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Piano, Voix et Guitare
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2 Pianos, 4 mains
25
2 Accordéons
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Accordéon
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2 Pianos, 8 mains
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GUITARES
Piano, Guitare (duo)
110
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40
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Chorale TTBB
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2
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1
Voix Soprano
1
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1
Voix seule
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Chorale SSAB a cappella
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VENTS
2 Saxophones (duo)
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2 Clarinettes (duo)
139
2 Flûtes traversières (duo)
137
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91
Clarinette et Piano
70
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67
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55
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45
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32
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31
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30
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27
Clarinette et Alto
24
Hautbois (partie séparée)
23
Flûte traversière
23
Hautbois, Clarinette (duo)
23
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
23
Hautbois, Flûte
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Flûte, Violon
22
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20
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19
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16
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14
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14
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13
Flûte à bec Soprano
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12
3 Saxophones (trio)
9
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8
Quintette de Saxophone: 5 saxophones
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6
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Flûte à bec Alto, Piano
5
Flûte à bec Tenor
5
Clarinette Basse, Piano
5
Cor Anglais
4
Trio de Flûtes: 3 flûtes
4
Quatuor de Flûtes à bec
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CUIVRES
Trombone et Piano
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99
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Trompette
94
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75
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Trombone
26
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25
Trompette (partie séparée)
19
2 Cors (duo)
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Cor anglais, Piano
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
14
2 Euphoniums (duo)
10
2 Tubas (duo)
9
Euphonium, Piano (duo)
9
Quatuor de cuivres: 4 trombones
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Cor Anglais
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Trombone (partie séparée)
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Quatuor de Cuivres
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Tuba et Piano
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Quatuor de cuivres: 4 cors
3
Tuba
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Euphonium
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Cor et Piano
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Trombone basse et Piano
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Trompette, Cor (duo)
2
Cor (partie séparée)
2
2 Euphoniums et 2 Tubas
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Cor
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Trio de Cuivres
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Quatuor de Cuivres: 2 trompettes, Cor, trombone
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Tuba (partie séparée)
1
3 Cors (trio)
1
Ensemble de Cors
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Euphonium, Tuba (duo)
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3 Euphoniums
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Trombone, Tuba (duo)
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Instruments en Sib
1
Trombone basse
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Trompette et Guitare
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4 Tubas
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Tuba et Orgue
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3 Trombones (trio)
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3 Tubas (trio)
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CORDES
Violon et Piano
193
Alto, Piano
186
Violoncelle, Piano
151
2 Violons (duo)
138
2 Harpes (duo)
117
2 Altos (duo)
115
2 Violoncelles (duo)
113
Trio à Cordes: 2 violons, violoncelle
66
Quatuor à cordes: 2 violons, alto, violoncelle
63
Violon
58
Violon, Violoncelle (duo)
39
Violon, Alto (duo)
31
Violoncelle (partie séparée)
30
Alto seul
22
Harpe
19
Violoncelle
13
Alto (partie séparée)
12
Trio à Cordes: violon, alto, violoncelle
7
Contrebasse, Piano (duo)
6
2 Contrebasses (duo)
6
Contre Basse
6
Violon (partie séparée)
6
Quatuor à cordes: 4 violons
4
Violon, Guitare (duo)
4
Alto, Violoncelle (duo)
3
4 Violoncelles
3
Violoncelle, Contrebasse (duo)
3
Trio à Cordes: 2 violons, alto
3
Quatuor à cordes : 4 altos
2
Contrebasse (partie séparée)
2
Trio à cordes: 3 violins
2
Trio à Cordes: 3 violoncelles
1
Harpe, Flûte (duo)
1
Alto et Harpe
1
Harpe et Piano
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
3 Harpes
1
Trio à cordes: 3 altos
1
Alto, Guitare (duo)
1
Alto et Basson
1
Violoncelle, Basse continue
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
177
Orchestre à Cordes
34
Orchestre
33
Ensemble Jazz
25
Cloches
22
Ensemble de cuivres
16
Orchestre de chambre
10
Jazz combo
6
Batterie
4
Percussion
4
Ensemble de Percussions
4
Xylophone, Piano
3
Fanfare
3
2 Xylophones
2
Ensemble d'École
1
Vibraphone
1
Percussion (partie séparée)
1
2 Marimbas
1
Batterie (partie séparée)
1
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AUTRES
Vous avez sélectionné:
Tea for Two
Ensemble de Percussions
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Two Dreams for solo Trombone and 8-part Percussion Ensemble
Ensemble de Percussions
Percussion Ensemble - Level 5 - Digital Download SKU: A0.811252 Composed by Antonio…
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.811252 Composed by Antonio J. Garcia. Contemporary,Jazz,Latin,World. Score and parts. 119 pages. Gordon Cherry #6549777. Published by Gordon Cherry (A0.811252). Two Dreams for Trombone and Percussion EnsembleDr. Justin Alexander (Director, VCU Percussion Ensemble) invited me to create a piece for trombone and percussion ensemble that had roles for more- and less-experienced players so that they could mix within the performance. I so enjoyed composing and performing this work. He estimates the overall difficulty grade of Movement I to be a three on a five-point scale and Movement II to be a four, with a grade four for the overall piece; but some players’ parts (within the eight total in the percussion ensemble) are indeed easier.The two Movements are approximately five minutes each.The first Movement Bilita Mpash (An Amazing Dream) calls for (1) shekeré/guiro; (2) 5-octave marimba (shared with...); (3) 5-octave marimba (shared with previous); (4) claves/drum set with mounted cowbell; (5) bell/mounted cowbell/congas; (6) hi-hat/suspended cymbal; (7) bass drum; and (8) four toms/maracas.The Second Movement (Running with the Tigers) calls for (1) xylophone; (2) vibraphone/glockenspiel; (3) 5-octave marimba; (4) drum set; (5) shaker/samba whistle/congas (opt. voice); (6) triangle/bell tree/hanging bells/agogo bells (opt. voice); (7) bass drum (opt. voice); and (8) Timpani (opt. voice). Pending difficulty levels, the conga and drum set parts can optionally be split among additional percussionists. The score notes offer a stage plot and many rehearsal tips.Bilita Mpash (An Amazing Dream)The 3-2 Rumba Clave anchors this movement, launched by the shekeré. Rhythmic vamps of multiple bars form the landscape over which the trombone’s melody emerges, followed by a move to double-time 2-3 Rumba Clave (with montuno) and back. The trombone soloist improvises without chordal accompaniment for a while so could reflect on the preceding harmonies or instead freely improvise with no concern as to chord changes, while a later section requires improv over chord changes. After the recap, a surprise tag of the ending phrase in Cha Cha sets up the rubato finish. Bilita Mpash (BILL-it-uh m-POSH) is a Bantu term for an amazing dream, a dream so good that it is the polar opposite of a nightmare-a dream in a blissful state where all is forgiven and forgotten2. Running with the TigersThe opening, written-out marimba solo is somewhat of a nod to vibist Gary Burton’s influence in bringing mallets towards the expression of modern jazz. A 9/8 samba-groove (5+4) transforms to 4/4. None of the percussionists have to have a jazz background, though the drum set player would be more challenged if not already exposed to Latin drumming. The improvised solo section could be all solo trombone or could be divided among various performers, including trading. The recap of the tune begins over 5/8 samba (3+2, later 2+3). The closing arrhythmic drum-set solo crescendos as the optional surprise of percussionists’ (or additional) voices sing at the end. The title of this movement refers to a recurring dream my dad would have, as well as to the active movements of my grandson when sleeping in his earliest years.-Antonio J. GarcÃaInstrumentation is for:Solo Trombone and 8-part Percussion Ensemble:shekeré/guiro, 2 5-octave marimbas, claves/drumset with cowbell, bell, congas, hi-hat, suspended cymbal, bass drum, toms, maracas, xylophone, vibraphone, glockenspiel, shaker, samba whistle, congas, triangle, bell tree, hanging bells, agogo bells, bass drum and timpani.This rhythmic and dramatic work includes improvisation by the Trombonist. Listen to the brilliant live performance featuring Mr. Garcia and the Virginia Commonwealth University Percussion Ensemble directed by Dr. Justin Alexander.
$50.00
45.6 €
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Ensemble de Percussions
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Antonio J
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Two Dreams for solo Trombone and 8-part Percussion Ensemble
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Gordon Cherry
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SheetMusicPlus
Einmal möcht' Ich so verliebt sein (from Beautiful Galathea)
Ensemble de Percussions
Percussion Ensemble - Digital Download SKU: A0.597222 Composed by Franz von Suppe. …
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Percussion Ensemble - Digital Download SKU: A0.597222 Composed by Franz von Suppe. Arranged by Flávio Régis Cunha. Concert,Opera,Romantic Period,Standards. Score and parts. 16 pages. Flavio Regis Cunha #4593577. Published by Flavio Regis Cunha (A0.597222). Die schöne Galathée (The Beautiful Galatea) is an operetta in two acts by Franz von Suppé to a German libretto by the composer and 'Poly Henrion' (the pseudonym of Leonhard Kohl von Kohlenegg). This arrangement of Einmal möcht' Ich so verliebt sein (one aria of the operetta) for orchestra and soprano voice is a very good Encore or an orchestral piece for your repertoire.Flavio Regis Cunha is a pianist, conductor and composer from São Paulo - Brasil. He is currently finishing his doctorate at Mackenzie Presbyterian University where he works as conductor of the Mackenzie University Orchestra and resident composer. For more arrangements like this, works by commission or for any questions you can contact Flavio Regis Cunha at his facebook page: https://www.facebook.com/flavioregiscunhaIn the early 1860s, French operettas by Jacques Offenbach were first presented in Vienna. Franz von Suppé was obliged to compete with them by taking the time-honored traditions of Vienna and combining it with the new style of Offenbach. Die schöne Galathée was Franz von Suppé's first critical success. The sculptor Pygmalion has fallen madly in love with his statue of Galathée and accordingly does not want to sell it to Mydas, a patron of the arts. Instead he prays to Venus, the goddess of the love, that the statue be brought to life. The wish is granted but Galathée turns out to be a very independent-minded creature. She is unfaithful to Pygmalion with his servant Ganymed (because he is much more pleasing to her than Pygmalion) and does not reject Mydas, who offers her jewelry. When Pygmalion catches Galathée in a compromising situation, he successfully implores Venus to turn her back into stone. The jewelry offered by Mydas is also turned into stone, but the whole statue is sold to him.
$20.00
18.24 €
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Ensemble de Percussions
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Franz von Suppe
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Flávio Régis Cunha
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Einmal möcht' Ich so verliebt sein
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Flavio Regis Cunha
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SheetMusicPlus
Tap-Accent-Tap // [DRUMLINE EXERCISE]
Ensemble de Percussions
Percussion Ensemble - Level 1 - Digital Download SKU: A0.1013128 Composed by Justin…
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Percussion Ensemble - Level 1 - Digital Download SKU: A0.1013128 Composed by Justin Bowe. Instructional. Score and parts. 3 pages. Bowe Percussion #5997605. Published by Bowe Percussion (A0.1013128). What better way to get your drumline students on the same page than with a jammin' two-heights exercise? This warm-up will work your drumline's accent-tap skills while also helping them tap into the groove that will tune them in for rehearsal, and more importantly, to their inner musicianship.INCLUDED:pdf score (portrait)FREE AUDIO RESOURCES:master audio files of the exercise at 100, 115, and 130 bpm, looped 3 times for personal practice.e-mail bowe.justin@gmail.com for audio files.Listen to the entire piece here:soundcloud.com/justin-bowe/tap-accent-tapWant this piece for FREE? Visit the following site:https://www.teacherspayteachers.com/Product/Tap-Accent-Tap-DRUMLINE-WARM-UP-Easy-5687304
$1.99
1.81 €
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Ensemble de Percussions
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Justin Bowe
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Tap-Accent-Tap // [DRUMLINE EXERCISE]
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Bowe Percussion
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SheetMusicPlus
Greased Lightnin'
Ensemble de Percussions
Percussion Ensemble - Level 1 - Digital Download SKU: A0.845574 Composed by Jim Jac…
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Percussion Ensemble - Level 1 - Digital Download SKU: A0.845574 Composed by Jim Jacobs and Warren Casey. Arranged by Robert Newth. Contemporary,Film/TV. Score and parts. 10 pages. Robert Newth #3431455. Published by Robert Newth (A0.845574). This arrangement of Greased Lightnin' (or Greased Lightning if you prefer!) from the fantastic musical Grease is scored here for beginner percussion ensemble, featuring six instruments: Glockenspiel, Xylophone, Marimba, Timpani, Drums, and Tambourine. This arrangement lasts only two minutes so it would be an ideal encore for a concert, or a short feature for a percussion section in a larger concert. The parts all feature spacing so teachers can write in information for students.The available PDF includes both a score and a full set of individual parts.
$12.99
11.85 €
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Ensemble de Percussions
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Jim Jacobs and Warren Casey
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Robert Newth
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Greased Lightnin'
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Robert Newth
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SheetMusicPlus
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