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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Take Two
Non classifié
611
Piano & claviers
Piano seul
259
Piano, Voix et Guitare
52
Piano, Voix
52
Piano Facile
35
2 Pianos, 4 mains
21
Instruments en Do
18
Orgue
15
1 Piano, 4 mains
10
Accompagnement Piano
5
Piano Quatuor: piano, violon, alto, violoncelle
4
Piano Quintette: piano, 2 violons, alto, violoncelle
4
Piano (partie séparée)
4
Piano Trio: piano, violon, violoncelle
3
Accordéon
2
Piano Quatuor: piano, 2 violons, violoncelle
2
Piano grosses notes
2
Orgue, Trompette (duo)
2
Orgue, Piano (duo)
2
+ 13 instrumentations
Retracter
Guitares
Guitare
31
Guitare notes et tablatures
14
Guitare (partie séparée)
8
2 Guitares (duo)
8
Ligne De Mélodie, (Paroles) et Accords
6
Mandoline
5
Paroles et Accords
4
Basse electrique
4
4 Guitares (Quatuor)
2
Dulcimer
1
Ukulele
1
Piano, Guitare (duo)
1
3 Guitares (trio)
1
2 Ukuleles
1
Mandoline, Guitare (duo)
1
+ 10 instrumentations
Retracter
Voix
Chorale SATB
109
Chorale Unison
58
Chorale 2 parties
55
Chorale 3 parties
34
Chorale TTBB
16
Voix Soprano, Piano
8
Chorale SSAA
7
Voix haute
4
Voix Baryton, Piano
3
Voix Alto, Piano
1
Chorale SSAATTBB
1
Voix Tenor
1
Voix seule
1
Voix Tenor, Piano
1
Voix Soprano
1
Voix duo, Piano
1
Voix basse, Piano
1
+ 12 instrumentations
Retracter
Vents
2 Saxophones (duo)
76
2 Flûtes traversières (duo)
48
2 Clarinettes (duo)
39
Ensemble de saxophones
37
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
32
Quintette de Saxophone: 5 saxophones
30
Flûte traversière et Piano
27
2 Flûtes traversières, Piano
26
Quatuor de Saxophones: 4 saxophones
22
Clarinette et Piano
20
Ensemble de Clarinettes
19
2 Hautbois (duo)
19
Hautbois, Piano (duo)
19
Saxophone (partie séparée)
16
Saxophone, Clarinette (duo)
16
Flûte traversière
15
Clarinette, Violon (duo)
13
Saxophone Alto et Piano
13
Clarinette, Trompette (duo)
11
Flûte, Clarinette (duo)
11
Flûte, Violon
10
Saxophone Tenor et Piano
10
Ensemble de Flûtes
10
Hautbois, Basson (duo)
9
Saxophone Tenor
9
Saxophone Alto
8
Clarinette
7
Saxophone Soprano et Piano
7
Quatuor de Clarinettes: 4 clarinettes
7
Saxophone Soprano
6
Hautbois, Flûte
6
Flûte, Saxophone (duo)
6
Flûte, Hautbois, Clarinette, Basson
6
Clarinette et Alto
6
Flûte, Alto (duo)
6
Clarinette, Violoncelle (duo)
5
Clarinette Basse, Piano
5
Hautbois, Clarinette (duo)
5
Hautbois (partie séparée)
5
Flûte, Trompette (duo)
5
3 Clarinettes (trio)
5
Quatuor de Flûtes : 4 flûtes
4
Flûte à bec Alto, Piano
4
Saxophone Baryton, Piano
4
Trio de Flûtes: 3 flûtes
4
Quintette de Flûte : 5 flûtes
4
Flûte à bec Alto
4
Flûte, Alto et Piano
3
Flute (partie séparée)
3
Clarinette, Basson (duo)
3
Flûte à Bec
3
3 Saxophones (trio)
3
Flûte à bec Soprano
3
Clarinette, Guitare (duo)
3
2 Flûte à bec (duo)
3
Hautbois, Violoncelle
3
Cor anglais, Piano
2
Flûte, Violoncelle
2
Flute, harpe et violon
2
Quatuor de Flûtes à bec
2
Flûte et Guitare
2
2 Saxophones, Piano
1
Flûte, Basson et Piano
1
Cor Anglais
1
2 Clarinettes, Basson
1
2 Clarinettes, Piano
1
Flûte, trombone et piano
1
Flûte, Hautbois, Clarinette (trio)
1
Piccolo
1
Hautbois, violon (duo)
1
Flûte à bec Soprano, Piano
1
Flûte, Hautbois, Piano (trio)
1
Saxophone et Guitare
1
Flûte, Hautbois (duo)
1
Flûte, Violon, Piano
1
Flûte, Clarinette, Piano (trio)
1
Clarinette, Violoncelle, Piano (trio)
1
Clarinette, Orgue
1
+ 73 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
61
Quatuor de Cuivres : 2 trompettes, trombone, tuba
31
2 Trompettes (duo)
21
Quatuor de Cuivres
20
2 Trombones (duo)
20
Trombone et Piano
20
Quatuor de Cuivres: 2 trompettes, Cor, trombone
19
Ensemble de Trombones
17
Trombone (partie séparée)
16
Trompette (partie séparée)
13
Trompette
11
Trompette, Saxophone (duo)
11
Cor
10
Euphonium, Piano (duo)
9
Trompette, Trombone (duo)
9
Trompette, Piano
9
Tuba et Piano
8
Ensemble de Trompettes
8
Cor et Piano
6
2 Cors (duo)
5
Ensemble de Cors
5
Tuba
4
Quatuor de cuivres: 4 trombones
4
2 Euphoniums et 2 Tubas
3
Cor anglais, Piano
2
Trio de Cuivres
2
Cor, Violoncelle (duo)
1
Euphonium
1
Quatuor de cuivres: 4 cors
1
Cor Anglais
1
Trombone basse et Piano
1
Trompette, Violoncelle (duo)
1
Trompette et Guitare
1
2 Trompettes, Clavier (piano ou orgue)
1
Trompette, Basson (duo)
1
Cor (partie séparée)
1
Trombone
1
Trombone, Tuba (duo)
1
+ 33 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
64
2 Violons (duo)
54
Violon et Piano
43
2 Violoncelles (duo)
24
Alto, Piano
23
Violon
22
Violoncelle, Piano
21
2 Altos (duo)
20
Harpe
19
Violon, Violoncelle (duo)
19
Trio à Cordes: violon, alto, violoncelle
17
Trio à Cordes: 2 violons, violoncelle
15
Violon, Alto (duo)
10
Violoncelle
9
Quintette à cordes: 2 violons, alto, violoncelle, basse
6
Ensemble d'Altos
5
Ensemble de Violons
5
2 Harpes (duo)
4
Alto seul
4
Contrebasse (partie séparée)
4
Trio à Cordes: 2 violons, alto
4
4 Violoncelles
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Alto et Basson
2
Violon, Guitare (duo)
2
Piano Trio: Violon, Alto, Piano
2
Contrebasse, Piano (duo)
2
Alto, Violoncelle (duo)
2
Contre Basse
2
Violon, Basson (duo)
2
Quatuor à cordes: 4 violons
1
Trio à cordes: 3 violins
1
Quatuor à cordes : 4 altos
1
2 Violons, Piano
1
Harpe, Violon (duo)
1
Harpe, Trombone (duo)
1
Violon (partie séparée)
1
Violoncelle , Guitare (duo)
1
Alto (partie séparée)
1
+ 34 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
107
Orchestre à Cordes
43
Ensemble Jazz
34
Orchestre
31
Ensemble de cuivres
25
Cloches
22
Orchestre de chambre
15
Jazz combo
12
Ensemble de Percussions
6
Batterie
5
Fanfare
5
Batterie (partie séparée)
4
Percussion
2
Xylophone, Piano
2
+ 9 instrumentations
Retracter
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AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
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BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
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FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
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Take Two
Ensemble de Percussions
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1
Four Forces (First movement) I. Strong Forces
Ensemble de Percussions
Percussion Ensemble - Level 5 - Digital Download SKU: A0.962406 Composed by Salvado…
(+)
Percussion Ensemble - Level 5 - Digital Download SKU: A0.962406 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 173 pages. Salvador Rojo-Gamon #5801913. Published by Salvador Rojo-Gamon (A0.962406). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$300.00
276.57 €
#
Ensemble de Percussions
#
Salvador Rojo Gamón
#
Four Forces
#
Salvador Rojo-Gamon
#
SheetMusicPlus
Four Forces (Second movement) II. Weak Forces
Ensemble de Percussions
Percussion Ensemble - Level 5 - Digital Download SKU: A0.962405 Composed by Salvado…
(+)
Percussion Ensemble - Level 5 - Digital Download SKU: A0.962405 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 255 pages. Salvador Rojo-Gamon #5801921. Published by Salvador Rojo-Gamon (A0.962405). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$150.00
138.29 €
#
Ensemble de Percussions
#
Salvador Rojo Gamón
#
Four Forces
#
Salvador Rojo-Gamon
#
SheetMusicPlus
Alexandriana for Percussion Ensemble
Ensemble de Percussions
Percussion Ensemble - Level 5 - Digital Download SKU: A0.937755 Composed by Dan Hes…
(+)
Percussion Ensemble - Level 5 - Digital Download SKU: A0.937755 Composed by Dan Heslink. Contemporary,World. Score and parts. 128 pages. Pharaoh Publications #5983475. Published by Pharaoh Publications (A0.937755). Alexandriana for percussion ensemble (12 performers) by Dan Heslink The term Alexandriana is popularly used to reference the Great Library of antiquity in Alexandria, Egypt. Rooted in Alexander the Great’s global military and exploratory exploits (334 - 323 BCE), the library symbolizes the ancient Greek ever expanding worldview, especially under the influence of Alexander and his tutor, Aristotle. Alexander died long before construction of the Ancient Museum and Library of Alexandria, but the concept of a universal library was uniquely his. The mixing of Hellenistic columns with Egyptian architecture and the housing of thousands of scrolls in Greek, Turkish, Babylonian, Egyptian and Hebrew, intensify the division of the library broadly into two large sections, one for eastern knowledge and one for western knowledge. In this musical score, typically western is the thematic concept (expressed most clearly in the chimes), the tonal, triadic-based harmony and sectional concept of form. The music’s sectional nature parallels the library’s different rooms, each containing their own genre of knowledge (history, mathematics, poetry, etc.) Evocative of eastern musical practices are the simultaneous layers of different rhythmic subdivisions, oriental modes, and florid lines in the xylophone and vibe parts. In this score, eastern musical procedures are expressed with instruments commonly found in the Western orchestra or wind band. The performers are encouraged to always emphasize the score’s contrasts. Passages for indefinitely pitched percussion featuring the song within the drums contrast with other passages of purely quantitative rhythm. Complexity in the interaction of parts contrast with simple rhythmic unison. Passages of thick harmony contrast with modal monophonic melodies accompanied only by indefinitely pitched sounds. Overall, there is a wide dynamic range. During long passages of gradually accruing energy, take care to not build dynamics too quickly, and during fortissimo passages, drums should be stroked in a manner that avoids excessive aggression. The rhythmic background of 16th notes must be consistent among all players so that interlocking rhythmic motifs are consistent. Often the tom-toms have melodic passages that imitate the shape of mallet or timpani melodies. Tune the drums for a warm, round sound and select mallets accordingly. Bar percussion players should apply a flowing legato to their passage work. Soft sections are intended to sound mysterious: be sure to use mallets that match that character. The composer assigns a performance level of difficult to this work. Performance time is 9:15. The composer, Dan Heslink, can be reached at dan@dheslink.com.
$9.99
9.21 €
#
Ensemble de Percussions
#
Dan Heslink
#
#
Alexandriana for Percussion Ensemble
#
Pharaoh Publications
#
SheetMusicPlus
Silent Night Prelude for percussion octet
Ensemble de Percussions
Percussion Ensemble - Level 2 - Digital Download SKU: A0.935383 Composed by Franz X…
(+)
Percussion Ensemble - Level 2 - Digital Download SKU: A0.935383 Composed by Franz Xaver Gruber. Arranged by Dan Heslink. Christian,Christmas. Score and parts. 20 pages. Pharaoh Publications #5363007. Published by Pharaoh Publications (A0.935383). Silent Night Prelude for Percussion Octet arr. by Dan Heslink This work is based on the well-loved Christmas carol, composed in 1818 by Franz Xaver Gruber. This theme is so popular that it was declared an intangible cultural heritage by UNESCO in 2011. And the version sung by Bing Crosby in 1935 is the fourth best-selling single recording of all-time. It’s sure to motivate your audience close to Christmas. The Prelude begins with a brisk tempo. Although notated in 3, as is customary in more modern renditions (the original theme was notated in 6), the tempo must be fast enough that two measures of 3 create a binary pairing (like 6/4 in two). It may be necessary to slightly slow down the roll speed to avoid a frenetic sound. The difficulty level is easy. There are no changes of key, and the timpani part requires only two drums (Bb, F) with no tuning changes. The vibe part could be played with two mallets, but might execute more comfortably with three. The other keyboard parts use only two mallets each. The expression of this beautiful tune will be greatly enhanced by exaggerating the contrasts of dynamics. Accompaniment and ornamental figures must at all times be sublimated to the familiar theme. At the last strain, players should sing the well-known words in order to lead the audience or congregation in group singing. It would be helpful for the conductor to turn and face the audience at this point. This closing passage may be repeated for any number of sung verses. Use a smooth, relaxed stroke to elicit as much legato as possible. At points a continuous arpeggio accompaniment is divided among the instruments. Care must be taken to keep the sixteenth note speed consistent. The opening runs should be performed half-pedal on the vibes for clarity. Prelude on Silent Night would serve equally well in recital or in a church service. Duration is 3:10. The arranger, Dan Heslink, can be contacted at dan@dheslink.com
$4.99
4.6 €
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Ensemble de Percussions
#
Franz Xaver Gruber
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Dan Heslink
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Silent Night Prelude for percussion octet
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Pharaoh Publications
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SheetMusicPlus
Another Place
Ensemble de Percussions
Percussion Ensemble - Level 5 - Digital Download SKU: A0.939392 Composed by Adam Gr…
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.939392 Composed by Adam Grim. 20th Century,Contemporary. Score and parts. 65 pages. Adam B. Grim #6862379. Published by Adam B. Grim (A0.939392). Another Place is a marimba quartet on two instruments with some accessory items like a mounted bass drum, cymbal, and wind chimes. The work is about 10.5 minutes long, and holds three distinct movements that begin with solemn rolls that slowly become more regimented and rhythmic. The second movement raises the bar and becomes very rhythmic and syncopated with a Reich-like approach of melody vs interlocking harmony. This climax brings a high dynamic level to the forefront of the instruments with interlocking impact points being contrasted to unison hits. The third movement takes this original melody and harmony to the next level by using changing time signatures and motivic ideas to maximize the powerful ending. Throughout there is a deep sense of color and texture that can be maximized by the ensemble in new and exciting ways with each performance. This has plenty of ink, but also leaves a lot to interpret and bring the ensemble’s voice forward. I hope you enjoy! This work won the Audience Award in the Rocky Mountain Music Composition Contest in 2022 as well as Second Prize overall. These international awards were judged by a panel of seven judges from around the world, but with the competition based out of Toronto, Canada.
$35.00
32.27 €
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Ensemble de Percussions
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Adam Grim
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Another Place
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Adam B. Grim
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SheetMusicPlus
Germain, An Opera in 4 Acts, INSTRUMENT PARTS 2 (STRINGS, HARP, TIMPANI and PERCUSSION)
Ensemble de Percussions
Percussion Ensemble - Level 5 - Digital Download SKU: A0.730497 Composed by James N…
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.730497 Composed by James Nathaniel Holland. Contemporary,Musical/Show,Opera. Score and parts. 368 pages. James Nathaniel Holland #5021025. Published by James Nathaniel Holland (A0.730497). INDIVIDUAL INSTRUMENT PARTS 2 (2 of 2) STRINGS, HARP, TIMPANI, PERCUSSIONFull Orchestral Score (Concert Pitch), Vocal Score, Instrument Parts 1 (Woodwinds and Brass) all sold separatelyINDIVIDUAL INSTRUMENT PARTS 2 (2 of 2) STRINGS, HARP, TIMPANI, AND PERCUSSION Full Orchestral Score (Concert Pitch), Vocal Score, Instrument Parts 2 (Strings, Harp, and Percussion)OPERA SYNOPSIS:A mythical country, somewhere lost in time and space; two factions, the minority have and the majority have-not’s, are in constant violent conflict to rule the country. Germain, a young man with mysterious origins, and for neither side,by fate meets the the prime minister and hopes for personal love. But this is not to be a happy ending. The leader of the have-not’s takes this perfect opportunity to assassinate the PM.When the attempt fails, the blame falls on Germain and leads him to his imprisonment and eventual death.GERMAIN, A Dreamer (Lyric Baritone)CHERYL, A tavern owner and girlfriend to Talleyrand (Soprano, Coloratura)TALLEYRAND, Minister of District Thirteen, Secret leader of the Dissidents (Bass)ALEXANDER, The newly elected Prime Minister of Timbaksha (Tenor)TAMINA, Alexander’s wife (Soprano)NADINE, Minister of District Five (Alto)URCHIN, A Young Teen (Male or Female Voice)WALLACE, Minister of District Nine (Baritone)OFFICER (Baritone)CHORUS: DISSIDENT, GUESTS, SERVANTS, CROWD, OFFICERSComplete Instrumentation: picc, fl12, ob, eh, cl12, tensax, bsn, hrn12, tpt12, trm12, tba, timpani, perc, hrp, strgs
$75.95
70.02 €
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Ensemble de Percussions
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James Nathaniel Holland
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Germain, An Opera in 4 Acts, INSTRUMENT PARTS 2
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James Nathaniel Holland
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SheetMusicPlus
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