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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Ten After
Sheetmusicplus
Non classifié
1 378
Piano & claviers
Piano seul
694
Piano Facile
154
Piano, Voix
154
Instruments en Do
94
Piano, Voix et Guitare
83
Orgue
72
1 Piano, 4 mains
21
Piano Trio: piano, violon, violoncelle
13
Piano Quatuor: piano, violon, alto, violoncelle
8
2 Pianos, 4 mains
8
Accompagnement Piano
7
Piano (partie séparée)
6
Piano Quintette: piano, 2 violons, alto, violoncelle
3
Piano Quatuor: piano, 2 violons, violoncelle
2
Clavecin
1
Accordéon
1
Clavier
1
1 Piano, 6 mains
1
+ 13 instrumentations
Retracter
Guitares
Guitare
87
Guitare notes et tablatures
50
Guitare (partie séparée)
12
Ligne De Mélodie, (Paroles) et Accords
10
Mandoline
7
Banjo
5
Ukulele
5
2 Guitares (duo)
4
Paroles et Accords
2
Basse electrique
2
Piano, Guitare (duo)
2
Dulcimer
1
Guitare, Violon, Violoncelle (trio)
1
2 Dulcimers (duo)
1
+ 9 instrumentations
Retracter
Voix
Chorale SATB
314
Chorale 3 parties
76
Chorale TTBB
44
Chorale 2 parties
35
Chorale SSAA
33
Chorale Unison
23
Voix duo, Piano
14
Voix Soprano, Piano
14
Voix Alto, Piano
13
Voix Baryton, Piano
6
Voix haute
6
Voix Tenor, Piano
6
Voix duo
5
Chorale SSAATTBB
4
Voix seule
4
Chorale SSATB
3
Voix Soprano
2
Voix Mezzo-Soprano, Piano
2
Voix basse, Piano
2
Voix Tenor
2
Voix Baryton
1
Soli, choeur mixte et accompagnement
1
Chorale SSAB a cappella
1
Voix basse
1
+ 19 instrumentations
Retracter
Vents
Quatuor de Saxophones: 4 saxophones
206
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
145
2 Saxophones (duo)
126
Flûte traversière et Piano
119
Quintette de Saxophone: 5 saxophones
102
Clarinette et Piano
100
Hautbois, Piano (duo)
81
Saxophone Alto et Piano
73
Saxophone Tenor et Piano
66
Saxophone (partie séparée)
63
2 Clarinettes (duo)
62
Saxophone, Clarinette (duo)
53
Quatuor de Clarinettes: 4 clarinettes
50
2 Flûtes traversières (duo)
48
Flûte traversière
47
Flûte, Hautbois, Clarinette, Basson
47
Saxophone Soprano et Piano
45
Saxophone Alto
45
Clarinette
40
Saxophone Tenor
39
Clarinette, Violon (duo)
37
Ensemble de saxophones
33
Saxophone Baryton, Piano
31
Clarinette, Trompette (duo)
30
Quatuor de Flûtes : 4 flûtes
30
Flûte, Clarinette (duo)
30
3 Saxophones (trio)
26
Cor anglais, Piano
25
2 Hautbois (duo)
22
Flûte, Saxophone (duo)
19
Hautbois, Clarinette (duo)
19
Ensemble de Clarinettes
19
Hautbois, Basson (duo)
19
Clarinette et Alto
18
Clarinette Basse, Piano
18
Hautbois, Flûte
18
Flûte, Violon
18
Hautbois (partie séparée)
16
Flûte, Alto (duo)
15
Hautbois
15
Flûte, Trompette (duo)
15
Quintette de Clarinettes: 5 clarinettes
15
2 Flûte à bec (duo)
13
Ensemble de Flûtes
11
3 Clarinettes (trio)
10
Quintette de Flûte : 5 flûtes
9
Flute (partie séparée)
8
Flûte et Guitare
7
Trio de Flûtes: 3 flûtes
6
Clarinette, Basson (duo)
6
Ocarina
6
Flûte à bec Soprano, Piano
5
Quatuor de Flûtes à bec
5
Clarinette, Guitare (duo)
5
Flûte à Bec
5
Flûte, Clarinette et Basson
5
Flûte à bec Alto
4
Hautbois, Clarinette, Basson (trio d'anches)
4
Flûte à bec Soprano
4
Harmonica
4
Ensemble De Flûte à bec
4
Flûte, Violoncelle
3
3 Flûtes à bec (trio)
3
Flûte, Hautbois, Clarinette (trio)
3
Cor anglais, Guitare (duo)
2
Flûte à bec Alto, Piano
2
2 Clarinettes, Piano
2
Saxophone et Guitare
2
Saxophone Soprano
2
2 Saxophones, Piano
2
5 Flûtes à bec
2
Flûte, Clarinette, Piano (trio)
2
Saxophone Baryton
2
Flûte à bec Tenor
2
Clarinette Basse
1
2 Flûtes à bec, Guitare
1
Flûte irlandaise
1
2 Cors Anglais Et Pianoforte
1
Clarinette, Violoncelle (duo)
1
Ensemble de Hautbois
1
Flûte traversière, Orgue (duo)
1
Hautbois, Basson et Piano
1
2 Flûtes traversières, Piano
1
Flûte, Violon et Violoncelle
1
Clarinette, Orgue
1
Clarinette, Harpe (duo)
1
Piccolo, Piano
1
Saxophone
1
Cornemuse
1
Flûte à Bec, Piano
1
2 Clarinettes, Basson
1
Hautbois, Harpe
1
Saxophone et Orgue
1
+ 88 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
161
Trombone et Piano
87
Quatuor de Cuivres : 2 trompettes, trombone, tuba
65
Trompette
62
Trompette, Piano
59
Cor et Piano
58
Trombone
40
Trompette, Saxophone (duo)
39
Ensemble de Trompettes
39
Tuba et Piano
37
Euphonium, Piano (duo)
32
Trombone (partie séparée)
29
Cor
28
Trompette (partie séparée)
27
Quatuor de Cuivres
25
Cor anglais, Piano
25
Tuba
25
2 Trombones (duo)
24
2 Trompettes (duo)
23
Trompette, Trombone (duo)
21
Quatuor de cuivres: 4 trombones
17
Ensemble de Trombones
17
Quatuor de Cuivres: 2 trompettes, Cor, trombone
12
Cor (partie séparée)
8
Tuba (partie séparée)
7
Quatuor de cuivres: 4 cors
6
2 Euphoniums et 2 Tubas
5
2 Cors (duo)
5
Quatuor de cuivres: 4 trompettes
4
3 Trompettes (trio)
3
3 Trombones (trio)
3
Ensemble de Cors
3
4 Tubas
3
Trompette, Cor (duo)
2
Cor anglais, Guitare (duo)
2
Tuba et Orgue
2
2 Tubas (duo)
2
3 Tubas (trio)
1
Trombone basse et Piano
1
2 Cors Anglais Et Pianoforte
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Trio de Cuivres
1
Ensemble de Tubas
1
3 Cors (trio)
1
Trombone basse
1
+ 40 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
191
Violon et Piano
154
Violoncelle, Piano
81
Alto, Piano
76
Violoncelle
59
Violon
59
Harpe
51
Violon, Violoncelle (duo)
37
2 Violoncelles (duo)
36
Contrebasse, Piano (duo)
34
Quintette à cordes: 2 violons, alto, violoncelle, basse
34
2 Violons (duo)
32
Alto seul
31
Trio à Cordes: violon, alto, violoncelle
29
2 Altos (duo)
28
Contre Basse
26
Violon, Alto (duo)
26
Trio à Cordes: 2 violons, violoncelle
12
Contrebasse (partie séparée)
8
Alto (partie séparée)
6
Ensemble d'Altos
5
Ensemble de Violons
5
Harpe, Flûte (duo)
4
Trio à Cordes: 3 violoncelles
4
4 Violoncelles
4
Violon, Guitare (duo)
4
Harpe, Quatuor à cordes
3
Violoncelle , Guitare (duo)
3
Trio à cordes: 3 altos
3
Harpe, Voix
3
Violon (partie séparée)
3
Quatuor à cordes: 4 violons
3
Trio à cordes: 3 violins
3
Quatuor à cordes : 4 altos
3
2 Contrebasses (duo)
2
2 Harpes (duo)
2
Harpe, Violon (duo)
2
Alto, Violoncelle (duo)
2
2 Altos, Piano
1
Violoncelle, Contrebasse (duo)
1
2 Violons, Piano
1
Violon, Clarinette, Piano (trio)
1
4 Contrebasses
1
3 Harpes
1
Violon, Orgue
1
+ 40 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
427
Orchestre
128
Ensemble Jazz
104
Orchestre à Cordes
77
Ensemble de cuivres
50
Orchestre de chambre
45
Fanfare
37
Jazz combo
23
Cloches
22
Ensemble de Percussions
12
Batterie (partie séparée)
7
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
4
Batterie
4
Marimba
3
Percussion (partie séparée)
2
Percussion
2
Vibraphone
2
Orchestre, Violon
2
Piano et Orchestre
1
Xylophone, Piano
1
+ 15 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
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Partitions à imprimer
12 partitions trouvées
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1
The Escape (medium/big percussion ensemble)
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Ensemble de Percussions
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INTERMÉDIAIRE/AVANCÉ
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Film/TV
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Frits Renting
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The Escape
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Frits_Renting
#
SheetMusicPlus
Percussion Ensemble Bass Marimba,Chimes,Cymbals,Drum Set,Low Drum,Quad Toms,Shaker,Suspended Cymbal,Tam Tam,Tambourine,Timpani,Tom Tom,Tubular Bells,Vibraphone,...
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Percussion Ensemble Bass Marimba,Chimes,Cymbals,Drum Set,Low Drum,Quad Toms,Shaker,Suspended Cymbal,Tam Tam,Tambourine,Timpani,Tom Tom,Tubular Bells,Vibraphone,Xylophone - Level 4 - SKU: A0.1274188 Composed by Frits Renting. Film/TV. 51 pages. Frits_Renting #866319. Published by Frits_Renting (A0.1274188). Side note: This version is for medium/big percussion ensemblesEN:This composition was written for one of the parts of the D exam by Frits Renting. The starting point of the composition was: film music. Inspired by well-known works by Hans Zimmer, Brian Tyler, John Williams and works by De Efteling. The composition starts in a fairly small composition in which, with the help of crescendos and several instruments, it works towards a strong, but above all open and cheerful part. This is followed by a short untuned percussion solo. After this, theme A is closed in a calm, non-violent manner. Immediately theme B comes in which is built up through crescendos and multiple instruments over time. Theme B also comes to a quiet end afterwards. After this theme A and B return at the same time, which builds up and closes in a grandiose way.NL:Deze compositie is geschreven voor één van de onderdelen van het D examen van Frits Renting. Het uitgangsdoel van de compositie was: filmmuziek. Geïnspireerd door bekende werken van Hans Zimmer, Brian Tyler, John Williams en werken van De Efteling. De compositie begint in een vrij kleine samenstelling waarbij, met behulp van crescendo's en meerdere instrumenten, het zich toewerkt naar een sterk, maar vooral open en vrolijk gedeelte. Dit wordt opgevolgd door een korte ongestemde slagwerk solo. Hierna wordt thema A op een rustige, geweldloze manier afgesloten. Direct komt thema B binnenvallen wat word opgebouwd door middel van crescendo's en meerdere instrumenten in loop van de tijd. Ook komt thema B daarna tot rustig einde. Hierna komen thema A en B tegelijkertijd terug wat zich opbouwt en op een grandioze manier, zich afsluit.
$80.00
Two Dreams for solo Trombone and 8-part Percussion Ensemble
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Ensemble de Percussions
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AVANCÉ
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Antonio J
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Two Dreams for solo Trombone a
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Gordon Cherry
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.811252 Composed by Antonio J. Garcia. Contemporary,Jazz,Latin,World. Score and parts. 119 pages. Gordon Cherry #...
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Percussion Ensemble - Level 5 - SKU: A0.811252 Composed by Antonio J. Garcia. Contemporary,Jazz,Latin,World. Score and parts. 119 pages. Gordon Cherry #6549777. Published by Gordon Cherry (A0.811252). Two Dreams for Trombone and Percussion EnsembleDr. Justin Alexander (Director, VCU Percussion Ensemble) invited me to create a piece for trombone and percussion ensemble that had roles for more- and less-experienced players so that they could mix within the performance. I so enjoyed composing and performing this work. He estimates the overall difficulty grade of Movement I to be a three on a five-point scale and Movement II to be a four, with a grade four for the overall piece; but some players’ parts (within the eight total in the percussion ensemble) are indeed easier.The two Movements are approximately five minutes each.The first Movement Bilita Mpash (An Amazing Dream) calls for (1) shekeré/guiro; (2) 5-octave marimba (shared with...); (3) 5-octave marimba (shared with previous); (4) claves/drum set with mounted cowbell; (5) bell/mounted cowbell/congas; (6) hi-hat/suspended cymbal; (7) bass drum; and (8) four toms/maracas.The Second Movement (Running with the Tigers) calls for (1) xylophone; (2) vibraphone/glockenspiel; (3) 5-octave marimba; (4) drum set; (5) shaker/samba whistle/congas (opt. voice); (6) triangle/bell tree/hanging bells/agogo bells (opt. voice); (7) bass drum (opt. voice); and (8) Timpani (opt. voice). Pending difficulty levels, the conga and drum set parts can optionally be split among additional percussionists. The score notes offer a stage plot and many rehearsal tips.Bilita Mpash (An Amazing Dream)The 3-2 Rumba Clave anchors this movement, launched by the shekeré. Rhythmic vamps of multiple bars form the landscape over which the trombone’s melody emerges, followed by a move to double-time 2-3 Rumba Clave (with montuno) and back. The trombone soloist improvises without chordal accompaniment for a while so could reflect on the preceding harmonies or instead freely improvise with no concern as to chord changes, while a later section requires improv over chord changes. After the recap, a surprise tag of the ending phrase in Cha Cha sets up the rubato finish. Bilita Mpash (BILL-it-uh m-POSH) is a Bantu term for an amazing dream, a dream so good that it is the polar opposite of a nightmare-a dream in a blissful state where all is forgiven and forgotten2. Running with the TigersThe opening, written-out marimba solo is somewhat of a nod to vibist Gary Burton’s influence in bringing mallets towards the expression of modern jazz. A 9/8 samba-groove (5+4) transforms to 4/4. None of the percussionists have to have a jazz background, though the drum set player would be more challenged if not already exposed to Latin drumming. The improvised solo section could be all solo trombone or could be divided among various performers, including trading. The recap of the tune begins over 5/8 samba (3+2, later 2+3). The closing arrhythmic drum-set solo crescendos as the optional surprise of percussionists’ (or additional) voices sing at the end. The title of this movement refers to a recurring dream my dad would have, as well as to the active movements of my grandson when sleeping in his earliest years.-Antonio J. GarcÃaInstrumentation is for:Solo Trombone and 8-part Percussion Ensemble:shekeré/guiro, 2 5-octave marimbas, claves/drumset with cowbell, bell, congas, hi-hat, suspended cymbal, bass drum, toms, maracas, xylophone, vibraphone, glockenspiel, shaker, samba whistle, congas, triangle, bell tree, hanging bells, agogo bells, bass drum and timpani.This rhythmic and dramatic work includes improvisation by the Trombonist. Listen to the brilliant live performance featuring Mr. Garcia and the Virginia Commonwealth University Percussion Ensemble directed by Dr. Justin Alexander.
$50.00
The Lament of Tou-Her 竇娥冤
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Ensemble de Percussions
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Contemporain
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Ma Shui Long 馬水é¾
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The Lament of Tou-Her 竇
#
SpringAutumnmusic
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SheetMusicPlus
Percussion Ensemble - SKU: A0.961994 Composed by Ma Shui Long 馬水é¾. 20th Century,Contemporary. Score and parts. 20 pages. SpringAutumnmusi...
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Percussion Ensemble - SKU: A0.961994 Composed by Ma Shui Long 馬水é¾. 20th Century,Contemporary. Score and parts. 20 pages. SpringAutumnmusic #48525. Published by SpringAutumnmusic (A0.961994). Introduction:The Lament of Tou-Ehr, for Suona, Timpani, Percussion, and Chorus 　　This work was composed for a Chinese dance drama Snow Festival. The drama was based on an extremely touching story about a lady named Doue E, and was written by the author Guan Hanqing during the Yuan Dynasty. It is divided into three sections in a cyclic form, with one theme. The instrumentation includes voices for male and female, suona (Chinese cornet), there are more than ten traditional Chinese percussions are used, such as the wind gong, large and small luo (as used in Beijing opera), and the Chinese clapper, Paiban. The sound of suona indicates the lady Dou E with her battle cry and strong faith. The music begins after lady Dou E’s faint narrative. ※The Lament of Tou-Ehr was commissioned by the Neo Classical Music Group. The dance was arranged by Fon-xuei Liu, with orchestra and chorus conducted by the composer, Shui-long Ma himself. It was recorded by the Yun-de Company, and premiered at the Taiwan National Dr. Sun Yat-sen Memorial Hall in April 1981. 《竇娥冤》本曲改編自「舞劇雪ç¥ã€ï¼Œå–æ自ä¸åœ‹å…ƒä»£æˆ²æ›²ä¸é—œæ¼¢å¿çš„作å“-「感天動地竇娥冤ã€ã€‚æœ¬æ›²ç•¥åˆ†ä¸‰æ®µï¼Œé€£æ¨‚ç« å½¢å¼ï¼Œæ¨‚曲çµæ§‹ç‚ºä¸€è²«æ€§çš„主題延展。作曲者在編制上使用人è²(男女混è²)ã€å—©å¶ï¼Œä»¥åŠå多件傳統擊樂器，如風鑼ã€å¹³åŠ‡å¤§å°é‘¼ã€æ‹æ¿ç‰ç‰ã€‚在整曲進行ä¸ï¼Œå‡¡æ˜¯æœ‰ç«‡å¨¥å‡ºç¾ä¹‹è™•ï¼Œå—©å¶ä¹Ÿå°‡éš¨ä¹‹å¥å‡ºï¼Œé‚£æ˜¯å¤©ç†çš„å¶å–Šã€ç²¾ç¥žä¿¡å¿µä¹‹æ‰€åœ¨ã€‚全曲在一段竇娥幽幽的é“白之後，å¾å¾å±•é–‹ã€‚※本曲為新å¤å…¸æ¨‚團委託創作之作å“，由舞蹈家劉鳳å¸ç·¨èˆžã€é¦¬æ°´é¾æŒ‡æ®æ¨‚團與人è²ã€éŸ»å¾·éŒ„音公å¸éŒ„音，於1980å¹´4月在å°åŒ—國父紀念館舉行世界首演。 .
$14.99
The Ballad of Reading Gaol, an Accompanied Reading
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Ensemble de Percussions
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INTERMÉDIAIRE
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Contemporain
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Paul Burnell
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The Ballad of Reading Gaol, an
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Paul Burnell
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SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.835743 Composed by Paul Burnell. Contemporary. Score and parts. 23 pages. Paul Burnell #511043. Published by Pau...
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Percussion Ensemble - Level 3 - SKU: A0.835743 Composed by Paul Burnell. Contemporary. Score and parts. 23 pages. Paul Burnell #511043. Published by Paul Burnell (A0.835743). Composed 2010, revised 2014. One of a series of fourteen accompaniments to texts published between 1886-1899. Text: ‘The Ballad of Reading Gaol’, Oscar Wilde (1854-1900). For narrator (amplified if necessary), flutes (and/or tenor/bass recorders), clarinets, muted strings, percussion. Programme note: ‘The Ballad of Reading Gaol’ was written by Oscar Wilde in France on release from Reading Gaol in 1897 after being sentenced to two years hard labour. During his imprisonment Charles Thomas Wooldridge, who had been convicted of murdering his wife, was hanged. The poem was published in 1898 under the name C.3.3., which stood for cell block C, landing 3, cell 3. The text is a mixture of the first and second versions of Wilde’s poem.
$1.99
Gravity for Septet
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Ensemble de Percussions
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AVANCÉ
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Contemporain
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MohammadHadi Ayanbod
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Gravity for Septet
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Rimorarte Edition
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.1027778 Composed by MohammadHadi Ayanbod. 20th Century,Contemporary. Score and parts. 25 pages. Rimorarte Editio...
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Percussion Ensemble - Level 5 - SKU: A0.1027778 Composed by MohammadHadi Ayanbod. 20th Century,Contemporary. Score and parts. 25 pages. Rimorarte Edition #5996957. Published by Rimorarte Edition (A0.1027778). In GRAVITY I explored different gravities as forces we not only feel them in every moments of our lives, but also thinking of living without or escaping from them seems impossible. Likewise, those gravities exist in the music, make us feel the music continuous, desirable, logical and an integrated language of art. The exploration of the path from chaos to unity, and from unity to multiplicity, is where the title came from. GRAVITY consists of two main sections. The first section, which shows the fully-grown and flourished musical ecosystem, and the second part; a flashback to just after big-bang, which tries to musicalize the creation of the gravity! In the first section, I’ve used the concept of horizontal and vertical minimalism. At the very beginning of the piece we have a structure that bring the idea of the vertical minimalism out. In every moment, each instrument plays the same note as others. However, the narrative line is divided into different octaves, so, the melody is not the same in spite of the fact that each instrument plays the same tone. This structure also reminds the paradoxical ladder or optical staircase illusion. The narration is built up until it reaches temporal climax. At the same time, this melody starts again from the beginning with some microscopic differences visible vividly to musicians. This semi reciprocating musical narration, could be observed as a musical example of the staircase illusion. After this part, but still in the first section of the music, I’ve used the horizontal (traditional) minimalism idioms to explore the bounding forces present in the music. Although, what interesting here is the creation of synthetic voices which is the result of different amounts of the nuances and different combinations of the sound. For keen ears, it seems like shades of neon lights, penetrate into one another in the scale of time and create a big picture of micro fluctuating objects. In the second section or just after big-bang, I’ve observed and recreate musically, the very moment of creation of the gravity just after the big-bang. Here, we don’t have melody, rhythm, structure, narration and other aspects of the music in the traditional way, although all of them are present in the music. very single sound or noise is meaningful and showing the assemblage process of the forces in the music to create a melody line. I’ve occupied idioms of contemporary Sonorism genre to create the atmosphere. This highly complex texture shows the virtuosity of interpreters and the capability of the instruments in avant-garde literature and extended techniques. The music is concluded by a fast-tempo finale, with the instruction of fortissimo possiblile (as loud as possible). The piece, in fact, will not be finished as a morendo, but, it opens a space for hypothetically living structure; constantly grows, flourishes, shines and decays.
$16.99
En Rêve for Percussion Ensemble
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Ensemble de Percussions
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FACILE
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Contemporain
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Anders Wall
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I felt like I was in France
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En Rêve for Percussion En
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WallofSound
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SheetMusicPlus
Percussion Ensemble - Level 2 - SKU: A0.1028124 Composed by Anders Wall. 20th Century,Contemporary. Score and parts. 23 pages. WallofSound #3374791. Pub...
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Percussion Ensemble - Level 2 - SKU: A0.1028124 Composed by Anders Wall. 20th Century,Contemporary. Score and parts. 23 pages. WallofSound #3374791. Published by WallofSound (A0.1028124). En Rêve, In Dream, was conceived when I studied composition for Tobias Broström. Every day I was commuting from Skurup to Båstad and every day I was struck by Båstads almost continental beauty; I felt like I was in France. Cobble stone roads, houses with towers and that mountain ridge close to the ocean...One day on the train, I ran into three French girls on holiday.Patiently they listened to my ideas and kindly helped me translate the tempo markings to French. The piece begins with us falling to sleep. The marimbas rocks us slowly In Dream.After sudden movements in the vibraphone we are happily strolling on the cobble stones, sun shining and children riding their bikes across the streets not noticing the rocky ride.Bells chime in the distance and the world – or the dream – vanish. As sudden as it started it is gone.The dissonance of the beginning is now gone and our sleep is peaceful and calm - or is it..? Originally a solo piece for Marimba dedicated to Kasper Grøn.Thanks to Camille, Carole, Raphaëlle for the help with the French.
$10.00
Edelweiss
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Ensemble de Percussions
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FACILE
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Comédie Musicale
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Film/TV
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Richard Rodgers
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John M
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Edelweiss
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Music Preparation Services
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SheetMusicPlus
Percussion Ensemble - Level 2 - SKU: A0.908406 Composed by Richard Rodgers. Arranged by John M. Licari. Broadway,Film/TV. Score and parts. 13 pages. Mus...
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Percussion Ensemble - Level 2 - SKU: A0.908406 Composed by Richard Rodgers. Arranged by John M. Licari. Broadway,Film/TV. Score and parts. 13 pages. Music Preparation Services #5196201. Published by Music Preparation Services (A0.908406). Edelweiss - Rodgers & Hammerstein (Percussion Ensemble)Arranged by John M. LicariMusic Preparation Serviceswww.musicprepservices.com Edelweiss is a show tune from the 1959 Rodgers and Hammerstein musical The Sound of Music. It is named after the edelweiss, a white flower found high in the Alps. The song was created for the 1959 Broadway production of The Sound of Music, as a song for the character Captain Georg von Trapp (originated by the performer Theodore Bikel). In the musical, Captain von Trapp and his family sing this song during the concert near the end of Act II, as a statement of Austrian patriotism in the face of the pressure put upon him to join the navy of Nazi Germany following the Anschluss (Nazi annexation of their homeland). It is also Captain von Trapp's subliminal goodbye to his beloved homeland, using the flower as a symbol of his loyalty to Austria. In the 1965 film adaptation, the song is also sung by the Captain earlier in the film when he rediscovers music with his children. It was the last song ever written by Oscar Hammerstein II, prior to his death in August, 1960. This arrangement is written for a percussion ensemble, featuring glockenspiel, marimba, snare, bass, triangle, tambourine, and timpani.
$12.99
Noff
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Ensemble de Percussions
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INTERMÉDIAIRE/AVANCÉ
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Tsoof Baras
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Noff
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Tsoof Baras
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SheetMusicPlus
Percussion Ensemble - Level 4 - SKU: A0.1018155 Composed by Tsoof Baras. Contemporary,Spiritual,Standards,World. Score and parts. 12 pages. Tsoof Baras ...
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Percussion Ensemble - Level 4 - SKU: A0.1018155 Composed by Tsoof Baras. Contemporary,Spiritual,Standards,World. Score and parts. 12 pages. Tsoof Baras #6662691. Published by Tsoof Baras (A0.1018155). Players - 4Instrumentation - Harmonic Whirlies. This piece uses Harmonic Whirlies or Whippy Tubes with the following harmonic series: Low B, C, D, E, F, G, A and High C, E and A. See - Sarah Hopkins' Harmonic Whirlies‘Noff’ is a chorale for Harmonic Whirlies. I named this piece after my younger sister Noff, whose name means ‘a beautiful view’.The piece was written for SoundStruck in 2016, for their performance at the Australian Percussion Gathering.In this composition, each player represents a set of notes in a specific harmonic series associated with their whirlies. Together, the ensemble creates harmony and resonates within the space.This piece is beautiful when performed in large auditoriums, churches or halls.
$65.00
Etna
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Ensemble de Percussions
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INTERMÉDIAIRE/AVANCÉ
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Tsoof Baras
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Etna
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Tsoof Baras
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SheetMusicPlus
Percussion Ensemble - Level 4 - SKU: A0.1013932 Composed by Tsoof Baras. Contemporary,Hip-Hop,Standards. Score and parts. 32 pages. Tsoof Baras #6667771...
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Percussion Ensemble - Level 4 - SKU: A0.1013932 Composed by Tsoof Baras. Contemporary,Hip-Hop,Standards. Score and parts. 32 pages. Tsoof Baras #6667771. Published by Tsoof Baras (A0.1013932). Players - 4Instrumentation - 4 drums (floor toms or concert toms)Named after the volcano ‘Mount Etna’, Etna is a quartet for Paint Drumming.It is written with the visual effect of paint drumming, where drummers put paint, water or other mediums on the drum to create a visual effect when striking the drum. The composition works with and without the visual effect and focuses on groovy polyrhythms and moving lines across the parts. It is a challenging piece for every level of ensemble.
$60.00
16th Street
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Ensemble de Percussions
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FACILE
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Jazz
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Rock
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Luke Henson
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16th Street
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Luke Henson
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SheetMusicPlus
Percussion Ensemble - Level 2 - SKU: A0.942604 Composed by Luke Henson. Jazz,Rock. Score and parts. 7 pages. Luke Henson #2864551. Published by Luke Hen...
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Percussion Ensemble - Level 2 - SKU: A0.942604 Composed by Luke Henson. Jazz,Rock. Score and parts. 7 pages. Luke Henson #2864551. Published by Luke Henson (A0.942604). A cool funk tune for beginning and intermediate steel bands. Named after 16th Street in Denver, it is easy to learn, but has a few challenging licks. It features a bass-heavy intro, a tenor-based melody, and a gradual crescendo into a fun, loud climax. Recommended especially for high school ensembles, this is sure to become one of your favorites. .
$29.99
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