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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
That\'s my Sin
Non classifié
671
Piano & claviers
Piano seul
434
Piano, Voix et Guitare
172
Piano, Voix
153
Piano Facile
84
Instruments en Do
39
Orgue
35
1 Piano, 4 mains
9
2 Pianos, 4 mains
6
Piano Trio: piano, violon, violoncelle
5
Accordéon
5
Accompagnement Piano
5
Piano Quatuor: piano, 2 violons, violoncelle
2
Clavecin
1
Piano Quatuor: piano, violon, alto, violoncelle
1
Piano (partie séparée)
1
+ 10 instrumentations
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Guitares
Guitare notes et tablatures
51
Guitare
40
Ukulele
9
Basse electrique
8
Ligne De Mélodie, (Paroles) et Accords
6
4 Guitares (Quatuor)
5
2 Guitares (duo)
5
Dulcimer
1
Paroles et Accords
1
+ 4 instrumentations
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Voix
Chorale SATB
249
Chorale 3 parties
86
Chorale TTBB
46
Chorale SSAA
40
Chorale 2 parties
27
Chorale Unison
21
Voix Soprano, Piano
16
Voix Alto, Piano
15
Voix Baryton, Piano
14
Voix Tenor, Piano
13
Voix duo, Piano
5
Voix duo
5
Voix Soprano
2
Voix Tenor
2
Chorale SSAB, Piano
1
Chorale
1
Voix seule
1
Voix Mezzo-Soprano, Piano
1
Chorale SSATTB
1
Voix haute
1
+ 15 instrumentations
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Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
81
Quatuor de Saxophones: 4 saxophones
78
Quintette de Saxophone: 5 saxophones
63
Flûte, Hautbois, Clarinette, Basson
61
Clarinette
30
Flûte traversière et Piano
26
Hautbois (partie séparée)
24
Flûte traversière
22
2 Flûtes traversières (duo)
21
Saxophone Alto
20
Saxophone Tenor
20
Saxophone Alto et Piano
19
Ensemble de Clarinettes
16
Quatuor de Clarinettes: 4 clarinettes
15
Hautbois, Piano (duo)
15
2 Saxophones (duo)
14
Saxophone (partie séparée)
13
Clarinette et Piano
12
Saxophone Tenor et Piano
12
Saxophone Soprano et Piano
11
Flûte et Guitare
9
Saxophone Baryton, Piano
8
Quintette de Flûte : 5 flûtes
8
Saxophone Soprano
7
Quatuor de Flûtes : 4 flûtes
7
Flute (partie séparée)
6
Flûte à bec Soprano
6
Flûte irlandaise
6
Flûte à Bec
5
Ensemble de Flûtes
5
Ensemble de saxophones
5
Saxophone, Clarinette (duo)
5
Flûte à bec Tenor
4
Quintette de Clarinettes: 5 clarinettes
4
Saxophone Baryton
4
2 Clarinettes (duo)
4
Flûte à bec Alto
4
Hautbois
4
Clarinette, Guitare (duo)
4
2 Hautbois (duo)
3
Hautbois, Flûte
3
Hautbois, Guitare (duo)
3
Clarinette, Violon (duo)
3
Hautbois, Clarinette (duo)
3
3 Clarinettes (trio)
2
Clarinette et Alto
2
Flûte, Clarinette, Cor, Basson (Quartet)
2
2 Cors Anglais Et Pianoforte
2
Hautbois, Basson (duo)
2
Saxophone
2
3 Saxophones (trio)
1
Flûte, Violon
1
Clarinette, Basson (duo)
1
Trio de Flûtes: 3 flûtes
1
Clarinette Basse, Piano
1
Saxophone et Guitare
1
Flûte, Saxophone (duo)
1
Quatuor de Flûtes à bec
1
Instruments en Mib
1
Cor anglais, Piano
1
Flute, harpe et violon
1
Cor anglais, Guitare (duo)
1
2 Flûte à bec (duo)
1
Piccolo
1
Flûte, Clarinette (duo)
1
Hautbois, Clarinette, Basson (trio d'anches)
1
+ 61 instrumentations
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Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
56
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
45
Quatuor de cuivres: 4 trombones
38
Trompette
28
Trombone
22
Quatuor de Cuivres
21
Trompette, Piano
20
Cor et Piano
17
Cor
16
Trombone et Piano
14
Tuba et Piano
14
Tuba
11
Quatuor de Cuivres: 2 trompettes, Cor, trombone
10
Ensemble de Trombones
9
Ensemble de Trompettes
7
Trompette (partie séparée)
6
Trio de Cuivres
4
2 Trompettes (duo)
4
Trompette, Saxophone (duo)
2
2 Trombones (duo)
2
Euphonium, Piano (duo)
2
2 Cors Anglais Et Pianoforte
2
Quatuor de cuivres: 4 trompettes
1
Ensemble de Tubas
1
Instruments en Fa
1
Quatuor de cuivres: 4 cors
1
Cor anglais, Piano
1
Trompette, Trombone (duo)
1
Cor anglais, Guitare (duo)
1
Trombone basse et Piano
1
Trompette, Tuba (duo)
1
Instruments en Sib
1
+ 27 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
162
Violon
39
Violon et Piano
33
Violoncelle
30
Harpe
25
Violoncelle, Piano
17
Alto, Piano
15
Quintette à cordes: 2 violons, alto, violoncelle, basse
15
Violon, Violoncelle (duo)
13
Alto seul
13
Contre Basse
12
Trio à Cordes: violon, alto, violoncelle
12
2 Violons (duo)
10
Contrebasse, Piano (duo)
8
Ensemble de Violons
8
Ensemble d'Altos
8
Trio à Cordes: 2 violons, violoncelle
7
2 Violoncelles (duo)
6
Harpe, Voix
6
Alto (partie séparée)
3
2 Altos (duo)
2
4 Violoncelles
2
Violon, Alto (duo)
2
2 Harpes (duo)
2
Violoncelle , Guitare (duo)
2
Quatuor à cordes: 4 violons
1
Alto, Guitare (duo)
1
+ 22 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
89
Orchestre
49
Ensemble de cuivres
33
Ensemble Jazz
29
Orchestre à Cordes
29
Orchestre de chambre
20
Jazz combo
10
Cloches
10
Ensemble de Percussions
5
Fanfare
3
Marimba
1
Vibraphone
1
Orchestre, Violon
1
Ensemble d'École
1
Batterie
1
Piano et Orchestre
1
+ 11 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
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LIVRES
LUTH
MANDOLINE
MARIMBA
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ORGUE
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PIANO
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Vous avez sélectionné:
That\'s my Sin
Ensemble de Percussions
Partitions à imprimer
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On Dirait
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Ensemble de Percussions
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FACILE
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Contemporain
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Amir
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Stephane ELSINY
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On Dirait
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Stephane Elsiny
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SheetMusicPlus
Percussion Ensemble - Level 2 - SKU: A0.1005238 By Amir. By Jerome Queriaud and Nazim Yahya Kemal Khaled. Arranged by Stephane ELSINY. Contemporary. Sco...
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Percussion Ensemble - Level 2 - SKU: A0.1005238 By Amir. By Jerome Queriaud and Nazim Yahya Kemal Khaled. Arranged by Stephane ELSINY. Contemporary. Score and parts. 2 pages. Stephane Elsiny #5359677. Published by Stephane Elsiny (A0.1005238). When you like a pop rock song, would you like to play it with your instrument? Me too, that's good!The original tone is respected. So add karaoke online and go ! Example for this title: https://youtu.be/lN9XM0yn-gwProfessors, these titles are ideal for motivating your students.Students, bring these titles to your teacher and have fun.Soon other French songs, pop, variety and also international songs…Do you have a question about your purchase? You can contact me by e-mail: musicaccess.se@gmail.comBe informed of new products by subscribing to my YouTube channel: https://www.youtube.com/user/musicaccessse
$4.99
Two Dreams for solo Trombone and 8-part Percussion Ensemble
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Ensemble de Percussions
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AVANCÉ
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Antonio J
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Two Dreams for solo Trombone a
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Gordon Cherry
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.811252 Composed by Antonio J. Garcia. Contemporary,Jazz,Latin,World. Score and parts. 119 pages. Gordon Cherry #...
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Percussion Ensemble - Level 5 - SKU: A0.811252 Composed by Antonio J. Garcia. Contemporary,Jazz,Latin,World. Score and parts. 119 pages. Gordon Cherry #6549777. Published by Gordon Cherry (A0.811252). Two Dreams for Trombone and Percussion EnsembleDr. Justin Alexander (Director, VCU Percussion Ensemble) invited me to create a piece for trombone and percussion ensemble that had roles for more- and less-experienced players so that they could mix within the performance. I so enjoyed composing and performing this work. He estimates the overall difficulty grade of Movement I to be a three on a five-point scale and Movement II to be a four, with a grade four for the overall piece; but some players’ parts (within the eight total in the percussion ensemble) are indeed easier.The two Movements are approximately five minutes each.The first Movement Bilita Mpash (An Amazing Dream) calls for (1) shekeré/guiro; (2) 5-octave marimba (shared with...); (3) 5-octave marimba (shared with previous); (4) claves/drum set with mounted cowbell; (5) bell/mounted cowbell/congas; (6) hi-hat/suspended cymbal; (7) bass drum; and (8) four toms/maracas.The Second Movement (Running with the Tigers) calls for (1) xylophone; (2) vibraphone/glockenspiel; (3) 5-octave marimba; (4) drum set; (5) shaker/samba whistle/congas (opt. voice); (6) triangle/bell tree/hanging bells/agogo bells (opt. voice); (7) bass drum (opt. voice); and (8) Timpani (opt. voice). Pending difficulty levels, the conga and drum set parts can optionally be split among additional percussionists. The score notes offer a stage plot and many rehearsal tips.Bilita Mpash (An Amazing Dream)The 3-2 Rumba Clave anchors this movement, launched by the shekeré. Rhythmic vamps of multiple bars form the landscape over which the trombone’s melody emerges, followed by a move to double-time 2-3 Rumba Clave (with montuno) and back. The trombone soloist improvises without chordal accompaniment for a while so could reflect on the preceding harmonies or instead freely improvise with no concern as to chord changes, while a later section requires improv over chord changes. After the recap, a surprise tag of the ending phrase in Cha Cha sets up the rubato finish. Bilita Mpash (BILL-it-uh m-POSH) is a Bantu term for an amazing dream, a dream so good that it is the polar opposite of a nightmare-a dream in a blissful state where all is forgiven and forgotten2. Running with the TigersThe opening, written-out marimba solo is somewhat of a nod to vibist Gary Burton’s influence in bringing mallets towards the expression of modern jazz. A 9/8 samba-groove (5+4) transforms to 4/4. None of the percussionists have to have a jazz background, though the drum set player would be more challenged if not already exposed to Latin drumming. The improvised solo section could be all solo trombone or could be divided among various performers, including trading. The recap of the tune begins over 5/8 samba (3+2, later 2+3). The closing arrhythmic drum-set solo crescendos as the optional surprise of percussionists’ (or additional) voices sing at the end. The title of this movement refers to a recurring dream my dad would have, as well as to the active movements of my grandson when sleeping in his earliest years.-Antonio J. GarcÃaInstrumentation is for:Solo Trombone and 8-part Percussion Ensemble:shekeré/guiro, 2 5-octave marimbas, claves/drumset with cowbell, bell, congas, hi-hat, suspended cymbal, bass drum, toms, maracas, xylophone, vibraphone, glockenspiel, shaker, samba whistle, congas, triangle, bell tree, hanging bells, agogo bells, bass drum and timpani.This rhythmic and dramatic work includes improvisation by the Trombonist. Listen to the brilliant live performance featuring Mr. Garcia and the Virginia Commonwealth University Percussion Ensemble directed by Dr. Justin Alexander.
$50.00
Up the Body and Down the Page
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Ensemble de Percussions
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INTERMÉDIAIRE/AVANCÉ
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Tsoof Baras
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Up the Body and Down the Page
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Tsoof Baras
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SheetMusicPlus
Percussion Ensemble - Level 4 - SKU: A0.1013929 Composed by Tsoof Baras. Concert,Contemporary,Instructional,Standards. Score and parts. 16 pages. Tsoof ...
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Percussion Ensemble - Level 4 - SKU: A0.1013929 Composed by Tsoof Baras. Concert,Contemporary,Instructional,Standards. Score and parts. 16 pages. Tsoof Baras #6663587. Published by Tsoof Baras (A0.1013929). Players - 4Instrumentation - Body Percussion‘Up the Body and Down the Page’ is a body percussion piece for percussion quartet. This piece involves the playing of one’s body as an instrument. For musicians, this piece is short, easy to setup, exciting for the crowd, a bit of a workout, fun to play and a challenge.My aim for this piece was to emulate the concept of ‘seeing sounds’ by only creating sound in the light. It was a challenge to get the lighting effect that provided us with a sharp difference between light and dark.Because it is such a physical piece, I would encourage the performers to add in choreography and to exercise the power of choice in terms of sticking (‘handings’ and ‘footings’) and the choice between standing and sitting. The performers may also experiment with visual mediums like talcum powder and other sound choices like using toy hammers instead of hands and choosing extremely thick shoes.
$45.00
Zona Centro (Downtown)
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Ensemble de Percussions
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INTERMÉDIAIRE/AVANCÉ
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Reggae
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Luis Carlos Diaz
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Luis Carlos Diaz
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Zona Centro
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azdi
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SheetMusicPlus
Percussion Ensemble - Level 4 - SKU: A0.1029902 Composed by Luis Carlos Diaz. Arranged by Luis Carlos Diaz. 20th Century,Contemporary,Hip-Hop,World. Sco...
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Percussion Ensemble - Level 4 - SKU: A0.1029902 Composed by Luis Carlos Diaz. Arranged by Luis Carlos Diaz. 20th Century,Contemporary,Hip-Hop,World. Score and parts. 119 pages. Azdi #5983083. Published by azdi (A0.1029902). Downtown area Musical work, for chamber orchestra, which recreates the atmospheres experienced when walking through the streets of the downtown area of ​​my city (Tijuana). Using the popular urban rhythms that can be heard live, performed by all the city's musicians, such as: Rap hip hop). The most popular and booming genre among young people in this city in particular and throughout Mexico in general. Jazz, which since the 1960s has been played on the legendary Av. Revolución. Aztec Dance (Mexica) that is still practiced by various circles of the city and the country, preserving ancient cultures. Reggae. Music of conscience and positive message, which is the most listened to and performed by numerous local and independent bands from the northern border. Divided into three parts, it begins with a melody or main theme, such as the bass line used on rap tracks, played first by the trombone, the double bass, and later also by the other instruments, on a rhythmic basis in the section of percussions with a characteristic rhythm of rap music at a speed of 90 bpm.
$33.00
Quartet #9
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Ensemble de Percussions
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INTERMÉDIAIRE
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Contemporain
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Jeff Tincher
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Quartet #9
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Jeff Tincher
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SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.584697 Composed by Jeff Tincher. Contemporary. Score and parts. 52 pages. Jeff Tincher #6019477. Published by Je...
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Percussion Ensemble - Level 3 - SKU: A0.584697 Composed by Jeff Tincher. Contemporary. Score and parts. 52 pages. Jeff Tincher #6019477. Published by Jeff Tincher (A0.584697). This composition is a Bolero in 12/8. It begins with the initial rhythm that is played throughout the piece. The piece begins at ppp and increases in volume as each instrument plays the melody section. As each instrument enters, it forms a round of the same melody. The bridge begins with the continuing rhythm with each instrument adding their own note with the same rhythm until the complete quartet is playing the same rhythm in a chord. The bridge leads to the climax section where the initial rhythm continues with the third instrument imitates a tympani while the upper two instruments play the melody in harmony at fff volume. The finale is a repeat of the layering bridge to a single accented chord. Hear the full version of composition on Jeff Tincher's For Percussion Quartet CD. Duration = 6:43. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing
$12.99
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That\'s my Sin
