat it! Untuned percussion ensemble piece for 7 players.
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Ensemble de Percussions
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DÉBUTANT
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Contemporain
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Neil Scott
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Beat it! Untuned percussion en
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Neil Scott
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SheetMusicPlus
Composed by Neil Scott. Contemporary. Score and parts. 18 pages. Neil Scott #6284809. Published by Neil Scott ...
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Composed by Neil Scott. Contemporary. Score and parts. 18 pages. Neil Scott #6284809. Published by Neil Scott
Beat it! is a piece for 7 musicians using untuned percussion. I was finding it hard to find ensemble pieces for mixed ability groups so decided to write my own. Within the piece you will find parts suitable for very new players alongside some for the more experienced musicians. The instruments involved should be easy to find in most band room environments but, as the parts are all non-melodic, they lend themselves easily to replacement instruments and duplicating parts for additional players. There is a strong focus on groove and interplay between musicians, perfect for developing cohesion in your ensemble. The piece has been well received in national festivals within the UK.
$11.99
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