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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
That's It! - Piano
Non classifié
3 393
Piano & claviers
Instruments en Do
298
Orgue
128
Accordéon
8
Orgue, Trompette (duo)
2
Ensemble d'Accordéons
1
Clavecin
1
+ 1 instrumentations
Retracter
Guitares
Guitare
244
Guitare notes et tablatures
214
Guitare (partie séparée)
95
Ligne De Mélodie, (Paroles) et Accords
75
Ukulele
53
Basse electrique
33
2 Guitares (duo)
33
Paroles et Accords
18
4 Guitares (Quatuor)
15
Banjo
13
Dulcimer
10
3 Guitares (trio)
10
Mandoline
9
Ensemble de guitares
5
Mandoline, Guitare (duo)
3
Guitare, Violon, Violoncelle (trio)
1
2 Dulcimers (duo)
1
Ensemble de Ukulélés
1
2 Ukuleles
1
Dobro
1
Basse électrique (partie séparée)
1
+ 16 instrumentations
Retracter
Voix
Chorale SATB
744
Chorale TTBB
187
Chorale 3 parties
182
Chorale SSAA
131
Chorale 2 parties
129
Chorale Unison
76
Voix seule
6
Voix duo
5
Chorale SSAATTBB
2
Soli, choeur mixte et accompagnement
2
Voix Soprano
1
Chorale SATBB
1
+ 7 instrumentations
Retracter
Vents
Saxophone (partie séparée)
376
Quatuor de Saxophones: 4 saxophones
318
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
266
Quintette de Saxophone: 5 saxophones
249
2 Saxophones (duo)
227
Flûte, Hautbois, Clarinette, Basson
184
Flûte traversière
174
Saxophone Alto
171
2 Flûtes traversières (duo)
157
Hautbois (partie séparée)
150
Ensemble de saxophones
133
Clarinette
126
2 Clarinettes (duo)
115
Quatuor de Clarinettes: 4 clarinettes
115
Ensemble de Clarinettes
92
Saxophone Tenor
87
Quatuor de Flûtes : 4 flûtes
74
Ensemble de Flûtes
63
Clarinette, Violon (duo)
62
Saxophone, Clarinette (duo)
58
Clarinette (partie séparée)
53
2 Flûte à bec (duo)
53
Flute (partie séparée)
49
Flûte, Clarinette (duo)
47
Clarinette, Trompette (duo)
45
3 Saxophones (trio)
45
Quintette de Flûte : 5 flûtes
43
2 Hautbois (duo)
40
Hautbois, Basson (duo)
37
Flûte, Violon
33
Quintette de Clarinettes: 5 clarinettes
32
Clarinette et Alto
32
Hautbois, Clarinette (duo)
32
Flûte, Alto (duo)
29
Saxophone Soprano
28
Hautbois
28
Flûte et Guitare
27
Flûte, Saxophone (duo)
25
3 Clarinettes (trio)
23
Flûte à bec Soprano
21
Clarinette, Basson (duo)
19
Trio de Flûtes: 3 flûtes
19
Flûte, Trompette (duo)
19
Flûte, Violoncelle
17
Hautbois, Flûte
17
Flûte, Hautbois (duo)
17
Clarinette, Guitare (duo)
16
Clarinette, Violoncelle (duo)
15
Hautbois, violon (duo)
13
Saxophone Baryton
13
Hautbois, Violoncelle
12
Quatuor de Flûtes à bec
12
Flûte, Hautbois, Clarinette (trio)
12
Flûte, Trombone (duo)
11
Clarinette, Trombone (duo)
10
Clarinette Basse
8
Harmonica
8
Flûte à Bec
7
Saxophone
6
Hautbois, Clarinette, Basson (trio d'anches)
6
5 Flûtes à bec
6
3 Flûtes à bec (trio)
5
Flûte, Clarinette et Basson
4
Hautbois, Guitare (duo)
4
Cor Anglais
3
Ensemble De Flûte à bec
3
Cornemuse
3
Hautbois et alto (duo)
3
Flûte et Trio à cordes
3
Flûte, Hautbois, Basson
2
Hautbois, Harpe
2
Flûte, Violon et Violoncelle
2
Clarinette, Harpe (duo)
2
3 Hautbois
2
Ocarina
2
Saxophone et Harpe
2
Cor anglais et Harpe (duo)
1
Flute, harpe et violon
1
Ensemble de Hautbois
1
2 Cors Anglais Et Pianoforte
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Flûte à bec Alto
1
Piccolo
1
Cor anglais, Guitare (duo)
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
Saxophone et Guitare
1
+ 82 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
394
Trombone (partie séparée)
272
Quatuor de Cuivres : 2 trompettes, trombone, tuba
249
Trompette (partie séparée)
231
Trompette
172
Trombone
123
Cor
118
Quatuor de Cuivres: 2 trompettes, Cor, trombone
102
Tuba
88
Ensemble de Trompettes
64
2 Trompettes (duo)
61
Ensemble de Trombones
58
Quatuor de Cuivres
56
2 Trombones (duo)
55
Cor (partie séparée)
50
Trompette, Trombone (duo)
46
Tuba (partie séparée)
44
Trompette, Saxophone (duo)
42
Quatuor de cuivres: 4 trombones
41
2 Cors (duo)
18
Quatuor de cuivres: 4 cors
16
2 Euphoniums (duo)
12
Quatuor de cuivres: 4 trompettes
12
Ensemble de Cors
11
Trio de Cuivres
10
2 Tubas (duo)
10
Trompette, Cor (duo)
9
4 Tubas
9
3 Trombones (trio)
7
3 Cors (trio)
6
3 Tubas (trio)
6
Cor, Violoncelle (duo)
6
2 Euphoniums et 2 Tubas
4
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
Cor Anglais
3
Trompette, Basson (duo)
3
3 Trompettes (trio)
3
Trombone basse
3
Trombone, Cor (duo)
3
Euphonium
2
Bass Clef Instruments
2
Trompette, Violoncelle (duo)
2
Cor et Basson (duo)
2
Cor et Harpe
1
Trompette, Tuba (duo)
1
Cor anglais et Harpe (duo)
1
Trompette et Guitare
1
2 Cors Anglais Et Pianoforte
1
Tuba ou Euphonium ou Saxhorn
1
3 Euphoniums
1
Ensemble de Tubas
1
Euphonium, Tuba (duo)
1
Cor anglais, Guitare (duo)
1
+ 48 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
830
Violon
378
Violon, Violoncelle (duo)
328
Violoncelle
233
Trio à Cordes: violon, alto, violoncelle
201
Alto seul
112
Harpe
99
Trio à Cordes: 2 violons, violoncelle
96
2 Violons (duo)
82
Violon, Alto (duo)
78
Contrebasse (partie séparée)
77
Contre Basse
72
Alto (partie séparée)
70
Quintette à cordes: 2 violons, alto, violoncelle, basse
68
2 Violoncelles (duo)
66
Violon (partie séparée)
58
2 Harpes (duo)
57
2 Altos (duo)
51
Ensemble de Violons
26
Ensemble d'Altos
25
Alto, Violoncelle (duo)
21
4 Violoncelles
18
Violoncelle (partie séparée)
14
Trio à Cordes: 3 violoncelles
14
Violon, Basson (duo)
12
Trio à cordes: 3 violins
12
Quatuor à cordes: 4 violons
10
Quintette à cordes: 2 violons, 2 altos, violoncelle
10
Harpe, Flûte (duo)
9
Violon, Guitare (duo)
8
2 Contrebasses (duo)
7
Quatuor à cordes : 4 altos
7
Violoncelle , Guitare (duo)
7
Trio à cordes: 3 altos
7
Alto et Basson
7
Violoncelle, Contrebasse (duo)
5
Harpe, Trombone (duo)
3
Ensemble de Violoncelles
3
Harpe, Voix
3
Trio à Cordes: 2 violons, alto
2
Harpe, Violon (duo)
2
Violoncelle, Orgue
2
4 Contrebasses
2
Violoncelle, Orchestre
1
Violon, Orgue
1
Harpe, Violon, Violoncelle
1
Alto et Harpe
1
Harpe, Violoncelle (duo)
1
+ 43 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
932
Orchestre à Cordes
341
Orchestre
267
Ensemble Jazz
198
Ensemble de cuivres
138
Fanfare
110
Cloches
72
Orchestre de chambre
58
Batterie (partie séparée)
52
Percussion (partie séparée)
28
Ensemble de Percussions
28
Jazz combo
23
Batterie
21
Marimba
12
Percussion
3
Orchestre, Violon
3
Vibraphone
2
2 Xylophones
2
Xylophone
2
Quintette de Cuivres: autres combinaisons
2
Timbales (partie séparée)
1
Xylophone ou Marimba ou Vibraphone
1
Bodhran
1
+ 18 instrumentations
Retracter
Autres
Théorie de la musique
1
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
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Note4Piano
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Vous avez sélectionné:
That's It! - Piano
Ensemble de Percussions
Partitions à imprimer
28 partitions trouvées
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1
26
Mimi`s Dream
#
Ensemble de Percussions
#
INTERMÉDIAIRE
#
Luis Anjos Teixeira
#
Mimi`s Dream
#
Luis Anjos Teixeira
#
SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.889421 Composed by Luis Anjos Teixeira. Concert,Contemporary,Standards. Score and parts. 37 pages. Luis Anjos Te...
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Percussion Ensemble - Level 3 - SKU: A0.889421 Composed by Luis Anjos Teixeira. Concert,Contemporary,Standards. Score and parts. 37 pages. Luis Anjos Teixeira #3516025. Published by Luis Anjos Teixeira (A0.889421). „Mimi`s Dream is a piece for a mixed group of about 18 musicians. Pan flute, soprano recorder 1, soprano recorder 2, alto flute, tenor recorder, bass recorder, bass flute, Bells, tubular bells, chimes, percussion, drumset, Harp, celesta, double bass, BW tubes, It is a flexible piece and very easy for some of the performers, so it can be played by a mixed group of beginners, middle and advanced musicians altogether. Entirely dedicated to Mimi the Stray Queen Cat, that adopted me and my Wife for her Family. The score was written on Finale. The sound file was performed with samplers from Garritan and conceived as an audio support for the presentation of the score. This is the first time that this version is published. Thank you very much for taking your time to read this text and to listen to the file. I hope you have a lot of fun and enjoy the music. Sheers! Thanks to Claudia Eppelt for the cover design, all the Love and inspiration. Special Thanks to Nina, and to Stray Queen Mimi plus all my Feline Family. Thank you for all the Love and Compassion. Love Forever. Luis Anjos Teixeira
$22.22
Who Can It Be Now?
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Ensemble de Percussions
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DÉBUTANT
#
Contemporain
#
Men At Work
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Stephen Lawhorne
#
Who Can It Be Now?
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StevoPanMan
#
SheetMusicPlus
Percussion Ensemble - Level 1 - SKU: A0.1016556 By Men At Work. By Colin Hay. Arranged by Stephen Lawhorne. Contemporary. Score and parts. 23 pages. Ste...
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Percussion Ensemble - Level 1 - SKU: A0.1016556 By Men At Work. By Colin Hay. Arranged by Stephen Lawhorne. Contemporary. Score and parts. 23 pages. StevoPanMan #5829319. Published by StevoPanMan (A0.1016556). This classic 80's tune by Men At Work is certain to be a crowd pleaser! BONUS: There is a part for Jumbie Jam if your ensemble includes those instruments. Also great for combined concerts with elementary groups. Arranged for: Tenor Saxophone, Jumbie Jam, Lead 1, Lead 2, Doubles, Guitar/Cello, Bass Pans, Electric Bass and Drum Set. Two additional parts included: TAB electric bass and a Jumbie MAP that is excellent for visual learners that may be confused by musical repeats, D.S., Coda, etc.
$25.00
Don't Worry, Be Happy
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Ensemble de Percussions
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INTERMÉDIAIRE
#
Jazz
#
Bobby McFerrin
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Ricardo Matosinhos
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Don't Worry, Be Happy
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Ricardo Matosinhos
#
SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.899162 By Bobby McFerrin. By Bobby McFerrin. Arranged by Ricardo Matosinhos. Jazz. Score and parts. 32 pages. Ri...
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Percussion Ensemble - Level 3 - SKU: A0.899162 By Bobby McFerrin. By Bobby McFerrin. Arranged by Ricardo Matosinhos. Jazz. Score and parts. 32 pages. Ricardo Matosinhos #5723941. Published by Ricardo Matosinhos (A0.899162). This is a well known piece by Bobby McFerrin. Here presented on a music arrangement for unconventional music instruments. The arrangement allows flexibility, so this piece can be performed using tuned bottles (25cl, 33cl and 75cl), lip whistle, finger snaps, complemented with xylophones and optionally with voices to sing the lyrics too. This arrangement was made during the 2020 quarantine, when the world was shutdown due to a world virus pandemic. Some of the music students didn’t have their music instruments at home, so this arrangement came up to fill that gap and it is perfect to keep doing music with the available option of instruments.On each rehearsal letter, you can play optional improvisations, while keeping the voices 5-8. These improvisations can be easily done using the C major pentatonic scale or the note ranges presented on the right, that even include Eâ™ and Bâ™. If played using lip whistle, bendings will be possible too. This arrangement presents 8 voices and an alternative solution for voice 8, that makes it easier to be performed as it is the place where bottles are divided between the players. There is also an optional bass line to complement voice eight one octave bellow. In order to keep it simple, neither dynamics or articulations were included and the notes were represented always in the middle octave in G clef. The correct pitch ranges are presented in the performance notes.The amount of water will change the pitch differently depending if you are blowing or doing percussion on a bottle. When blowing, the more water you use, the higher the pitch will be, but while doing percussions more water means lower pitch. A good option, in order to save time during rehearsals, is to fill the bottles with water, marking the level with a pen, and then filling the bottle with the desired amount of hot wax instead of water. This way, when the wax cools down you can have a tuned bottle without requiring to tune it again every single rehearsal. Please note that the bottles should be made of glass and that different aspects change the performance. For percussion, straight bottles are better to tune as the curves in the bottles tend to produce unstable pitches. The extreme notes of the range might not be available in every single bottle, so you might need to try some alternatives. For example the high A is available in some beer bottles, while the low G is available in larger 75cl bottles of champaign. Last but not least, this piece should always be played according to Bobby’s motto: dont worry, be happy!I had lots of fun while doing this arrangement, now it’s your time to have fun while performing it!Ricardo Matosinhoshttp://www.ricardomatosinhos.com
$14.99
On Dirait
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Ensemble de Percussions
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FACILE
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Contemporain
#
Amir
#
Stephane ELSINY
#
On Dirait
#
Stephane Elsiny
#
SheetMusicPlus
Percussion Ensemble - Level 2 - SKU: A0.1005238 By Amir. By Jerome Queriaud and Nazim Yahya Kemal Khaled. Arranged by Stephane ELSINY. Contemporary. Sco...
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Percussion Ensemble - Level 2 - SKU: A0.1005238 By Amir. By Jerome Queriaud and Nazim Yahya Kemal Khaled. Arranged by Stephane ELSINY. Contemporary. Score and parts. 2 pages. Stephane Elsiny #5359677. Published by Stephane Elsiny (A0.1005238). When you like a pop rock song, would you like to play it with your instrument? Me too, that's good!The original tone is respected. So add karaoke online and go ! Example for this title: https://youtu.be/lN9XM0yn-gwProfessors, these titles are ideal for motivating your students.Students, bring these titles to your teacher and have fun.Soon other French songs, pop, variety and also international songs…Do you have a question about your purchase? You can contact me by e-mail: musicaccess.se@gmail.comBe informed of new products by subscribing to my YouTube channel: https://www.youtube.com/user/musicaccessse
$4.99
Four Forces (First movement) I. Strong Forces
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Ensemble de Percussions
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AVANCÉ
#
Salvador Rojo Gamón
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Four Forces
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Salvador Rojo-Gamon
#
SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.962406 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 173 pa...
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Percussion Ensemble - Level 5 - SKU: A0.962406 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 173 pages. Salvador Rojo-Gamon #5801913. Published by Salvador Rojo-Gamon (A0.962406). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$300.00
Four Forces (Second movement) II. Weak Forces
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Ensemble de Percussions
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AVANCÉ
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Salvador Rojo Gamón
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Four Forces
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Salvador Rojo-Gamon
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.962405 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 255 pa...
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Percussion Ensemble - Level 5 - SKU: A0.962405 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 255 pages. Salvador Rojo-Gamon #5801921. Published by Salvador Rojo-Gamon (A0.962405). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$150.00
Two Dreams for solo Trombone and 8-part Percussion Ensemble
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Ensemble de Percussions
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AVANCÉ
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Antonio J
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Two Dreams for solo Trombone a
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Gordon Cherry
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.811252 Composed by Antonio J. Garcia. Contemporary,Jazz,Latin,World. Score and parts. 119 pages. Gordon Cherry #...
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Percussion Ensemble - Level 5 - SKU: A0.811252 Composed by Antonio J. Garcia. Contemporary,Jazz,Latin,World. Score and parts. 119 pages. Gordon Cherry #6549777. Published by Gordon Cherry (A0.811252). Two Dreams for Trombone and Percussion EnsembleDr. Justin Alexander (Director, VCU Percussion Ensemble) invited me to create a piece for trombone and percussion ensemble that had roles for more- and less-experienced players so that they could mix within the performance. I so enjoyed composing and performing this work. He estimates the overall difficulty grade of Movement I to be a three on a five-point scale and Movement II to be a four, with a grade four for the overall piece; but some players’ parts (within the eight total in the percussion ensemble) are indeed easier.The two Movements are approximately five minutes each.The first Movement Bilita Mpash (An Amazing Dream) calls for (1) shekeré/guiro; (2) 5-octave marimba (shared with...); (3) 5-octave marimba (shared with previous); (4) claves/drum set with mounted cowbell; (5) bell/mounted cowbell/congas; (6) hi-hat/suspended cymbal; (7) bass drum; and (8) four toms/maracas.The Second Movement (Running with the Tigers) calls for (1) xylophone; (2) vibraphone/glockenspiel; (3) 5-octave marimba; (4) drum set; (5) shaker/samba whistle/congas (opt. voice); (6) triangle/bell tree/hanging bells/agogo bells (opt. voice); (7) bass drum (opt. voice); and (8) Timpani (opt. voice). Pending difficulty levels, the conga and drum set parts can optionally be split among additional percussionists. The score notes offer a stage plot and many rehearsal tips.Bilita Mpash (An Amazing Dream)The 3-2 Rumba Clave anchors this movement, launched by the shekeré. Rhythmic vamps of multiple bars form the landscape over which the trombone’s melody emerges, followed by a move to double-time 2-3 Rumba Clave (with montuno) and back. The trombone soloist improvises without chordal accompaniment for a while so could reflect on the preceding harmonies or instead freely improvise with no concern as to chord changes, while a later section requires improv over chord changes. After the recap, a surprise tag of the ending phrase in Cha Cha sets up the rubato finish. Bilita Mpash (BILL-it-uh m-POSH) is a Bantu term for an amazing dream, a dream so good that it is the polar opposite of a nightmare-a dream in a blissful state where all is forgiven and forgotten2. Running with the TigersThe opening, written-out marimba solo is somewhat of a nod to vibist Gary Burton’s influence in bringing mallets towards the expression of modern jazz. A 9/8 samba-groove (5+4) transforms to 4/4. None of the percussionists have to have a jazz background, though the drum set player would be more challenged if not already exposed to Latin drumming. The improvised solo section could be all solo trombone or could be divided among various performers, including trading. The recap of the tune begins over 5/8 samba (3+2, later 2+3). The closing arrhythmic drum-set solo crescendos as the optional surprise of percussionists’ (or additional) voices sing at the end. The title of this movement refers to a recurring dream my dad would have, as well as to the active movements of my grandson when sleeping in his earliest years.-Antonio J. GarcÃaInstrumentation is for:Solo Trombone and 8-part Percussion Ensemble:shekeré/guiro, 2 5-octave marimbas, claves/drumset with cowbell, bell, congas, hi-hat, suspended cymbal, bass drum, toms, maracas, xylophone, vibraphone, glockenspiel, shaker, samba whistle, congas, triangle, bell tree, hanging bells, agogo bells, bass drum and timpani.This rhythmic and dramatic work includes improvisation by the Trombonist. Listen to the brilliant live performance featuring Mr. Garcia and the Virginia Commonwealth University Percussion Ensemble directed by Dr. Justin Alexander.
$50.00
Silent Night Prelude for percussion octet
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Ensemble de Percussions
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FACILE
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Noël
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Franz Xaver Gruber
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Dan Heslink
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Silent Night Prelude for percu
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Pharaoh Publications
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SheetMusicPlus
Percussion Ensemble - Level 2 - SKU: A0.935383 Composed by Franz Xaver Gruber. Arranged by Dan Heslink. Christian,Christmas. Score and parts. 20 pages. ...
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Percussion Ensemble - Level 2 - SKU: A0.935383 Composed by Franz Xaver Gruber. Arranged by Dan Heslink. Christian,Christmas. Score and parts. 20 pages. Pharaoh Publications #5363007. Published by Pharaoh Publications (A0.935383). Silent Night Prelude for Percussion Octet arr. by Dan Heslink This work is based on the well-loved Christmas carol, composed in 1818 by Franz Xaver Gruber. This theme is so popular that it was declared an intangible cultural heritage by UNESCO in 2011. And the version sung by Bing Crosby in 1935 is the fourth best-selling single recording of all-time. It’s sure to motivate your audience close to Christmas. The Prelude begins with a brisk tempo. Although notated in 3, as is customary in more modern renditions (the original theme was notated in 6), the tempo must be fast enough that two measures of 3 create a binary pairing (like 6/4 in two). It may be necessary to slightly slow down the roll speed to avoid a frenetic sound. The difficulty level is easy. There are no changes of key, and the timpani part requires only two drums (Bb, F) with no tuning changes. The vibe part could be played with two mallets, but might execute more comfortably with three. The other keyboard parts use only two mallets each. The expression of this beautiful tune will be greatly enhanced by exaggerating the contrasts of dynamics. Accompaniment and ornamental figures must at all times be sublimated to the familiar theme. At the last strain, players should sing the well-known words in order to lead the audience or congregation in group singing. It would be helpful for the conductor to turn and face the audience at this point. This closing passage may be repeated for any number of sung verses. Use a smooth, relaxed stroke to elicit as much legato as possible. At points a continuous arpeggio accompaniment is divided among the instruments. Care must be taken to keep the sixteenth note speed consistent. The opening runs should be performed half-pedal on the vibes for clarity. Prelude on Silent Night would serve equally well in recital or in a church service. Duration is 3:10. The arranger, Dan Heslink, can be contacted at dan@dheslink.com
$4.99
Christmas Calypso for Percussion Sextet
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Ensemble de Percussions
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FACILE
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Noël
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Dan Heslink
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Christmas Calypso for Percussi
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Pharaoh Publications
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SheetMusicPlus
Percussion Ensemble - Level 2 - SKU: A0.935389 Arranged by Dan Heslink. Christian,Christmas. Score and parts. 18 pages. Pharaoh Publications #6117159. P...
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Percussion Ensemble - Level 2 - SKU: A0.935389 Arranged by Dan Heslink. Christian,Christmas. Score and parts. 18 pages. Pharaoh Publications #6117159. Published by Pharaoh Publications (A0.935389). Christmas Calypso for Percussion Sextet . . . . . . . . . . . . . . arr. Dan Heslink The calypso style referenced in the title is not the calypso of Afro-Caribbean music from Trinidad and Tobago. Rather, it is the especially toned-down but still rhythmic commercial variant popularized by folk singers. Couched in this style, the arrangement offers Christmas favorites Deck the Halls, Angels We Have Heard On High, God Rest Ye Merry Gentlemen and Good Christian Men, Rejoice. This if one of two versions of the calypso arrangement by Dan Heslink, both of which are available through Sheet Music Plus. The other arrangement, percussion sextet, follows similar musical contours and is available separately. Both versions are intended to elicit one primary response from both performers and audience – fun. It does not tax the players technically, but delivers a satisfying sound with carols that the performers likely know and love. General audiences will be enchanted by the familiar melodies delivered in percussion, especially at Christmas time. The introduction opens with a brisk and rhythmic introduction based on Deck the Halls, and establishes the fun calypso rhythm immediately. Deck the Halls is the much-loved welsh air that was arranged by Haydn, Nos galan (Hob. XXXIb:29, 1803). Then, Angels We Have Heard on High breaks out in double-stops with a continuation of the rhythmic impetus. The birth of Jesus Christ as narrated in the Gospel of Luke is the subject of Angels We Have Heard on High, a traditional French song of unknown origin. The gloria section provides some flowing contrast, portraying the shepherds’ impressions as they encounter a multitude of angels singing and praising. The performers are encouraged to use a relaxed stroke to glide through these passages. Following is God Rest Ye Merry Gentlemen, a 16th century English traditional Christmas carol also known under the title, The old Christmas Carol. It provides a contrast in tonality (minor mode) and texture. The xylophone part likely will lay most comfortably when executed with four mallets, although there are no three or four mallet chords in these passages. Good Christian Men, Rejoice is the closing selection in this Christmas medley. It’s title is an English translation of In dulci jubilo (Latin for In sweet rejoicing). The work ends happily with a summation of the calypso rhythm. This medley will be especially effective programmed on a winter holiday concert. Duration is 2:30. The arranger, Dan Heslink, assigned a difficulty level of medium easy, and can be contacted at dan@dheslink.com.
$4.99
Christmas Calypso for Marimba Quartet
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Ensemble de Percussions
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Noël
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Dan Heslink
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Christmas Calypso for Marimba
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Pharaoh Publications
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SheetMusicPlus
Percussion Ensemble - SKU: A0.935390 Arranged by Dan Heslink. Christian,Christmas. Score and parts. 16 pages. Pharaoh Publications #6117165. Published b...
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Percussion Ensemble - SKU: A0.935390 Arranged by Dan Heslink. Christian,Christmas. Score and parts. 16 pages. Pharaoh Publications #6117165. Published by Pharaoh Publications (A0.935390). Christmas Calypso for Marimba Quartet . . . . . . . . . . . . . . arr. Dan HeslinkThe calypso style referenced in the title is not the calypso of Afro-Caribbean music from Trinidad and Tobago. Rather, it is the especially toned-down but still rhythmic commercial variant popularized by folk singers. Couched in this style, the arrangement offers Christmas favorites Deck the Halls, Angels We Have Heard On High, God Rest Ye Merry Gentlemen and Good Christian Men, Rejoice. This if one of two versions of the calypso arrangement by Dan Heslink, both of which are available through Sheet Music Plus. The other arrangement, for percussion sextet, follows similar musical contours and is available separately. Both versions are intended to elicit one primary response from both performers and audience – fun. It does not tax the players technically, but delivers a satisfying sound with carols that the performers likely know and love. General audiences will be enchanted by the familiar melodies delivered in percussion, especially at Christmas time. The introduction opens with a brisk and rhythmic introduction based on Deck the Halls, and establishes the fun calypso rhythm immediately. Deck the Halls is the much-loved welsh air that was arranged by Haydn, Nos galan (Hob. XXXIb:29, 1803). Then, Angels We Have Heard on High breaks out in double-stops with a continuation of the rhythmic impetus. The birth of Jesus Christ as narrated in the Gospel of Luke is the subject of Angels We Have Heard on High, a traditional French song of unknown origin. The gloria section provides some flowing contrast, portraying the shepherds’ impressions as they encounter a multitude of angels singing and praising. The performers are encouraged to use a relaxed stroke to glide through these passages. Following is God Rest Ye Merry Gentlemen, a 16th century English traditional Christmas carol also known under the title, The old Christmas Carol. It provides a contrast in tonality (minor mode) and texture. The xylophone part likely will lay most comfortably when executed with four mallets, although there are no three or four mallet chords in these passages. Good Christian Men, Rejoice is the closing selection in this Christmas medley. It’s title is an English translation of In dulci jubilo (Latin for In sweet rejoicing). The work ends happily with a summation of the calypso rhythm. This medley will be especially effective programmed on a winter holiday concert. Duration is 2:30. The arranger, Dan Heslink, assigned a difficulty level of medium easy, and can be contacted at dan@dheslink.com.
$4.99
Dandelion Wind
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Ensemble de Percussions
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INTERMÉDIAIRE
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Celtique/Irlandais
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Frank Pugh
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Dandelion Wind
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Frank Pugh
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SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.942719 Composed by Frank Pugh. Celtic,Contemporary,Standards. Score and parts. 8 pages. Frank Pugh #3550781. Pub...
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Percussion Ensemble - Level 3 - SKU: A0.942719 Composed by Frank Pugh. Celtic,Contemporary,Standards. Score and parts. 8 pages. Frank Pugh #3550781. Published by Frank Pugh (A0.942719). The title of Dandelion Wind comes from watching the white seeds blow off of a dandelion head in a strong breeze. Once in motion, the seeds travel with the wind until they come to a final resting place on the ground below. This piece flows along in that vein of a seedling's windblown journey.Although two marimbas were used in the sound file, the piece works equally well with vibraphones, xylophones, or a vibe/xylo/marimba mix. It has a slight Celtic feel to it, and it comes in at just over 1:30 if played at the minimum suggested tempo. It's a great choice for your percussion ensemble or to showcase a pair of mallet players in your program. The piece only requires one mallet per hand.If you would like to know more about me and what I do, you may locate me on LinkedIn at Frank Pugh Independent Composer / Arranger . You may also find me on Facebook at @fpughmusic . I would love to know where my music is being performed if you care to share it. Thanks!
$4.99
Han River Fantasy Suite (2011), a chamber concerto for horn and percussion ensemble
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Ensemble de Percussions
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INTERMÉDIAIRE/AVANCÉ
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Gary Powell Nash
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Han River Fantasy Suite
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Gary Powell Nash
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SheetMusicPlus
Percussion Ensemble - Level 4 - SKU: A0.881252 Composed by Gary Powell Nash. African,Contemporary,World. Score and parts. 122 pages. Gary Powell Nash #3...
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Percussion Ensemble - Level 4 - SKU: A0.881252 Composed by Gary Powell Nash. African,Contemporary,World. Score and parts. 122 pages. Gary Powell Nash #3553601. Published by Gary Powell Nash (A0.881252). Han River Fantasy Suite is based on and inspired by Nash’s first trip to Vietnam in 2007. Commissioned by a percussion and horn duo, it is a five movement chamber concerto with mvts 1 and 2 performed continuously, as are mvts 4 and 5, giving the aural perception of 3 movements. Mvt. 1, Dawning and mvt. 2, Morning Power Walks stem from Nash’s morning routine during that particular journey as he walked along the Han River in Danang, Vietnam every morning. Mvt 1 is a slow and lyrical prelude, with vibraphone and chimes serving as melodic and colorful supporting lines for the horn solo and that immediately proceeds to Mvt. 2, a fast and somewhat fiery movement, alluding to a fast power walk. Mvt. 3. Moonlight Stroll is slow and lyrical, highlighted by bowed vibes and triangle being struck while placed on a timpani during a glissando in the middle section. Mvt. 4, Boat Ride is a fast and dance-like, composed in compound duple meter and transitions to mvt. 5, Going Home, in a slightly faster simple quadruple meter.
$50.00
God Only Knows
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Ensemble de Percussions
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FACILE
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Rock
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The Beach Boys
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Michael Feathers
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God Only Knows
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Michael Feathers
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SheetMusicPlus
Percussion Ensemble - Level 2 - SKU: A0.1032541 By The Beach Boys. By Brian Wilson and Tony Asher. Arranged by Michael Feathers. Pop,Rock. Score and par...
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Percussion Ensemble - Level 2 - SKU: A0.1032541 By The Beach Boys. By Brian Wilson and Tony Asher. Arranged by Michael Feathers. Pop,Rock. Score and parts. 25 pages. Michael Feathers #4969429. Published by Michael Feathers (A0.1032541). This classic song by The Beach Boys was arranged for the early to intermediate percussion ensemble consisting of 6-7 players. This arrangement contains all of the features that make this song unique and exemplifies the brilliance of Brian Wilson's compositional style. It stays true to some of the original song's melodic, harmonic, and rhythmic complexities which not only challenges the performers, but also gives the piece authenticity that your audiences are sure to enjoy!
$25.00
Asian Symmetries
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Ensemble de Percussions
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INTERMÉDIAIRE
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Dan Heslink
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Asian Symmetries
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Pharaoh Publications
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SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.935379 Composed by Dan Heslink. Contemporary,World. Score and parts. 30 pages. Pharaoh Publications #4978359. Pu...
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Percussion Ensemble - Level 3 - SKU: A0.935379 Composed by Dan Heslink. Contemporary,World. Score and parts. 30 pages. Pharaoh Publications #4978359. Published by Pharaoh Publications (A0.935379). Asian Symmetries by Dan Heslink Asian Symmetries is a fanciful work which draws loosely from the musical procedures and sonic preferences of Indonesian and other Asian musical styles. It is scored for three percussionists, each with their own battery of instruments. Gamelan-like impressions might be inferred from the cyclical nature of its rhythm, using metal plates like cymbals and gongs to mark large units of rhythmic time. Also evocative are the faster moving elaborations and a preponderance of metallophones in the instrumentation. The work is medium to difficult in its demands. There are quick changes of instrument, planned to be manageable but requiring some attention to logistics Each player’s performance station must remain stationary, with all instruments in reach without moving the performer’s position. Percussion I and Percussion III players must set up next to each other so that they may share the tenor drum. A selection of mallets that allows different striking surfaces to sound good without undue picking up and setting down of mallets is suggested. Changes of meter and tempo occur, and an odd meter section sporting measures in 12/8, 6/8, 11/8 may require some additional attention. The instrumentation is selected to approximate Asian sounds with common western instruments. Performance time is 6:28. The composer, Dan Heslink, can be reached at dan@dheslink.com.
$4.99
Sharks' Teeth, a Musical Game for Percussion
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Ensemble de Percussions
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INTERMÉDIAIRE
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Contemporain
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Dan Heslink
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Sharks' Teeth, a Musical Game
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Pharaoh Publications
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SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.935392 Composed by Dan Heslink. Contemporary. Score and parts. 23 pages. Pharaoh Publications #6203899. Publishe...
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Percussion Ensemble - Level 3 - SKU: A0.935392 Composed by Dan Heslink. Contemporary. Score and parts. 23 pages. Pharaoh Publications #6203899. Published by Pharaoh Publications (A0.935392). Sharks’ Teeth, a Game for any Number of Percussionists. . . . . . . . . . . . . . . Dan Heslink Sharks’ Teeth is a musical game, or contest, between two or more percussionists. It is based on rhythm, and can therefore be executed on any combination of indefinitely-pitched percussion instruments. Its execution relies on guided improvisation governed by preconceived thematic material and manners of elaboration. In addition to the two or more contestants, another musician functions as a Game Meister (GM) who controls that game’s progress and evaluation. Enclosed are the game instructions for a contest of guided improvisation, and a notated example for two percussionists and Game Meister, Shark’s Tooth. This score can also be played on recital. After reading the contest instructions, the composer recommends that contestants next play the notated example before attempting the game through improvisation. Besides being fun to play, this game is also an excellent tool for fostering concentration, musicality, memory and an understanding of musical structure. The composer, Dan Heslink, assigned a difficulty level of medium, and can be contacted at dan@dheslink.com.
$9.99
The Man Who Laughs
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Ensemble de Percussions
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AVANCÉ
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the end of this section, the a
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Jehad Choate
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The Man Who Laughs
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Jehad Choate
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.1025413 Composed by Jehad Choate. 20th Century,Contemporary,Film/TV. Score and parts. 67 pages. Jehad Choate #47...
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Percussion Ensemble - Level 5 - SKU: A0.1025413 Composed by Jehad Choate. 20th Century,Contemporary,Film/TV. Score and parts. 67 pages. Jehad Choate #4781401. Published by Jehad Choate (A0.1025413). The Man Who Laughs is a musical portrait of Batman’s greatest adversary, the Joker (Detective Comics). This piece draws inspiration from both comic book sources and live-action performances on film and television. It features five continuous sections:One Bad Day: (Page 1) A prelude showcasing a lush melodic theme that ascribes the derangement of a normal man to the dramatic events of one bad day.How I Got These Scars: (Page 10) Introduces additional thematic material at a frantically energized pace to contrive an identity from a mind fragmented by hitting rock bottom.Why So Serious: (Page 17) Punctuates the Joker’s aggressive resolutions with a reoccurring two note motif.A Dance with the Devil: (Page 33) A fleshed-out unity of previous materials in a romantic waltz-like style.Giggling in a Corner and Bleeding: (Page 47) A dynamic and provocative bout of hysteria that challenges the speed and dexterity of a player in the same way the Joker challenges the ideological resolve of Batman. By the end of this section, the audience might feel like they have been attacked by the Joker, influenced by him, or may have actually been the Joker all along.
$10.00
Einmal möcht' Ich so verliebt sein (from Beautiful Galathea)
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Ensemble de Percussions
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Franz von Suppe
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Flávio Régis Cunha
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Einmal möcht' Ich so verl
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Flavio Regis Cunha
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SheetMusicPlus
Percussion Ensemble - SKU: A0.597222 Composed by Franz von Suppe. Arranged by Flávio Régis Cunha. Concert,Opera,Romantic Period,Standards. Score a...
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Percussion Ensemble - SKU: A0.597222 Composed by Franz von Suppe. Arranged by Flávio Régis Cunha. Concert,Opera,Romantic Period,Standards. Score and parts. 16 pages. Flavio Regis Cunha #4593577. Published by Flavio Regis Cunha (A0.597222). Die schöne Galathée (The Beautiful Galatea) is an operetta in two acts by Franz von Suppé to a German libretto by the composer and 'Poly Henrion' (the pseudonym of Leonhard Kohl von Kohlenegg). This arrangement of Einmal möcht' Ich so verliebt sein (one aria of the operetta) for orchestra and soprano voice is a very good Encore or an orchestral piece for your repertoire.Flavio Regis Cunha is a pianist, conductor and composer from São Paulo - Brasil. He is currently finishing his doctorate at Mackenzie Presbyterian University where he works as conductor of the Mackenzie University Orchestra and resident composer. For more arrangements like this, works by commission or for any questions you can contact Flavio Regis Cunha at his facebook page: https://www.facebook.com/flavioregiscunhaIn the early 1860s, French operettas by Jacques Offenbach were first presented in Vienna. Franz von Suppé was obliged to compete with them by taking the time-honored traditions of Vienna and combining it with the new style of Offenbach. Die schöne Galathée was Franz von Suppé's first critical success. The sculptor Pygmalion has fallen madly in love with his statue of Galathée and accordingly does not want to sell it to Mydas, a patron of the arts. Instead he prays to Venus, the goddess of the love, that the statue be brought to life. The wish is granted but Galathée turns out to be a very independent-minded creature. She is unfaithful to Pygmalion with his servant Ganymed (because he is much more pleasing to her than Pygmalion) and does not reject Mydas, who offers her jewelry. When Pygmalion catches Galathée in a compromising situation, he successfully implores Venus to turn her back into stone. The jewelry offered by Mydas is also turned into stone, but the whole statue is sold to him.
$20.00
Quartet #5
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Ensemble de Percussions
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INTERMÉDIAIRE
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Contemporain
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Jeff Tincher
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Quartet #5
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Jeff Tincher
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SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.584693 Composed by Jeff Tincher. Contemporary. Score and parts. 45 pages. Jeff Tincher #6019467. Published by Je...
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Percussion Ensemble - Level 3 - SKU: A0.584693 Composed by Jeff Tincher. Contemporary. Score and parts. 45 pages. Jeff Tincher #6019467. Published by Jeff Tincher (A0.584693). This composition begins with a 4/4 March. I wanted to write a composition that started with a simple chord. As the march progresses I added a mote here and there. Each note added continues until a complete musical composition is formed. But it doesn't stop there. Once the composition is formed it progresses to a solemn, smooth 5/4 section. This section then breaks apart to where each instrument has a solo. Then the solos are combined before it returns to the original rhythm with a different chord. Hear the full version of composition on Jeff Tincher's For Percussion Quartet CD. Duration = 6:57. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing.
$12.99
Zona Centro (Downtown)
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Ensemble de Percussions
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INTERMÉDIAIRE/AVANCÉ
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Reggae
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Luis Carlos Diaz
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Luis Carlos Diaz
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Zona Centro
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azdi
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SheetMusicPlus
Percussion Ensemble - Level 4 - SKU: A0.1029902 Composed by Luis Carlos Diaz. Arranged by Luis Carlos Diaz. 20th Century,Contemporary,Hip-Hop,World. Sco...
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Percussion Ensemble - Level 4 - SKU: A0.1029902 Composed by Luis Carlos Diaz. Arranged by Luis Carlos Diaz. 20th Century,Contemporary,Hip-Hop,World. Score and parts. 119 pages. Azdi #5983083. Published by azdi (A0.1029902). Downtown area Musical work, for chamber orchestra, which recreates the atmospheres experienced when walking through the streets of the downtown area of ​​my city (Tijuana). Using the popular urban rhythms that can be heard live, performed by all the city's musicians, such as: Rap hip hop). The most popular and booming genre among young people in this city in particular and throughout Mexico in general. Jazz, which since the 1960s has been played on the legendary Av. Revolución. Aztec Dance (Mexica) that is still practiced by various circles of the city and the country, preserving ancient cultures. Reggae. Music of conscience and positive message, which is the most listened to and performed by numerous local and independent bands from the northern border. Divided into three parts, it begins with a melody or main theme, such as the bass line used on rap tracks, played first by the trombone, the double bass, and later also by the other instruments, on a rhythmic basis in the section of percussions with a characteristic rhythm of rap music at a speed of 90 bpm.
$33.00
New Resources
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Ensemble de Percussions
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Contemporain
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Andrew Ardizzoia
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New Resources
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Heartland Marimba
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SheetMusicPlus
Percussion Ensemble - SKU: A0.1099614 Composed by Andrew Ardizzoia. Contemporary. Score and parts. 57 pages. Heartland Marimba #703447. Published by Hea...
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Percussion Ensemble - SKU: A0.1099614 Composed by Andrew Ardizzoia. Contemporary. Score and parts. 57 pages. Heartland Marimba #703447. Published by Heartland Marimba (A0.1099614). New Resources is an exploration of the compositional techniques commonly found in African drumming. A simple four-bar pattern is subjected to a number of processes and permutations, creating increasingly complex polyrhythms and a sense of large-scale acceleration. These passages, which are played on wood instruments, are interrupted by shorter sections that involve skin and metal timbres. Composed in 1999, New Resources is one of the few pieces from my undergraduate that still sees the light of day. In 2004, my collaborative partner Lisa Rie used the music to accompany a dance piece entitled Delta Eco, which celebrates the rich flora and fauna of California’s San Joaquin River Delta. New Resources has had performances throughout California and Arizona, and in 2005 it was played by William Moersch and the University of Illinois Percussion Ensemble. ~A.A.
$33.00
Quartet #9
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Ensemble de Percussions
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INTERMÉDIAIRE
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Contemporain
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Jeff Tincher
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Quartet #9
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Jeff Tincher
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SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.584697 Composed by Jeff Tincher. Contemporary. Score and parts. 52 pages. Jeff Tincher #6019477. Published by Je...
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Percussion Ensemble - Level 3 - SKU: A0.584697 Composed by Jeff Tincher. Contemporary. Score and parts. 52 pages. Jeff Tincher #6019477. Published by Jeff Tincher (A0.584697). This composition is a Bolero in 12/8. It begins with the initial rhythm that is played throughout the piece. The piece begins at ppp and increases in volume as each instrument plays the melody section. As each instrument enters, it forms a round of the same melody. The bridge begins with the continuing rhythm with each instrument adding their own note with the same rhythm until the complete quartet is playing the same rhythm in a chord. The bridge leads to the climax section where the initial rhythm continues with the third instrument imitates a tympani while the upper two instruments play the melody in harmony at fff volume. The finale is a repeat of the layering bridge to a single accented chord. Hear the full version of composition on Jeff Tincher's For Percussion Quartet CD. Duration = 6:43. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing
$12.99
Up the Body and Down the Page
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Ensemble de Percussions
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INTERMÉDIAIRE/AVANCÉ
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Tsoof Baras
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Up the Body and Down the Page
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Tsoof Baras
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SheetMusicPlus
Percussion Ensemble - Level 4 - SKU: A0.1013929 Composed by Tsoof Baras. Concert,Contemporary,Instructional,Standards. Score and parts. 16 pages. Tsoof ...
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Percussion Ensemble - Level 4 - SKU: A0.1013929 Composed by Tsoof Baras. Concert,Contemporary,Instructional,Standards. Score and parts. 16 pages. Tsoof Baras #6663587. Published by Tsoof Baras (A0.1013929). Players - 4Instrumentation - Body Percussion‘Up the Body and Down the Page’ is a body percussion piece for percussion quartet. This piece involves the playing of one’s body as an instrument. For musicians, this piece is short, easy to setup, exciting for the crowd, a bit of a workout, fun to play and a challenge.My aim for this piece was to emulate the concept of ‘seeing sounds’ by only creating sound in the light. It was a challenge to get the lighting effect that provided us with a sharp difference between light and dark.Because it is such a physical piece, I would encourage the performers to add in choreography and to exercise the power of choice in terms of sticking (‘handings’ and ‘footings’) and the choice between standing and sitting. The performers may also experiment with visual mediums like talcum powder and other sound choices like using toy hammers instead of hands and choosing extremely thick shoes.
$45.00
Vivaldi Medley for Marimba Band - Score Only
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Ensemble de Percussions
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Joan Lithgow
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Joan Lithgow
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Vivaldi Medley for Marimba Ban
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Joan Lithgow Music
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SheetMusicPlus
Percussion Ensemble - Level 4 - SKU: A0.1295814 By Joan Lithgow. By Antonio Vivaldi. Arranged by Joan Lithgow. Baroque,Children,Contemporary,Multicultur...
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Percussion Ensemble - Level 4 - SKU: A0.1295814 By Joan Lithgow. By Antonio Vivaldi. Arranged by Joan Lithgow. Baroque,Children,Contemporary,Multicultural,World. 12 pages. Joan Lithgow Music #886140. Published by Joan Lithgow Music (A0.1295814). This piece is ideally suited for the Marimba Workshop (Pty) Ltd marimbas.www.marimbaworkshop.co.za  It was arranged for the Goede Hoop Marimba Band to be performed at the 2016 Education Africa International Marimba & Steelpan Festival in the Strictly Classical Category where the composer for this category for that year was Antonio Vivaldi. This performance has gone viral on YouTube. These young girls were aged between 11 and 13 at the time. It is written for African diatonic marimbas in C with an African feel but can be played on a variety of different instruments. Feel free to roll (measured or unmeasured) on the long notes.Whenever I teach this arrangement my students fall in love with Vivaldi and his music. The medley consists of music from Vivaldi's Four Seasons: Spring and Winter and his famous Gloria. There is a joy and wonder as the harmonies and patterns are revealed to them through my unique methodology I use to teach them.I hope you have fun learning this arrangement.I would love to hear your version of this piece. Please email:  joan@marimbaworkshop.co.za.
$19.99
The Horla (Excerpt), an Accompanied Reading
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Ensemble de Percussions
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INTERMÉDIAIRE
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Contemporain
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Paul Burnell
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The Horla
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Paul Burnell
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SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.835781 Composed by Paul Burnell. Contemporary. Score and parts. 6 pages. Paul Burnell #3222647. Published by Pau...
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Percussion Ensemble - Level 3 - SKU: A0.835781 Composed by Paul Burnell. Contemporary. Score and parts. 6 pages. Paul Burnell #3222647. Published by Paul Burnell (A0.835781). Composed 2015. One of a series of fourteen accompaniments to texts published between 1886-1899 Duration 4:45 approx. For percussion (three players) and narrator Narrator text - from 'Le Horla' by Guy de Maupassant (1850 - 1893), published 1887. English translation by Jonathan Sturges (1864–1911) published 1890. Guy de Maupassant was a French writer, remembered as a master of the short story. It has been suggested that the word horla is a blending of the French words hors (outside) and là (there) and the title can be interpreted as the what’s out there. Percussion: Wind wand or bullroarer and two guiros (or similar). Players read from the score. Narrator cues are shown in the score in boxed text and below in square brackets. Between rehearsal letters [D] and [H] the percussionists maintain tempo; the narrator cues are for guidance only.
$1.99
Can't Stop The Feeling from TROLLS
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Ensemble de Percussions
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INTERMÉDIAIRE
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Justin Timberlake
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Bradley R Meholick
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Can't Stop The Feeling from TR
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Bradley R Meholick
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SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.991820 By Justin Timberlake. By Johan Schuster, Justin Timberlake, Max Martin, and Shellback. Arranged by Bradle...
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Percussion Ensemble - Level 3 - SKU: A0.991820 By Justin Timberlake. By Johan Schuster, Justin Timberlake, Max Martin, and Shellback. Arranged by Bradley R Meholick. Dance,Pop. Score and parts. 43 pages. Bradley R Meholick #3449965. Published by Bradley R Meholick (A0.991820). Have some fun with your percussion ensemble with this 2016 Justin Timberlake from the Dreamcast motion picture TROLLS. This arrangement is perfect for percussion ensembles at either the middle or secondary level as it's varied level parts makes this showy sounding arrangement very accessible to groups with students at different performance levels. An advancing mallet player can enjoy learning a familiar song while working their 4 mallet technique while those newer to the mallets can work with a part that stays on the popular melody.
$14.99
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That's It! - Piano
