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EUPHONIUM
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FLUTE A BEC
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FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
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PERCUSSION
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SAXOPHONE
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Non classifié
4325
PIANO & CLAVIERS
Piano seul
1911
Piano, Voix
998
Piano Facile
688
Piano, Voix et Guitare
484
Orgue
104
Accompagnement Piano
57
Piano Trio: piano, violon, violoncelle
28
Instruments en Do
25
1 Piano, 4 mains
25
Accordéon
21
Piano grosses notes
20
2 Pianos, 4 mains
19
Piano Quatuor: piano, violon, alto, violoncelle
15
Piano Quintette: piano, 2 violons, alto, violoncelle
6
Piano (partie séparée)
5
Piano Quatuor: piano, 2 violons, violoncelle
5
Orgue, Trompette (duo)
3
2 Pianos, 8 mains
3
Clavier
2
Orgue, Piano (duo)
1
Clavecin
1
Instrumentations suivantes
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GUITARES
Guitare
54
Basse electrique
41
Ukulele
40
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24
4 Guitares (Quatuor)
14
Guitare (partie séparée)
12
Piano, Guitare (duo)
12
3 Guitares (trio)
11
Paroles et Accords
10
Ligne De Mélodie, (Paroles) et Accords
9
Banjo
6
Mandoline
6
Mandoline, Guitare (duo)
4
Ensemble de guitares
2
2 Dulcimers (duo)
2
Mandoline, Piano (duo)
1
Orchestre à Plectres
1
Ensemble de Ukulélés
1
Basse électrique (partie séparée)
1
Guitare, Violon, Violoncelle (trio)
1
Instrumentations suivantes
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VOIX
Chorale SATB
258
Chorale 2 parties
80
Chorale 3 parties
80
Chorale Unison
57
Chorale TTBB
29
Voix Soprano, Piano
24
Chorale SSAA
17
Voix Tenor, Piano
15
Voix duo, Piano
14
Voix duo
7
Chorale
3
Voix basse, Piano
3
Soli, choeur mixte et accompagnement
2
Voix Tenor
1
Voix seule
1
Voix, Guitare
1
Chorale SSATTB
1
Voix Alto, Piano
1
Instrumentations suivantes
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VENTS
2 Saxophones (duo)
372
Flûte traversière et Piano
305
Hautbois, Piano (duo)
251
Clarinette et Piano
251
Saxophone Alto et Piano
211
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
206
Quintette de Saxophone: 5 saxophones
186
2 Clarinettes (duo)
179
Saxophone Tenor et Piano
168
2 Flûtes traversières (duo)
162
Saxophone Soprano et Piano
141
Quatuor de Saxophones: 4 saxophones
121
Ensemble de saxophones
103
Saxophone Baryton, Piano
95
Flûte, Hautbois, Clarinette, Basson
91
2 Hautbois (duo)
89
Saxophone, Clarinette (duo)
83
Quatuor de Clarinettes: 4 clarinettes
75
Saxophone (partie séparée)
73
Clarinette, Violon (duo)
67
Clarinette
60
Quintette de Flûte : 5 flûtes
50
2 Flûte à bec (duo)
50
Ensemble de Clarinettes
49
Cor anglais, Piano
45
Flûte, Clarinette (duo)
45
Ensemble de Flûtes
39
Hautbois, Basson (duo)
36
Clarinette, Trompette (duo)
36
Clarinette et Alto
34
Clarinette Basse, Piano
31
Flûte, Violon
31
Quatuor de Flûtes : 4 flûtes
31
Hautbois, Clarinette (duo)
29
Hautbois, Flûte
29
Flûte, Alto (duo)
27
Clarinette (partie séparée)
26
Hautbois (partie séparée)
25
Flûte, Saxophone (duo)
25
Flûte et Guitare
24
Flûte traversière
24
3 Saxophones (trio)
21
Saxophone Alto
19
Flûte, Trompette (duo)
19
Quintette de Clarinettes: 5 clarinettes
17
Flûte, Clarinette, Piano (trio)
14
Quatuor de Flûtes à bec
14
3 Clarinettes (trio)
14
Flûte, Hautbois, Piano (trio)
11
Clarinette, Trombone (duo)
10
Flute (partie séparée)
10
Flûte, Violon et Violoncelle
9
Flûte, Hautbois, Clarinette (trio)
9
Flûte, trombone et piano
9
Hautbois
8
Saxophone Tenor
8
Flûte irlandaise
8
Flûte, Alto et Piano
8
Hautbois, Clarinette, Basson (trio d'anches)
8
Saxophone Soprano
8
Saxophone Baryton
8
Trio de Flûtes: 3 flûtes
8
Clarinette, Violoncelle, Piano (trio)
8
Flûte, Violoncelle
7
Flûte à bec Soprano
6
Hautbois, Guitare (duo)
6
Clarinette, Guitare (duo)
6
2 Flûtes traversières, Piano
5
Flûte, Violoncelle, Piano (trio)
5
Flûte, Basson et Piano
5
Clarinette, Violoncelle (duo)
5
Flûte, Violon, Violoncelle et Piano
4
Clarinette, trompette et piano
4
Clarinette, Basson (duo)
4
Flûte, Violoncelle, Guitare
3
Piccolo, Piano
3
Flûte à bec Alto
3
2 Clarinettes, Piano
3
Flûte, Hautbois, Basson
3
Flute, harpe et violon
3
Flûte, Clarinette et Basson
2
3 Flûtes à bec (trio)
2
Flûte à bec Soprano, Piano
2
2 Cors Anglais Et Pianoforte
2
2 Saxophones, Piano
2
Flûte, Violon, Guitare
2
Saxophone et Guitare
2
Flûte à bec Alto, Piano
2
Ensemble De Flûte à bec
2
Clarinette, Harpe (duo)
1
Flûte, Violon, Piano
1
Cor anglais, Guitare (duo)
1
Cor Anglais
1
Flûte à Bec
1
Ensemble de Hautbois
1
Flûte, Hautbois (duo)
1
Flûte, Hautbois, Violon
1
Clarinette, Contrebasse (duo)
1
5 Flûtes à bec
1
4 Hautbois
1
Clarinette, Tuba
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Flûte, Trombone (duo)
1
Flûte et Trio à cordes
1
Cor anglais et Harpe (duo)
1
Saxophone et Orgue
1
Flûte à bec Tenor
1
Harmonica
1
Instrumentations suivantes
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
245
Quatuor de Cuivres : 2 trompettes, trombone, tuba
235
Trompette, Piano
210
Trombone et Piano
207
Cor et Piano
207
2 Trombones (duo)
105
Tuba et Piano
101
2 Trompettes (duo)
101
Quatuor de Cuivres: 2 trompettes, Cor, trombone
91
Ensemble de Trombones
80
Ensemble de Trompettes
71
Trompette, Saxophone (duo)
59
Euphonium, Piano (duo)
57
Trompette
54
Trombone (partie séparée)
46
2 Cors (duo)
46
Cor anglais, Piano
45
Trompette, Trombone (duo)
38
Trompette (partie séparée)
35
Quatuor de cuivres: 4 trombones
25
Trombone
23
Quatuor de Cuivres
20
Cor
20
Cor (partie séparée)
20
Tuba
19
2 Euphoniums (duo)
13
Tuba (partie séparée)
12
Quatuor de cuivres: 4 trompettes
8
Ensemble de Cors
6
Trio de Cuivres
6
2 Tubas (duo)
6
4 Tubas
5
Trompette, Cor (duo)
4
Quatuor de cuivres: 4 cors
4
2 Euphoniums et 2 Tubas
3
Tuba et Orgue
2
2 Cors Anglais Et Pianoforte
2
Trombone, Orgue
2
2 Trompettes, Clavier (piano ou orgue)
2
Quatuor de cuivres: 2 trompettes, 2 trombones
2
Cor anglais, Guitare (duo)
1
Cor Anglais
1
Cor, Violoncelle et Piano
1
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
1
3 Euphoniums
1
Trombone basse et Piano
1
Cor anglais et Harpe (duo)
1
Euphonium, Tuba (duo)
1
Trompette, Trombone, Piano
1
Ensemble de Tubas
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
666
Violon, Violoncelle (duo)
276
Alto, Piano
263
Violoncelle, Piano
261
Trio à Cordes: violon, alto, violoncelle
245
Violon
218
Violon et Piano
121
2 Violoncelles (duo)
118
Quintette à cordes: 2 violons, alto, violoncelle, basse
113
2 Altos (duo)
103
Harpe
94
Contrebasse, Piano (duo)
80
Violon, Alto (duo)
74
2 Violons (duo)
46
Alto seul
39
Violoncelle (partie séparée)
31
Alto (partie séparée)
31
2 Harpes (duo)
30
Ensemble de Violons
26
Violon (partie séparée)
23
Ensemble d'Altos
22
4 Violoncelles
19
Trio à Cordes: 2 violons, violoncelle
19
Contre Basse
19
Alto, Violoncelle (duo)
18
Quintette à cordes: 2 violons, 2 altos, violoncelle
15
Contrebasse (partie séparée)
15
Violoncelle
13
Violoncelle, Contrebasse (duo)
10
Harpe, Flûte (duo)
9
Quatuor à cordes: 4 violons
6
2 Contrebasses (duo)
6
Violoncelle , Guitare (duo)
6
Trio à Cordes: 3 violoncelles
6
Piano Trio: Violon, Alto, Piano
5
Flûte, Contrebasse (duo)
5
Quintette à cordes : 2 violons, alto et 2 violoncelles
5
Trio à cordes: 3 violins
4
Harpe, Violon (duo)
3
2 Violons, Piano
3
Trio à Cordes: 2 violons, alto
2
Quatuor à cordes : 4 altos
2
4 Contrebasses
2
Violon, Guitare (duo)
2
Ensemble de Violoncelles
2
Alto, Guitare (duo)
1
Harpe et Piano
1
Violon, Orgue
1
Violoncelle, Orchestre
1
Alto et Basson
1
Harpe, Voix
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
592
Orchestre à Cordes
375
Orchestre
345
Ensemble de cuivres
145
Ensemble Jazz
141
Cloches
123
Orchestre de chambre
99
Fanfare
39
Ensemble de Percussions
38
Jazz combo
29
Percussion (partie séparée)
22
Batterie
11
Batterie (partie séparée)
11
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
4
Ensemble d'École
3
Vibraphone
3
Orchestre, Violon
3
Marimba
2
Piano et Orchestre
1
Vibraphone et Marimba
1
Xylophone
1
Xylophone, Piano
1
Instrumentations suivantes
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AUTRES
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Ensemble de Percussions
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The Satyricon, A Balletic Roman Sex Comedy in 3 Acts, Individual Parts 2 (Strings, Harp, Timpani, Pe
Ensemble de Percussions
Percussion Ensemble - Level 5 - Digital Download SKU: A0.730494 Composed by James N…
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.730494 Composed by James Nathaniel Holland. Contemporary,Musical/Show. Score and parts. 326 pages. James Nathaniel Holland #4800780. Published by James Nathaniel Holland (A0.730494). Advisory: Ballet story contains adult situation and themes. Not suitable for audiences or performers under the age of 18. INDIVIDUAL INSTRUMENT PARTS 2 (Strings, Harp, Timpani and Percussion). Piano Score, Full Orchestral Score, Individual Parts (Part 1) Sold Separately. American composer, James Nathaniel Holland, brings a ballet adapted from the first century Roman novel by Gaius Petronius (cir. 50 A.D.) to the stage. An entertaining ballet for adults (not suitable for general audiences under the age of 18), celebrating the male ballet dancer's physique and a laugh at our own human sexuality. The comedy is a romp of three gay protagonists and their adventures and misadventure in ancient Rome and their characters; an ex-gladiator, Enclopius, his young lover, Giton, and an upper class snob, Ascyltos. It should also be said that this ballet is not pure gratuitous vulgarity, there is a interweaving story containing a deeper message of real human relationships, the satire of ancient Roman archetypes, and a humorous glimpse into ancient Roman life that still rings true even 2,000 plus years later. Regardless of the subject matter, Holland's original music is fantastic tapestry of counterpoint, set in a sort of atonal-ism and heavy percussion, evoking a period of history no longer available to us. Although not all cues and counterpoint is contained here, this piano score is extremely useful for either a performance with 2 pianos and percussion and a dance company, a director's/choreographer's score, or a concise conductor's score, or rehearsal score. Measure numbers line up with the full score. An orchestral, performance CD is available for those company's on a budget.
$34.95
32.09 €
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Ensemble de Percussions
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James Nathaniel Holland
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The Satyricon, A Balletic Roman Sex Comedy in 3 Acts, Individual Parts 2
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James Nathaniel Holland
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SheetMusicPlus
Percussion Suite: Dracula's Curse (Full Score)
Ensemble de Percussions
Percussion Ensemble African Percussion,Bass Marimba,Bongos,Boomwhackers,Conga Drum,Drum Se…
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Percussion Ensemble African Percussion,Bass Marimba,Bongos,Boomwhackers,Conga Drum,Drum Set,Snare Drum,Vibraphone - Level 4 - Digital Download SKU: A0.1416844 By JC Croyle. By JC Croyle. Classical,Halloween,Multicultural,World. 75 pages. JC Croyle #998440. Published by JC Croyle (A0.1416844). This is One of Four Percussion suites (Part II) that can either be played with the other three portions or by itself or even each part inside this portion of the suite for performance. Â Included with the score and each instrument part are the entire instrumentation, storyboards, and a character Bio Page. Â Why is there a character Bio page and storyboard you ask? Â This suite combined with the others can also be performed as a contemporary dance piece following the story of the short story (which is in the public domain) written by Bram Stroker as a prelude to Dracula entitled Dracula's Curse. Â Instrumentation for each portion can range from Orchestral Bass Drum, Snare Drum, and Marimba Parts to drum-set to Boom Whackers. Â Note: Most of the Marimba parts and some of the Vibeâ??s parts are written for Grand Marimba, these could also be played on a piano if need be. Â Same with the Vibes. Â Each mallet part could also be split so that 2-3 people play it instead of a more advanced player playing with 4 mallets. Â This would be the same for the Boom Whacker sections as well.
$50.00
45.91 €
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Ensemble de Percussions
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JC Croyle
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Percussion Suite: Dracula's Curse
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JC Croyle
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SheetMusicPlus
Dizzy Dog's Disaster
Ensemble de Percussions
Percussion Ensemble - Level 3 - Digital Download SKU: A0.968248 Composed by Lawrenc…
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.968248 Composed by Lawrence H. Underwood. Concert,Contemporary,Instructional,Standards. Score and parts. 9 pages. Lawrence H Underwood #6255365. Published by Lawrence H Underwood (A0.968248). All the pieces in the Mix & Match Ensemble Series were written so that not only like instruments may perform together, but virtually any combination of dissimilar instruments can join together successfully in chamber groups. All of these original compositions are of sufficient length to meet the requirements of solo & ensemble contests and festivals.Each piece in the series has been arranged for and can be performed by any combination of flute, oboe, bassoon, clarinet, bass clarinet, alto saxophone, tenor saxophone, baritone saxophone, French horn, trumpet (baritone - treble clef), trombone, euphonium/baritone - bass clef, tuba, mallet percussion, violin, viola, cello, and bass.
$5.99
5.5 €
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Ensemble de Percussions
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Lawrence H
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Dizzy Dog's Disaster
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Lawrence H Underwood
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SheetMusicPlus
Vivaldi Medley for Marimba Band - Score Only
Ensemble de Percussions
Percussion Ensemble - Level 4 - Digital Download SKU: A0.1295814 By Joan Lithgow. B…
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Percussion Ensemble - Level 4 - Digital Download SKU: A0.1295814 By Joan Lithgow. By Antonio Vivaldi. Arranged by Joan Lithgow. Baroque,Children,Contemporary,Multicultural,World. 12 pages. Joan Lithgow Music #886140. Published by Joan Lithgow Music (A0.1295814). This piece is ideally suited for the Marimba Workshop (Pty) Ltd marimbas.www.marimbaworkshop.co.za  It was arranged for the Goede Hoop Marimba Band to be performed at the 2016 Education Africa International Marimba & Steelpan Festival in the Strictly Classical Category where the composer for this category for that year was Antonio Vivaldi. This performance has gone viral on YouTube. These young girls were aged between 11 and 13 at the time. It is written for African diatonic marimbas in C with an African feel but can be played on a variety of different instruments. Feel free to roll (measured or unmeasured) on the long notes.Whenever I teach this arrangement my students fall in love with Vivaldi and his music. The medley consists of music from Vivaldi's Four Seasons: Spring and Winter and his famous Gloria. There is a joy and wonder as the harmonies and patterns are revealed to them through my unique methodology I use to teach them.I hope you have fun learning this arrangement.I would love to hear your version of this piece. Please email:  joan@marimbaworkshop.co.za.
$19.99
18.36 €
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Ensemble de Percussions
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Joan Lithgow
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Joan Lithgow
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Vivaldi Medley for Marimba Band - Score Only
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Joan Lithgow Music
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SheetMusicPlus
Mimi`s Dream
Ensemble de Percussions
Percussion Ensemble - Level 3 - Digital Download SKU: A0.889421 Composed by Luis An…
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.889421 Composed by Luis Anjos Teixeira. Concert,Contemporary,Standards. Score and parts. 37 pages. Luis Anjos Teixeira #3516025. Published by Luis Anjos Teixeira (A0.889421). „Mimi`s Dream is a piece for a mixed group of about 18 musicians. Pan flute, soprano recorder 1, soprano recorder 2, alto flute, tenor recorder, bass recorder, bass flute, Bells, tubular bells, chimes, percussion, drumset, Harp, celesta, double bass, BW tubes, It is a flexible piece and very easy for some of the performers, so it can be played by a mixed group of beginners, middle and advanced musicians altogether. Entirely dedicated to Mimi the Stray Queen Cat, that adopted me and my Wife for her Family. The score was written on Finale. The sound file was performed with samplers from Garritan and conceived as an audio support for the presentation of the score. This is the first time that this version is published. Thank you very much for taking your time to read this text and to listen to the file. I hope you have a lot of fun and enjoy the music. Sheers! Thanks to Claudia Eppelt for the cover design, all the Love and inspiration. Special Thanks to Nina, and to Stray Queen Mimi plus all my Feline Family. Thank you for all the Love and Compassion. Love Forever. Luis Anjos Teixeira
$22.22
20.4 €
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Ensemble de Percussions
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Luis Anjos Teixeira
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Mimi`s Dream
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Luis Anjos Teixeira
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SheetMusicPlus
Devil's Rag (Marimba Accompaniment)
Ensemble de Percussions
Percussion Ensemble - Level 3 - Digital Download SKU: A0.939387 Composed by Adam Gr…
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.939387 Composed by Adam Grim. Concert. Score and parts. 25 pages. Adam B. Grim #6200531. Published by Adam B. Grim (A0.939387). The Devil's Rag is a fun little xylophone rag based on some of the famous Green brothers' rags that really made xylophone literature catch on. This is more advanced and requires some quick hands, but is really entertaining to play and listen to. It is mostly in C minor, but plays in C major as well to depict the xylophone player trying to entertain the devil while keeping their own sanity. The player is the jester of the underground, making some interesting music and harmony while keeping rhythmic ideas quick and steady. Truly a joy to play. This is the marimba quartet accompaniment version, for a piano accompaniment see my SMP Account.
$15.00
13.77 €
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Ensemble de Percussions
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Adam Grim
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Devil's Rag
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Adam B. Grim
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SheetMusicPlus
Gontinhães - Score Only
Ensemble de Percussions
Percussion Ensemble - Level 2 - Digital Download SKU: A0.1148985 Composed by Rudesi…
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Percussion Ensemble - Level 2 - Digital Download SKU: A0.1148985 Composed by Rudesindo Soutelo. Children,Contemporary. Score and parts. 27 pages. Publisher by Rudesindo Soutelo #749030. Published by Publisher by Rudesindo Soutelo (A0.1148985). Gontinhães (2022) for Orff instruments [ca. 4' 40] ISWC: T-310.170.220-5 ISMN: 979-0-707704-05-9 --- The musical quality of the Instrumental Group of the Vila Praia de Âncora Basic School (Portugal) made me write this piece for Orff instruments and, as a tribute to the Group, I entitled the piece with the old name of the village. All the parameters of the work start from a generator complex {3, 2, 3, 2} taken from the number of letters that contain the four syllables of the title. --- A qualidade musical do Grupo Instrumental da Escola Básica de Vila Praia de Âncora (Portugal) fez que eu escrevesse esta obra para instrumentos Orff e, em homenagem ao Grupo, intitulasse a peça com o antigo nome da Vila. Todos os parâmetros da obra partem dum complexo geratriz {3, 2, 3, 2} retirado do número de letras que contêm as quatro sÃlabas do tÃtulo.
$7.00
6.43 €
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Ensemble de Percussions
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Rudesindo Soutelo
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Gontinhães - Score Only
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Publisher by Rudesindo Soutelo
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SheetMusicPlus
Chops McGee's Bucket of Chops
Ensemble de Percussions
Percussion Ensemble - Level 3 - Digital Download SKU: A0.1013933 Composed by Tsoof …
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.1013933 Composed by Tsoof Baras. Standards. Score and parts. 15 pages. Tsoof Baras #6332949. Published by Tsoof Baras (A0.1013933). Players - 4Instrumentation - Concert Toms.Inspired by the music of Kevin Tuck, this drumming quartet is an introduction to 12/8, soloing and creating melodies across parts.As always, the aim is that the ensemble has fun and enjoys the groove. Coming from a long background of Latin and African drumming styles, this composition places a heavy emphasis on feeling the rhythm and hearing all the parts lock in.
$45.00
41.32 €
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Ensemble de Percussions
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Tsoof Baras
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Chops McGee's Bucket of Chops
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Tsoof Baras
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SheetMusicPlus
T.S.I.N.
Ensemble de Percussions
Percussion Ensemble - Digital Download SKU: A0.999279 Composed by Augusto Piccinini…
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Percussion Ensemble - Digital Download SKU: A0.999279 Composed by Augusto Piccinini. Contemporary. Score and parts. 20 pages. Augusto Piccinini #5777913. Published by Augusto Piccinini (A0.999279). T.S.I.N. is a very experimental piece for percussion ensemble (4 concert bass drums). Each letter is a homage to a different composer: Takemitsu, Dennis Smalley, Ryoji Ikeda and Alva Noto. Largely based on taiko drumming, this piece is very energetic and destructive. At times the ressonance of the 4 drums will create a subwoofer effect that is more felt than heard.
$10.00
9.18 €
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Ensemble de Percussions
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Augusto Piccinini
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T.S.I.N.
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Augusto Piccinini
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SheetMusicPlus
The Nurse's Tale, by P. Tchaikovsky for Percussion Ensemble (arr. Rodrigo Teodoro)
Ensemble de Percussions
Percussion Ensemble - Level 3 - Digital Download SKU: A0.920004 Composed by Peter I…
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.920004 Composed by Peter Ilyich Tchaikovsky. Arranged by Rodrigo Teodoro. Children,Christmas,Holiday,Romantic Period. Score and parts. 20 pages. Rodrigo Teodoro #6345177. Published by Rodrigo Teodoro (A0.920004). 10 Parts, although one person can play multiple percussion parts.Full Part List-Glockenspiel -Vibraphone -Xylophone -Marimba-Snare Drum-Bass Drum-Triangle-Tambourine-Cymbals-TimpaniThe Nurse's Tale, for Percussion EnsembleA solo piano piece orchestrated for percussion ensemble.In a letter, the composer wrote: A while ago I thought that it would not be a bad idea to make a small contribution to the stock of children's musical literature, which is very modest. I want to create a series of little individual pieces just for children, and with an attractive title, like Schumann's. This piece is part of a cycle of 24 piano pieces composed between May and July 1878.Contact Info:e-mail: rodrigororiz7@gmail.com
$8.99
8.26 €
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Ensemble de Percussions
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Peter Ilyich Tchaikovsky
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Rodrigo Teodoro
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The Nurse's Tale, by P. Tchaikovsky for Percussion Ensemble
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Rodrigo Teodoro
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SheetMusicPlus
Alexandriana for Percussion Ensemble
Ensemble de Percussions
Percussion Ensemble - Level 5 - Digital Download SKU: A0.937755 Composed by Dan Hes…
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.937755 Composed by Dan Heslink. Contemporary,World. Score and parts. 128 pages. Pharaoh Publications #5983475. Published by Pharaoh Publications (A0.937755). Alexandriana for percussion ensemble (12 performers) by Dan Heslink The term Alexandriana is popularly used to reference the Great Library of antiquity in Alexandria, Egypt. Rooted in Alexander the Great’s global military and exploratory exploits (334 - 323 BCE), the library symbolizes the ancient Greek ever expanding worldview, especially under the influence of Alexander and his tutor, Aristotle. Alexander died long before construction of the Ancient Museum and Library of Alexandria, but the concept of a universal library was uniquely his. The mixing of Hellenistic columns with Egyptian architecture and the housing of thousands of scrolls in Greek, Turkish, Babylonian, Egyptian and Hebrew, intensify the division of the library broadly into two large sections, one for eastern knowledge and one for western knowledge. In this musical score, typically western is the thematic concept (expressed most clearly in the chimes), the tonal, triadic-based harmony and sectional concept of form. The music’s sectional nature parallels the library’s different rooms, each containing their own genre of knowledge (history, mathematics, poetry, etc.) Evocative of eastern musical practices are the simultaneous layers of different rhythmic subdivisions, oriental modes, and florid lines in the xylophone and vibe parts. In this score, eastern musical procedures are expressed with instruments commonly found in the Western orchestra or wind band. The performers are encouraged to always emphasize the score’s contrasts. Passages for indefinitely pitched percussion featuring the song within the drums contrast with other passages of purely quantitative rhythm. Complexity in the interaction of parts contrast with simple rhythmic unison. Passages of thick harmony contrast with modal monophonic melodies accompanied only by indefinitely pitched sounds. Overall, there is a wide dynamic range. During long passages of gradually accruing energy, take care to not build dynamics too quickly, and during fortissimo passages, drums should be stroked in a manner that avoids excessive aggression. The rhythmic background of 16th notes must be consistent among all players so that interlocking rhythmic motifs are consistent. Often the tom-toms have melodic passages that imitate the shape of mallet or timpani melodies. Tune the drums for a warm, round sound and select mallets accordingly. Bar percussion players should apply a flowing legato to their passage work. Soft sections are intended to sound mysterious: be sure to use mallets that match that character. The composer assigns a performance level of difficult to this work. Performance time is 9:15. The composer, Dan Heslink, can be reached at dan@dheslink.com.
$9.99
9.17 €
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Ensemble de Percussions
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Dan Heslink
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Alexandriana for Percussion Ensemble
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Pharaoh Publications
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SheetMusicPlus
The Office - Theme (Orff Ensemble) - Easy Version
Ensemble de Percussions
Early Intermediate - Digital Download Score, Set of Parts. 15 pages. Published by Mus…
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Early Intermediate - Digital Download Score, Set of Parts. 15 pages. Published by Music Preparation Services
Written by band guitarist Matt Slocum, Kiss Me is a delightfully dreamy rock/pop song, which became a staple of the late 90s and early 2000s. Released in August 1998, the song was a worldwide success, also featuring prominently in TV show Dawson’s Creek, and 1999 American teen romantic-comedy film She’s All That (an adaptation of My Fair Lady).<br> <br> This energetic arrangement in D major would be an excellent addition to any string quartet’s repertoire, especially for weddings and functions. The lead melodies are mainly carried by Violin I and ‘Cello, with the syncopated rhythms of the guitar riff maintained within the ensemble, ensuring all members of the quartet can enjoy playing this 90s classic.
$12.99
11.93 €
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Ensemble de Percussions
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The Office - Theme
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Music Preparation Services
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SheetMusicPlus
Two Dreams for solo Trombone and 8-part Percussion Ensemble
Ensemble de Percussions
Percussion Ensemble - Level 5 - Digital Download SKU: A0.811252 Composed by Antonio…
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.811252 Composed by Antonio J. Garcia. Contemporary,Jazz,Latin,World. Score and parts. 119 pages. Gordon Cherry #6549777. Published by Gordon Cherry (A0.811252). Two Dreams for Trombone and Percussion EnsembleDr. Justin Alexander (Director, VCU Percussion Ensemble) invited me to create a piece for trombone and percussion ensemble that had roles for more- and less-experienced players so that they could mix within the performance. I so enjoyed composing and performing this work. He estimates the overall difficulty grade of Movement I to be a three on a five-point scale and Movement II to be a four, with a grade four for the overall piece; but some players’ parts (within the eight total in the percussion ensemble) are indeed easier.The two Movements are approximately five minutes each.The first Movement Bilita Mpash (An Amazing Dream) calls for (1) shekeré/guiro; (2) 5-octave marimba (shared with...); (3) 5-octave marimba (shared with previous); (4) claves/drum set with mounted cowbell; (5) bell/mounted cowbell/congas; (6) hi-hat/suspended cymbal; (7) bass drum; and (8) four toms/maracas.The Second Movement (Running with the Tigers) calls for (1) xylophone; (2) vibraphone/glockenspiel; (3) 5-octave marimba; (4) drum set; (5) shaker/samba whistle/congas (opt. voice); (6) triangle/bell tree/hanging bells/agogo bells (opt. voice); (7) bass drum (opt. voice); and (8) Timpani (opt. voice). Pending difficulty levels, the conga and drum set parts can optionally be split among additional percussionists. The score notes offer a stage plot and many rehearsal tips.Bilita Mpash (An Amazing Dream)The 3-2 Rumba Clave anchors this movement, launched by the shekeré. Rhythmic vamps of multiple bars form the landscape over which the trombone’s melody emerges, followed by a move to double-time 2-3 Rumba Clave (with montuno) and back. The trombone soloist improvises without chordal accompaniment for a while so could reflect on the preceding harmonies or instead freely improvise with no concern as to chord changes, while a later section requires improv over chord changes. After the recap, a surprise tag of the ending phrase in Cha Cha sets up the rubato finish. Bilita Mpash (BILL-it-uh m-POSH) is a Bantu term for an amazing dream, a dream so good that it is the polar opposite of a nightmare-a dream in a blissful state where all is forgiven and forgotten2. Running with the TigersThe opening, written-out marimba solo is somewhat of a nod to vibist Gary Burton’s influence in bringing mallets towards the expression of modern jazz. A 9/8 samba-groove (5+4) transforms to 4/4. None of the percussionists have to have a jazz background, though the drum set player would be more challenged if not already exposed to Latin drumming. The improvised solo section could be all solo trombone or could be divided among various performers, including trading. The recap of the tune begins over 5/8 samba (3+2, later 2+3). The closing arrhythmic drum-set solo crescendos as the optional surprise of percussionists’ (or additional) voices sing at the end. The title of this movement refers to a recurring dream my dad would have, as well as to the active movements of my grandson when sleeping in his earliest years.-Antonio J. GarcÃaInstrumentation is for:Solo Trombone and 8-part Percussion Ensemble:shekeré/guiro, 2 5-octave marimbas, claves/drumset with cowbell, bell, congas, hi-hat, suspended cymbal, bass drum, toms, maracas, xylophone, vibraphone, glockenspiel, shaker, samba whistle, congas, triangle, bell tree, hanging bells, agogo bells, bass drum and timpani.This rhythmic and dramatic work includes improvisation by the Trombonist. Listen to the brilliant live performance featuring Mr. Garcia and the Virginia Commonwealth University Percussion Ensemble directed by Dr. Justin Alexander.
$50.00
45.91 €
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Ensemble de Percussions
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Antonio J
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Two Dreams for solo Trombone and 8-part Percussion Ensemble
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Gordon Cherry
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SheetMusicPlus
Asian Symmetries
Ensemble de Percussions
Percussion Ensemble - Level 3 - Digital Download SKU: A0.935379 Composed by Dan Hes…
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.935379 Composed by Dan Heslink. Contemporary,World. Score and parts. 30 pages. Pharaoh Publications #4978359. Published by Pharaoh Publications (A0.935379). Asian Symmetries by Dan Heslink Asian Symmetries is a fanciful work which draws loosely from the musical procedures and sonic preferences of Indonesian and other Asian musical styles. It is scored for three percussionists, each with their own battery of instruments. Gamelan-like impressions might be inferred from the cyclical nature of its rhythm, using metal plates like cymbals and gongs to mark large units of rhythmic time. Also evocative are the faster moving elaborations and a preponderance of metallophones in the instrumentation. The work is medium to difficult in its demands. There are quick changes of instrument, planned to be manageable but requiring some attention to logistics Each player’s performance station must remain stationary, with all instruments in reach without moving the performer’s position. Percussion I and Percussion III players must set up next to each other so that they may share the tenor drum. A selection of mallets that allows different striking surfaces to sound good without undue picking up and setting down of mallets is suggested. Changes of meter and tempo occur, and an odd meter section sporting measures in 12/8, 6/8, 11/8 may require some additional attention. The instrumentation is selected to approximate Asian sounds with common western instruments. Performance time is 6:28. The composer, Dan Heslink, can be reached at dan@dheslink.com.
$4.99
4.58 €
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Ensemble de Percussions
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Dan Heslink
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Asian Symmetries
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Pharaoh Publications
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SheetMusicPlus
French National Anthem (La Marseillaise) Easy Percussion Ensemble
Ensemble de Percussions
Percussion Ensemble - Level 1 - Digital Download SKU: A0.732831 By Brooks Holmes. B…
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Percussion Ensemble - Level 1 - Digital Download SKU: A0.732831 By Brooks Holmes. By Claude Rouget de Lisle. Arranged by Brooks Holmes. Folk,Instructional,Multicultural,Patriotic,World. Score and parts. 12 pages. Brooks Holmes #341090. Published by Brooks Holmes (A0.732831). This arrangement was designed for young musicians in the comfortable key of Concert F. It’s perfect for younger players with simple rhythms & limited requirement of rudiments. The piano part supports the melody but rarely doubles it. The solo part is easy to read yet still sounds totally professional and reflects a traditional vocal performance that’s perfect for any occasion. Check out Mr. Holmes’ YouTube performance for more details!
$6.99
6.42 €
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Ensemble de Percussions
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Brooks Holmes
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Brooks Holmes
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French National Anthem
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Brooks Holmes
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SheetMusicPlus
Silent Night Prelude for percussion octet
Ensemble de Percussions
Percussion Ensemble - Level 2 - Digital Download SKU: A0.935383 Composed by Franz X…
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Percussion Ensemble - Level 2 - Digital Download SKU: A0.935383 Composed by Franz Xaver Gruber. Arranged by Dan Heslink. Christian,Christmas. Score and parts. 20 pages. Pharaoh Publications #5363007. Published by Pharaoh Publications (A0.935383). Silent Night Prelude for Percussion Octet arr. by Dan Heslink This work is based on the well-loved Christmas carol, composed in 1818 by Franz Xaver Gruber. This theme is so popular that it was declared an intangible cultural heritage by UNESCO in 2011. And the version sung by Bing Crosby in 1935 is the fourth best-selling single recording of all-time. It’s sure to motivate your audience close to Christmas. The Prelude begins with a brisk tempo. Although notated in 3, as is customary in more modern renditions (the original theme was notated in 6), the tempo must be fast enough that two measures of 3 create a binary pairing (like 6/4 in two). It may be necessary to slightly slow down the roll speed to avoid a frenetic sound. The difficulty level is easy. There are no changes of key, and the timpani part requires only two drums (Bb, F) with no tuning changes. The vibe part could be played with two mallets, but might execute more comfortably with three. The other keyboard parts use only two mallets each. The expression of this beautiful tune will be greatly enhanced by exaggerating the contrasts of dynamics. Accompaniment and ornamental figures must at all times be sublimated to the familiar theme. At the last strain, players should sing the well-known words in order to lead the audience or congregation in group singing. It would be helpful for the conductor to turn and face the audience at this point. This closing passage may be repeated for any number of sung verses. Use a smooth, relaxed stroke to elicit as much legato as possible. At points a continuous arpeggio accompaniment is divided among the instruments. Care must be taken to keep the sixteenth note speed consistent. The opening runs should be performed half-pedal on the vibes for clarity. Prelude on Silent Night would serve equally well in recital or in a church service. Duration is 3:10. The arranger, Dan Heslink, can be contacted at dan@dheslink.com
$4.99
4.58 €
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Ensemble de Percussions
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Franz Xaver Gruber
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Dan Heslink
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Silent Night Prelude for percussion octet
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Pharaoh Publications
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SheetMusicPlus
Christmas Calypso for Percussion Sextet
Ensemble de Percussions
Percussion Ensemble - Level 2 - Digital Download SKU: A0.935389 Arranged by Dan Hes…
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Percussion Ensemble - Level 2 - Digital Download SKU: A0.935389 Arranged by Dan Heslink. Christian,Christmas. Score and parts. 18 pages. Pharaoh Publications #6117159. Published by Pharaoh Publications (A0.935389). Christmas Calypso for Percussion Sextet . . . . . . . . . . . . . . arr. Dan Heslink The calypso style referenced in the title is not the calypso of Afro-Caribbean music from Trinidad and Tobago. Rather, it is the especially toned-down but still rhythmic commercial variant popularized by folk singers. Couched in this style, the arrangement offers Christmas favorites Deck the Halls, Angels We Have Heard On High, God Rest Ye Merry Gentlemen and Good Christian Men, Rejoice. This if one of two versions of the calypso arrangement by Dan Heslink, both of which are available through Sheet Music Plus. The other arrangement, percussion sextet, follows similar musical contours and is available separately. Both versions are intended to elicit one primary response from both performers and audience – fun. It does not tax the players technically, but delivers a satisfying sound with carols that the performers likely know and love. General audiences will be enchanted by the familiar melodies delivered in percussion, especially at Christmas time. The introduction opens with a brisk and rhythmic introduction based on Deck the Halls, and establishes the fun calypso rhythm immediately. Deck the Halls is the much-loved welsh air that was arranged by Haydn, Nos galan (Hob. XXXIb:29, 1803). Then, Angels We Have Heard on High breaks out in double-stops with a continuation of the rhythmic impetus. The birth of Jesus Christ as narrated in the Gospel of Luke is the subject of Angels We Have Heard on High, a traditional French song of unknown origin. The gloria section provides some flowing contrast, portraying the shepherds’ impressions as they encounter a multitude of angels singing and praising. The performers are encouraged to use a relaxed stroke to glide through these passages. Following is God Rest Ye Merry Gentlemen, a 16th century English traditional Christmas carol also known under the title, The old Christmas Carol. It provides a contrast in tonality (minor mode) and texture. The xylophone part likely will lay most comfortably when executed with four mallets, although there are no three or four mallet chords in these passages. Good Christian Men, Rejoice is the closing selection in this Christmas medley. It’s title is an English translation of In dulci jubilo (Latin for In sweet rejoicing). The work ends happily with a summation of the calypso rhythm. This medley will be especially effective programmed on a winter holiday concert. Duration is 2:30. The arranger, Dan Heslink, assigned a difficulty level of medium easy, and can be contacted at dan@dheslink.com.
$4.99
4.58 €
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Ensemble de Percussions
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Dan Heslink
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Christmas Calypso for Percussion Sextet
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Pharaoh Publications
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SheetMusicPlus
Christmas Calypso for Marimba Quartet
Ensemble de Percussions
Percussion Ensemble - Digital Download SKU: A0.935390 Arranged by Dan Heslink. Chri…
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Percussion Ensemble - Digital Download SKU: A0.935390 Arranged by Dan Heslink. Christian,Christmas. Score and parts. 16 pages. Pharaoh Publications #6117165. Published by Pharaoh Publications (A0.935390). Christmas Calypso for Marimba Quartet . . . . . . . . . . . . . . arr. Dan HeslinkThe calypso style referenced in the title is not the calypso of Afro-Caribbean music from Trinidad and Tobago. Rather, it is the especially toned-down but still rhythmic commercial variant popularized by folk singers. Couched in this style, the arrangement offers Christmas favorites Deck the Halls, Angels We Have Heard On High, God Rest Ye Merry Gentlemen and Good Christian Men, Rejoice. This if one of two versions of the calypso arrangement by Dan Heslink, both of which are available through Sheet Music Plus. The other arrangement, for percussion sextet, follows similar musical contours and is available separately. Both versions are intended to elicit one primary response from both performers and audience – fun. It does not tax the players technically, but delivers a satisfying sound with carols that the performers likely know and love. General audiences will be enchanted by the familiar melodies delivered in percussion, especially at Christmas time. The introduction opens with a brisk and rhythmic introduction based on Deck the Halls, and establishes the fun calypso rhythm immediately. Deck the Halls is the much-loved welsh air that was arranged by Haydn, Nos galan (Hob. XXXIb:29, 1803). Then, Angels We Have Heard on High breaks out in double-stops with a continuation of the rhythmic impetus. The birth of Jesus Christ as narrated in the Gospel of Luke is the subject of Angels We Have Heard on High, a traditional French song of unknown origin. The gloria section provides some flowing contrast, portraying the shepherds’ impressions as they encounter a multitude of angels singing and praising. The performers are encouraged to use a relaxed stroke to glide through these passages. Following is God Rest Ye Merry Gentlemen, a 16th century English traditional Christmas carol also known under the title, The old Christmas Carol. It provides a contrast in tonality (minor mode) and texture. The xylophone part likely will lay most comfortably when executed with four mallets, although there are no three or four mallet chords in these passages. Good Christian Men, Rejoice is the closing selection in this Christmas medley. It’s title is an English translation of In dulci jubilo (Latin for In sweet rejoicing). The work ends happily with a summation of the calypso rhythm. This medley will be especially effective programmed on a winter holiday concert. Duration is 2:30. The arranger, Dan Heslink, assigned a difficulty level of medium easy, and can be contacted at dan@dheslink.com.
$4.99
4.58 €
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Ensemble de Percussions
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Dan Heslink
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Christmas Calypso for Marimba Quartet
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Pharaoh Publications
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SheetMusicPlus
Four Forces (First movement) I. Strong Forces
Ensemble de Percussions
Percussion Ensemble - Level 5 - Digital Download SKU: A0.962406 Composed by Salvado…
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.962406 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 173 pages. Salvador Rojo-Gamon #5801913. Published by Salvador Rojo-Gamon (A0.962406). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$300.00
275.48 €
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Ensemble de Percussions
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Salvador Rojo Gamón
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Four Forces
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Salvador Rojo-Gamon
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SheetMusicPlus
Four Forces (Second movement) II. Weak Forces
Ensemble de Percussions
Percussion Ensemble - Level 5 - Digital Download SKU: A0.962405 Composed by Salvado…
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.962405 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 255 pages. Salvador Rojo-Gamon #5801921. Published by Salvador Rojo-Gamon (A0.962405). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$150.00
137.74 €
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Ensemble de Percussions
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Salvador Rojo Gamón
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Four Forces
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Salvador Rojo-Gamon
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SheetMusicPlus
The Man Who Laughs
Ensemble de Percussions
Percussion Ensemble - Level 5 - Digital Download SKU: A0.1025413 Composed by Jehad …
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.1025413 Composed by Jehad Choate. 20th Century,Contemporary,Film/TV. Score and parts. 67 pages. Jehad Choate #4781401. Published by Jehad Choate (A0.1025413). The Man Who Laughs is a musical portrait of Batman’s greatest adversary, the Joker (Detective Comics). This piece draws inspiration from both comic book sources and live-action performances on film and television. It features five continuous sections:One Bad Day: (Page 1) A prelude showcasing a lush melodic theme that ascribes the derangement of a normal man to the dramatic events of one bad day.How I Got These Scars: (Page 10) Introduces additional thematic material at a frantically energized pace to contrive an identity from a mind fragmented by hitting rock bottom.Why So Serious: (Page 17) Punctuates the Joker’s aggressive resolutions with a reoccurring two note motif.A Dance with the Devil: (Page 33) A fleshed-out unity of previous materials in a romantic waltz-like style.Giggling in a Corner and Bleeding: (Page 47) A dynamic and provocative bout of hysteria that challenges the speed and dexterity of a player in the same way the Joker challenges the ideological resolve of Batman. By the end of this section, the audience might feel like they have been attacked by the Joker, influenced by him, or may have actually been the Joker all along.
$10.00
9.18 €
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Ensemble de Percussions
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the end of this section, the audience might feel like they have been attacked by the Joker, influenced by him, or may have actually been the Joker all along
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Jehad Choate
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The Man Who Laughs
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Jehad Choate
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SheetMusicPlus
Game Of Thrones
Ensemble de Percussions
By Ramin Djawadi. Arranged by Flávio Régis Cunha. Score, Set of Parts. 5…
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By Ramin Djawadi. Arranged by Flávio Régis Cunha. Score, Set of Parts. 59 pages. Published by Flavio Regis Cunha
This is a powerful arrangement of Game of Thrones for a small and pliable ensemble of Percussion, harpsichord (piano optional) and strings. You can use it to make a big impact on weddings, business presentations, parties, celebrations, and music concerts. Your group will vibrate with the vibrancy and great impact that this music can cause on the public. The level is intermediate and quite affordable.<br> <br> Flavio Regis Cunha is a pianist, conductor and composer from São Paulo - Brasil. He is currently finishing his doctorate at Mackenzie Presbyterian University where he works as conductor of the Mackenzie University Orchestra and resident composer. For more arrangements like this, works by commission or for any questions you can contact Flavio Regis Cunha at his facebook page: https://www.facebook.com/flavioregiscunha
$49.99
45.9 €
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Ensemble de Percussions
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Ramin Djawadi
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Game Of Thrones
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Flavio Regis Cunha
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SheetMusicPlus
Game Of Thrones
Ensemble de Percussions
Piano Accompaniment, Flute, Violin, Viola, Cello, Double Bass, Timpani, Drums, Multi- …
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Piano Accompaniment, Flute, Violin, Viola, Cello, Double Bass, Timpani, Drums, Multi- Percussion, Percussion Ensemble, Voice, Soprano Voice, Alto Voice, Tenor Voice, Bass Voice, Choir, 2 flutes, percussion, Choir, harpsichord (piano optional) and strings - Intermediate - Digital Download By Ramin Djawadi. Arranged by Flávio Régis Cunha. Score, Set of Parts. 55 pages. Published by Flavio Regis Cunha
This is a powerful arrangement of Game of Thrones for a small and pliable ensemble of two flutes, percussion, Choir, harpsichord (piano optional) and strings. You can use it to make a big impact on weddings, business presentations, parties, celebrations, and music concerts. Your group will vibrate with the vibrancy and great impact that this music can cause on the public. The level is intermediate and quite affordable.<br> <br> Flavio Regis Cunha is a pianist, conductor and composer from São Paulo - Brasil. He is currently finishing his doctorate at Mackenzie Presbyterian University where he works as conductor of the Mackenzie University Orchestra and resident composer. For more arrangements like this, works by commission or for any questions you can contact Flavio Regis Cunha at his facebook page: https://www.facebook.com/flavioregiscunha
$49.99
45.9 €
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Ensemble de Percussions
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Ramin Djawadi
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Game Of Thrones
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Flavio Regis Cunha
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SheetMusicPlus
Dandelion Wind
Ensemble de Percussions
Percussion Ensemble - Level 3 - Digital Download SKU: A0.942719 Composed by Frank P…
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.942719 Composed by Frank Pugh. Celtic,Contemporary,Standards. Score and parts. 8 pages. Frank Pugh #3550781. Published by Frank Pugh (A0.942719). The title of Dandelion Wind comes from watching the white seeds blow off of a dandelion head in a strong breeze. Once in motion, the seeds travel with the wind until they come to a final resting place on the ground below. This piece flows along in that vein of a seedling's windblown journey.Although two marimbas were used in the sound file, the piece works equally well with vibraphones, xylophones, or a vibe/xylo/marimba mix. It has a slight Celtic feel to it, and it comes in at just over 1:30 if played at the minimum suggested tempo. It's a great choice for your percussion ensemble or to showcase a pair of mallet players in your program. The piece only requires one mallet per hand.If you would like to know more about me and what I do, you may locate me on LinkedIn at Frank Pugh Independent Composer / Arranger . You may also find me on Facebook at @fpughmusic . I would love to know where my music is being performed if you care to share it. Thanks!
$4.99
4.58 €
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Ensemble de Percussions
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Frank Pugh
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Dandelion Wind
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Frank Pugh
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SheetMusicPlus
Can't Stop The Feeling from TROLLS
Ensemble de Percussions
Percussion Ensemble - Level 3 - Digital Download SKU: A0.991820 By Justin Timberlak…
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.991820 By Justin Timberlake. By Johan Schuster, Justin Timberlake, Max Martin, and Shellback. Arranged by Bradley R Meholick. Dance,Pop. Score and parts. 43 pages. Bradley R Meholick #3449965. Published by Bradley R Meholick (A0.991820). Have some fun with your percussion ensemble with this 2016 Justin Timberlake from the Dreamcast motion picture TROLLS. This arrangement is perfect for percussion ensembles at either the middle or secondary level as it's varied level parts makes this showy sounding arrangement very accessible to groups with students at different performance levels. An advancing mallet player can enjoy learning a familiar song while working their 4 mallet technique while those newer to the mallets can work with a part that stays on the popular melody.
$14.99
13.76 €
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Ensemble de Percussions
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Justin Timberlake
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Bradley R Meholick
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Can't Stop The Feeling from TROLLS
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Bradley R Meholick
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SheetMusicPlus
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